Harri Bell Design x Portfolio
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Harri Bell Design x Portfolio
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Harri Bell Design: Harri Bell Design x Westfield
a creative Raw Restaurant
pro-active individual Hospitality Design
with a strong eye for:
art, design, colour & current trends
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excellent communication and writing skills Harri Bell Design x Stella McCartney
Still Stella
fluent in:
Exhibtion Design
Adobe Photoshop & InDesign
AutoCAD & Sketchup
experience using: V Ray rendering & Adobe Illustrator
3
Studio Cocoon for NHS
background:
Secret Garden
KLC School of Design graduate
(Interior Design) Commercial Design
University of Bristol graduate
(Film & Television Production)
Copyright Harri Bell Design 2021 all rights reserved. No part of this
publicaton to be reproduced, stored in a retrieval system or experience working in large media agencies
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transmitted by any means without the permission of Harri Bell. Not (Publicis Groupe)
all images are mine. Harri Bell Design x Tom Faulkner
Harri Bell The Elements
& set design for fashion editorial shoots
Phone: 07917 525 982 (GQ UK, Vogue US, Gucci, Garage Magazine)
Email: harrietbell25@gmail.com Furniture Deisgn
Conceptual
Everything is made up of different individual parts, that when
added together become a whole. Ideas have readings, experiences
Harri Bell Design x Westfield White City and influences to be formed. Objects have components, to make
Raw Thinking
them functional. Food has ingredients, to create a dish. If you
explode these, what are you left with? Deconstructing things means
to break them down into their original elements, and to analyse
Restaurant
these individually and consider how to reconstruct them and create
something new. To question what is infront of you.
raw poster with own images, shot for branding on iPhone
At raw, we welcome the curious mind and provide a space to
eat mindfully, open an honest conversation about food and share
Restaurant Design
knowledge. We understand the power of food: the impact it has
on the planet and how we are what we eat. With the backdrop of
Brief: How can a Concept: Deconstruct the Coronavirus pandemic and climate change, we all know that we
design proposal respond Idea: Breaking things need to change our habits. raw aims to have an entertaining,
to a constantly down playful and transparent approach to dining and food education.
changing social
climate? Restaurant: Raw The concept and design has been driven by the themes of
Brand: talking about education, transparency and honesty. The need to have education
To create a new food, honestly in restaurants for people to fully understand what they are eating,
restaurant space and implemented via the open kitchen, the growroom and the
cookbook swap library. Transparency and honesty are relevant to
concept to be based in Final Project
both the design and also the customer interaction: an open space
the heart of Westfield, Time Frame: 5 weeks with views into the central open kitchen allowing everyone to be
White City, London dining together.
The idea of our eating habits changing due to climate change
inspired the idea of making the restaurant partially self sufficient
through vertical farming: growing crops in vertically stacked layers,
as can be seen in raw's grow room. This is a specially designed
space, which needs regulated temperature, light, humidity and water
supply.
The cookbook library wall has been designed for people to share
knowledge and be educated on different cuisines: the premise
being that visitors bring their own used, pre-loved cookbooks and
swap them for a new one: sharing recipes and following the theme
of education.
front facade elevation
development collage of the bar @ raw development collage of the growroom @ raw
section a-a
1. Outside terrace. x6 tables of 2: 9. Open kitchen area with extractor
seats 12. Planted with greenery for
privacy 10. Staff toilet
2. Bench seating 11. Back kitchen area, design TBC
with contractor
3. Glass window feature with view
into growroom 12. Vistor toilets in a unisex area. 2
male, 2 female and 1 disabled with
4. 1500mm double door entrance shared wash basins
5. Reception desk and cloakroom 13. Cookbook library wall
6. Structural pillar boxed with MDF 14. Grow room with vertical farming
and uplit to create a feature wall
7. Bar and back of bar structure. 15. Banquette seating, can fit 4-5
Seats 8 comfortably in each booth
8. Chef's table with sliding glass 16. x5 2 seater tables, x3 4 seater
floor plan
door entrance tables. Total is 22 covers. Designed
to be flexible
development collage of the cookbook library @ raw development collage of the open kitchen @ raw
site visit drawings site visit drawings
outside of raw restaurant chef's table and open kitchen area bar area
outside area terrace seating with a view into grow room glass window view from terrace into grow room view from inside the chef's table and open kitchen chef's table and open kitchen area within the space
Lighting
Bar and reception lighting:
Flos Bellhop portable lamp sourced from Amara
Table and banquette lighting:
Flowerpot VP1 Vernor Panton 1968 pendant and table light in Red
Brown, Mustard & Beige Red sourced from &Tradition
Wall lighting:
Pole and circle wall light, sourced from 1st Dibs
Shadow gap and joinery lighting:
Contour HD24 LED strip lighting sourced from John Cullen Lighting
Chef's table statement pendant light:
Bespoke design for the project
Materials
Dining chairs:
Velvet Spot Flower Fabric in Purple & Jade by Ashley Wilde sourced from
the Orla Kiely Wovens Volume 1 Collection
banquette seating with growroom behind close up view of table setting Dining chairs trim:
Dolce Vita Fabric in Moutarde by Casamance
Outdoor chairs:
Outdoor Java fabric in Bamboo by Jim Thompson
Banquette seating & Chef's table chairs:
FF&E Sourcing & Materials Board
Tura Fabric in Moss by Today Interiors
Top of banquette seating:
Onda fabric in Damson by Clarke & Clarke
A full FF&E schedule was submitted for this project
Bar stools:
Capetown Indoor Outdoor in Purple by Gaston y Daniela
Furniture
Flooring:
Outdoor dining chairs: Marmoleum Decibel
Memory Lane Brown and Light Blue Chair (to be recovered in Outdoor
Java Fabric, Jim Thompson) designed by Tacchini, sourced from Walls:
Artemest Clayworks Clay plasters
Indoor dining chairs and barstools: Bar top:
Font bold armchair and Font light barstools sourced from Mobel Quartz Form
Tables: Growroom floor:
Saltaire grey round dining tables sourced from Roseland Furniture Grow Floor polyvinyl
table setting with close up view of chosen fabrics birds eye view of table setting
Harri Bell Design x Stella McCartney Conceptual Society has developed a culture of obsessive consumption:
we are always being told we need more, more, more.
Still
Buy, buy, buy. There is little regard given to a products
Thinking
journey, lifespan or longevity before it is being made
redundant for the next best thing.
Stella
Stella McCartney's ethos is driven by a commitment to the
environment and desire to do things differently, raising
awareness of the importance of conscious consumerism
and calling for people to take responsibility by
Set & Exhibition Design reconsidering their buying behaviours. Consumerism is
fuelled by the chaotic age of the internet, giving brands
Brief: Exhibtiing a Concept: Still and advertisers a platform to influence our choices. With
brand everyone trying to sell us something, the act of being still
Definition 1: the act is a tool to ground us.
10x10m exhibition stand of being still through The Still Stella exhibition stand gives an opportunity to
turning off the noise start practicing stillness, to disconnect from the
Focus on generating of the world overconnected world, and reconnect on real life. This will
public & media interest be done through reducing external stimuli, screens and
also convey the brands Definition 2: The distractions and being transported to a world of times
positive aspects Stella McCartney brand past where there are no cookies to accept, apps to
still reliable, still download or variations of the same product constantly on
Project 3 trustworthy and still sale.
Time Frame: 4 weeks redefining the future
of fashion The journey through the stand creates this
experience for the visitor to be offline and indulge in the
luxury of quiet. It gives a space both for reflection but
also energises the mind: to question their impact on the
environment and how they can be part of the change to
build a brighter future for our planet.
The concept images include:
Piz Uter (2005) James Turrell
The Ocean Between Us (2019) Morten Lasskogen
Big Bang Fountain (2014) Olafur Elliason
Stone Sky (2005) James Turrell
stillness screens with key messaging from concept statement
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Still Stella encourages visitors to switch off from the
world and be immersed in the interactive design. The
journey through each space is a multisensory experience,
the zones representing different interpretations of what the
word still could be.
Zone 1: Sillness Screens. Large perspex screens with key
messaging from the concept statement on, educating
visitors as they enter the stand.
Zone 2: Pull Down Pods. This part of the design considers
the direct relation between the concept of stillness and
the visitor: the outcome concluded that the part of the
body that benefits the most from stillness is the mind.
Therefore, they pull down (to any height) over the head
to encapsulate the mind, designed with white light
inside and sounds that mirror Stella's commitment to
Planet Earth. The audio falls into two categories: land
and sea. Two pods with sounds of land: including nature,
birds and forests, and two pods with sounds of sea:
view of all three zones view from stillness pods looking out view of land and sea stillness pods including water and waves.
Zone 3: Stillness Pods. These are entirely immersive,
allowing the visitor to enter inside them. The two designs
mirror the Pull Down Pods themes of land and sea. The
first Stillness Pod installation is an entire wash of blue,
immersing the user in the colour and allowing them to
reap the benefits of its stillness properties. The second
Stillness Pod installation is a collaboration between
Japanese Floral Artist Makuto Azuma and British
Installation Artist Rebecca Louise Law, together creating a
flora and fauna that fills the inside roof of the pod
representing stillness, new life and hope for the future of
the environment.
These renders have been designed to feel as though they
are floating: a balance of blue and white. Blue has been
chosen as it is the dominant colour of earth: the blue of
sea and sky. It is also believed to be the most calming
colour: peaceful, tranquil and encouraging productivity.
view up to pull down pods view of all three zones from inside view of land stillness pod with seating area
Conceptual
Studio Cocoon used the concept of Secret Garden and
Studio Cocoon for National Health Service idea of reverie to drive the design and deliver a fresh
Secret
proposal for the NHS staff.
Thinking Reverie is a state of being pleasantly lost in thoughts,
a daydream. This sums up the aim of how staff should
Garden
feel in the space: a feeling of escapism and retreating
from everyday life, and allowing the mind to unwind by
giving a space to exhale.
Commercial Design The space is open, inviting and unconfined: transporting
staff to a hidden oasis where they can either relax alone
Brief: Design spaces for Concept: Secret Garden or come together.
staff to work, rest or Idea: Reverie
The secret garden would be the destination, with key
socialise
features of pathways; partitions; curves; nooks; arches
Project 4 and mazes all informing the space planning: inspiring the
Group Project Time Frame: 4 weeks two main design features of a central tree like structure
and seating booths.
Presented to staff at
Charing Cross &
Hammersmith hospitals
in London
Conceptual maze leading to the entrance of the space, a
still from the video of the work, created using Enscape
for Sketchupfloorplan
elevation
photoshop renders design detail drawings
section enscape rendersConceptual
To the elements it came from, everything will return.
Harri Bell Design x Tom Faulkner Our bodies to earth,
The
Our blood to water,
Thinking
Heat to fire,
Breath to air
Extract from Empedocles on Etna by Matthew Arnolds
Elements Empedocles, a Greek pre-Socratic philosopher, established
the four roots or elements that the Universe is made up of:
fire, water, earth and air. He states these elements are in a
Furniture Design continuous cycle where nothing begins entirely anew, or ends
completely, but everything comprises of them
reforming into one another. This idea of an
Brief: Design a console Concept: The Elements
uninterrupted cycle of elements, a continuous flow and
table
movement that regenerates the world around us and the
Competition Project incomparable force of nature inspired this design.
Consider Tom Faulkner’s
ethos of clean lines, Time Frame: 3 weeks The chosen concept images show movement that has been
and distinctive, good paused to create a brief moment of still. The Great Wave Off
design Kanagawa, by Japanese artist Hokusai, captures this action:
the one wave that is waiting forever to break. Yet in reality,
the ebb and flow of the waves happen every
moment of the day. Both Oskar Schlemmer's costume for his
Triadisches Ballett at the Bauhaus (1922) and Richard Serra's
Cycle (2011) explore how humans move and interact
with shapes and space. The dancer is competing with the
limitations of the mechanical structural shape of the
costume, whereas Serra, although also inspired by modern
dance in his early career, presents large and small spaces
for the viewer to navigate. My final design incorporates both
waves and movements, mixing curves with sharp lines,
constructed in steel.
In the current crisis (2020), the freedom of
movement through spaces has been limited and there has
been time for solitude and reflection. The sun rises in spite
of everything, reminds us that the waves will keep crashing,
to trust the unstoppable cycle of the elements and that we
have the power to create the spaces we move through.development charcoal & pen drawings inspired by the concept images
shape development drawings in pen sketchbook pages
model making out of paper
render in steel
render in TF ash white finish
render in TF bottle green finish
talking furniture with tom faulkner podcast initiative
interviewing different designers, makers & artisansCopyright Harri Bell Design 2021 all rights reserved. No part of this
publicaton to be reproduced, stored in a retrieval system or
transmitted by any means without the permission of Harri Bell. Not
all images are mine.
Harri Bell
Phone: 07917 525 982
Email: harrietbell25@gmail.comYou can also read
