Friday, September 24, 7:30 PM : First Plymouth Congregational Church Sunday, September 26, 3:00 PM : Bethany Lutheran Church
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Friday, September 24, 7:30 PM : First Plymouth Congregational Church
Sunday, September 26, 3:00 PM : Bethany Lutheran Church
St. Martin’s Festival Singers
Timothy J. Krueger, Artistic Director
Sheila Melendez, Mark Sheldon Conducting Intern
Jooeun Pak & Nanette Shannon, Piano
SOPRANO ALTO TENOR BASS
Risa Booze Marjanne Claassen Joey Costanza Derek Berger
Evanne Browne Leah Creek James Cowan John Bosick
Amanda Crumley Kelly Dunn Larry Farmer John Butterfield
Claudia Dakkouri Muareen Farmer Benjamin Hensley Duane Claassen
Stacy Dresser Kristin Gornstein Ross Jacobsmeyer Philip Dixon
Liz Fallon Molly Hardman Matthew Lea Kenneth Donahue
Margaret Flint Leila Heil Joshua McGirk Sean Fox
Ashley Hoffman Jennifer Hoffman Mark Moyer Mike Freeland
Cynthia Harris Cassandra Hunt Blake Nawa’a Bryan Grosbach
Kyoko Makovsky Kate LaCava Devin Nordson Orin Hargraves
Hannah McGinty Sue Langley David Norris Dan Howard
Laura Nordson Linda Mack Ray Ortiz Fr. Francis Krautter
Lorena Perry Devon Moyer Thom Trumble Matt LaCava
Tambre Rasmussen Kay Norris Brandon Matthews
Shelley Sampson Bonnie Richards Sam Miller
Allison Westfahl Wagner Leslie Soich Scott Perry
Stephanie Summerhays Mark Persiko
Mojgan Taherynia Johannes Rudolph
Ann Williams James Schweigert
Linda Wolpert Daryl Shoop
Barry Zink
BOARD OF DIRECTORS AND STAFF of ST. MARTIN’S CHAMBER CHOIR
Timothy Krueger – Founder and Artistic Director Elaine Granata – President
Courtney Huffman – Executive Director Julie Beggs – Vice-President
Tyler Wigginton – Development and Program Associate Gary Williams – Treasurer
Linda Mack – Texts and Translations Robin Lander – Secretary
Micaëla Larsen Brown – Education Outreach Coordinator Lorena Perry – Singer Representative
Ashley Hoffman – Graphic & Web Design Janel Highfill
Jay Mead
Peter Thulson
TECHNICAL CREW Ellen Wilson
Will Stowe – Producer
Mike Freeland, Bill Watson – Cameras
David Wilson – Assistance
1
TIMOTHY J. KRUEGER
Timothy J. Krueger studied musicology at the Wheaton Conservatory of Music, the University of Colorado, Boulder,
the Universität Hamburg, Germany, and the University of London’s Royal Holloway College, where his doctoral
dissertation was on the sacred music of Charles Villiers Stanford. He has studied conducting with Dr. Paul Wiens,
and privately with Dennis Keene of the Voices of Ascension. He has sung professionally with the Santa Fe Opera,
the Santa Fe Desert Chorale, Chicago A Cappella, the Vox Early Music Ensemble, the Ars Nova Singers, as well as
several Episcopal cathedral choirs. In addition to being the founding Artistic Director of St. Martin’s Chamber Choir,
Krueger has served as Chorus Director for the Boulder Bach Festival, the Colorado Music Festival, and the Boulder
Philharmonic. He is an Affiliate Faculty member in the Music Department of Metropolitan State University of
Denver. He is Choirmaster of St. Andrew’s Episcopal Church, overseeing one of Denver’s finest classical church music
programs.
SHEILA MELENDEZ
Soprano Sheila Melendez is a Latinx singer and conductor with a passion for oratorio and sacred music. Ms. Meléndez
originates from Maryland. A frequent soloist for various church denominations, she has been a soloist in Handel’s
Messiah, Vivaldi’s Gloria, Rutter Gloria, and Schubert Mass in G. She is the assistant conductor and women’s choir
director at Trinity United Methodist, as well as the assistant conductor for Vittoria Ensemble and St. Martin’s Chamber
Choir. Ms. Melendez is the music director for the Silver Singers choir at The Ridge Pinehurst in Lakewood.
In Colorado, she continues to teach private music lessons in voice, guitar, and piano. Her teaching approach focuses
on the student’s ability to access the language of music; she specifically focuses on ear training, improvisation, and
variety of genre.
Ms. Melendez earned a dual bachelor’s degree in Voice Performance and Music Education from Towson University in
Maryland. Currently, she is pursuing a dual Master’s Degree in Voice Performance and Choral Conducting at DU’s
Lamont School of Music. Ms. Melendez currently studies under Dr. Catherine Sailer and Dr. Nathan Payant.
JOOEUN PAK
Hailed as a “profoundly musical artist with poetic temperament with exceptionally expressive and communicative gifts and
highly accomplished technique,” JOOEUN PAK has appeared in major concert venues as a soloist, chamber musician,
and an expert in contemporary music giving performances in major cities in the U.S., Korea, Italy, Jordan, and
Germany including Weill Recital Hall in Carnegie Hall, NY, and Terrace Theatre in Kennedy Center in D.C.
Pak is currently an Associate Professor of Piano and a Director of Keyboard Studies at the Metropolitan State
University of Denver.Pak’s students have been recognized as winners of a number of competitions including MTNA
state competition, Steinway competition, and MSU Denver concerto competition. For three consecutive years in 2017
2018, and 2019 she was awarded Steinway’s Top Teacher’s Award.
Pak received DM in Piano Performance and Literature with minors in theory and chamber music under the mentorship
of distinguished professor Manahem Pressler, a founder of the renowned Beaux Art Trio, to whom she also served as a
teaching assistant. Pak’s study was supported by Indiana University Jacobs School of Music Doctoral Fellowship, which
was awarded for academic and performance excellence.
NANETTE SHANNON
Nan Shannon is a versatile pianist, chamber musician, and teacher. She has performed as a soloist and as a member of
such groups as the Colorado Chamber Players, Parabola Trio, and Denver Eclectic Concerts, in numerous concerts in
a variety of settings in the area. A proponent of new music, she spent five seasons as a member of the Contemporary
Music Forum in Washington, D.C., giving premieres of works by composers from around the world. Ms. Shannon
received her DMA in Performance from Peabody Conservatory, where she studied with Ann Schein, and earned her
Master’s in Accompanying from the University of Southern California as a student of Jean Barr. She has been an
Affiliate Faculty member at Metropolitan State University of Denver and Regis University since 2001.
2
A Note from the Artistic Director
Johannes Brahms was more of an agnostic than a practicing Christian; but the refrains of Martin Luther’s
translation of the Bible were ubiquitous in the surrounding German society of his time, and they implanted
themselves in, and resonated with, his heart, regardless of his specific religious beliefs. Thus, all of the texts,
which he selected himself, come from Martin Luther’s Bible. And Brahms called it a “Requiem” because of
the association of that word with a piece of music having to do with death, not because it was a setting of
the actual Requiem text. Indeed, Brahms did not call it a “German” Requiem because it was in the German
language, but to differentiate it from a “Roman” Requiem (i.e. Catholic). He was seeking to say by way of
his title that this was not a specifically sectarian work the purpose of which was to send a soul on its way in a
religious service (as a traditional Requiem would do), but a concert work that was a personal statement about
death and faith and comfort. It was much more a Requiem for the living than for the dead.
Indeed, one of the things that has struck me about the Requiem as we’ve prepared it for this performance
has been the similarity yet profound differences of the outer movements – the first and the seventh. Both
prominently feature the word “Selig,” “Blessed,” but with a distinct difference. The first movement text
comes from the Beatitudes – “Blessed are they that mourn, for they shall be comforted.” This is about the
mourner, the bereaved, the one left behind. The grief surrounding loss is so impenetrable at this point that
the individual mourner is not capable of thinking of the deceased, but only him- or herself. In the final
movement, the text comes from the Book of Revelation – “Blessed are the dead who die in the Lord, for they
rest from their labors.” And it is finally in the last movement, after the mourner has experienced and worked
through the tumultuous emotions surrounding grief and loss during the first six, that the mourner’s sorrow
is mature enough to look beyond itself and see the deceased. And to acknowledge that they are indeed in a
better place, resting from their labors. It is an incredible, but universally necessary, emotional transformation
that Brahms has charted in this work – rather like the stages of grief so aptly identified by Elizabeth Kübler-
Ross in the 1960’s – here intricately worked out in powerfully emotional music.
ST. MARTIN’S CHAMBER CHOIR RECEIVES GENEROUS SUPPORT FROM:
Gregory Robbins Michael and Carlyn David Beattie & Philip Van Hoevenberg
Smith
Carson-Pfafflin Hugh and Michelle Harvey
Family Foundation Family Foundation
3
In Memoriam: The Victims of the Pandemic
Brahms German Requiem
This concert generously sponsored by Claudia Dakkouri
REQUIEM PER SOLO VOCE . . . . . . . . . . . . . . . . Carlotta Ferrari (b. 1975)
St. Martin’s Chamber Singers
Kristin Gornstein, alto solo
I HEARD A VOICE FROM HEAVEN . . . . . . . . . . . . . Charles V. Stanford (1852-1924)
St. Martin’s Chamber Singers
Lorena Perry, soprano solo
IN PARADISUM . . . . . . . . . . . . . . . . . . . . Terry Schlenker (b. 1956)
St. Martin’s Chamber Singers; Sheila Melendez, Conductor
Lorena Perry, soprano solo
10-MINUTE INTERVAL
A GERMAN REQUIEM . . . . . . . . . . . . . . . . . Johannes Brahms (1833-1897)
St. Martin’s Festival Singers
Jooeun Pak & Nanette Shannon, Piano
Matt LaCava, baritone solo; Ashley Hoffman, soprano solo
Selig sind, die da leid tragen (St. Matt. 5, 4)
Denn alles Fleisch, es ist wie Gras (St. Pet. 1, 24)
Herr, lehre doch mich (Psalm 39, 5)
Wie lieblich sind deine Wohnungen (Psalm 84, 2 f )
Ihr habt nun Traurigkeit (St. Jn. 16, 22)
Denn wir haben hie keine bleibende Statt (Heb. 13, 14)
Selig sind die Toten (Apocalypse 14, 13)
4
Texts & Translations
REQUIEM PER SOLO VOCE . . . . . . . . . . . . . . . . . Carlotta Ferrari (b. 1975)
St. Martin’s Chamber Singers
Kristin Gornstein, alto solo
Requiem aeternam dona eis, Domine, Give them eternal rest, O Lord,
et lux perpetua luceat eis. and let perpetual light shine on them.
Te decet hymnus Deus in Sion, There will be songs of praise to you in Zion,
et tibi reddetur votum in Jerusalem. and prayers in Jerusalem.
Exaudi orationem meam; O hear my prayers;
ad te omnis caro veniet. all flesh returns to you.
I HEARD A VOICE FROM HEAVEN . . . . . . . . . . . . . Charles V. Stanford (1852-1924)
St. Martin’s Chamber Singers
Lorena Perry, soprano solo
I heard a voice from heaven,
saying unto me,
Write,
From henceforth blessed are the dead
which die in the Lord:
even so saith the Spirit,
for they rest from their labours.
and their works follow them.
IN PARADISUM . . . . . . . . . . . . . . . . . . . . . Terry Schlenker (b. 1956)
St. Martin’s Chamber Singers; Sheila Melendez, Conductor
Lorena Perry, soprano solo
In paradisum deducant te Angeli, May the angels lead you into paradise,
Eternam habeas requiem. may you have eternal rest.
Chorus Angelorum Te suscipiat, te Angeli. May the chorus of angels receive you.
Requiem, Alleluia. Grant eternal rest, Alleluia.
10-MINUTE INTERVAL
5
A GERMAN REQUIEM . . . . . . . . . . . . . . . . . Johannes Brahms (1833-1897)
St. Martin’s Festival Singers
Jooeun Pak & Nanette Shannon, Piano
Matt LaCava, baritone solo; Ashley Hoffman, soprano solo
Selig sind, die da leid tragen Blessed are they that mourn
Selig sind, die da Leid tragen, denn sie sollen getröstet werden. Blessed are they that mourn; for they shall be comforted.
Die mit Tränen säen, werden mit Freuden ernten. They that sow in tears shall reap in joy.
Sie gehen hin und weinen und tragen edlen Samen, He that goeth forth and weepeth, bearing precious seed,
und kommen mit Freuden und bringen ihre Garben. shall doubtless come again with rejoicing, bringing his sheaves with him.
(St. Matt. 5, 4)
Denn alles Fleisch, es ist wie Gras For all flesh is as grass
Denn alles Fleisch ist wie Gras, For all flesh is as grass,
und alle Herrlichkeit des Menschen and all the glory of man
wie des Grases Blumen. as the flower of grass.
Das Gras ist verdorret und die Blume abgefallen. The grass withereth, and the flower thereof falleth away.
So seid nun geduldig, lieben Brüder, Be patient therefore, brethren,
bis auf die Zukunft des Herrn. unto the coming of the Lord.
Siehe, ein Ackermann wartet Behold, the husbandmen waiteth
auf die köstliche Frucht der Erde for the precious fruit of the earth,
und is geduldig darüber, and hath long patience for it,
bis er empfahe den Morgenregen und Abendregen. until he receive the early and latter rain.
Aber des Herrn Wort bleibet in Ewigkeit. But the word of the Lord endureth for ever.
Die Erlöseten des Herrn werden wieder kommen, And the ransomed of the Lord shall return,
und gen Zion kommen mit Jauchzen; and come to Zion with songs
ewige Freude wird über ihrem Haupte sein; and everlasting joy upon their heads:
Freude und Wonne werden sie ergreifen they shall obtain joy and gladness,
und Schmerz und Seufzen wird weg müssen. and sorrow and sighing shall flee away.
(St. Pet. 1, 24)
Herr, lehre doch mich Lord, make me to know
Herr, lehre doch mich, Lord, make me to know mine end,
daß ein Ende mit mir haben muß, and the measure of my days,
und mein Leben ein Ziel hat, what it is: that I may know
und ich davon muß. how frail I am.
Siehe, meine Tage sind Behold, thou hast made my days
einer Hand breit vor dir, as an handbreadth;
und mein Leben ist wie nichts vor dir. and mine age is as nothing before thee:
Ach, wie gar nichts sind alle Menschen, verily every man at his best state
die doch so sicher leben. is altogether vanity.
6
Sie gehen daher wie ein Schemen, Surely every man walketh in a vain shew:
und machen ihnen viel vergebliche Unruhe; surely they are disquieted in vain:
sie sammeln und wissen nicht he heapeth up riches, and knoweth not
wer es kriegen wird. who shall gather them.
Nun Herr, wess soll ich mich trösten? And now, Lord, what wait I for?
Ich hoffe auf dich. my hope is in thee.
Der Gerechten Seelen But the souls of the righteous
sind in Gottes Hand are in the hand of God,
und keine Qual rühret sie an. and there shall no torment touch them.
. (Psalm 39, 4-7)
Wie lieblich sind deine Wohnungen How lovely are thy tabernacles
Wie lieblich sind deine Wohnungen, How lovely are thy tabernacles,
Herr Zebaoth! O Lord of hosts!
Meine seele verlanget und sehnet sich My soul longeth, yea, even fainteth
nach den Vorhöfen des Herrn; for the courts of the Lord:
mein Leib und Seele freuen sich my heart and my flesh crieth out
in dem lebendigen Gott. for the living God.
Wohl denen, die in deinem Hause wohnen, Blessed are they that dwell in thy house:
die loben dich immerdar. they will be always praising thee.
(Psalm 84, 1, 2, 4)
Ihr habt nun Traurigkeit Ye now therefore have sorrow
Ihr habt nun Traurigkeit And ye now therefore have sorrow;
aber ich will euch wieder sehen but I will see you again,
und euer Herz soll sich freuen and your heart shall rejoice,
und eure Freude soll neimand von euch nehmen. and your joy no man shall take from you.
Ich will euch trösten, As one whom his mother comforteth,
wie Einen seine Mutter tröstet. so will I comfort you.
Sehet mich an: Ye see
Ich habe eine kleine Zeit how for a little while
Mühe und Arbeit gehabt I labored and toiled,
und habe großen Trost funden. yet have I found great comfort.
(St. Jn. 16, 22)
7
Denn wir haben hie keine bleibende Statt For here we have no continuing place
Denn wir haben hie keine bleibende Statt, For here have we no continuing place,
sondern die zukünftige suchen wir. but we seek one to come.
Siehe, ich sage euch ein Geheimnis: Behold, I shew you a mystery;
Wir werden nicht alle entschlafen, We shall not all sleep,
wir werden aber alle verwandelt werden; but we shall all be changed.
und dasselbige plötzlich, in einem Augenblick, In a moment, in the twinkling of an eye
zu der Zeit der letzten Posaune. at the last trump:
Denn es wird die Posaune schallen, for the trumpet shall sound,
und die Toten werden auferstehen unverweslich, and the dead shall be raised incorruptible,
und wir werden verwandelt werden. and we shall be changed.
Dann wird erfüllet werden das Wort, Then shall be brought to pass the saying
das geschrieben steht: that is written,
Der Tod is verschlungen in den Sieg. Death is swallowed up in victory.
Tod, wo ist dein Stachel? O death, where is they sting?
Hölle, wo ist dein Sieg? O grave, where is they victory?
Herr, du bist Würdig Thou art worthy, O Lord,
zu nehmen Preis und Ehre und Kraft, to receive glory and honour and power:
denn du hast alle Dinge geschaffen, for thou hast created all things,
und durch deinen Willen haben, sie das Wesen and for thy pleasure
und sind geschaffen. they are and were created.
(Heb. 13, 14)
Selig sind die Toten Blessed are the dead
Selig sind die Toten, die in dem Herrn sterben, Blessed are the dead which die in the Lord
von nun an. from henceforth:
Ja, der Geist spricht, Yea, saith the Spirit,
daß sie ruhen von ihrer Arbeit; that they may rest from their labours;
denn ihre Werke folgen ihnen nach. and their works do follow them.
(Revelation 14, 13)
– Texts from the German Bible as translated by Martin Luther – English Texts from the King James Bible
Texts and Translations compiled by Linda Mack
8
healing
2021- 22 CONCERT SEASON
Bahman Saless | Music Director
2021 2022
9.23 1.29
Chamber Music Tchaikovsky,
Mozart & Dvorak Shostakovich
10.23 & J.C. Bach
All Beethoven Concert 4.2
12.11 Eternal Light,
Mozart Requiem by
Tchaikovsky & Chocolate Howard Goodall
All concerts are held at the
BoulderAdventist Church
345 Mapleton
Boulder, CO
80304
TICKETS: www.boulderchamberorchestra.org
G E T YO U R M E M B E R S H I P O R T I C K E T S T O D AY !
STMARTINSC HAMBERC HOIR.ORG | 303-298-1970
IN MEMORIAM: THE VICTIMS OF THE PANDEMIC
Brahms German Requiem Shiru L'Adonai
JEWISH SACRED MUSIC
September 24 & 26 February 26 & 27
American Renaissance
October 29, 30, 31 & November 1
Songs of Pilgrimage
CAMINO DE SANTIAGO
A Christmas Oratorio
April 1, 2, & 3
AFTER THE PILGRIMAGE
The Journey Home
HERZOGENBERG'S "THE BIRTH OF CHRIST"
December 17, 18 & 19
May 27 & 29Danse Etoile Ballet opens its season September 23/24th, 2021
Go to www.danseetoile.org for more information
Hope, Healing, and Inspiration
Our 2021-2022 Season
Rainbow Strings! Mozart!
OCTOBER 7 at 7:15 PM FEBRUARY 4 at 7:30 PM
OCTOBER 9 at 7:30 PM FEBRUARY 5 at 7:30 PM
Messiah! Beethoven!
DECEMBER 4 at 7:30 PM APRIL 29 at 7:30 PM
MAY 1 at 3:00 PM
For Tickets and more concert information:
ProMusicaColorado.org | 720-443-0565vVsv|vs®†fiRv ¯esv} THE ORDER OF ST. MARTIN
St. Martin’s St. Martin’s Chamber Choir gratefully acknowledges the following for their ongoing support.
Chamber Choir St. Martin’s sincerely regrets the inadvertent omission of any donor(s).
TIMOTHY J. KRUEGER, ARTISTIC DIRECTOR
Donations made between between September 1, 2020 & September 1, 2021.
PLATINUM SHIELD Carla Morgan
Mark & Diane Mulligan
Heather Perkins
Richard Pinkham
Barbara Hamilton - Primus
Thomas Hardcastle
$2500 + Frank Nowell Bonnie Pritchett John Harder
Carol Prescott Robert Quillin Marjorie Hartman
Anonymous
Stephen Pryor Brock Gabe Racz & Melanie Walker James Henderson
Anonymous
Patricia & Raymond Rendoff Susan Roberts Janet Hixon
Krystal & Jay Jakosky
Dr. Reid Reynolds Carol & Eric Robison Alexandra Hoch
Ann Stoenner Elizabeth Rohrbough Gary Hoffman & Nicole Tonkovich
GOLD SHIELD Rosemary Stoffel Mary Ann Ross Ashley Hoffman & Barry Zink
Joseph Wilcox Sharon Russel Frederic Ieuter
$1000-$2499 Gary & Mary Williams Kathleen Schmidt Katy Jacaruso
Kathleen & Howard Brand Robley & June Williams Lynne Scholfield Reese & Diane Jameson
Claudia Dakkouri John Wilson Andrew Seelaus Durango Jenkins
Peter DeBlois David & Cheryl Showers R Allan Jensen
Jeffrey Smith Bruce & Linda Johnson
Joan Foster
Gertrude Grant
BRONZE SHIELD Abigail Sperry Ilene Johnson
Julie Johng & Dr. Chris Johng $100-$249 Dan & Mary Strizek Gary Jugert
Tim & MB Krueger f Elizabeth Tebbe Cynthia Katsarelis
Harry Adair Susan Trickett Phyllis Kester
Thomas & Twyla Lance
Debbie Arnold Deborah Trissel Beth Kieft
Lesley Manring-Borchers
Susan Backus Sally Warren Ochsner Charles Komodore
Kathleen McCormick Price
Donald Bain Carrie Warren-Gully Carrie Kramlich
Gene & Rosann McCullough
Joan & Scott Barker Louis Warshawsky Dr. Joyce & Stewart Kull
Pat & Pam Montgomery
Sally & Robert Bartalot Tobi Watson Denise Lanning
Jeff Parrott & Jeff Jacob
Carolyn Bentley Chuck Younger Lisa Lee
Thomas Riis
Charles & Laura Bikle Ronald Zasadinski Alan Lewis
Gregory Robbins f
Sheila Bisenius Jeffrey Zax & Judith Graham Sandy Lezotte
Charley Samson
Michael Bradley Michael Zekonis Jeffrey & Katharine Lormand
Julia Stacer
Melissa Bradley Jennifer Macy
William & Nancy Branch Linda Maich
SILVER SHIELD Jim & Tabby Briggs BRASS SHIELD Judson & JoAnn McDowell
$500-$999 Shelley Brown
Carol Canon
$1-$99 Aims McGuiness
Ryan McPeek
Jorge & Georgia Arribau Hilary Carlson Penelope Anderson Cynthia McRae
Julie & Joseph Beggs Mark Carson Teri Appell Pam Midboe
Barbara Benedict Virginia Chrisco Debbie Arnold Harriett Milnes
Matthew Bentley John & JoAnn Congdon Jeff Bain Martine Minnis
David & Mary Lou Blomquist James & Marilyn Craft Richard Barnette Stephany Mollo
Jennifer Caskey Cynthia Daniels Betty Barton Susan Moore
Deborah Chapman David Donselar Hugh & Kathy Blaney Kathleen Motika
Don & Carolyn Etter Barb Dowski Risa Booze & Mark Jellison Mark Moyer
Richard Foster Warren & Evelyn Dunkin Meredith Braxton David & Kay Norris
Roger & Sue Kilgore John Dunnewald Michael Brewer Amy Palmer
Jean McDaniel Keith & Paula Emerson Maryanne Brush Bruce & Lois Pennetti
John & Deb McVicker Patty Emmons Janice Burley Mark & Ellen Persiko
Stephanie Smythe & Elizabeth Gilpatrick Sheri Estes Parry Burnap Cindy Pickerel
Peter & Anne Thulson Don & Deb Felio Mary Claire Cartford Russell Pierce
Ralph & Lynne Valentine Elise & Larry Fetzer Henry & Janet Claman Darius & Anne Pirazdeh
Ellen Wilson James Fittz & Brenda Vang Deborah Clendenning Suzanne Polacek
Lisa Wolff John & Debora Freed f Ruth Coberly Lena Potyondy
Daniela Golden Zoe Cole Barbara Roach
Mary Greenwald Carrie Doehring Danae Rosso
COPPER SHIELD Chris &Russ Haas Kirk Dorn Joyce Rovetta
$250-$499 Mary & Bill Haddock
Ricki Hadow
David Dunn
Nancy Eastman
Marjorie Ruby
John Rush
James & Susan Adolphson Molly Hardman Olivia Emery Kathleen Schmidt
David Ayers Janel Highfill Don & Judith Engelstad Johnson Scott
Anna Baron f Diane Hoffman Ann Erickson Richard & Ann Smith
Barbara & David Belina f Lynn Huber Erika Esau Spike Squire
John Bosick & James Schweigert Rebecca Jones Steve Fincher James Stalley
Shelley Brown Diane Kane Michael Freeland Marjie Steel
Doris Burd James & Charla Kates Jason Frels Teresa Stuart
Arianne Burger f Sharon & Chris Kermiet Michelle Fulcher Diane Thompson
Marilyn & Michael Domenick Thomas Keyse & Jennifer Courtney-Keyse Norma Fulkerson Caryl Thompson
John & Jan Douglas Pamela Kiener Joseph Gaines Laura & Trevor Timmons
John Dunnewald Patricia Long Dennis Gallagher Laura Tribby
Jim East & David Johns f Dan Macey f Paul Gilbetson Karen Trinidad
Maureen Farmer Janet Manning Ashley Giles Susan Tyburski
Silvine Farnell f Stuart Marlatt Sarah Gilmor Thomas & Janet Vanden Bosch
Elaine Granata Douglas & Laura Moran Sara Golden Susan Weeks & Al Halverstadt
George & Betsy Hoover Bruce & Melanie Nelson Sandra Goldman Sarah Wood
Karen Katz Shawn Nowlan Gayle Gordon & Robert Wesson Morton Zeppelin
Lori Kaufman Mary Pellettier Daniel Grace
Thomas & Miriam Lindahl James Pendleton Claudia Gray
Da Capo Donors (monthly contributors) shown with f
ST. MARTIN’S CHAMBER CHOIR LEGACY SOCIETY
David Beattie
Jack & Micaëla Larsen Brown
Terry Schlenker
If you have included St. Martin’s Chamber Choir as a beneficiary of your estate,
please contact Courtney Huffman, Executive Director, at 303-298-1970.
If you are interested in making such a meaningful gift to the Choir, please contact us as well.You can also read
