INSTRUMENTAL TOUCH: A FOUCAULDIAN ANALYSIS OF WOMEN'S FITNESS

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Dominika Czarnecka

INSTRUMENTAL TOUCH: A FOUCAULDIAN
     ANALYSIS OF WOMEN’S FITNESS

                                             abstract
             Group Pilates classes in commercial fitness gyms are among the most
             common forms of mindful fitness in Warsaw. The instructors teaching these
             classes often correct the participant’s posture by touching them. While
             academic publications often critique fitness as a disciplinary practice, much
             fewer studies analyse touch understood as one of disciplinary techniques.
             Similarly, little is known about the experiences of fitness culture participants
             who encounter instrumental touch during Pilates classes. This qualitative
             research project analyses how Michel Foucault’s concept of anatomo-
             political power intersects with instrumental touch applied during Pilates
             classes to study how touch is used to train fitness bodies and how instructors
             and other participants of Pilates sessions participate in power relations. The
             article considers the value of instrumental touch in the context of relations
             between instructors and their clients.

Keywords: body, disciplinary technique, fitness, instrumentality, Pilates, touch

INTRODUCTION                                           with specific meaning and initiating their own
                                                       creative uses of touch. Thus, fitness clubs appear
 Multi-dimensional fitness gyms are often              to be the right environment to examine the
‘promoted as social spaces where individuals can       policy of touch.
 transform body—self identities’ (Brighton et               The present analysis focuses on touch used
 al. 2021: 45). They offer their clients a range of    by fitness instructors during Pilates classes. The
 physical fitness practices, as well as knowledge      results of the research presented below indicate
 and expertise facilitating the development of         that Pilates classes involve relatively frequent
 various body projects. Fitness gyms are also          touching. The issue of how to touch participants
 frequently described as disciplinary institutions,    during training is also discussed during courses
 in which various disciplinary body practices          for Pilates instructors, although it is only done
 are embedded (e.g. Markula and Pringle 2006;          as an aside when tackling other topics. This
 Greif 2017). Lastly, gyms constitute important        study examines how the kind of touch that will,
 physical and cultural spaces where the bodies         for the purposes of the analysis, be referred to
 of clients are touched in a specific manner and       as ‘instrumental’, operates within commercial
 for specific purposes. They are also spaces where     fitness gyms and through the fitness bodies
 instructors use touch, imbuing touch practices        that inhabit these spaces. In the context of the

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present analysis, touch has been positioned            however, it is dependent on local traditions,
as a social practice. The study also analyses          which contain models of heterogenisation and
how Michel Foucault’s concept of anatomo-              diversity (e.g. Spielvogel 2003; Steen-Johnsen
political power intersects with the instrumental       2007). Consequently, the relation between the
touch applied during Pilates classes to study          global and the local appears to be complex,
how touch is used to train fitness bodies and          changeable, and mutual, since the local is—
how instructors and other participants of              to a greater or lesser degree—influenced by
Pilates classes participate in power relations.        the global, and vice versa (Andreasson and
It considers the value of instrumental touch in        Johansson 2014; see also Ram 2004). It may
the context of relations between instructors and       therefore be assumed that a scholar considering
their clients.                                         the global aspects of fitness culture should not
     It should be noted that most of the data          disregard its local characteristics, as it is the
gathered during field research and presented           latter that allow one to notice details and subtle
in this study pertains to the period before            differences without which the study of global
the COVID-19 pandemic (even though the                 phenomena would be incomplete and offer an
interviews were conducted before, during, and          overly simplified view of reality. This justifies the
after the lockdown). The epidemiological               need to conduct in-depth ethnographic studies
situation profoundly affected the functioning of       on fitness culture in Poland, which has not yet
gyms, imposing numerous changes, including             been examined in a comprehensive manner as a
some pertaining to the realm of touch, so              local variation of a global cultural phenomenon.
crucial in the spread of disease. The effect that            Commercial fitness practices appeared in
the pandemic had on the methods and the                Poland considerably later than in the United
experience of touch in fitness culture certainly       States and countries of Western Europe (e.g.
merits a separate study in the future.1                Green 1986; Hedblom 2009). While the first
                                                       aerobics club was established in Warsaw in 1983,
                                                       the expansion of the commercial service sector
PILATES IN WARSAW:                                     (including services associated with physical
THE GLOBAL INTERTWINED                                 culture) was only made possible by the onset
WITH THE LOCAL                                         of the economic and political transformation
Fitness culture is a significant cultural phe­         that began in 1989 (Kunicki 1997). The fitness
nomenon with its global/local variations (e.g.         industry truly started to develop in Poland
Andreasson and Johansson 2014; Hedblom                 in the 1990s and expanded gradually in the
2009; Sassatelli 2000; 2011; Smith Maguire             first two decades of the 21st century. It should,
2007; Spielvogel 2003; Volkwein 1998). In the          however, be noted that despite this ongoing
present analysis, the term ‘fitness culture’ is used   development, only 8% of Poland’s residents were
to denote ‘the symbolic and cultural ideas that        using the services provided by fitness centres
constitute a specific way of approaching the           in 2019 (European Health & Fitness Market
body and physical culture’ (Andreasson and             2019). The latest estimates indicate that before
Johansson 2014: 13). As a global phenomenon,           the COVID-19 pandemic there were ca. 2,700
fitness culture is currently affected by processes     fitness clubs in Poland, offering membership
of standardisation and homogenisation, at              to nearly three million people ( Juś 2020). At
least in some of its aspects. At the same time,        present, the scale of the damage resulting from

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Dominika Czarnecka

the pandemic is impossible to ascertain, yet the       limited to exercising using mats. The number of
fitness industry is expected to be among the           participants in these sessions differs depending
most affected sectors of the economy (on the           on the policy of the given fitness chain. Pilates
situation of Polish fitness instructors during the     classes in fitness centres are cheaper than in
pandemic, see Czarnecka 2021).                         professional studios, and therefore accessible to
      Fitness practices collectively defined           a wider spectrum of consumers. Very few fitness
as mindful fitness have become increasingly            clubs in Warsaw divide their classes into levels
popular in Poland (Markula 2004). Along with           of proficiency. Usually a single group comprises
yoga, Pilates, although it is still relatively new     up to around a dozen people of varying age and
in Poland has become one of the most popular           practical experience with Pilates. Although the
forms of mindful fitness in Warsaw. Joseph             classes are theoretically open to people of all
Pilates started to develop his method nearly           genders, group classes are mostly attended by
100 years ago (during the First World War),            women. The few men that arrive usually come to
yet mentions of Pilates did not appear in the          classes only sporadically and do not exercise on
Polish media until ca. the year 2000. The first        a regular basis. Most of them prefer individual
professional courses for Pilates instructors in        workouts in fitness gyms.
Poland were organised by Iza Stasiakowska                    It should be remembered that the local
in 2001; before that date practical knowledge          context intertwines with global processes of
about this fitness method could only be acquired       standardisation and homogenisation. Many
abroad. The most popular destinations in this          fitness instructors from Warsaw take part in
context were the United States of America and          international conferences on fitness culture and
Great Britain (Pilates Polska 2019).                   Pilates courses conducted by foreign teachers.
      Pilates dubbed the method he created             In time, some of them acquire international
Contrology. He understood it as                        certificates and teach Pilates courses abroad.
                                                       Likewise, at least some of the women who
     complete coordination of body, mind,              attend Pilates classes in Warsaw’s clubs have
     and spirit. Through Contrology you first          had the opportunity to participate in similar
     purposefully acquire complete control of          exercises in other countries. Some of them
     your own body and then through proper             have trained under the supervision of foreign
     repetition of its exercises you gradually and     teachers during online classes. All of these
     progressively acquire that natural rhythm         factors indicate that qualitative ethnographic
     and coordination associated with all your         research in Warsaw’s fitness clubs would yield
     subconscious activities. (Pilates and Miller      valuable data. Such studies may provide some
     1960: 9)                                          insight into globalising fitness culture, while
                                                       the analysed processes may have broader
Professional Pilates studios offering different        applicability to other parts of the world.
forms of exercise—using mats, reformers, and                 Before moving to the results, I will provide
other kinds of equipment—may currently be              the theoretical and methodological framework
found in every major city in Poland. Meanwhile,        of the research.
the classes organised in fitness centres are usually

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THE THEORETICAL                                          use their power than others (Foucault 1995;
FRAMEWORK: FOUCAULT,                                     Clark and Markula 2017). In the context of
DISCIPLINARY TECHNIQUES,                                 the social world of fitness culture, this means
AND DOCILE BODIES                                        that instructors do not oppress the women
                                                         they are coaching, even though they remain in
 Foucault perceived the body as the site of              a specific power relation with them. Within it,
 workings of power. He saw discipline and                the instructors are able to exercise power easier
 docility as ultimately associated with state            than their clients, yet the power relation is not
 power, yet his approach has been adopted in             constant and may change in time or be broken.
 many different fields, including the analysis                 In his earlier works, Foucault (1995)
 of sport and physical culture, and also in              concentrated on anatomo-political power,
 commercial contexts (e.g. Chase 2006; Clark             stating that the form of power that is exercised
 and Markula 2017; Hanold 2010; Markula and              through disciplinary techniques is applied
 Pringle 2006). As regards commercial fitness            to produce obedient and useful bodies of
 gyms, some scholars suggest that although the           individuals, which he dubbed docile bodies.
 phenomenon of gym-going developed from                  According to Foucault, a body that constantly
 the concept of individual, autonomous choice,           remains within specific power relations is not
‘gyms are disciplinary institutions that remove          only affected by these relations, but also affects
 us from our liberty as the body endures work            them. It may therefore be assumed that female
 driven by contemporary discourses of health             fitness bodies are not oppressed or passive, but
 and fitness’ (Greif, cited after Brighton et            play an active role within the power relations
 al. 2021: 47; see also Sassatelli 2011). Others         in which they participate. Since this study
 note that commercial fitness gyms bear the              examines the way in which female fitness bodies
 characteristics of disciplinary spaces, and as such     are controlled and shaped through specific
 facilitate the evolution of various disciplinary        practices used in the gym room, with particular
 techniques in which docile bodies are produced.         focus on instrumental touch, Foucault’s concept
‘Exercise classes can be seen as potential sites         provides a useful theoretical framework. Before
 for disciplining individuals into docile bodies:        instrumental touch is discussed, I shall briefly
 the space, the gym, is constructed to allow             present several other disciplinary techniques
 disciplinary control over fit bodies’ (Markula          used in gym rooms, namely the managing of
 and Pringle 2006: 78).                                  bodies through the organisation of space, time,
       Foucault (1995 [1975]; 2010 [1976; 1984])         and motion. All of these elements delimit the
 was interested in various forms of modern power,        framework of the meetings between clients and
 believing that power is always productive and           instructors and determine the approaches to the
 relational, that it manifests itself in all relations   body and—consequently—the ways in which it
 and practices, and that each individual has the         is touched.
 ability to participate in power relations. He also
 claimed that power is not a constant property           STRUCTURING SPACE
 that a given individual or institution uses to
 oppress those who lack it. What he emphasised           Foucault claimed that anatomo-political power
 is that power relations are often asymmetrical          operates through the proper organisation of
 and that some individuals have more ability to          space and that disciplinary spaces are enclosed,

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functional, partitioned, and ranked (Foucault        synchronicity of movement within the exercising
1995: 141–146). ‘In the first instance, discipline   group is of less importance in Pilates than in
proceeds from the distribution of individuals in     other fitness forms, e.g. the choreographic ones.
space’ (ibid.: 141). Fitness rooms are designed      The time allotted to training does not involve
to ensure that group fitness activities may          unnecessary breaks and is used to the maximum,
proceed without external interference. Each          in order to achieve specified goals.
of the participating individuals should have
enough room to be able to exercise with              MANAGING BODIES THROUGH
unimpeded motions. In the case of Pilates, the       MOVEMENTS
space is additionally divided using mats. At the
beginning of the class, the instructor stands        Foucault claimed that bodies and movements
away from the other participants, which defines      ought to be organised into segments that allow
and emphasises his/her role—the visibility of        the pre-established goals to be attained. In
rank. What is more, the space of the fitness         commercial fitness gyms, each form of fitness
room should be arranged in such a way that           activities involves performing different exercises.
the information provided by the instructor is        Instructors should prepare a plan in which they
available to the participants through various        may, for instance, focus on building up specific
modes of expression (i.e. the face, the voice, the   groups of muscles. They may then increase the
position of the body, verbal communication).         level of intensity and complexity of specific
The other participants choose their spots in         motions with each training session, taking into
the room themselves, yet the instructor may, at      account the skill of the group. They may also
least to some extent, introduce changes in the       increase the level of difficulty of the class over
configuration of fitness bodies in space.            a longer period of time. In practice, however,
                                                     because gyms are meant to provide leisure and
STRUCTURING TIME                                     recreation (Sassatelli 2015), anyone who paid
                                                     the fee is allowed to participate in all classes,
According to Foucault, individual bodies are         regardless of whether they have mastered the
disciplined by the organisation of not only space,   required sequences of movement or not.
but also time. Fitness centres follow schedules           In Foucault’s view, the aim of disciplinary
that delineate the start, finish, and duration of    techniques is to produce docile bodies—bodies
each training session. Every session is divided      that have internalised specific movements to
into segments during which specific motions          such a degree that they are able to perform
are performed, which ought to harmonise with         them automatically and without hesitation.
the rhythm of the accompanying music and             However, the present article is not concerned
the movements of other participants (usually         with the effectiveness of disciplinary techniques
the segments involve: the warm-up, the main          in producing docile bodies. What it does
part, relaxing/stretching). It should, however, be   examine is the way in which anatomo-political
noted that in Pilates the motions in exercises are   power is exercised through instrumental touch
not performed to or determined by the rhythm         used intentionally by fitness instructors during
of music (some instructors even conduct classes      Pilates classes. Thus, it is interested in touch as
with no music involved). Likewise, the exact         one of the disciplinary techniques.

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THE METHODOLOGICAL                                   which is also apparent in the field of sports and
FRAMEWORK                                            mass leisure activities. Consequently, all my
                                                     participants were White women.
This study was guided by an inductive approach,            The study is based on ethnographic
which provides solutions to discover relations       qualitative methods, with the research process
and patterns in the data collected (Glaser and       divided into two stages. The first step involved
Strauss 1967). The multi-method approach             analysing the content of two training manuals
comprised four elements: (a) eleven semi-struc-      which I had received during Pilates instructor
tured in-depth interviews with female fitness        courses. Since I had participated in these
culture participants (recorded and transcribed),     myself, I also chose to analyse the notes I had
(b) observant participation (Wacquant 2004),         made at the time, focusing on all descriptions
(c) informal conversations (Hammersley and           that in any way referred to touch in Pilates. The
Atkinson 1995), and (d) content analysis of two      present article is mainly based on the findings
training manuals. To ensure the credibility of       made during the second stage of research. The
my qualitative data, triangulation of data was       eight semi-structured in-depth interviews
applied (Creswell 2007).                             with female fitness instructors and exercisers
     The field research was conducted between        were face-to-face. Three interviews (two
March 2019 and October 2020 in three differ­­-       with instructors and one with a client) were
ent clubs belonging to one of Warsaw’s               conducted online via the Skype platform. All
fitness chains and is grounded in multi-sited        the interviewees (five fitness instructors and
ethnography (Falzon 2016). The present analysis      six participants of Pilates classes) were White
only presents experiences reported by female         women between 35 and 89 years of age. For
Pilates instructors and female participants of       the sake of anonymity, the names appearing
fitness classes. The focus on women’s experiences    in the article have been changed. Due to the
may be a limiting factor, yet the choice was         asymmetrical power relations during Pilates
not accidental. Firstly, group fitness activities    classes in the commercial fitness gym (Foucault
in Warsaw are attended predominantly by              1995; Markula 2004), the study focused mainly
women. Secondly, since the experiencing body         on instructors. Principally, it is they who
is socialised, there are socially and culturally     initiate instrumental touch. They can be also
determined differences in the experience of          key creators of change. As a fitness instructor
corporeality by women and men (Young 2005).          familiar with social world of fitness culture
Thirdly, the data and conclusions presented          participants, I was able to personally participate
in this article are a part of a broader research     in touch practices in fitness gyms, both as
project, in which fitness culture in Poland is       a coach and as a participant of Pilates classes
analysed as a gendered phenomenon (see also          taught by other instructors. My participation in
e.g. Aoki 1996; Markula 1995, 2001; McKay            Pilates classes in both these capacities resulted
1994). Finally, I myself have been working for       in the collection of video recordings and notes
years as a fitness instructor and have therefore     which I typed after every class and saved on my
shared the experiences of the female members         personal computer. All my respondents were
of this social world (at least to some degree).      given prior information about the objectives of
The present study is further limited by the fact     my research and participated in it willingly.
that Polish society is relatively homogeneous,

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THE SPECIFICITY OF                                    of touch. Not all of it is intentional; in many
INSTRUMENTAL TOUCH                                    cases touch is accidental and simply results
                                                      from momentary lack of attention. Similarly,
 One of the first scholars to explore the sensory     not all of it is authoritative or disciplinary; for
 aspect of experience in sports practices was         instance, some of it may be a part of ordinary
 Loïc Wacquant (2004). It should also be noted        social relations. Lastly, not all tactile experiences
 that significant contributions to the study          in fitness pertain to the touch between human
 of sensory dimensions of sport and physical          individuals. The most common example are
 activity were made by works in the field of          the physical contacts between fitness bodies
 cultural history of the senses, including the        and objects (e.g. the floor, the walls, mats,
 gendering of (Classen 1993, 2005; Classen et         exercise balls). Although all of the mentioned
 al. 1994) and the anthropology of the senses         types of tactile experiences merit a detailed
(Howes 2003, 2005; Pink 2009; Vannini et al.          analysis, the present work focuses solely on
2012), even if they did not refer to sporting         instrumental touch, since it is the form that
 experiences expressly. Recent years have brought     allows us to examine how the anatomo-political
 the publication of numerous works whose              power operates within the space of a gym and
 authors focused on the role of specific senses in    how docile bodies are produced in the context
 sports and physical culture (e.g. Downey 2005;       of recreational fitness. It must be noted that,
 Hockey and Allen-Collinson 2007), with some          although correcting by touch is a very popular
 concentrating on touch (e.g. Channon 2013;           method of teaching, it is not employed by all
 Hamilton 2017; Lewis 2000; Slavin 2003).             fitness coaches during Pilates classes. For
This is hardly surprising, given that ‘sports         various reasons, some of them only use verbal
 participants hear, smell, see, touch, and move       instruction and demonstration.
 within their particular sporting environments,             The field research indicates that there
 whether hockey pitch, mountain face, ice-rink,       are instructors (albeit not many) who pay
 or squashcourt’ (Hockey and Allen-Collinson          no attention to the accuracy of their clients’
2007: 123). Although this is beyond the scope         movements, and thus do not use any methods
 of the present analysis, it might be added that      of correcting mistakes. One possibility that
 an increasingly large number of studies focusing     cannot be ruled out is that instructors adopt
 on the senses in sports practices make use           this approach to corrective techniques because
 of the auto-ethnographic method, in which            they regard all fitness forms as recreational in
 the researcher’s body is regarded as the main        function (Rojek 2000; Sassatelli 2015; Stebbins
‘instrument’ of sensual data collection (Sparkes      2009).
2016; Czarnecka 2020). The scarce mentions
 of touch that may be found in publications on             One thing may be that someone totally
 fitness culture are, at best, added as an aside to        ignores people and never corrects them at
 the main line of argument (e.g. Andreasson and            all. Pays no attention, just exercises for him
 Johansson 2014). Thus, conducting in-depth                or herself, looks at the mirror and exercises.
 ethnographic studies on the matter seems all              Perhaps I wouldn’t even be aware of this,
 the more justified.                                       although I’ve taken part in classes, even
       In practice, the environment of a fitness           Pilates ones, where [the instructor] simply
 gym is conducive to many different types                  did not correct anyone, not once. And

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Dominika Czarnecka

     I think that, okay, if such a person now               As a disciplinary technique which helps
     comes to my classes, where I do correct,         control and correct the operations of the fitness
     and earlier only attended classes where          body, instrumental touch is based on several
     no-one was correcting anyone, they can be        principles, whose application and definition
     really shocked, won’t they? They may think       is determined by the given situational context.
     that it’s something strange. But for me, this    Instructors in commercial fitness gyms touch
     is, well, you don’t go to classes to (…) so      their clients in specific ways during physical
     this is this one thing, that you go to classes   exercises. It is in this context that the meanings
     precisely for someone to be looking at you       of instrumental touch are circulated and the
     and correcting your mistakes. And this           related physical experiences appear. Since
     is also the feedback I get, when someone         instrumental touch is used as a ‘tool’ that
     who had never once been corrected during         facilitates attaining pre-determined goals
     classes in the past comes to my class and        effectively, it is fully functional and instrumental
     says ‘gee, how grateful I am that you did        in nature. At the same time, it must be both
     correct me. You know, I was never corrected.     intentional and authoritative—in the case of
     I never even knew I was doing something          fitness culture, instrumental touch is, as a rule,
     wrong.’ So I know that this is needed.2          initiated by the instructor, who consciously
                                                      employs it on the individuals participating in
Regardless of the nature of the touch, one key        her classes. As mentioned above, instructors and
factor is the duration of the physical distance       their clients remain in specific power relations,
between the body that touches and the one             in which the former exercise power more
being touched. Touch belongs to contact senses,       easily than the latter. This is manifested by the
which means that it is realised through direct        existence of a clear-cut boundary between the
contact with the subject/object (in contrast          instructor, who initiates the touch and touches,
with telecontact senses, which operate across         and the other participants, who are touched.
space, e.g. sight or hearing) (Mizińska 2010: 83).    Asked whether situations occur in a fitness gym
According to Edward Hall, touch constitutes           when it is the client that touches the instructor,
one of the coding variables within proxemics          one of the interlocutors answered:
measures (1963: 1007) and depends on the type
of interaction which, again, is connected with             Generally, no. I don’t know if anyone
proxemic (distance) zones, each with a close               would have the guts to touch me [laughs],
and far phase. Four types of social distance               or the need to, but no. (…) This is probably
may be present in a training space, yet touch              very one-sided, one-directional, like with
based on the physical contact of two bodies                a doctor or a masseur.3
takes place within personal space (1.5–4 feet),
and sometimes also enters into intimate space         In some—if rather rare—cases, clients in the
(less than 1.5 feet). As far as fitness gyms are      fitness gym ask the instructor to touch them
concerned, ‘the staging of intimacy has clearly       and check whether they are, for instance, flexing
been given a culturally bound significance’           their muscles correctly or assuming the right
(Andreasson and Johansson 2014: 58). This shall       positions (Observation journal, August 31,
be discussed in a further section of the present      2020). In the broadest sense, such ‘incentives’
study.                                                may be regarded as instrumental touch being

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Dominika Czarnecka

initiated by the participants of the training, and    touching their clients during Pilates classes, and
therefore as an example of fluidly negotiating        what behaviours to avoid:
the relations of power between the instructor           – physical touch should be certain, exact,
and the client. Ultimately, however, it is the             direct, purposeful, and confident;
instructor that decides whether or not to               – clients’ permission should always be
acquiesce to the client’s request in the given             requested;
situation.                                              – touch should not be applied if the same
                                                           effect can be achieved in another way;
                                                        – the instructor should place his/her hands
THE OFFICIAL INSTRUCTIONS                                 firmly on the body of the client (e.g. on
REGARDING INSTRUMENTAL                                     the arms, back, legs) and instruct the client,
TOUCH DURING PILATES                                       gently yet firmly, what is expected of him/
CLASSES                                                    her;
Fitness instructors acquire theoretical and             – the sequence consists of: approaching the
practical knowledge on the policies of touch in            person, instructing through touch, moving
Pilates from various sources, such as professional         away;
courses for Pilates instructors, training manuals,      – the client cannot be touched without
visual materials available online, or participation        a warning, he/she should have an oppor-
in classes taught by more experienced coaches.             tunity to notice the approaching instructor
The issue of transmitting non-verbal/tacit                 in advance.
knowledge, which includes ‘knowledge based
on sensual experience’ ( Jakubowska 2017: 28),        Interviews with fitness instructors indicate
certainly merits its own analysis, yet lies           that these instructions are mostly followed in
beyond the scope of the present study. It should,     everyday practice. It should, however, be noted
however, be emphasised that during instructor         that instructors’ experiences may vary. Advice
courses organised in Poland, the issue of touch       seems dependent on the person of the teacher
is discussed very rarely or not at all. If courses    conducting a given instructor course and the
provide some information regarding the                methods he or she used in their own practice.
principles and methods of touching clients, it        Asked whether the Pilates course she had
is done in passing, when discussing other issues.     taken involved any mention of the principles
Touch and the related experiences are not spared      of touching clients, one of the interlocutors
too much attention, which is not to mean that         answered:
tactile direction is not included in the methods
of teaching instructors during Pilates courses             Yes, and we were strongly encouraged to do
(or at least some of them).                                so. We were even expected to. (…) First of
      Several basic suggestions regarding instru­          all, we were [instructed] to ask the person
mental touch may be distinguished in the official          whether they wish for contact, ‘may I touch
instructions based on the training manuals                 you there?’, because not everyone wants
that I received in the course of professional              that. Sometimes someone says ‘leave me
training for Pilates instructors, and the notes            alone’ [laughs] and doesn’t want that. Not
I made when taking these classes. They offer               to do it by force, do someone else’s work
clear indication on how instructors ought to be            for them, not to push, but only gently

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Dominika Czarnecka

     nudge, as if to suggest the right direction.     in analysing processes, services, or products
     And also to do it from a lower position, not     in order to provide: functionality, uniformity
     to hover over someone and say ‘now do this,      and exchangeability, security, and reduction of
     now do that’ [laughs]. That if someone is        diversity (Foucault 1995: 184). The effectiveness
     lying on the floor, or kneeling, not to hover    of disciplinary power is largely dependent on
     over them, just do it from their own level.      these processes of normalisation. Attempts
     That’s about it. But we were made aware of       at     standardisation      and—consequently—
     this and encouraged.4                            homogenisa­tion of the principles of touching
                                                      others in Pilates, often justified with concerns
Other coaches provided very different answers         about the health and safety of instructors
to the same question:                                 and clients, are associated with the ongoing
                                                      globalisation of fitness culture. Nevertheless,
     Actually, no. And if, I mean, it must have       one should not disregard local aspects, which
     been discussed, since there was talk about       may contain models of heterogenisation and
     this kind of distance, I don’t remember          diversity, as they indubitably affect the manner
     exactly, 60 cm or so, that it exists. That we    in which touch is used in fitness gyms. One of
     should be careful about touching, about          the instructors admitted:
     too close proximity. I think that you have
     to feel it out maybe, if this person wishes           I think this is also something that stems
     to be touched or not. So this must have               from Western-European culture, where, in
     been discussed somehow, if distance was               our case, it’s a bit like this that very many
     discussed. (…) But I don’t think it was               people, especially, like, with a little bit
     particularly emphasised.5                             higher position in the hierarchy, I mean,
                                                           that if you get a bit higher in the hierarchy
     No. In my Pilates class the focus was more            then maybe, for example, a teacher, yes,
     on verbal instructions. That is, to be able to        assumes that this gives them the power to
     explain clearly what someone is to do, and            touch you. (…) And this management of
     not how to touch them or instruct through             other people’s bodies is much easier than
     touch. Which, for me, came as a surprise.6            in Western countries, because of social
                                                           acceptance. And then, when you have
According to official instructions, instrumental           an instructor that was brought up in a
touch ought to serve very specific purposes; with          different culture, where you need consent
the most importance attached to its corrective             for everything, for taking someone’s hand,
function. The use of touch may also help clients           for nodding the head or something, well,
exercise better, learn new movements, and make             then it’s a bit different. They have a slightly
them more aware of their own bodies.                       more delicate approach to these things.
     The purpose of the above-described                    (…) They need to know that you accept
recommendations is to establish specific                   what they’re about to do. Here, I haven’t
models of touching during Pilates classes.                 noticed that during courses taught by
In Foucault’s view, standardisation appears                Polish instructors.7
as an integral element of the process of
normalisation—whereas normalisation consists

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Dominika Czarnecka

Despite the progressing globalisation and            in order to prevent clients from developing
standardisation of the policies of touch in          inaccurate habits of movement. In the
fitness culture, the principles pertaining to        Foucauldian sense, instrumental touch used as
touching others only reach their ultimate            a disciplinary technique facilitates the exchange
form in training practices in the local context.     of information, the stimulation of fitness bodies,
This means that the emergence and practical          and habituation to specific kind of motion.
application of standards of physical contact
between instructors and their clients in fitness          First I try to correct verbally, of course,
gyms are influenced not only by the fitness               talking to the group, if I’m exercising with
industry, but also by the values, norms, and rules        a group, that is. (…) Whereas sometimes,
associated with touch in a given society.                 when I am explaining that a slight flexing
                                                          of abdominal muscles is needed, so that
                                                          the lumbar section doesn’t sag in a four
TOUCH, CONTROL,                                           point kneeling position, then I usually
AND PLAYING WITH POWER                                    come up to them and gently try to do it
RELATIONS                                                 manually, position them, explain, if it’s
Some instructors use instrumental touch on other          a new person.8
participants of group Pilates classes in order to
control the operations of fitness bodies (through    It should be noted that, according to the
corrective practices). However, touch is not the     instructions presented above, ‘touch should not
only means of exercising disciplinary power in a     be applied if the same effect can be achieved
fitness gym; other methods include, for instance     in another way’. This indicates the existence
disciplinary gaze (cf. Sassatelli 1999: 237–239).    of a certain hierarchical order of applying
In practice, different disciplinary techniques are   disciplinary techniques with regard to fitness
usually used simultaneously, to make them more       bodies; instrumental touch is not the first in
effective in producing docile bodies. As noted       that sequence:
above, instrumental touch during Pilates classes
is usually initiated by the instructor, while the         This is simply a general rule that I try to
clients typically act as recipients of this touch.        talk to everyone first, I mean, if I see that
The instructor imbues the practices of touch              something is wrong. I mean, even if it’s
with specific meanings that are circulated in             only one person doing it wrong, I first
the fitness room. It must, however, be noted              address everyone, telling them what to
that these meanings may be negotiated both by             check. And I don’t say: ‘Hey, fix this or that’
instructors and by other participants of fitness          but: ‘Check if this or that is okay’ or ‘stretch
culture. The clients may or may not accept the            your torso a little further’ or ‘check if your
instrumental touch; an issue which will be                head is at the level the torso’, or something
addressed in a later part of this subsection.             like that. Then (laughs), then if I have time,
      Most fitness instructors try to observe             because that’s not always the case, you
their clients during exercises, checking their            know this perfectly well yourself that you
stance and the accuracy of movements. The                 don’t always have the time to come up to
goal is to ensure the safety of each participant,         a given person. Especially if you know that
but also to notice and correct any mistakes               one exercise is ending, another is beginning,

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Dominika Czarnecka

     so in a moment you will have to tell them             your body to do its best. But if you are
     what to do, and this one person is far away           unable to overcome this, then you simply
     in the room, so sometimes there’s no way.             have to find a different instructor, because
     But I keep it in mind, to pay attention to            I will not be able to help you anymore.’10
     what this person is doing with the next
     exercise. Then I come up and say. I repeat       This example illustrates a specific type of
     the instruction exactly. If this doesn’t help,   relationality between the instructor and the
     I try to demonstrate what I mean before          other participants, and the asymmetrical nature
     I touch a given person. And before I touch       of the power relations. It also indicates that
     them, I actually say ‘okay, so I will now put    these relations are fluid and may be broken at
     my hand on your back’, but I always try          the instigation of either party.
     to look at that person’s face, I mean, these           It should be emphasised that theoretical
     people don’t always look at me. Yes. And         recommendations regarding touch in Pilates are
     I always ask if this is okay. And in general     not always used by instructors in their everyday
     they either nod or say it’s okay, so that you    practice. Coaches usually develop their ‘own’
     know this is okay. Unless I know someone         rules for touching. Naturally, these are rooted
     because they’ve been a regular [client].9        in the official instructions they received in the
                                                      process of acquiring their professional identity
Although fitness instructors employ a similar         yet working with clients in a gym allows them
sequence of actions in their training practice,       to intuitively ‘discover’ and test the effectiveness
they do not always ask each of the participants       of each method and to modify them. To provide
for their permission to be touched. Sometimes         an example, one of my interlocutors mentioned
they just touch them, especially if they are          that the master coach teaching the instructor
dealing with clients that have regularly              course she attended advocated the following
attended their training sessions. This does           strategy: ‘If a given person is given correction
not mean, however, that they never encounter          when exercising one side of the body, they
any resistance. Asked whether a participant           should also be assisted with the other.’ When
had refused to be corrected using touch, one          asked why this should be done, the coach
instructor admitted:                                  did not provide any logical explanation. One
                                                      interlocutor stated:
    Yes, but then I warned them they should
    find a different instructor. But I didn’t do           I love such answers. I don’t think so,
    it in a rude manner. I always say that I               because if you adjust someone’s body on
    touch people a lot. That if someone doesn’t            the one side, usually they will do the other
    like it, they should tell me so. Very often            side correctly, and meanwhile there is time
    people came up to tell me this individually,           for other people, which you can use to
    because they were ashamed. And I would                 correct someone else’s posture.11
    say: ‘Listen, let’s do it this way. I will
    gradually come up to you. I will always           Instrumental touch is associated with a frag­
    keep some kind of safe distance. But one          mentary approach to the body (the whole
    day I will simply have to touch you, just         consists of individual parts). It is directed
    have to, because this way I am able to get        towards specific sections of the body, applied

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Dominika Czarnecka

locally and in a precise manner. It seems no         the remodelled punishment). The participant
coincidence that, during training, Joseph Pilates    whom I interviewed stated:
adjusted his students’ position using a wooden
stick, which served as an extension of his arm.          This basically makes you give a little start,
On the one hand, he developed an effective               like, oh dear, I’m doing something wrong
skill in using an object through extending               here. Because I was sure it was correct, but
disciplinary power over his own body; on the             no, it was wrong. So you actually have to
other hand, the use of a stick during practice           improve something. And this is needed.
prevented him from touching his students’                (…) A person then understands that
bodies directly (though, in practice, he did             something wasn’t right. Because even if
sometimes touch his trainees without the help            you are told that you have to do this or that,
of the stick). The choice to reinforce distance          you can misunderstand, and a touch will
and reduce touch, or rather to employ it in              actually correct you.12
a semi-tactile way, may be compared to the
medical practices of touching patients with the      Fitness instructors offered the following obser-
stethoscope (Foucault 2003 [1966]: 203). Apart       vations:
from reducing the touch itself, this mediated
method of touching led to the development of             I mean, there’s always been this rule that
professional authority of the person touching.           I don’t correct immediately, because I don’t
In commercial fitness gyms, the option of using          want the new person to feel that they’re
objects that could be described as ‘disciplinary’        not doing something as well as the others,
(e.g. a stick) was eliminated. Consequently,             because not everyone treats being touched,
instrumental touch became more ‘humanised’               being corrected, in the same way. Some
and the physical distance between instructors            are glad, that they were noticed [smiles]
and clients diminished. This being said, the             (…) But some people feel extremely
principal role of instrumental touch has                 embarrassed, flustered. And you never
remained unchanged since the times of Joseph             know, unless you know a given person, if
Pilates.                                                 you’re going to get the former or the latter
      Interestingly, the instrumental touch              reaction.13
practices employed in a fitness gym involve
a remodelled system of punishment and                     I admit I am not the type of instructor that
gratification. In the context of recreational             walks around the room correcting people.
fitness, it is the latter that plays a much more          I don’t do that. Again, this is probably
significant role. Naturally, instrumental touch           due to my character. (…) I wasn’t too
in itself is not a form of reward or punishment           fond of that, as a participant, when some
in the literal understanding of the terms and             instructors did that, so I don’t subject
is not used to evaluate or exclude any group              others to it. Though I am aware that maybe
of fitness culture participants. The ‘punishment’         some people would actually like it, that
and ‘gratification’ stems from the fact that the          they expect it, or maybe need it. (…) For
instructor touches a participant only if they             some people, perhaps, this would not be
are executing specific motions in an inaccurate           a problem, but I don’t know this because
manner (the instruction in the form of touch is           I don’t know the majority of the people

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Dominika Czarnecka

     in the room. Which is why I don’t want          in the class, and their image of what a ‘good’
     to come up to a specific person not to,         instructor ought to do. This is when the
     you know, simply not to intimidate them,        beneficial effects of disciplinary power become
     not to single them out for not doing            apparent; effects that are rarely discussed in
     something the right way. Unless, as I said,     works pertaining to fitness culture. Asked
     it’s really very bad. So I tend to keep my      whether she considers correcting through touch
     distance, simply talking all the time, trying   necessary, one participant answered:
     to explain as best as I can, and performing
     the exercise myself as correctly as I can.14         Yes, of course. Very much so. I am grateful
                                                          for these things. I would expect it, because
The clients that are exercising correctly are not         from the front it may seem to me that I’m
touched by the instructor. This lack of touch             doing the exercise correctly, and I don’t see
acts as a kind of positive reinforcement (a               that my shoulders should go in a different
remodelled ‘praise’), signalling that nothing             [direction].15
requires adjustment and a given person is
moving in a correct fashion.                         Ethnographic studies indicate that many
      However, the relations within the remod­       women participating in Pilates classes do not
elled system of punishment and gratification         mind being corrected through touch during
are much more complex, as they are not limited       training. One client stated: ‘[It’s] good, good.
to a single level. On one level, some fitness        I feel so safe then, knowing that I won’t do any
culture participants regard instrumental touch       harm to myself, that I’m doing the exercise
as a kind of commercial ‘service’, the purchase      right. I am pleased.’16 Nevertheless, this is not
of which requires specific resources—namely          a universal rule. Some clients do not like to be
a membership card in a fitness centre—which          touched during exercising and only allow this
means that access to it is restricted. The           method of correction under certain conditions
legitimisation of instrumental touch finds           and to a very limited degree:
corroboration in both academic knowledge
(e.g. medicine, physiotherapy) and in the                 It bothers me, if it is sudden. (…) If it
practical experience of instructors applying              really happens in situations in which it’s
the technique. From another perspective, in               necessary, I can live with it. (…) I prefer
which instrumental touch is understood as                 [the instructor] to explain this to me, or,
a manifestation of the instructor’s special               alternatively, ask me whether she can
attention to the person exercising, the lack of           demonstrate it or touch me. I certainly
touch may cause participants to feel dissatisfied,        don’t like to be surprised. (…) This is, after
anxious, or neglected. On yet another level,              all, a stranger. I am not in the habit of liking
the meaning of the system of remodelled                   to be suddenly touched by strangers.17
punishment and gratification is shifted (if not
utterly reversed), since touch is regarded as        At the same time, however, some women do
a positive and desired sign, as something the        not consider instructors to be obliged to ask
clients expect to experience. In this context, the   permission every time they wish to touch a client.
fact whether a coach uses instrumental touch         One interlocutor offered the following opinion
affects the trainees’ mood, their participation      on the issue: ‘No, absolutely not. Unless it was

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Dominika Czarnecka

a man (laughs).’18 Another client I interviewed,         that they could communicate their reluctance
asked if an instructor should always request             to be touched to the instructor beforehand and
permission to touch a person who is exercising,          without providing any explanation. The clients’
replied:                                                 objection to receiving instrumental touch
                                                         may be verbal or nonverbal (e.g. a dissatisfied
     In theory, probably yes, but the reason             expression), intentional or non-intentional,
     people come to classes is to do exercises           stemming from the resistance put up by the
     correctly. For me this clearly implies that         body. When asked about how she reacts if
     an instructor may touch you. If someone             a participant’s body resists to being instructed
     doesn’t want that, they should say they             by touch (and thus cannot be coaxed into the
     don’t.19                                            correct position), one interlocutor explained:

However, the clients’ attitude towards the matter            Truth be told, this is the greatest conun­
was not uniform:                                             drum, because, well, gee, with individual
                                                             classes it’s great, ‘cause you have lots of
     You know what, it depends on what she is                time and you can use it as you wish, right.
     correcting. Or not even that. I think that              But with group classes it’s like, well, if
     this should be communicated somehow.                    I feel this resistance, I sometimes give up
     The fact that Eve [the client’s instructor]             and say ‘okay, continue like this’ and usually
     asks (…) this is very kind and very cool.               I know that I won’t correct this the first
     And I think that many people will open                  time around. But it’s always like this that
     up to this, in some way. This is a question             for me it is always a kind of a challenge,
     of some personal impression, a feeling                  until the class is through I keep thinking
     that this is important. But there’s also this           about what could have been done, how else
     other thing, namely that I don’t like to be             to describe what to do. And I observe this
     coerced into anything, or surprised. I don’t            person doing other exercises thinking that
     want to feel stressed when I’m headed for               maybe there will be a moment where he or
     classes (…) So some form of consent from                she will have the same motion to perform
     the person should be there.20                           and won’t even know that he or she did it.21

This example illustrates how the official recom­         Later in the interview she added:
mendations regarding touch in Pilates may be
negotiated and modified by class participants in              But there are also people who switch
their everyday practice.                                      off. In the sense that their head switches
     The results of ethnographic studies suggest              off somewhat, which has its advantages
that some instructors inform their clients at the             because this is one of the reasons why they
beginning of the first class that if they do not              come to these classes, right, but they don’t
wish to be touched, they should not be afraid to              react at all. In the sense that they react
say so. However, such information is not always               when I am near them, but then continue
given, and it is likely that not all clients are aware        exercising as they were before.22

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Dominika Czarnecka

The different forms of objecting to instrumental        of fitness bodies through instruction. In the
touch used by clients illustrate how the                context of recreational fitness, recommendations
instructors and the other participants play with        pertaining to using touch are issued for the very
power relations in the fitness gym and how              purpose of minimising the risk of forming bonds
clients can exercise their power.                       and facilitating intimacy, as well as neutralising
                                                        the pleasurable aspects of touch. In a scenario
                                                        where one person’s body is touched by another
RELATIONALITY AND                                       person, physical closeness is generally inevitable.
INSTRUMENTAL TOUCH                                      In order to reduce the feeling of intimacy and
Every touch exists in relation to something.            the potential sexual connotations of the act of
‘Touch is our most social sense. Unlike seeing,         touch, the staging of intimacy in a fitness room
 hearing, smelling, and tasting, which can              has been given a culturally bound significance.
 generally be done alone, touching typically            This is not to mean that social norms regarding
 implies an interaction with another person’            intimacy and sexuality are never negotiated or
(Field 2014: 19). In such an interpretation, the        infringed on.
 instrumental touch between an instructor and                 For touch to become an efficient ‘instru­
 an exercising person is a part of a specific type      ment’ through which disciplinary power can
 of relation, one that shall in the present article     operate in a fitness room, strategies must be
 be referred to as ‘professional’. This definition is   employed to neutralise its impact. Examples
 at variance to the observations made by Mark           include the consistent use of professional
Paterson (2007: 2–3) that ‘touch can cement an          vocabulary in describing the specific groups of
 empathic or affective bond, opening an entirely        muscles that are being touched, or the emphasis
 new channel of communications’, and Erin               on limiting instrumental touch to the body parts
 Manning:                                               that are moving in an incorrect fashion. In the
                                                        course of acquiring their professional identity,
     Through the tango, I have attempted to             fitness instructors develop a specific approach
     make the point that touch is not simply            in which the bodies of the exercising people
     the laying of hands. Touch is the act of           are regarded as external objects. In the context
     reaching toward, of creating space-time            of recreational fitness, the instructors’ ‘right’ to
     through the worlding that occurs when              touch the bodies of their clients is perceived
     bodies move. Touch, seen this way, is not          similarly to the doctors’ right to touch their
     simply an addendum to an already-stable            patients’ bodies.
     body. (2007: xiv)
                                                             I approach this in a very, I don’t know
According to the above, touch is a significant               how to put it accurately. For me this is not
element of human relations and as such has                   touch, as in, not like when I’m touching
the potential to forge bonds and consequently                acquaintances. In a way, I’m separating the
facilitate closeness and intimacy. In the                    bodies of these people and their images, as
professional relations between instructors and               they enter the room, and to me they are
the people participating in their fitness classes,           maybe like to a doctor, they are simply
however, touch is not employed with the aim of               bodies that ought to be working in a certain
forming bonds, but of controlling the operations             way. And they can be my acquaintances

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Dominika Czarnecka

     once the class is over. They can be my            instructors and their clients, and consequently,
     clients whom I like very much and whom            also the methods of correcting the latter’s
     I can hug, and this is a completely different     motions. One of the coaches explained her
     touch.23                                          attitude towards her role as an instructor thusly:

     Incidentally, I have always been explaining            I actually wonder about the term instructor,
     that this is a bit like with a gynaecologist,          because I don’t regard myself as an
     a dentist, a masseur. I mean, when you go              instructor, but rather as a guide or a teacher.
     to a dentist, they touch you. When you go              Because while I do give instructions, these
     to a gynaecologist, they also touch you. So            are not the typical kind, you know what
     I’ve also kept saying ‘Imagine that I am               I mean. The thing is, you can be very good at
     touching you in a more medical way.’24                 something, like, you can be a great gymnast,
                                                            or a great biologist, but be totally unable
Thus, instrumental touch does not function                  to teach others the things you can do. And
outside of, but only within specific kinds of               it’s precisely the same with this, you can be
relations, referred to here as ‘professional’, as           very skilled, perform each exercise perfectly
they are based on constant emphasis on their                and have completely no idea how to teach
strictly professional character. Relations of this          people to do these exercises. And there are
kind inherently involve strategies for reducing             people who are masters at something, and
physical closeness to the minimum, avoiding                 there are teachers, who teach how to do
affective engagement, and also providing                    this something.25
objectively high-quality services.
      Another key feature affecting professional       Instrumental touch in Pilates is not meant to
relations between instructors and their clients        be used to force people to perform exercises
is the fact that they are constructed in the           or go beyond the limitations of their bodies.
context of recreational fitness. The context           Correction through instrumental touch only
determines the aims of engaging in physical            acts as ‘guidance’ that helps fitness culture
activity set by participants of fitness culture.       participants exercise better and ensure that
While indubitably distinct from informal and           they are safe when doing so. At the same time,
spontaneous forms of leisure, fitness culture is       however, the use of instrumental touch may
often described as ‘rational recreation’ (Sassatelli   discourage clients from engaging in physical
2015). Due to this recreational context, the           activity as such. Thus, the required ‘dose’ of
relations that form between fitness instructors        touch during Pilates classes is much smaller
and their clients in the fitness room differ from,     than in the case of training done by professional
for instance, those observable between coaches         athletes or dancers, if not eliminated at all.
and athletes in professional sport. The essential
focus of physical recreation is not on maximising
performance and winning competitions, but on
                                                       CONCLUSION
keeping active (though, it must be added, this is      The aim of the present analysis was to present
not the only aim of these activities). The goals       the complexity of the relations between Michel
determined by this recreational context affect         Foucault’s concept of anatomo-political power
the nature of professional relations between           and the instrumental touch applied during

suomen antropologi | volume 45 issue 4 winter 2020                                                      39
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