Lady Jeanne Galway SIR JAMES GALWAY - SUNDAY, OCTOBER 13, 2019 7:00PM - The ...
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SIR JAMES GALWAY
&
Lady Jeanne Galway
SUNDAY, OCTOBER 13, 2019
7:00PM
Renée Fleming
Returning LIVE to
The Paramount’s Stage
March 3, 2020
Tickets On Sale Now!
www.theparamount.net
Sir James Galway & Lady Jeanne Galway
with Michael McHale on Piano
2019 Recital Program
Sunday, October 13, 2019
Francis Poulenc: Sonata
Allegro malinconico
Cantilena
Presto giocoso
Gabriel Fauré: Fantaisie Op. 79
Andantino
Allegro
Cécile Chaminade: Concertino, Op. 107
Franz Doppler: Andante and Rondo Op. 25 – with Lady Galway
Intermission
F. J. Gossec: Tambourin
Marin Marais: “Le Basque”
Hamilton Harty: “In Ireland” Fantasy
D. Overton: Irish Folk Songs
Spinning Wheel
She Moved Through the Fair
The Star of the County Down
P. Morlacchi: “Il Pastore Svizzero”
Franz & Karl Doppler: “Rigoletto Fantasie” for Two Flutes & Pia-
no, Op. 38 - with Lady Galway
THANK YOU TO OUR EVENT SPONSORS:
ELIZABETH & JOE LEVACA
ANNE & EUGENE FIFE
PR O G R A M N OT ES The first part of tonight’s concert offers three fine works of French chamber music from the late Romantic and modern periods. Each of these composers is thoroughly individual, but the pieces share exquisite craftsmanship and a love of gracious melody. Francis Poulenc (1899-1963) was a prolific composer in many genres. Living in a time of modernist musical innovation, he admired Stravinsky and Schoenberg, but had little personal interest in using new harmonies. In 1942 he wrote: “I know perfectly well that I’m not one of those composers who have made harmonic innovations like Igor [Stravinsky], Ravel or Debussy, but I think there’s room for new music which doesn’t mind using other people’s chords. Wasn’t that the case with Mozart– Schubert?” Tonight’s Sonata, written in 1956-7, is one of three superb sonatas for wind instruments from Poulenc’s last years. In general, in Poulenc’s music his harmonies are close to those of 18th- and 19th-century European style, but sometimes with surprising “wrong notes.” Successive phrases often slip from one key to an unexpected new key. His characteristic flexible rhythm sometimes uses different numbers of beats in successive measures. In all his music, he draws on many different musical styles, often in surprising juxtapositions—beautiful melody with simple accompaniment, dramatic or contemplative music of deep feeling, jaunty bursts of popular style. The first movement (its title translates as “Melancholy Allegro”) combines contrasting elements—its plaintive opening melody, a section with cheerful little jumps, a grander, more assured melody. The “Cantilena” (the title means “a lyrical melody in vocal style”) is pensive, even grave. The final “Playful Presto,” a kind of rustic dance, draws in ideas from the first movement. Gabriel Fauré (1845-1924), a composer of delicately complex, refined music, was known for seductive, imaginative harmonic innovation. Early in his career, his unusual sounds limited his audiences to private salons; but acceptance grew, and from 1905 he was head of the Conservatoire de Paris. The Fantaisie, Op. 79 (1898) begins with an Andantino, rocking gently, showing Fauré’s unique gift for melody and for subtle, surprising harmony. The key (E minor) is clear, but the music turns away and returns, again and again, and makes a long, long line by delaying its first
its first conclusive cadence to the end of the movement, somewhat like
a lyric poem that consists of one beautifully-crafted sentence. In the
sweetly playful second movement Fauré, like Poulenc, draws melody
from his first movement into a new context.
Cécile Chaminade (1857-1944) was a successful composer, remarkable
for a woman at that time. Early in her career she wrote large-scale
works. After 1890, she wrote brief character pieces for piano and
songs, which were very popular, and only two larger works, one of
them tonight’s Concertino, Op. 107 (1902), commissioned by the Paris
Conservatory as a competition piece. The Concertino sustains a flow
of exuberant melody, warm and affirmative, decorated with virtuosic
flourishes and, near the end, a concerto-style solo cadenza.
With the music of Franz Doppler (1821-1882), we enter the world of
19th century flute virtuosity. Doppler was a composer and conductor,
and an outstanding flautist. He toured as a performer with his brother
Karl, also a flautist. Born in Lviv (now in Ukraine), he played flute in
opera orchestras in Pest (now part of Budapest) and Vienna, where he
also conducted for opera performances. He was a successful composer
of operas and ballets, and collaborated with Franz Liszt on the
orchestration of Liszt’s Hungarian Dances.
The Andante and Rondo, Op. 25 shows Doppler to be a skilled melodist.
The piece opens with a soulful operatic flute solo, later joined by the
other flute, the two combining sometimes in dialogue, sometimes
in matched parallel lines, sometimes in glittering coordinated
passagework. The piece moves through a variety of moods, enjoyable to
follow.
The next group of pieces takes us on a musical tour of European
regions. The “Tambourin” is a Provençal dance style, with evocation
of drumming. François-Joseph Gossec (1734-1829) was a musician
from the South Netherlands whose career was in France. He played
violin and bass, conducted, and composed opera, ballet, and vocal and
instrumental music. After the French Revolution he wrote grand pieces
to celebrate the new national identity, with great success.
(Continued)
Marin Marais (1656-1728) was a French viol virtuoso and composer of chamber music, almost all for viol, along with four operas and a few other pieces. His five books of music for viol comprise 596 pieces in 39 suites. “Le Basque” is from the 5th Suite in Marais’s 4th Book of Pieces for viol. Hamilton Harty (1879-1941), born in Ireland, was a successful composer, pianist, and conductor whose professional life was in England. During thirteen years as conductor of the Hallé Orchestra in Manchester, he was credited with raising the orchestra to the highest level in Europe. “In Ireland” (1915) comes with this brief description: “In a Dublin street at dusk, two wandering street musicians are playing.” It begins with a rhythmically free passage, the flute very high, the piano seemingly imitating a harp, and then falls into the style of a reel, a Scottish dance also popular in Ireland and the United States. Several Irish folk songs follow, arranged by David Overton, a contemporary British musician. With “The Swiss Shepherd” by Pietro Morlacchi (1828-1868), we continue to another European location and also return to the world of 19th century flute virtuosity. Italian flautist Morlacchi is remembered primarily for this well-liked composition. A wistful flute melody, with glum dance-like piano interludes, is heard twice, the second time an octave higher. The mood brightens as piano and flute share a folk-like song, and this leads to a set of virtuosic variations. Karl Doppler (1825-1900) was, like his brother, a flautist and conductor, and also a composer, though less productive than Franz. The brothers’ “Rigoletto Fantasie” draws on Verdi’s famous opera. It begins eerily with the two flutes in octaves, but moves quickly to parallel intervals and dialogue exchanges. There is lots of sparkling passagework as the piece moves through several ideas from the opera, with particular attention to Gilda’s aria “Caro nome.” Fred Everett Maus Department of Music, University of Virginia
AT THE PARAMOUNT
Met Opera 2019-20
Live Performance Broadcasts
Turandot Oct. 12
Puccini 12:55PM
Manon* Nov. 2
Massenet 12:55PM
Madama Butterfly Nov. 9
Puccini 12:55PM
Akhnaten Nov. 23
Glass 12:55PM
Wozzeck Jan. 11
Berg 12:55PM
Porgy & Bess Feb. 1
The Gershwins’ 12:55PM
Agrippina Feb. 29
Handel 12:55PM
Der Fliegende Mar. 28
Holländer* 12:55PM
Wagner
Tosca Apr. 11
Puccini 12:55PM
Maria Stuarda May 9
Donizetti 12:55PM
SIR J A ME S G A LWAY
“THE LIVING LEGEND OF THE FLUTE”
The living legend of the flute, Sir
James Galway is regarded as both the
supreme interpreter of the classical
flute repertoire and a consummate
entertainer whose appeal crosses all
musical boundaries.
Sir James has made himself a
modern musical master, whose
virtuosity on the flute is equaled only
by his limitless ambitions and vision.
Through his extensive touring, over 30 million albums sold and his frequent
international television appearances, Sir James has endeared himself to
millions worldwide and is a tireless promoter of the arts.
The 2017/18 season saw Galway with appearances spanning the globe,
including tours throughout the USA, Europe, and Asia.
Gala events include a special James Galway Tribute Gala at The Waterfront
Hall, Belfast, together with the Ulster Orchestra, celebrating their 50th year
and honoring Sir James, their first Artist Laureate. Other highlights include
a special tribute to his friend, Henry Mancini with the Chicago Symphony at
The Ravinia Festival and the BBC Proms in the Park at Castle Coole, Northern
Ireland.
The BBC commissioned the documentary “BEING JAMES GALWAY”
commentated by Jeremy Irons. It is already in international circulation,
highlighting the magnitude this great artist continues to bring to his fans
around the world.
Belfast born, Sir James studied in London and Paris before embarking on
his orchestral career in such prestigious orchestras such as the Sadlers Wells
& Royal Covent Garden Operas, The BBC, Royal Philharmonic and London
Symphony Orchestra, before taking up the coveted position of solo flautist
with the Berlin Philharmonic under Herbert von Karajan.
Since launching his successful career as a soloist in 1975, his busy touring
schedule sees him performing with the world’s leading orchestras and most
prestigious conductors. From Galway’s lips have come definitive treatments
of classical repertoire and masterworks by Bach, Vivaldi, and Mozart. He also
features contemporary music in his programs, including new flute works
commissioned by him and for him by composers such as Adamo, Amram,
Bolcom, Corigliano, Heath, Lieberman, and Maazel. Recent commissions
include a concerto ‘Linen & Lace’ by Bill Whelan (composer of Riverdance);
concerto by Elaine Agnew ‘Dark Hedges’ commissioned by BBC Radio 3 for
the Royal Albert Hall Proms, and a Double Flute concerto for 2 flutes written
especially for Sir James & Lady Galway by the Northern Irish Composer, Philip
Hammond.
The Galway Flute Academy is Sir James and Lady Galway’s educational
platform, where they share their wisdom and experience with the musical
generation of tomorrow. The Academy, which includes daily masterclasses,
weekend residencies and ten-day flute festivals, gives them such joy to be
able to change and enhance the lives of flutists of all levels. To further connect
them with students, educators, and flute lovers, the Galway’s created First
Flute www.firstflute.com, an online teaching series, which allows the student
to learn from Sir James anytime, anywhere and takes them on a visual journey
into his world of teaching. The latest addition to the Galway Flute Academy
is the launch of LiveLearn. This allows everyone to connect with them like
never before, through live streaming classes, webinars, private lessons, and
interactive Q&A sessions. www.galwayfluteacademy.com
Sir James continues commissioning new works for the flute, publishing
articles, flute studies, and books. To celebrate his legacy and commitment to
flute players all over the world, he has recently collaborated with Gemeinhardt
Flutes introducing the Galway Crusader Headjoint. Nagahara Flutes of
Boston have created a special ‘James Galway Nagahara Flute Series’; and as
part of their 125th Anniversary, Wm. S. Haynes Co have also produced a James
Galway Q Series edition.
A discography of over 70 CD’s with Sony BMG Classics and Deutsche
Grammophon ranging from the great classics such as Mozart & Bach, his
legendary performance on the sound track of ‘Lord of the Rings’ (Return of
the King) and his recording of “O’Reilly Street” with the Cuban timba group,
Tiempo Libre, reflects his mastery of musical diversity.
(Continued)
In celebration of Sir James’ legacy to music, Sony Classics honoured the ‘Master of the Flute’ with the release of a special box set containing 71 CD’s - all his recordings for Sony/RCA (available at Amazon.com). Sir James has played for such dignitaries as Queen Elizabeth II, Pope John Paul II, President William J. Clinton, President George W. Bush, President George H.W. Bush, President Mary McAleese, President Michael D. Higgins, Irish Prime Minister Enda Kenny, Prince Charles, HRH The Princess Royal, The Empress of Japan, The Queen of Norway, Queen Sofia of Spain, Princess Diana, TRH The Earl and Countess of Wessex, TRH The Duke and Duchess of Kent, President Shimon Peres and most recently, UK Prime Minister David Cameron, and has shared the stage with an amazing array of entertainers including Stevie Wonder, Henry Mancini, John Denver, Elton John, The Chieftains, Ray Charles, Joni Mitchell, Jessye Norman, Cleo Laine and Andrea Bocelli. He performed with Pink Floyd in their memorable concert at the Berlin Wall, was part of the Nobel Peace concert in Norway and performed at the G Seven summit hosted by Queen Elizabeth II in Buckingham Palace. He also devotes much of his free time supporting charitable organizations such as SOS, FARA, Future Talent, Youth Music (UK), The Caron Keating Foundation, Lorin Maazel’s Châteauxville Foundation, Shimon Peres Peace Center educational project and UNICEF, with which he holds the title of special representative. He is also Ambassador to the European Brain Council. Among the many honors and awards for his musical achievements are; the Gramophone 2014 Lifetime Achievement Award; the Grammy President’s Merit Award; Classic Brits Lifetime Achievement Award; The Hollywood Bowl Hall of Fame; The National Concert Hall Dublin Lifetime Achievement Award; Honorary Doctorate at Birmingham Conservatoire; Honorary Prince Consort Professor at the Royal College of Music in London and most recently the Kennedy Center Gold Medal in the Arts. He is also the recipient of numerous gold and platinum CD’s. In December 2009, Sir James was awarded the honour of being made the first Artist Laureate of the Ulster Orchestra. He has been honoured twice by Her Majesty Queen Elizabeth II, with The OBE in 1979 and again in 2001 with a Knighthood for his services to music. Sir James lives with his wife and family in Switzerland and currently plays on the 20 carat ‘Galway’ Nagahara Flute – especially commissioned for him.
L A DY JE AN N E G A LWAY
An accomplished flutist, Lady
Jeanne Galway continues to grace
the international platforms with her
virtuosity. One of the leading female
flute soloists of the decade, Lady
Galway brings to the audience her
unique style and elegance.
Her touring schedule regularly takes
her to many of the major cities in the
U.S. to perform as soloist with
orchestras such as Chicago, Philadelphia, Pittsburgh, Seattle, Denver, and the
National Symphony. Internationally, she has appeared in the cultural capitals
of the world including London, New York, Milan, Rome, Vienna, Salzburg,
Zurich, Dublin, Belfast, Tokyo, Beijing, and Singapore.
Appearing regularly as the premiere flute duo partner with her husband Sir
James Galway, the two delight audiences and bring a rare freshness to the
platform, unique in the music world.
The 2017/18 season saw Lady Galway with appearances spanning the globe,
including tours throughout the USA, Europe and Asia.
Gala events include a special James Galway Tribute Gala at The Waterfront
Hall, Belfast, together with the Ulster Orchestra, celebrating their 50th year.
Other highlights include a special tribute to Henry Mancini with the Chicago
Symphony at The Ravinia Festival and the BBC Proms in the Park at Castle
Coole, Northern Ireland.
In addition to her highly successful career as a soloist, Lady Galway is also
an accomplished chamber musician, touring regularly with various chamber
ensembles. A strong advocate for the importance of music education in the
school system, Lady Galway has recently taken to public speaking at various
international education conferences.
The Galway Flute Academy is Sir James and Lady Galway’s educational
platform, where they share their wisdom and experience with the musical
generation of tomorrow. The Academy, which includes daily masterclasses,
(Continued)weekend residencies and ten-day flute festivals, gives them such joy to be
able to change and enhance the lives of flutists of all levels. To further connect
them with students, educators and flute lovers, the Galway’s created First
Flute www.firstflute.com, an online teaching series, which allows the student
to learn from Sir James anytime, anywhere and takes them on a visual journey
into his world of teaching. The latest addition to the Galway flute Academy
is the launch of LiveLearn. This allows everyone to connect with them like
never before, through live streaming classes, webinars, private lessons and
interactive Q&A sessions. www.galwayfluteacademy.com
Lady Galway’s versatile concert engagements include performances in the
presence of The Empress of Japan, HRH The Earl and Countess of Wessex,
TRH The Duke and Duchess of Kent, The Queen of Norway, The Queen of
Spain, UK Prime Minister David Cameron, President Shimon Peres, President
Mary McAleese, President Michael D. Higgins & Irish Prime Minister Enda
Kenny.
Lady Galway serves as a patron to the charity Future Talent headed by
the Duchess of Kent and Ambassador of The European Brain Council. Her
versatile concert engagements are often for fundraising events for UNICEF,
SOS, FARA, and Marie Curie Cancer Care.
She has recorded to critical acclaim for RCA Victor, Sony BMG Classics, and
Deutsche Grammophon. Irish America Magazine awarded Sir James and Lady
Jeanne Galway the “2008 Spirit of Ireland” award in recognition for their
roles as musical ambassadors. A native New Yorker and graduate and former
member of the Flute Faculty of the New York City’s Mannes College of Music,
Lady Galway lives with her husband Sir James Galway in Switzerland. She is
currently performing on an 18 carat gold Nagahara flute.
The Paramount Theater of Charlottesville
thanks the Classical Circle Sponsor Members for
helping make this evening’s event possible.Tuesday evening ConCerT series
2 01 9 / 2 0 2 0 s e a s o n
Cabell Hall audiTorium 7:30pm universiTy of virginia
OCTOBER 1
PACIFICA QUARTET &
SHARON ISBIN, guitar
Turina, Vivaldi, Castelnuovo-
Tedesco, Puccini, Boccherini
UNDERWRITERS: DAVID W. GARRISON & MARY JANE KING UNDERWRITER: DAVID SANSONE
OCTOBER 22 PRINCIPAL UNDERWRITER:
MAURICE AMADO FOUNDATION
AMIT PELED, cello & UNDERWRITER: MARY VEE CONNELL
NOREEN POLERA, piano CHILDREN’S CONCERT UNDERWRITER:
WATTERSON FOUNDATION
Beethoven, Cassado, Strauss
NOVEMBER 12 PRINCIPAL UNDERWRITER:
CECILE ZINBERG
VADYM KHOLODENKO, piano UNDERWRITER:
Mozart, Beethoven, Godovsky WOODARD PROPERTIES
FEBRUARY 4
FAUST-QUEYRAS-MELNIKOV TRIO
PRINCIPAL UNDERWRITER: VIRGINIA NATIONAL BANK
UNDERWRITERS: CAROLYN & DAVID BEACH All-Beethoven program
FEBRUARY 25
VENICE BAROQUE ORCHESTRA &
ANN HALLENBERG, mezzo
PRINCIPAL UNDERWRITER: VESTA LEE GORDON
Vivaldi, Handel, Torri, Broschi
PRINCIPAL UNDERWRITER: BB&T WEALTH
MARCH 17 Shubert,
TABEA ZIMMERMANN, viola & Brahms, Falla,
JAVIER PERIANES, piano Albéniz,
UNDERWRITER: BOB BOND in memory of Kathy Bond Villa-Lobos,
UNDERWRITER: UVA CAVALIER TRAVELS Piazzolla
APRIL 21 Jonathan Cohen, Music Director
LES VIOLONS DU ROY Vivaldi, Bach
& AVI AVITAL, mandolin
PRINCIPAL UNDERWRITER: JACK DARRELL PRINCIPAL UNDERWRITER: CECILE ZINBERG
TICKET AND CONCERT INFORMATION:
CALL 434-244-9505 OR WWW.TECS.ORGMICH A EL M C H ALE
PIANIST
Belfast-born Michael McHale
has established himself as one of
Ireland’s leading pianists and has
developed a busy international
career as a solo recitalist, concerto
soloist and chamber musician.
He has performed as a soloist with
the Minnesota, Hallé, Moscow
Symphony and Bournemouth
Symphony Orchestras, City of
London Sinfonia, London Mozart Players and all five of the major Irish
orchestras, and performed at the Tanglewood and Tokyo Spring Festivals,
Wigmore Hall, London, Berlin Konzerthaus, Lincoln Center, New York,
Symphony Hall, Boston and Pesti Vigadó in Budapest.
Michael’s début solo album The Irish Piano was released in 2012 by RTÉ lyric fm
and selected as ‘CD of the Week’ by the critic Norman Lebrecht. More recent
solo releases include Schubert: Four Impromptus on Ergodos, Miniatures and
Modulations on Grand Piano, and a first orchestral album Irish Piano Concertos
featuring works by John Field and Philip Hammond with the RTÉ National
Symphony Orchestra and conductor Courtney Lewis. His discography of over
twenty albums includes releases on Delos, Nimbus Alliance, Champs Hill, and
seven duo recital albums on Chandos with Michael Collins. The début album
of the McGill/McHale Trio Portraits on Cedille featuring special narrations by
Oscar-winner Mahershala Ali was released in 2017 and immediately entered
the Top 25 US Billboard Classical Chart. Recent releases include a recording
of Strauss’s ‘Burleske’ with the BBC Symphony Orchestra on Chandos, and
a recording of two new works by Cliff Eidelman with the London Symphony
Orchestra.
Winner of the Terence Judd/Hallé Award in 2009, Michael was also awarded
the Brennan and Field Prizes at the 2006 AXA Dublin International Piano
Competition, the 2005 Camerata Ireland/Accenture Award, and in 2016 a
Major Individual Award from the Arts Council of Northern Ireland. He studied
at the Royal Irish Academy of Music, Cambridge University and the Royal
Academy of Music, and his teachers and mentors include John O’Conor,
Réamonn Keary, Christopher Elton, Ronan O’Hora and Barry Douglas.In 2017 Michael was invited to become a Patron of the Ulster Youth
Orchestra, and in 2018 he was appointed as a part-time professor of piano
for undergraduate and postgraduate students at the Cork School of Music in
Ireland.
Michael collaborates regularly with Sir James Galway, Michael Collins, Patricia
Rozario, Dame Felicity Lott and Camerata Pacifica. www.michaelmchale.
com
Don’t Miss More Great Events Coming Soon
to The Paramount
Paramount Presents: National Theatre Live in HD
A Midsummer Night’s Dream
October 20
Waynesboro Symphony Orchestra Presents:
Symphonic Masquerade - An Evening of Fantasy & Flight
October 25
Paramount Presents: Met Live in HD
Manon
November 2
Fellowship for Performing Arts Presents:
C.S. Lewis - The Most Reluctant Convert
November 14
Paramount Presents: Exhibition on Screen
Leonardo: The Works
November 15The Oratorio Society of Virginia Presents:
Christmas at The Paramount
Saturday, December 21
2:30PM & 7:30PM
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$10.00 Student, $23.00 Standard,
$29.00 Silver Circle, $45.00 Gold Circle
*Prices increase on December 2, 2019
USE CODE “FINZI” AND SAVE 5% ON ALL TICKETS PURCHASED!
Music Director:
Michael Slon
The concert will feature Ralph Vaughan Williams’s
Fantasia on Christmas Carols, a vivid and imagina-
tive sonic journey through wintry English landscapes
with traditional melodies both familiar and new. The
chorus also performs Gerald Finzi’s In Terra Pax, a
thoughtful and undeniably hopeful masterpiece set
to the poetry of Robert Bridges, evoking the pastoral
Christmas before World War I.Wake up with a Classical Sunrise. Sunday - Friday, 6 - 9 a.m.
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