JINGYI WANG NATURAL sOCIAL DisTANCING - FOUR YOU GALLERY
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
NATURAL sOCIAL DIsTANCING The past year, for many reasons, has forced us to confront our relationship with nature. This consideration has been within the context of a global pandemic during which the phrase ‘social distancing’ became normal and more painfully, famil- iar. Cacti have been the subjects of Jingyi Wang’s paintings for 5 years, yet with developing social changes and world health concerns at large, her artworks have taken on varying identities. Capricorn Cactus, 2020 Oil on Canvas 61 x 51 cm
In the instance of ‘Natural Social Distanc- ing’ at Four You Gallery, the cacti take anthropomorphic form. The compositions are that of traditional portraits or busts, eerie in their animation and sobering in their directness. Each portrait is rendered with sharp focus and pictorial realism despite the uncanny subjects. The artist’s style is surreal, yet she challenges the viewer with naturalistic depictions of famil- iar forms. Don't Touch Me, 2020 Longly Portrait, 2020 Oil on Panel Oil on Panel 25 x 20 cm 25 x 20 cm
Distressing is the subjects exterior, yet the audience may feel a conflicting comfort in their recognisable form. These are images we have seen before, yet now they are shrouded in the defensive spines of cacti. Intrigue and unease arise correspondingly. Do they cacti act as a concealing shell, or are they the subjects’ true identity? This series of paintings asks you to question what lies beneath visible surface. Cactus in a Bikini, 2020 Oil on Canvas 61 x 45.7 cm
Iceberg and Cactus, 2020 Oil on Canvas 66 x 76 cm
Wandering Cactus, 2021 Oil on Canvas 147 x 102 cm
Ultimately, these paintings address the relationship between humans and nature. This is an association that has been at the forefront of Wang’s mind over the past year or so. The artist demonstrates the fragility of the world on a larger scale with an image of a balloon like globe deflated by the spine of the anthropomorphic cacti. Wang paints with such lightness and movement, the globe looks as if it is col- lapsing before one’s eyes. Don't Be Sad, 2020 Barcelona Dream, 2020 Oil on Panel Oil on Panel 25 x 20 cm 25 x 20 cm
Growing, 2020 Oil on Canvas 106.7 x 89 cm
Wandering Earth Ball #2, 2021 Oil on Canvas 107 x 107 cm
Although the subjects are striking main focuses, the expansive landscapes are radiant, otherworldly and seem to deny the possibility of human existence. Threatening but hopeful, Jingyi Wang’s paintings will provoke an awed respect for her skill, gracefulness and humbling attitude towards nature. Wandering Earth Ball #3, 2021 Oil on Canvas 107 x 107 cm
Wandering Earth Ball, 2021 Oil on Canvas 150 x 150
Have a Sweet Dream, 2021 Oil on Canvas 101.6 x 122 cm
Poking, 2021 Oil on Canvas 147 x 183 cm
ABOUT THE ARTIsT Jingyi Wang (Chinese, b. 1989) is a painter currently living and working in New York City. In 2013, Wang graduated from China Central Academy of Fine Arts with a BFA degree, and in 2016 she received her MFA from New York Academy of Art. Since then the artist has gained significant traction from collectors and gallerists, who have shown her works extensively in New York City and elsewhere. The artist has been exhibiting in and around the city for close to 5 years, her inaugural solo show “The Growing” was opened at the Amerasia Bank Gallery in 2017. Wang’s “My Loneliness is a Garden” opened at Art Lines Gallery in New Jersey in 2018, and “Soft Sting” was at Time Arts Gallery in New York the following year. Noteworthy press coverage includes reports by The China Press, Sing Tao daily Newspaper and World Journal. Additionally, her paintings have been published in ArtMaze, Acrylicworks5, Creativepaper, and Studio Visit magazines.
ABOUT THE GALLERY In an attempt to transpose the gender inequality that continues to persist in the art world, Four You gallery exclusively showcases the work of female artists. Four You Gallery is a travelling venue-by-appointment that showcases contemporary art. It o� ffers female artists a global audience, whilst allowing art enthusi- asts to discover thoughtfully curated artworks produced by international talents. Gallery Apparent is the lack of representation of female artists in galleries, as well as the exclusion of women from the mainstream art market. Four You gallery intends to provide a platform for the overlooked; o�ering a space that encourages cross-discipline dialogue led solely by women aiming to inflict change. Dedicated to the artist and regardless of their nationality, medium, info@fouryougallery.com or career-status, Four You hopes to celebrate, support and www.fouryougallery.com empower. Curated for you – whether a casual enthusiast or fouryougallery passionate collector – we carefully select artists with distinct and bold styles. We wish to captivate and inspire, by casting the spotlight on stimulating women in art.
You can also read