DIRECTED BY STEPHEN WEITZ - Boulder Ensemble Theatre Company
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DIRECTED BY STEPHEN WEITZ THANK YOU TO OUR SPONSORS: Season Benefactor: Noel & Terry Hefty, Peak Asset Management Season Benefactor: Karolynn Lestrud Season Sustaining Sponsor: Cheri Belz, Architect and Realtor Season Production Partner: Karen Steward Memorial Fund Season Partner: Christian Vanek Production Partner: Paul Repetto & Janet Pyle
Butterfly Effect Theatre of Colorado presents
THE CHILDREN
by Lucy Kirkwood
Directed by
Stephen Weitz
Stage Manager
Hannah Tripp
Set Design Costume Design Lighting Design Sound Design
Ron Mueller Sarah Zinn Colin D. Young CeCe Smith
Properties Design Dramaturg Dialects and Text Coach Assistant Stage Manager
Katie Hopwood Heather Beasley Gabriella Cavallero Rowan Livengood
Season Benefactors Season Sustaining Sponsor
Terry and Noel Hefty of Peak Asset Management Cheri Belz, Architect and Realtor
Karolynn Lestrud
Season Partner Season Production Partner Production Partner
Christian Vanek Karen Steward Memorial Fund Paul Repetto & Janet Pyle
Artist Sponsors
Ann Bateson and Frank Everts · Ann & Russell Hayes · Jean Hodges · Ellen & Dale LaGow
Lauri & Robert McNown · Mark Ragan & Jamie Shaak · Rochelle & Don Remaly
The Children was first performed at the Royal Court Jerwood Theatre Downstairs, Sloane Square, London, on November 17, 2016,
and was produced on Broadway by the Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove,
Executive Producer) and the Royal Court Theatre on November 28, 2017.
The Royal Court commissioned The Children with a generous grant from the Berwin Lee New Play Commission.
The Children is presented without intermission.
SETTING
The East coast of England. The Present.
Cast of Characters
Hazel ............................................Martha Harmon Pardee
Rose .............................................Gin Walker
Robin ...........................................Sam Gregory AEA
Member of BETC’s Artistic Ensemble
AEA
Appearing through an Agreement between Butterfly Effect Theatre of Colorado and Actors’
Equity Association, the Union of Professional Actors and Stage Managers in the United States
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CAST
Sam GregoryAEA (Rob- Jacob Marley’s Christmas Carol (Vintage), Aurora Fox. As a bilingual narrator, Gabri-
in) has performed once Vanya and Sonia and Masha and Spike ella has recorded over 1200 audio books
before with BETC in (Backstage), Woman in Mind (Edge), Oh for the National Library Service and PBS
Bach at Leipzig. He ap- My God (Theatre Or), Rope (Spotlight), documentaries. She is a Communications
peared in fifty shows As You Like It (Band of Toughs), The Real Coach for ARTiculate: Real & Clear and an
at the Denver Center Inspector Hound (Foothills), In The Shadow Associate Artist of LOCAL Theatre.
Theatre Company from 1991 through Of The Glen (Evergreen Players) and Miss
2021. He has worked at many regional Witherspoon (Bug). Katie Hopwood (Properties Designer) is
theater companies including the Cleve- fairly new to the Colorado theatre scene
land Play House, Seattle Repertory The- and is excited to be working with BETC
PRODUCTION TEAM again! She recently did properties design
atre Company, Milwaukee Repertory
Theatre Company, and Cincinnati Play- Heather Beasley (Dramaturg) has for BETC’s touring theatre truck shows,
house in the Park. He has performed with worked with BETC as a dramaturg, lit- Amelia’s Big Idea and Dorothy’s Dictionary.
the Alabama, California and Colorado erary manager, director, playwright, and She also recently has stage managed Me-
Shakespeare Festivals. Locally, he has also grant writer since 2007. She oversees the teor Shower at Benchmark, was the ASM
performed with the Arvada Center Black BETC Writers Group, the Science Shorts for BETC’s recent production of Fourteen
Box Repertory and Curious Theatre Com- program, the Generations new play devel- Funerals, and stage managed Amelia’s Big
pany. He lives in Denver with his wife Syl- opment program, and the (inter)Genera- Idea. She graduated from Salisbury Uni-
via and two cats. tions playwriting program. She is also an versity in December 2020 with a degree
instructor of Dramatic Writing and Arts in theatre production. She looks forward
Martha Harmon Pardee and Cultural Management for the Uni- to working on more productions in the
(Hazel) most recently versity of Denver. Her play The Gentle Life community!
appeared as Gov. Ann Changing Magic of Burning it All Down to
Richards in Ann for Lucy Kirkwood (Author) is an acclaimed
the Ground will premiere at Benchmark playwright and screenwriter. In 2009, Lu-
Cherry Creek Theatre. Theatre in Denver in late 2022. Other
Other roles include cy’s play It Felt Empty When The Heart Went
recent productions of her plays include At First But It Is Alright Now was produced
Martha in Who’s Afraid of Virginia Woolf?, Amelia’s Big Idea at BETC (co-written with
Amanda in The Glass Menagerie, Abby in by Clean Break Theatre Company at the
Richie Cannaday and Edie Carey), and Arcola Theatre. The play was nominated
The Mercy Seat (Paragon Theatre); Agnes Bone Records at Relative Theatrics in Lara-
in A Delicate Balance (The Edge); Mistress for an Evening Standard Award for Best
mie, WY. She has also worked with Imagi- Newcomer and made Lucy joint winner
Quickly/Alice in Henry V, Ursula in Much nation Makers Theatre Company, Seattle
Ado About Nothing, Felicia Dantine in I of the 2010 John Whiting Award. NSFW
Public Theatre, the University of Colora- premiered at the Royal Court Theatre in
Hate Hamlet (Colorado Shakespeare Fes- do Boulder’s Eklund Opera, and Nebraska
tival); Mrs. Gardiner in Pride and Prejudice 2012, starring Janie Dee and Julian Barratt.
and Colorado Shakespeare Festivals. Chimerica premiered at the Almeida The-
(Denver Center); Ginnie in Admissions,
Aunt Chris in Up, Linda in Fiction (Cu- Gabriella Cavallero (Dialects and Text atre in 2013 and subsequently transferred
rious Theatre Co.); Paige in Hir (Miner’s Coach) is thrilled to be working with BETC to the West End, earning Best New Play
Alley); and Stories on Stage. Martha has again. She has been Coach for Denver’s top at the 2014 Olivier and Evening Standard
narrated over 3,000 audiobooks and is a theatre companies, including Butterfly Ef- Awards, as well as the Critics Circle Award
teaching artist for Voice Over classes at fect Theatre of Colorado, the Arvada Black and the Susan Smith Blackburn Prize. Re-
the Denver Center. Box Theatre Company, the DCPA Theatre cent work includes Mosquitoes (presented
Company, and Curious Theatre Company. by special arrangement with Manhattan
Gin Walker (Rose) per- Shows for BETC include coaching dialects Theatre Club), which opened at the Na-
formed with the Cam- and text for Outside Mullingar, Miss Bennet: tional Theatre, London, in summer 2017;
bridge University Foot- Christmas at Pemberley, and Bloomsday, and The Children, which premiered at the
lights in England, and and dialects and movement for The Curious Royal Court Theatre, London, in 2016.
on various stages across Incident of the Dog in the Night-Time. Her The Children opened on Broadway in De-
the UK. Favorite recent acting work includes the DCPA Theatre cember 2017. Lucy also writes for screen:
shows in Colorado include Noises Off, The Company (twenty-six seasons), Arvada She has written for “Skins” (Company
39 Steps, and Calendar Girls (StageDoor), Center, Curious Theatre Company, and Pictures); created and wrote “The Smoke”
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(Kudos/Sky 1); wrote and directed the the state of Colorado. When she isn’t work- DCPA productions of Tom Sawyer, King
short film “The Briny”; and is developing ing on theatre (which she always is) she is Lear, Richard III, Othello, and A Midsummer
projects with Raw TV, Cowboy Films, Clio reading comics or watching movies like the Night’s Dream. Stephen has worked at oth-
Barnard, and Lenny Abrahamson. Her new introvert she is. er prominent area theatres such as Creede
six-part season “Adult Material” (Tiger As- Repertory Theatre, Colorado Shakespeare
pect Productions) and the mini-series of Hannah Tripp (Stage Manager) is delight- Festival, and the Arvada Center.
her play Chimerica (Playground Produc- ed to be stage managing her first show with
tions) have both recently been greenlit. BETC. Other local credits include Bite & Colin D. Young (Lighting Designer)
Other Bits with In the Wings Aerial; Matil- BETC: Fourteen Funerals, Bloomsday, Pride
Rowan Livengood (Assistant Stage Man- da, The Addams Family, and Legally Blonde and Prejudice, and The Curious Incident of
ager) is a local sound technician, proud to with Rocky Mountain Theatre for Kids; and the Dog in the Night-Time. Curious Theatre:
be working with BETC again after having Pippin with the Actors Academy for the Gloria and The Secretary. Off-Broadway - The Royale by Marco Ramirez
done their touring truck shows, Amelia’s Performing Arts. She is a graduate from Public Theatre:Detroit ’67; Signature The- Oct. 27-Nov. 19
Big Idea and Dorothy’s Dictionary. He has Metropolitan State University of Denver atre: Fragments & Talking Pictures; Primary
previously done work as a radio intern at with a Bachelor of Arts in Theatre. Stages: In the Continuum; Classical Theatre In this visceral, rhythmic world,
KGNU and as a board operator at South of Harlem: Native Son, Ma Rainey’s Black it’s never just about boxing.
High School. Bottom, The Blacks: A Clown Show, Crazy
Locomotive, (Audelco Award); 59E59 The-
Ron Mueller (Scenic Designer) is the atres: Havana Bourgeois, Rearviewmirror,
Production Director for the College of and Widows; Reverie Productions: Fatboy,
Music at the University of Colorado Boul- American Ma(u)l, Mephisto. Regional - Yale
der. Also a BETC Ensemble member, he Rep, Woolly Mammoth, Kirk Douglas,
previously designed scenery for Blooms- Goodman, PTC, and Cincinnati Playhouse.
day, The Realistic Joneses, Pride and Preju- Events: World Science Festival (2012-
dice, Miss Bennet: Christmas at Pemberley, 2019) and Climate Reality Project’s 24
Guards at the Taj, An Iliad, Outside Mull- Hours Of Reality broadcast (2011-2018);
ingar, The Aliens, and Seminar. He designed Education: MFA - Yale School of Drama;
scenery and lighting for BETC’s Annapur- Founding Festival Tech Director: NY In- Ms Holmes & Ms Watson by Kate Hamill
na and also co-designed scenery with Tina ternational Fringe Festival; Playwright: Feb. 2-25
Anderson for Ripcord and Cyrano. Other Beowulf.; Artistic Director: Co-founder of
recent designs include scenery for Parker Stephen Weitz (Producing Artistic Di- Reverie Productions, where he produced A fast-moving, farcical female reboot
Arts Center’s South Pacific. He has also rector) directed BETC’s first production, 18 New York, U.S., or World Premieres. of the classic tales of Sherlock Holmes.
designed scenery and/or lighting for pro- Jean Anouilh’s
Tangerine OrangeAntigone, Grey base as well as Fat Pig,
C: 0 C: 0 C: 0
ductions at Crested Butte Music Festival, TheM: Sunset
49
Y: 100
Limited,
M: 86
Y: 99
Gross
M: 0
Y: 0
Indecency, How Sarah Zinn (Costume Designer) is a cos-
Skylight Opera Theatre, Colorado Shake- the World Began, Bach at Leipzig, Seminar,
K: 0 K: 0 K: 90 tumer from Boulder, CO. She received her
speare Festival, Boulder’s Dinner Theatre, Ambition
R: 255
G: 130
Facing
R: 255
G: 71
West,R:G: 6564Stupid F##king Bird, MFA in Costume Design and Technolo-
Theatre X, Milwaukee Chamber Theater, Ideation,
B: 0
AnB: 19Iliad, The B: 66
SantaLand Diaries, gy from Rutgers University and currently
Boulder Broadway Company, CU Theatre Guards at the
Web:Taj,
#ff4713The Rembrandt,
Pantone: 151C Pantone: 172C Pantone: 4287C
Web: #ff8200 Web: #414042 The Cu- works as the Costume Shop Supervisor at
and Dance, and University of Denver’s rious Incident of the Dog in the Night-Time, the University of Denver and Head Drap-
Lamont School of Music. The Realistic Joneses, The Nina Variations, er for Opera Colorado. She has previously
and the world premieres of And the Sun built costumes for film and theatre, includ-
CeCe Smith (Sound Designer) is a sound Stood Still, Full Code, and Birds of North ing Fantastic Four (2015), The Great Wall
eesigner based in Colorado. Her recent America. Stephen co-wrote and direct- (2015), The Rockettes Christmas Spectac-
sound design projects include The Rocky ed BETC’s theatrical documentary film, ular (2018) and the world premiere of the Eden Prairie, 1971 by Mat Smart
Horror Show at Phamaly Theatre Compa- CO-2020. He has performed in the BETC stage adaptation of Moulin Rouge (2018). April 6-29
ny, Native Gardens at Creede Repertory productions Danny and the Deep Blue Sea, This is her first show with BETC.
Theatre, Fireflies at Curious Theatre Com- Copenhagen, The Complete Works of Wil-
A bittersweet love story,
pany (co-sound designer), The Bluest Eye liam Shakespeare (abridged), Morisot Reclin- = Member of BETC’s Artistic Ensemble set in the heart of America.
at Theatreworks, and One Way Back Day ing, Doubt, Shipwrecked!, and as the title
AEA
= Appearing through an Agreement between
at The Catamounts. CeCe received her character in Cyrano. He has been a guest
BETC and Actors’ Equity Association, the Union of
Professional Actors and Stage Managers in the United
first Henry Award Nomination in 2019 artist at the Denver Center for the Per- States
for Flame Broiled or the ugly play at Local forming Arts, where he has directed Tribes
Theatre Company and has worked across and Jackie & Me. He has also appeared in
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Tickets & MembershipsShareat BETC.ORG
your night with us: @BETCTheatre |6
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systems meant to prevent such massive
disasters. On the night we meet Rose,
Hazel, and Robin, they are faced with an
impossible decision. What do they owe to
future generations? And what will they do
to be true to their own deepest desires?
“I think that any play that considers
itself first and foremost social activism
is probably going to be a really dreadful
play,” said the playwright. “Absolutely
I think you can talk about large issues,
but unless you employ your craft,
to make your play something other
than a pamphlet, then it’s not going
to be a particularly edifying theatrical
experience.” Kirkwood continued: “People
The tsunami sweeps over the seawall into Miyako Harbor, Japan, on March 11, 2011. Photo credit: BBC.
are always asking me questions about
and largely unsuccessful. Efforts to the cottage of The Children, the characters nuclear power, but this play...is a larger
remove radioactive topsoil and other are under staggering pressures, as they metaphor for human intervention into the
contaminated surface debris have only are confronted with tragedy on a personal environment and what the consequences
relocated the problematic waste. level, and at a scale beyond human of that are, and how we’re grappling with
comprehension. those consequences and our responsibility
The playwright imagines the action of her
FOOD FOR THOUGHT
to those things.”
play taking place mere weeks after such Yet these three nuclear engineers are
a disaster has occurred in England. Inside well aware of the flaws in the man-made
The overpass in Futaba, Japan, translated, reads: “Nuclear energy is the Aerial view, taken from a drone, of one of the thousands of area dump sites. These sites house millions of
energy of a bright future.” Photo credit: Arkadiusz Podniesinski, 2015. bags of radioactive soil, taken from inside the exclusion zone. Photo credit: Arkadiusz Podniesinski, 2015.
To create the world of The Children, less than half that size. A 2008 report cascade from reactor to reactor, as their
playwright Lucy Kirkwood drew on calling for a higher seawall had been cores overheated and began to melt down.
the tragic events of the Fukushima interminably delayed due to internal By 9 p.m. on March 11, evacuations of the
earthquake, tsunami, and nuclear disaster politics at the Tokyo Electric Power area began.
that began on March 11, 2011. Company. The report was finally issued
to Japan’s nuclear safety agency just four In the ensuing weeks, the world watched
On that sunny Friday afternoon, at 2:46 days before the 2011 catastrophe, and it in horror as the consequences of the
p.m., an earthquake of magnitude 9.1 predicted a much higher tsunami wave combination of natural and man-made
struck off the coast of Honshu Island. was likely to occur in the event of a quake disasters became ever more evident.
The six nuclear reactors at the Fukushima of magnitude 7.2 or above.
Daiichi nuclear plant shut off in response Combined, the earthquake and tsunami
to the quake tremors, as designed, and cut Once the seawall was breached, the resulted in over 18,000 people dead or
them off from the Japanese power grid. resulting flooding inundated the missing. An estimated 400,000 people
Fukushima Daiichi facility. It disabled were evacuated that day. 160,000 were
Roughly one hour later, a 46-foot the backup diesel generators, all but residents of the “exclusion zone” of
tsunami, unleashed by the earthquake, one of which were housed underground, roughly 12 miles around the Daiichi plant.
overtopped the seawall. and washed away their fuel tanks. When That area remains off-limits to permanent
electrical power was lost, most of the habitation over ten years later, due to
The seawall in place at Fukushima had emergency core cooling system was radioactive contamination. Cleanup
been designed to guard against a tsunami disabled. The resulting problems began to efforts have been ongoing, expensive,
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2022/2023 THEATRE SEASON
LAST TRAIN TECH INTERN PROGRAM
TO Nibroc The University of Denver is proud to partner with BETC
on the construction of the scenery for The Children as
well as the BETC summer theatre truck.
October 2022
ANTIGONE
The Technical Theatre Internship Program provides
students with paid opportunities to work with
professional companies and designers in a supportive
November 2022
setting that prepares them for work in the entertainment
THE THANKSGIVING PLAY industry.
Previous projects include work with Curious Theatre
Feb. 2023
Company, Lamont Opera, Parker Arts, The Athena
Project and Phamaly.
Interested in having us build your project or
supporting the Tech Intern Program?
Feb. & March 2023 Contact us: theatre@du.edu
Website: liberalarts.du.edu/theatre Tickets: newmantix.com/dutheatre
This list includes gifts made since July 1, 2021.
Thank You for Your Support Thank You to Our Donors If we’ve made a mistake, please contact
Margot Crowe at margot@betc.org.
MAGNANIMOUS CIRCLE Erika Mori Scott McLeod Nelson Craig Held
$10,000 + Mark Ragan & Jamie Shaak Nimmer Family Charitable Fund Elizabeth & Timothy Hepp
2022-2023 Season Support Anonymous (1) Sue Rehak & Keith Maskus Rionda Osman & Alain Jouchoux Francis Higgins
Karolynn Lestrud · Karen Steward Memorial Fund · Christian Vanek Cheri Belz, Architect & Realtor Rochelle & Donald Remaly Mary Oswell & Stan Pedzick Susan La Hoda
Deck Nine Games Alan & Stephanie Rudy Jill Peterson Benjamin Hodges
Noel & Terry Hefty, Peak Asset Anne Sandoe Brian Ratner Constance Holden & TK Smith
Management
Sam Sandoe Karyn Sawyer Ernest Houssiere
Diana & Mike Kinsey
Pete & Valerie Whittle Marjorie & Bob Schaffner David Hughes
Karolynn Lestrud
Mark & Katherine Young Peter & Paula Schild Devon James
Jan & Rob Miles
Cynthia Schmidt Susan B. Jones
Karen Steward Memorial Fund
In-Kind Support BETC is a proud member of Special Acknowledgements KIND CIRCLE Deborah & Wayne Simmons Robert & Theresa Keatinge
John Steward
$250–$999 Stephen Sparn Houston Kempton
Vinnie Fera Wine Christian Vanek
Sally Powell Ashby Jane & John Spencer Sherry Leach
BETC thanks the following for their
assistance and support of The Children: Heather & Matt Beasley Charlotte Stewart Kristy LaMoureaux
University of Denver Department of DEVOTED CIRCLE Jared Stewart Jolana & Ken Machalek
Isabelle Clark
Theatre, University of Colorado Boulder $5,000–$9,999 Marianne Van Pelt Kim & Nancy Malville
Amy Cole & Andrew Metzroth
Department of Theatre and Dance, Betsy & Albert Hand Jack & Sophie Walker Chloe & Susannah McLeod
Elisabeth Collins
Curious Theatre Company. Joan & Paul Lavell
Thomas & Cheryl Cox Rebecca & Stephen Weitz Susan McRoy & John Middleton
Paul Repetto & Janet Pyle Ronny & Rena Wells Tamara Meneghini-Stalker
Tessa and Alan Davis
Josh Dinar Mary Ann Wilner Paula & Jeffrey Menten
BENEVOLENT CIRCLE Cheryl & Larry Dorsey Maria Woods Cindy and Mark Meyer
$2,500–$4,999 Ruth & Ken Wright Lynn Metzer
Board of Directors Sacha Millstone Jihad Milhem
Anonymous (1)
Alexandra Dujardin
William Young Julia Mount
Paul Repetto Michael Morgan Michael Goss & Virginia McGowan
Lauri McNown, President
Ann Bateson & Frank Everts Wendy Baring-Gould Jeff Pickard
Rob Miles, Vice President Ronny Wells Erika Mori
Ginny Corsi & Mary Backlund Carolyn Grant THOUGHTFUL CIRCLE Susan Deans & Richard Polk
Elizabeth Barrekette, Secretary Ron Mueller
Ann & Russell Hayes Pamela & James Green $100–$249 Nancy Portnoy & Joel Silverman
Erika Mori, Treasurer Artistic Ensemble Chip Persons Jean Hodges Lynn Della Guardia Micah Abram Katherine Randall & Brian
Tina Anderson Lindsey Pierce Springett
Elise Collins Ellie & Harry Poehlmann Becky Hammond & Patrick Peg Arnold
Rebecca Remaly Lagularis Kathleen Reilly
Starla Doyal Casey Andree Joanna & Mark Rosenblum Amanda & Ben Berg Wilson
Kimberly Hansen & Joel Parker Alice Renouf
Sue Rehak Heather Beasley Anne Sandoe Franci & Theodore Bickart
Dori Harrell Sherry Richards
Jordon Brockman Brian Shea GENEROUS CIRCLE Melvina Carrick
Becca Vaclavik Amy & Andy Hartman Rita Riis
$1,000 – $2,499 Susan Chipman
Julie Walker Amy Helen Cole Luke Sorge Christian Robinson
Janet Hatton Judy & Mark Cole
Stephen Weitz Zachary Andrews
Katie Zoss Anastasia Davidson Doree Hickman Christine & Dave Ross
Marcelle Arak Peter Cunniffe
Adrian Egolf Colin D. Young Mary Lynne & Doug Hixson Phyllis & Marty Ruffalo
Elizabeth Barrekette & Jonathan Jean Delaney
Stuart Sanks
Advisory Council Josh Hartwell Steinberg Jeremy Hoffer Elizabeth Dowd
Nan Barnett Jim Hunt Staff Phyllis Chernow Campbell Hugh Adrian Egolf & Luke Sorge
Trina & Eric Scholz
Elizabeth & Howard Diamond Kathy Icenogle Lynne & William Schorling
Elizabeth Dowd Candace Joice Rebecca Remaly, Managing Director Tracy & Michael Ehlers
Forma Furniture Amanda Johnson Stella & Howard Steward
Chris Kendall Stephen Weitz, Producing Artistic Director Norma Ekstrand
Idris Goodwin Audrey & Andrew Franklin William Johnson Jan & Chris Swanson
Karen LaMoureaux Heather Beasley, Associate Artistic Director Sandra Farkas
David Valdes David Fulker & Nicky Wolman Florence & Mike Jones Becca & Austin Vaclavik
Caroline Fuller
Lauren Gunderson Rodney Lizcano Margot Crowe, Director of Development David & Sarah Harper John Kottke Daryl Walker
Kenneth Gamauf
Billie McBride Michael Morgan, Production Manager Brian Honeycutt Jeffrey and Lois Linsky Julie Weaver
Noel Hefty John Gilbert
Andrew Metzroth Sheilla Thomas, Administrative Assistant Kaye Howe Lale & Matthew Lovell Leslie & Thomas Wilke
Karolynn Lestrud Suzann and Gerald Glenn
Danny Kramer Julia & Steve Luerman Nancy & John Wittemyer
Kathryn Goff
Ellen & Dale LaGow Jacqueline & Andrew McKenna Richard Wobbekind
Kremena Platikanova-Gross &
Liz Litkowski Pat & Tom Metz David Goss Nancy & Cary Wolfson
BETC acknowledges and honors the land upon which we gather today as the historic and
traditional territory of the Southern Arapaho, Ute, and Cheyenne peoples. Sara Pierce Martin Cindy & Mark Meyer Nancy Grimes Carol Young
Lauri & Robert McNown Kathy & Charles Minter Jeanie Grisham
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