CHAMBERFEST 2018 - THE JUILLIARD SCHOOL
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ChamberFest 2018
W
elcome to the 17th annual Juilliard ChamberFest.
This year 140 students and faculty return one
week early from the winter recess for a tuition-free
chamber music intensive. Working without interruption
in the nearly empty Juilliard building in great depth on
repertoire they have selected themselves, the musicians
have found that ChamberFest’s unlimited rehearsal time
and daily coaching yields an extraordinarily rich artistic
and educational result. This experience therefore not only
nurtures the devoted chamber musician at Juilliard, it also
nurtures the broad and reflective education necessary for
the training of the 21st-century artist-citizen.
Launched in 2002, ChamberFest occupies a unique place in the life of the school,
and after this year will have presented 1,300 students in 270 ensemble pairings with
Joyner by Claudio Papapietro
Juilliard faculty and guest coaches for almost 300 performances. Juilliard’s musicians
have been joined in the past by students from London’s Royal Academy of Music,
France’s Conservatoire National Supérieur de Musique et de Danse de Paris, Vienna’s
Universität für Musik und darstellende Kunst Wien, and the orchestra academy of
Brazil’s São Paulo State Symphony Orchestra. Past guest coaches have included
Papapietro
soprano Barbara Hannigan, MacArthur Fellow Liz Lerman, and pianist Peter Serkin.
ChamberFest has been a home for the traditional—works by Beethoven, Brahms,
Khari
Dvořák, Mendelssohn, Mozart, Schubert and Shostakovich top the list—and the
Claudio
unusual. Included among the latter are interdisciplinary chamber music performances
by cellist
with dancers and choreographers; improvised presentations; premieres; the inclusion
Photo of
of distinctive European instruments rarely heard in the U.S. including the Vienna
clarinet, Vienna pumphorn and the French bassoon; and this year’s season opener,
John Corigliano’s evocative Chiaroscuro for two pianos—with one piano tuned a
quarter-tone lower than the other.
As you listen, we urge you to bear in mind this vivid encouragement given to students
years ago by the founding members of the Juilliard String Quartet: to “play new works as
if they were established masterpieces and established masterpieces as if they were new.”
A warm welcome to all,
Bärli Nugent
Cover photo by Todd Rosenberg
ChamberFest Staff
Adam Meyer Associate Dean; Director, Music Division
Bärli Nugent Assistant Dean; Director, Chamber Music
Tim Mauthé Chamber Music ManagerThe Juilliard School
presents
ChamberFest 2018
Monday, January 8, 2018, 4:30pm
Paul Hall
JOHN Chiaroscuro (1997)
CORIGLIANO Light
(b. 1938) Shadows
Strobe
Anna Han and Yijia Wang, Pianos
Coach: John Corigliano
SIR ARNOLD Piano Quintet No. 1 in G Minor, GP 167 (1915)
BAX Tempo moderato. Con passione. Poco più lento—Moderato
(1883–1953) Lento serioso
Moderate Tempo
Sein An, Violin I
Sophia Steger, Violin II
Isabella Bignasca, Viola
Jenny Bahk, Cello
Siyumeng Wang, Piano
Coach: Jonathan Feldman
Intermission
Program continues
ChamberFest is generously supported, in part, by generous gifts in memory of Edwin S.
Marks. These funds also established the Edwin S. and Nancy A. Marks Chair in Chamber
Music Studies, which is currently held by Joseph Kalichstein.
Major funding for establishing Paul Recital Hall and for continuing access to its series of
public programs has been granted by The Bay Foundation and the Josephine Bay Paul
and C. Michael Paul Foundation in memory of Josephine Bay Paul.
Please make certain that all electronic devices are turned off during the
performance. The taking of photographs and the use of recording equipment
are not permitted in this auditorium.
1JOHANNES Piano Quartet No. 3 in C Minor, Op. 60 (1875)
BRAHMS Allegro non troppo
(1833–97) Scherzo: Allegro
Andante
Finale: Allegro comodo
Byungchan Lee, Violin
Elijah Spies, Viola
Jonathan Lien, Cello
Chaeyoung Park, Piano
Coaches: Lara Lev and Vivian Weilerstein
Performance time: approximately 1 hour 45 minutes, including one intermission
2The Juilliard School
presents
ChamberFest 2018
Monday, January 8, 2018, 7:30pm
Peter Jay Sharp Theater
HENRI Les Citations, Diptych for Oboe, Harpsichord,
DUTILLEUX Double Bass, and Percussion (1985, rev. 2010)
(1916–2013) For Aldeburgh 85
From Janequin to Jehan Alain
Pablo O’Connell, Oboe
Janice Gho, Double Bass
Tyler Cunningham, Percussion
Anastasia Magamedova, Harpsichord
Coaches: Daniel Druckman and Joel Sachs
Vieux Amis—Nouveaux Costumes (Old Friends in New Clothes)
A setting of Debussy and Fauré Songs for Voice and Chamber Ensemble
by Philip Lasser
GABRIEL FAURÉ Mandoline
(1845–1924) / Clair de lune (Menuet)
PHILIP LASSER Après un rêve
(b. 1963) En sourdine
CLAUDE Apparition
DEBUSSY Regret
(1862-1918) / Coquetterie posthume
PHILIP LASSER La romance d’Ariel
Program continues
ChamberFest is generously supported, in part, by generous gifts in memory of Edwin S.
Marks. These funds also established the Edwin S. and Nancy A. Marks Chair in Chamber
Music Studies, which is currently held by Joseph Kalichstein.
Additional support for this performance was provided, in part, by the Muriel Gluck
Production Fund.
3Kelsey Lauritano, Soprano (Fauré songs)
Onadek Winan, Soprano (Debussy songs)
Yejin Choi, Flute
Phillip Solomon, Clarinet
Ji Soo Choi, Violin
Meagan Turner, Viola
Minji Won, Cello
Leo Simon, Percussion
Arthur Williford, Piano
Coaches: Philip Lasser and Fred Sherry
Intermission
ANTONÍN Serenade for Winds, Cello, and Double Bass, Op. 44 (1878)
DVOŘÁK Moderato, quasi marcia
(1841-1904) Minuetto. Tempo di minuetto
Andante con moto
Finale. Allegro molto
Ryan Roberts and Lucian Avalon, Oboes
Samuel Boutris and Wonchan Doh, Clarinets
Jonathan Gibbons and David Nagy, Bassoons
William Loveless, Cort Roberts, and David Alexander, Horns
Lucia Ticho, Cello
Alexander Bicard, Double Bass
Coaches: Elaine Douvas and William Short
Performance time: approximately 1 hour 15 minutes, including one intermission
See page 14 for texts and translations
4The Juilliard School
presents
ChamberFest 2018
Tuesday, January 9, 2018, 4:30pm
Paul Hall
ARNOLD String Quartet No. 2 in F-sharp Minor, Op. 10 (1908)
SCHOENBERG Mäßig
(1874-1951) Sehr rasch
“Litanei,” langsam
“Entrückung,” sehr langsam
Jessica Niles, Soprano
Leerone Hakami and Jieming Tang, Violins
Lauren Siess, Viola
Chloe Hong, Cello
Coaches: Fred Sherry and Sanford Sylvan
Intermission
FRANZ String Quintet in C Major, D. 956 (1828)
SCHUBERT Allegro ma non troppo
(1797-1828) Adagio
Scherzo
Allegretto
Ariel Lee and Elaine He, Violins
Ao Peng, Viola
Andrew Cone and Shangwen Liao, Cellos
Coach: Joel Smirnoff
Performance time: 1 hour and 40 minutes, including one intermission
See page 22 for texts and translations
5The Juilliard School
presents
ChamberFest 2018
Tuesday, January 9, 2018, 7:30pm
Paul Hall
WOLFGANG Quintet in A Major for Clarinet and Strings, K. 581 (1789)
AMADEUS Allegro
MOZART Larghetto
(1756–91) Menuetto—Trio I—Trio II
Allegretto con Variazioni
Ning Zhang, Clarinet
Choi Tung Yeung and Jason Moon, Violins
Sarah Sung, Viola
Ayoun Kim, Cello
Coaches: Jon Manasse and Joel Smirnoff
ANTON Piano Trio No. 1 in D Minor, Op. 32 (1894)
ARENSKY Allegro moderato
(1861–1906) Scherzo
Elegia
Finale
Elli Choi, Violin
Heechan Alex Ku, Cello
Coco Ma, Piano
Coach: Hung-Kuan Chen
Intermission
6JOHANNES String Sextet No. 2 in G Major, Op. 36 (1864–65)
BRAHMS Allegro non troppo
(1833–97) Scherzo—Allegro non troppo—Presto giocoso
Adagio
Poco allegro
Stella Chen and Hannah Tarley, Violins
Hsin-Yun Huang and Jordan Bak, Violas
Connor Kim and Matthew Chen, Cellos
Coach: Hsin-Yun Huang
Performance time: approximately 1 hour and 55 minutes, including one intermission
7The Juilliard School
presents
ChamberFest 2018
Wednesday, January 10, 2018, 1:00pm
Alice Tully Hall
IGOR Octet (1923)
STRAVINSKY Sinfonia (Lento—Allegro moderato)
(1882–1971) Tema con variazioni (Andantino)
Finale (Tempo giusto)
Viola Chan, Flute
Kamalia Freyling, Clarinet
Steven Palacio and Emmali Ouderkirk, Bassoons
Lasse Bjerknes-Jacobsen and Kevin Quill, Trumpets
Ricardo Pedrares-Patiño, Tenor Trombone
Aaron Albert, Bass Trombone
Coach: Ray Mase
GEORGE Octet for Strings in C Major, Op. 7 (1900)
ENESCU Très modéré
(1881–1955) Très fougueux
Lentement
Mouvement de valse bien rythmée
Harriet Langley, Violin I
Emma Frucht, Violin II
George Meyer, Violin III
Amelia Dietrich, Violin IV
Jasper Snow, Viola I
Emily Liu, Viola II
Edvard Pogossian, Cello I
Clare Bradford, Cello II
Coaches: Don Weilerstein and David Finckel
Performed without intermission
Performance time: approximately one hour
8The Juilliard School
presents
ChamberFest 2018
Wednesday, January 10, 2018, 4:30pm
Paul Hall
JOSEPH Concert à cinq, Op. 71 (1923)
JONGEN Décidé
(1873–1953) Calme
Très décidé
Lorenzo Morrocchi, Flute
In Ae Lee, Violin
Hannah Burnett, Viola
Iona Batchelder, Cello
Adam Phan, Harp
Coach: Carol Wincenc
SERGEI Quintet in G Minor, Op. 39 (1924)
PROKOFIEV Tema con variazioni
(1891–1953) Andante energico
Allegro sostenuto, ma con brio
Adagio pesante
Allegro precipitato, am non troppo presto
Andantino
Victoria Chung, Oboe
Sunho Song, Clarinet
Wun Ching Agnes Tse, Violin
Yin-Ying Tseng, Viola
Reed Tucker, Double Bass
Coach: Charles Neidich
Intermission
Program continues
9FRANZ Piano Quintet in A Major, D. 667 (“Trout”)
SCHUBERT Allegro vivace
(1797–1828) Andante
Scherzo: Presto
Andantino—Allegretto
Allegro giusto
Helenmarie Vassiliou, Violin
TBA*, Viola
Kei Otake, Cello
Michael Gabriel, Double Bass
Natalie Nedvetsky, Piano
Coaches: Joseph Kalichstein and Timothy Cobb
Performance time: approximately 1 hour and 50 minutes, including one intermission
* To be announced
10The Juilliard School
presents
ChamberFest 2018
Wednesday, January 10, 2018, 7:30pm
Paul Hall
ARNOLD Dreimal sieben Gedichte aus Albert Girauds
SCHOENBERG “Pierrot Lunaire,” Op. 21 (1912)
(1874–1951)
PART I
Mondestrunken
Columbine
Der Dandy
Eine blasse Wäscherin
Valse de Chopin
Madonna
Der kranke Mond
PART II
Nacht
Gebet an Pierrot
Raub
Rote Messe
Galgenlied
Enthauptung
Die Kreuze
PART III
Heimweh
Gemeinheit
Parodie
Der Mondfleck
Serenade
Heimfahrt
O alter Duft
Program continues
11Marie Engle, Mezzo-Soprano
Giorgio Consolati, Flute
Noemi Sallai, Clarinet
Yeri Roh, Violin
Sophia Sun, Viola
Thapelo Masita, Cello
Nathan Ben-Yehuda, Piano
Coaches: Lucy Shelton and Sylvia Rosenberg
Intermission
ROBERT Piano Quintet in E-flat Major, Op. 44 (1842)
SCHUMANN Allegro billante
(1810–56) In modo d’una Marcia. Un poco largamente
Scherzo: Molto vivace
Finale: Allegro ma non troppo
Yujie He and Yu Qian, Violins
Sergio Leiva, Viola
Marza Wilks, Cello
Jie Fang, Piano
Coaches: Joseph Kalichstein and Lara Lev
Performance time: approximately 1 hour and 25 minutes, including one intermission
See page 24 for texts and translations
12The Juilliard School
presents
ChamberFest 2018
Thursday, January 11, 2018, 7:30pm
Paul Hall
ARNOLD Verklärte Nacht, Op. 4
SCHOENBERG Ashley Park and Carolyn Semes, Violins
(1874–1951) Erin Pitts and Natalie Loughran, Violas
David Bender and Jessica Hong, Cellos
Coach: Ron Copes
Intermission
LUDWIG VAN Septet in E-flat Major, Op. 20
BEETHOVEN Adagio—Allegro con brio
(1770–1827) Adagio cantabile
Tempo di menuetto
Tema con variazioni: Andante
Scherzo: Allegro molto e vivace
Andante con moto alla Marcia
Alec Manasse, Clarinet
Joshua Elmore, Bassoon
Lee Cyphers, Horn
Njioma Grevious, Violin
Frida Oliver, Viola
Emily Mantone, Cello
Dominic Law, Double Bass
Coaches: William Short and Jon Manasse
Performance time: approximately 1 hour 30 minutes, including one intermission
13Texts and Translations Vieux Amis—Nouveaux Costumes CLAUDE DEBUSSY / PHILIP LASSER Mandoline Mandolin Text: Paul Verlaine English translation: Richard Stokes Les donneurs de sérénades The gallant serenaders Et les belles écouteuses And their fair listeners Échangent des propos fades Exchange sweet nothings Sous les ramures chanteuses. Beneath singing boughs. C’est Tircis et c’est Aminte, Tirsis in there, Aminte is there, Et c’est l’éternel Clitandre, And tedious Clitandre too, Et c’est Damis qui pour mainte And Damis who for many a cruel maid Cruelle fait maint vers tendre. Writes many a tender song. Leurs courtes vestes de soie, Their short silken doublets, Leurs longues robes à queues, Their long trailing gowns, Leur élégance, leur joie Their elegance, their joy, Et leurs molles ombres bleues And their soft blue shadows Tourbillonnent dans l’extase Whirl madly in the rapture D’une lune rose et grise, Of a grey and roseate moon, Et la mandolin jase And the mandolin jangles on Parmi les frissons de brise. In the shivering breeze. 14
Clair de lune Moonlight
Text: Paul Verlaine English translation: Richard Stokes
Votre âme est un paysage choisi Your soul is a chosen landscape
Que vont charmant masques et bergamasques Bewitched by masquers and bergamaskers,
Jouant du luth et dansant et quasi Playing the lute and dancing and almost
Tristes sous leurs déguisements fantasques. Sad beneath their fanciful disguises.
Tout en chantant sur le mode mineur Singing as they go in a minor key
L’amour vainqueur et la vie opportune, Of conquering love and life’s favors,
Ils n’ont pas l’air de croire à leur Bonheur They do not seem to believe in their fortune
Et leur chanson se mêle au clair And their song mingles with the light of
de lune, the moon,
Au calm eclair de lune triste et beau, The calm light of the moon, sad and fair,
Qui fait rêver les oiseaux dans les arbres That sets the birds dreaming in the trees
Et sangloter d’extase les jets d’eau, And the fountains sobbing in their rapture,
Les grands jets d’eau sveltes parmi Tall and svelte amid
les marbres. marble statues.
15Texts and Translations (Continued) Après un rêve After a dream Text: Romain Bussine, English translation: Richard Stokes after an anonymous Tuscan poet Dans un sommeil que charmait ton image In sleep made sweet by a vision of you Je rêvais le Bonheur, ardent mirage, I dreamed of happiness, fervent illusion, Tes yeux étaient plus doux, ta voix pure Your eyes were softer, your voice pure et sonore, and ringing, Tu rayonnais comme un ciel éclairé par l’aurore; You shone like a sky that was lit by the dawn; Tu m’appelais et je quittais la terre You called me and I departed the earth Pour m’enfuir avec toi vers la lumière, To flee with you toward the light, Les cieux pour nous entr’ouvraient leurs nues, The heavens parted their clouds for us, Splendeurs inconnues, lueurs divines We glimpsed unknown splendours, celestial entrevues. fires. Hélas! hélas, triste réveil des songes, Alas, alas, sad awakening from dreams! Je t’appelle, ô nuit, rends-moi tes I summon you, O night, give me back your mensonges; delusions; Reviens, reviens, radieuse, Return, return in radiance, Reviens, ô nuit mystérieuse! Return, O mysterious night! 16
En sourdine Muted
Text: Paul Verlaine English translation: Richard Stokes
Calmes dans le demi-jour Calm in the twilight
Qui les branches hautes font, Cast by lofty boughs,
Pénétrons bien notre amour Let us steep our love
De ce silence profound. In this deep quiet.
Mêlons nos âmes, nos cœurs Let us mingle our souls, our hearts,
Et nos sense extasiés, And our enraptured senses
Parmi les vagues langueurs With the hazy languor
Des pins et des arbousiers. Of arbutus and pine.
Ferme tes yeux à demi, Half-close your eyes,
Croise tes bras sur ton sein, Rold your arms across your breast,
Et de ton cœur endormi And from your heart now lulled to rest
Chasse à jamais tout dessein. Banish forever all intent.
Laissons-nous persuader Let us both succumb
Au soufflé berceur et doux To the gentle and lulling breeze
Qui vient à tes pieds rider That comes to ruffle at your feet
Les ondes des gazons roux. The waves of russet grass.
Et quand, solennel, le soir And when, solemnly, evening
Des chênes noirs tombera, Falls from the black oaks,
Voix de notre désespoir, That voice of our despair,
Le rossignol chantera. The nightingale shall sing.
Translations by Richard Stokes from A French Song Companion (OUP, 2000). Richard Stokes is also author
of The Book of Lieder (Faber, 2005); The Spanish Song Companion (Scarecrow Books, 2004); The Penguin
Book of English Song. Seven Centuries of Poetry from Chaucer to Auden (Penguin Classics, 2016); J.S. Bach.
The Complete Cantatas (Scarecrow Books, 2004); A Parallel Text Edition of the Complete “Histoires naturelles”
by Jules Renard (Alma Classics, 2017).
17Texts and Translations (Continued) Vieux Amis—Nouveaux Costumes CLAUDE DEBUSSY / PHILIP LASSER Apparition Apparition Text: Stéphane Mallarmé English translation: Richard Stokes La lune s’attristait. Des séraphins en pleurs The moon grew sad. Weeping seraphim, Rêvant, l’archet aux doigts, dans le calme Dreaming, bows in hand, in the calm of hazy Des fleurs vaporeuses, tiraient de Flowers, drew from mourantes violes dying viols De blancs sanglots glissant sur l’azur White sobs that glided over des corolles. the corollas’ blue. —C’était le jour béni de ton premier baiser. —It was the blessed day of your first kiss. Ma songerie aimant à me martyriser My dreaming, glad to torment me, S’enivrait savamment du parfum de Grew skillfully drunk on the perfumed tristesse sadness Que même sans regret et sans déboire laisse That—without regret or bitter after-taste— Le cueillsaison d’un Rêve au cœur qui The harvest of a Dream lives in the reaper’s l’a cueilli. heart. J’errais donc, l’œil rive sur And so I wandered, my eyes fixed on the le pave vielli old paving stones, Quand avec du soleil aux cheveux, When with sun-flecked hair, dans la rue in the street Et dans le soir, tu m’es en riant And in the evening, you appeared laughing apparue before me Et j’ai cru voir la fée au And I thought I glimpsed the fairy with her chapeau de claret cap of light Qui jadis sur mes beaux sommeils Who long ago crossed my lovely spoilt child’s d’enfant gâté slumbers Passait, laissant toujours de ses Always allowing from her mains mal fermées half-closed hands, Neiger de blancs bouquets White bouquets of d’étoiles parfumées. scented flowers to snow. 18
Regret Regret
Text: Paul Bourget English translation: Richard Stokes
Devant le ciel d’été, tiède et calmé, Beneath the summer sky, warm and becalmed,
Je me souviens de toi comme d’un songe, I remember you as in a dream,
Et mon regret fidèle aimed et prolonge And my faithful regret loves and prolongs
Les heures où j’étais aimé. The hours when I was loved.
Les astres brilleront dans la nuit noire; The stars will shine in the black night;
Le soleil brillera dans le jour clair; The sun will shine in the bright day;
Quelque chose de toi flotte dans l’air, Something of you hovers in the air,
Qui me pénètre la mémoire. Penetrating my memory.
Quelque chose de toi qui fut à moi: Something of you that was mine:
Car j’ai possédé tou de ta pensée, For I once filled all your thoughts,
Et mon âme, trahie det délaissée, And my soul, betrayed and abandoned,
Est encor tout entire à toi. Is still entirely yours.
19Texts and Translations (Continued) Coquetterie posthume Posthumous Coquetry Text: Théophile Gautier English translation: Richard Miller Quand je mourrai, que l’on me mette, When I die, let me Avant que de clouer mon cercueil, —before my coffin is nailed shut— Un peu de rouge à la pommette, be given a touch of red on my cheeks Un peu de noir au bord de l’œil. and a touch of black at the edges of my eyes. Car je veux, dans ma bière close, For in my closed coffin I want to be Comme le soir de as I was on the evening he made son aveu, his vows to me, Rester éternellement rose eternally pink, Avec du khol sous mon œil bleu. with kohl beneath my eyes. Posez-moi, sans jaune immortelle, Without yellow immortelles, Sans cousin de larmes brodé, or a cushion embroidered with tears, Sur mon oreiller de dentelle lay me on my lace pillow De ma chevelure inondé. with my hair flowing about me. Cet oreiller, dans les nuits folles, That pillow has on passionate nights, A vu dormer nos fronts unis, witnessed us asleep, our foreheads touching, Et sous le drap noir des gondoles and counted our endless embraces Compté nos bairsers infinis. beneath the black sheets of gondolas. Entre mes mains de cire pale, Between my pale waxen hands Que la prière réunit, joined in prayer, Tournez ce chapelet d’opale, slip this opal rosary Par le Pape à Rome bénit: blessed by the Pope in Rome: Je l’égrènerai dans la couche I shall tell it on the couch D’où nul encore ne s’est levé; from which no one has yet ever arisen; Sa bouche en a dit sur ma bouche his mouth against mine has said Chaque Pater et chaque Ave. each Pater and Ave. 20
La romance d’Ariel The Romance of Ariel
Text: Paul Bourget English translation: Richard Stokes
Au long de ces montagnes douces, Come, will you not cross these fair mountains,
Dis! viendras-tu pas à l’appel When summoned by
De ton délicat Ariel Your fair Ariel,
Qui veloute à tespieds le mousses? Who velvets the moss at your feet?
Suave Miranda, je veux Sweet Miranda, I would wish
Qu’il fasse juste assez de brise For just enough breeze
Pour que ce soufflé tiède fries For its warm breath to ruffle
Les pointes d’or de tes cheveux! The golden tips of your hair!
Les clochettes des digitales The foxglove bells
Sur ton passage tinteront; Will chime as you pass;
Les églantines sur ton front The eglantine will shed on your brow
Effeuilleront leurs blancs pétales. Its white petals.
Sous le feuillages du bouleau Beneath the birch leaves
Blondira ta tête bouclée; Your curly head will turn blond;
Et dans le creux de la vallée And in the depths of the valley
Tu regarderas bleuir l’eau, You will see the water turn blue,
L’eau du lac lumineaux ou sombre, The water of the luminous or dark lake,
Miroir changeant du ciel d’été, A changing mirror of the summer sky,
Qui sourit avec sa gaîté Which smiles in merriment
Et qui s’attriste avec son ombre; And grows sad in its shadow;
Symbole, hélas! du cœur aimant, Symbol, alas, of the loving heart,
Où le chagrin, où le sourire Where the sorrow, where the smile
De l’être trop aimé, se mire Of one too well loved, is reflected
Gaîment ou douloureusement … Merrily or sadly …
21Texts and Translations String Quartet No. 2 in F-sharp Minor, Op. 10 ARNOLD SCHOENBERG Texts: Stefan Georg English translations: Carl Engel Litanei Litany Tie fist die trauer, die mich umdüstert, Deep is the sadness that overclouds me, Ein tret ich weider, Herr! In dein haus … Once more I enter, Lord! In thy house. Lang war die reise, matt sind die glieder, Long was the journey, weak is my body, Leer sind die schreine, voll nur die qual. Bare are the coffers, full but my pain. Durstende zunge darbt nach dem weine. Thirsting, the tongue craves wine to refresh it, Hart war gestritten, starr ist mein arm. Hard was the fighting, stiff is my arm. Gönne die ruhe schwankenden schritten, Grant thou a rest to feet that are falt’ring, Hungrigem gaume bröckle dein brot! Nourish the hungry, break him thy bread! Schwach is mein atem rufend dem trauma, Faint is my breath, recalling the vision, Hohl sind die hände, fiebernd der mund. Empty my hands, and fev’rish my mouth. Leih deine kühle, lösche die brände, Lend me thy coolness, quench thou the blazes, Tilge das hoffen, sende das licht! Let hope be perished, send forth they light! Gluten im herzen lodern noch offen, Fires are still burning open within me, Innerst im grunde wacht noch ein schrei … Down in the depth still wakens a cry. Töte das sehnen, schliesse die wunde! Kill ev’ry longing, close thou my heart’s wound, Nimm mir die leibe, gib mir dein glück! Take from me love, and give me thy peace! 2. Streichquartett|für Sopran und Streichquartett|op. 10 © Copyright 1912, 1940 by Universal Edition A.G., Wien/UE 35543 22
Entrückung Rapture
Ich fühle luft von anderem planeten. I breathe air wafted from another planet.
Mir blassen durch das dunkel die gesichter The friendly faces that are turned toward me
Die freundlich eben noch sich zu mir drehten. But lately, now are fading into darkness.
Und bäum und wege die ich liebte fahlen The trees and paths I knew and loved so well
Dass ich sie kaum mehr kenne und du lichter Are barely visible, and thou beloved
Geliebter schatten—rufer meiner qualen— And radiant specter—cause of all my anguish—
Bist nun erloschen ganz in tiefern gluten Art wholly dimmed within a deeper glow,
Um nach dem taumel streitenden Whence, now that strife and tumult cease,
getobes there comes
Mit einem frommen schauer anzumuten. The soothing tremor of a sacred awe.
Ich lose mich in tönen, kreisend, webend, I am dissolved in swirling sound, am weaving
Ungründigen dands und unbenamten lobes Unfathomed thanks with unnamed praise,
Dem grossen atem wunschlos mich ergebend. and wishless
I yield myself unto the mighty breath.
Mich überfährt ein ungestümes wehen A wild gust grips me suddenly, and I
Im rausch der weihe wo inbrünstige Can hear the fervent cries and prayers
schreie of women
In staub geworfner beterinnen flehen: Prone in the dust and seized in pious rapture:
Dann she ich wei sich duftige nebel lüpfen And then I see the hazy vapors lifting
In einer sonnerfüllten klaren freie Above a sunlit, vast and clear expanse
Die nur umfängt auf fernsten bergesschlüpfen. That stretches far below the mountain crags.
Der boden schüttert Weiss und weich wei Beneath my feet a flooring soft
molke, and milky,
Ich steige über schluchten ungeheuer, Or endless chasms that I cross with ease.
Ich fühle wie ich über letzter wolke Carried aloft beyond the highest cloud,
In einem meer kristallnen glanzes schwimme— I am afloat upon a sea of crystal splendor—
Ich bin ein funke nur vom heiligen feuer Only a sparkle of the holy fire
Ich bin ein dröhnen nur der heiligen stimme. Only a roaring of the holy voice.
23Texts and Translations Dreimal sieben Gedichte aus Albert Girauds “Pierrot lunaire,” Op. 21 Three Times Seven Poems From Albert Giraud’s “Pierrot lunaire” ARNOLD SCHOENBERG Text: Otto Erich Hartleben’s German translation of Albert Giraud’s Pierrot lunaire English translation: Cecil Gray PART I Mondestrunken Moondrunk Den Wein, den man mit Augen trinkt, The wine which through the eyes we drink, Gießt nachts der Mond in Wogen nieder, Flows nightly from the moon in torrents, Und eine Springflut überschwemmt And as a spring-tide overflows Den stillen Horizont. The far and distant land. Gelüste, schauerlich und süß, Desires terrible and sweet Durchschwimmen ohne Zahl die Fluten! Unnumbered drift in floods abounding! Den Wein, den man mit Augen trinkt, The wine which through the eyes we drink, Gießt nachts der Mond in Wogen nieder. Flows nightly from the moon in torrents. Der Dichter, den die Andacht treibt, The poet, in an ecstasy, Berauscht sich an dem heilgen Tranke, Drinks deeply from the holy chalice, Gen Himmel wendet er verzückt To heaven lifts up his entranced Das Haupt und taumelnd saugt und schlürft er Head, and reeling quaffs and drains down Den Wein, den man mit Augen trinkt. The wine which through the eyes we drink. Columbine Columbine Des Mondlichts bleiche Blüten, The pallid buds of moonlight, Die weißen Wunderrosen, Those pale and wondrous roses, Blühn in den Julinächten— Bloom in the nights of summer— O, bräch ich eine nur! O could I pluck but one! Mein banges Leid zu lindern, My heavy heart to lighten, Such ich am dunklen Strome I search in darkling river Des Mondlichts bleiche Blüten, The pallid buds of moonlight, Die weißen Wunderrosen. Those pale and wondrous roses. Gestillt wär all mein Sehnen, Fulfilled would be my longing, Dürft ich so mächenheimlich, If I could softly gather, So selig leis – entblättern With gentle care besprinkle Auf deine braunen Haare Upon your dark brown tresses Des Mondlichts bleiche Blüten! The moonlight’s pallid blossoms! 24
Der Dandy The Dandy
Mit einem phantastichen Lichtstrahl A phantasmagorical light ray
Erleuchtet der Mond die krystallnen Flakons Illumines tonight all the crystalline flasks
Auf dem schwarzen, hochheiligen Waschtisch On the holy, sacred, ebony wash-stand
Des schweigenden Dandys von Bergamo. Of the taciturn dandy of Bergamo.
In tönender, bronzener Schale In sonorous bronze-enwrought chalie
Lacht hell die Fontäne, metallischen Klangs. Laughs brightly the fountain’s metallic sound.
Mit einem phantastischen Lichstrahl A phantasmagorical light ray
Erleuchtet der Mond die krystallnen Flakons. Illumines tonight all the crystalline flasks.
Pierrot mit wächsernem Antlitz Pierrot with countenance waxen
Steht sinnend und denkt: wie er heute sich Stands musing and thinks how he tonight will
schminkt? paint
Fort schiebt er das Rot und des Orients Grün Rejecting the red and the green of the east
Und bemalt sein Gesicht in erhabenem Stil He bedaubs all his face in the latest of styles
Mit einem phantastischen Mondstrahl. With a phantasmagorical moonbeam.
Eine blasse Wäscherin A Chlorotic Laundry Maid
Eine blasse Wäscherin A chlorotic laundry maid
Wäscht zur Nachtzeith bleiche Tücher; Washes nightly white silk garments;
Nackte, silberweiße Arme Naked, snow-white silvery forearms
Streckt sie neider in die Flut. Stretching downward to the flood.
Durch die Lichtung schleichen Winde, Through the glade steal gentle breezes,
Leis bewegen sie den Strom. Softly playing o’er the stream.
Eine blasse Wäscherin A chlorotic laundry maid
Wäscht zur Nachtzeit bleiche Tücher Washes nightly white silk garments.
Und die sanfte Magd des Himmels, And the gentle maid of heaven,
Von den Zweigen zart umschmeichelt, By the branches softly fondled,
Breitet auf die dunklen Weisen Spreads on the dusky meadows
Ihre lichtgewobenen Linnen – All her moonlight-bewoven linen—
Eine blasse Wäscherin. A chlorotic laundry maid.
25Texts and Translations (Continued) Valse de Chopin Chopin Waltz Wie ein blasser Tropfen Bluts As a lingering drop of blood Färbt die Lippen einer Kranken, Stains the lip of a consumptive, Also ruht auf diesen Tönen So this music is pervaded Ein vernichtungssücht’ger Reiz. By a morbid deathly charm. Wilder Lust Akkorde stören Wild ecstatic harmonies Der Verzweiflung eisgen Traum Disguise the icy touch of doom, Wie ein blasser Tropfen Bluts As a lingering drop of blood Färbt die Lippen einer Kranken. Stains the lip of a consumptive. Heiß und jauchzend, süß und schmachtend, Ardent, joyful, sweet and yearning, Melancholisch düstrer Walzer, Melancholic somber waltzes, Kommst mir nimmer aus den Sinnen, Coursing ever through my senses, Haftest mir an den Gedanken Leaving an insipid after-taste Wie ein blasser Tropfen Bluts! Like a lingering drop of blood! Madonna Madonna Steig, o Mutter aller Schmerzen, Rise, O mother of all sorrows, Auf den Altar meiner Verse! From the altar of my verses! Blut aus deinen magern Brüsten Blood pours forth from thy lean bosom Hat des Schwertes Wut vergossen. Where the sword of frenzy pierced it. Deine ewig frischen Wunden Thy forever gaping gashes Gleichen Augen, rot und offen. Are like eyelids, red and open. Steig, o Mutter aller Schmerzen, Rise, O mother of all sorrows, Auf den Altar meiner Verse! From the altar of my verses. In den abgezehrten Händen In the lacerated arms Hältst du deines Sohnes Leiche, Holdst thou thy Son’s holy body, Ihn zu zeigen aller Menschheit— Manifesting Him to mankind— Doch der Blick der Menschen meidet Yet the eyes of men avert themselves, Dich, o Mutter aller Schmerzen! O mother of all sorrows! 26
Der kranke Mond The Ailing Moon
Du nächtig todeskranker Mond, You ailing, death-awaiting moon,
Dort auf des Himmels schwarzem Pfühl, High upon heaven’s dusty couch,
Dein Blick, so fiebernd übergroß, Your glance, so feverish overlarge,
Bannt mich, wie fremde Melodie. Lures me, like strange enchanting song.
An unstillbarem Liebesleid With unrequited pain of love
Stirbst du, an Sehnsucht, tief erstickt, You die, your longing deep concealed,
Du nächtig todeskranker Mond, You ailing, death-awaiting moon,
Dort auf des Himmels schwarzen Pfühl. High upon heaven’s dusty couch.
Den Liebsten, der im Sinnenrausch The lover, stirred by sharp desire
Gedankenlos zur Liebsten geht, Who reckless seeks for love’s embrace,
Belustigt deiner Strahlen Spiel, Exults in your bright play of light,
Dein bleiches, qualgebornes Blut, Your pale and pain-begotten flood,
Du nächtig todeskranker Mond! You ailing, death-awaiting moon!
27Texts and Translations (Continued) PART II Nacht Night Finstre, schwarze Riesenfalter Heavy, gloomy giant black moths Töteten der Sonne Glanz. Massacred the sun’s bright rays. Ein geschloßnes Zauberbuch, Like a close-shut magic book, Ruht der Horizont—verschwiegen. Broods the distant sky in silence. Aus dem Qualm verlorner Tiefen From the mists in deep recesses Steigt ein Duft, Erinnrung mordend! Rise up scents, destroying memory! Finstre, schwarze Riesenfalter Heavy, gloomy giant black moths Tötenen der Sonne Glanz. Massacred the sun’s bright rays; Und vom Himmel erdenwärts And from heaven earthward bound Senken sich mit schweren Schwingen Downward sink with somber pinions Unsichtbar die Ungetüme Unperceived, great hordes of monsters Auf die Menschenherzen nieder … On the hearts and souls of mankind … Finstre, schwarze Riesenfalter. Heavy, gloomy giant black moths. Gebet an Pierrot Prayer to Pierrot Pierrot! mein Lachen Pierrot! My laughter Hab ich verlernt! Have I unlearnt! Das bild des Glanzes The picture’s brightness Zerfloß, Zerfloß! Dissolves. Schwarz weht die Flagge Black flies the standard Mir nun vom Mast. Now from my mast. Pierrot! mein Lachen Pierrot! My laughter Hab ich verlernt! Have I unlearnt! O gib mir wieder, O once more give me, Roßarzt der Seele, Healer of spirits, Schneemann der Lyrik, Snowman of lyrics, Durchlaucht vom Monde, Monarch of moonshine, Pierrot—mein Lachen! Pierrot, my laughter! 28
Raub Loot
Rote, fürstliche Rubine, Ancient royalty’s red rubies,
Blutge Tropfen alten Ruhmes, Bloody drops of antique glory,
Schlummern in den Totenschreinen Slumber in the hollow coffins
Drunten in den Grabgewölben. Buried in the vaulted caverns.
Nachts, mit seinen Zechkumpanen, Late at night with boon companions,
Steigt Pierrot hinab, zu rauben Pierrot descends to ravish
Rote, fürstliche Rubine, Ancient royalty’s red rubies,
Blutge Tropfen alten Ruhmes. Bloody drops of antique glory.
Doch da sträuben sich die Haare, But there every hair a-bristle,
Bleiche Furcht bannt sie am Platze: Livid fear turns them to statues;
Durch die Finsternis, wie Augen!— Through the murky gloom, like eyes—
Stieren aus den Totenschreinen Glaring from the hollow coffins
Rote, fürstliche Rubine. Ancient royalty’s red rubies.
Rote Messe Red Mass
Zu grausem Abendmahle To fearsome grim communion
Beim Blendeglanz des Goldes, Where dazzling rays of gold gleam,
Beim Flackerschein der Kerzen, And flickering light of candles,
Naht dem Altar—Pierrot! Comes to the altar of Pierrot!
Die Hand, die gottgeweihte, His hand, with grace invested,
Zerreißt die Priesterkleider Rends through the priestly garments
Zu grausem Abendmahle For fearsome grim communion
Beim Blendeglanz des Goldes. Where dazzling rays of gold gleam.
Mis segnender Gebärde With signs of benediction
Zeigt er den bangen Seelen He shows to frightened people
Die triefend rote Hostie: The dripping crimson wafer:
Sein Herz in blutgen Fingern His heart – with bloody fingers
Zu grausem Abendmahle. In fearsome grim communion
29Texts and Translations (Continued) Galgenlied Song of the Gallows Die dürre Dirne The haggard harlot Mit langem Halse With scraggy gizzard Wird seine letzte Will be his ultimate Geliebte sein. Paramour In seinem Hirne Through all his thoughts Steckt wie ein Nagel There sticks like a gimlet Die dürre Dirne The haggard harlot Mit langem Halse. With scraggy gizzard. Schlank wie die Pinie, Thin as a rake, Am Hals ein Zöpfchen, Round her neck a pigtail, Wollüstig wird sie Joyfully will she Den Schelm umhalsen Embrace the rascal, Die dürre Dirne! The haggard harlot! Enthaptung Decapitation Der Mond, ein blankes Türkenschwert, The moon, a polished scimitar, Aug einem schwarzen Seidenkissen, Upon a black and silken cushion, Gespenstisch groß—dräut er hinab So strangely large hangs menacing Durch schmerzensdunkle Nacht. Through sorrow’s gloomy night. Pierrot irrt ohne Rast umher Pierrot wandering restlessly Und start empor in Todesängsten Stares upon high in anguished fear Zum Mond, dem blanken Türkenschwert Of the moon, a polished scimitar Auf einem schwarzen Seidenkissen. Upon a black and silken cushion. Es schlottern unter ihm die Knie, Like leaves of aspen are his knees, Ohnmächtig bricht er jäh zusammen. Swooning he falters, then collapses. Er wähnt: es sause strafend schon He thinks: this hissing vengeful steel Auf seinen Sündenhals hernieder Upon his neck will fall in judgment Der Mond, das blanke Türkenschwert. The moon, a polished scimitar. 30
Die Kreuze The Crosses
Heilge Kreuze sind die Verse Holy crosses are the verses
Dran die Dichter stumm verbluten, Where the poets bleed in silence,
Blingeschlagen von der Geier Blinded by the peck of vultures
Flatterndem Gespensterschwarme. Flying round in ghostly rabble.
In den Leibern schwelgten Schwerter, On their bodies swords have feasted,
Prunkend in des Blutes Scharlach! Bathing in the scarlet bloodstream!
Heilge Kreuze sind die Verse Holy crosses are the verses
Dran die Dichter stumm verbluten. Where the poets bleed in silence.
Tot das Haupt, erstarrt die Locken— Death then comes; dispersed the ashes—
Fern verweht der Lärm des Pöbels, Far away the rabble’s clamour,
Langsam sinkt die Sonne nieder, Slowly sinks the sun’s red splendor,
Eine rote Königskrone. Like a royal crown of glory.
Heilge Kreuze sind die Verse. Holy crosses are the verses.
31Texts and Translations (Continued) PART III Heimweh Nostalgia Lieblich klagend—ein krystallnes Seufzen Sweetly plaintive is the sigh of crystal Aus Italiens alter Pantomime, That ascends from Italy’s old players, Klingt’s herüber: wie Pierrot so hölzern, Sadly mourning that Pierrot is now So modern sentimental geworden. So modern and so sickly sentimental. Und es tönt durch seines Herzens Wüste, And it echoes from his heart’s desert, Tönt gedämpft durch alle Sinne Muted tones which wind through all his wieder, senses, Lieblich klagend—ein krystallnes Seufzen Sweetly plaintive is the sigh of crystal Aus Italiens alter Pantomime. That ascends from Italy’s old players. Da vergißt Pierrot die Trauermienen! Now Pierrot abjures the tragic manner! Durch den bleichen Feuerschein des Mondes, Through the pallid fires of lunar landscape, Durch des Lichtmeers Fluten schweift die Through the foaming light-flood mounts Sehnsucht his longing, Kühn hinauf, empor zum Heimathimmel, Surging high towards his native heaven, Lieblich klagend ein krystallnes Seufzen. Sweetly plaintive, like a sigh of crystal. Gemeinheit Atrocity In den blanken Kopf Cassanders, Through the bald pate of Cassander, Dessen Schrein die Luft durchzetert As he rends the air with screeches Bohrt Pierrot mit Heuchlermienen Pierrot bores in feigned tender Zärtlich—einen Schädelbohrer. Fashion with a cranium driller. Darauf stopft er mit dem Daumen He then presses with his finger Seinen echten türkschen Tabak Rare tobacco grown in Turkey In den blanken Kopf Cassanders, Into the bald pate of Cassander, Dessen Schrein die Luft durchzetert. As he rends the air with screeches. Dann dreht er ein Rohr von Weichsel Then screwing a cherry pipe stem Hinten in di glatte Glatze, Right in through the polished surface, Und behaglich schmaucht und pafft er Sits at ease and smokes and puffs the Seinen echten türkschen Tabak Rare tobacco grown in Turkey Aus dem blanken Kopf Cassanders! From the bald pate of Cassander! 32
Parodie Parody
Stricknadeln, blank und blinkend, Knitting needles, bright and polished,
In ihrem grauen Haar, Set in her greying hair,
Sitzt die Duenna murmelnd, Sits the Duenna, mumbling,
Im roten Röckchen da. In crimson costume clad.
Sie wartet in der Laube, She lingers in the arbour,
Sie liebt Pierrot mit Schmerzen, She loves Pierrot with passion,
Stricknadeln, blank und blinkend, Knitting needles, bright and polished,
In ihrem grauen Haar. Set in her greying hair.
Da plötzlich – horch – ein Wispern! But, listen, what a whisper!
Ein Windhauch kichert leise: A zephyr titters softly;
Der Mond, der böse Spötter, The moon, the wicked macker,
Äfft nach mit seinen Strahlen Now mimics with light rays
Stricknadeln, blink und blank. Bright needles, spick and span.
Der Mondfleck The Moonfleck
Einen weißen Fleck des hellen Mondes With a snowy fleck of shining moonlight
Auf dem Rücken seines schwarzen Rockes, On the shoulder of his black silk frock-coat
So spaziert Pierrot im lauen Abend, So strolls Pierrot this languid evening,
Aufzusuchen Glück und Abenteuer. Seeking everywhere for love’s adventure.
Plötzlich stört ihn was an seinem But what! Something wrong with his
Anzug, appearance?
Er besieht sich rings und He looks round and round and then he
findet richtig – finds it—
Einen weißen Fleck des hellen Mondes Just a snowy fleck of shining moonlight
Auf dem Rücken seines schwarzen Rockes. On the shoulder of his black silk frock-coat.
Warte! denkt er: das ist so ein Gipsfleck! Wait now (thinks he) ‘tis a piece of plaster,
Wischt und wischt, doch bringt ihn nicht Wipes and wipes, yet cannot make
herunter! it vanish.
Und so geht er giftgeschwollen weiter, So he goes on poisoned with his fancy,
Reibt und reibt bis an den frühen Morgen Rubs and rubs until the early morning—
Einen weißen Fleck des hellen Mondes. Just a snowy fleck of shining moonlight.
33Texts and Translations (Continued) Serenade Serenade Mit groteskem Riesenbogen With a giant bow grotesquely Kratzt Pierrot auf seiner Bratsche. Scrapes Pierrot on his viola Wie der Storch auf einem beine Like a stork on one leg standing Knipst er trüb ein Pizzicato. Sadly plucks a pizzicato. Plötzlich naht Cassander, wütend Now here comes Cassander fuming Ob des nächtigen Virtuosen. At this night-time virtuoso. Mit groteskem Riesenbogen With a giant bow grotesquely Kratzt Pierrot auf seiner Bratsche. Scrapes Pierrot on his viola. Von sich wirft er jetzt die Bratsche: Casting then aside the viola, Mit der delikaten Linken With his delicate left hand he Faßt er den Kahlkopf am Kragen— Grips the bald pate by the collar— Träumend spielt er auf der Glatze Dreamily he plays upon him Mit groteskem Riesenbogen. With a giant bow grotesquely. Heimfahrt Journey Home Der Mondstrahl ist das Ruder, The moonbeam is the rudder, Seerose dient als Boot, Nenuphar serves as boat, Drauf fährt Pierrot gen Süden, On which Pierrot goes southward, Mit gutem Reisewind. The wind behind his sails. Der Strom summt tiefe Skalen In deep tones hums the river Und wiegt den leichten Kahn. And rocks the light canoe. Der Mondstrahl ist das Ruder, The moonbeam is the rudder, Seerose dient als Boot. Nenuphar serves as boat. Nach Bergamo, zur Heimat, To Bergamo, his homeland, Kehrt nun Pierrot zurück; Pierrot returns once more. Schwach dämmert schon im Osten Soft gleams an the horizon Der grüne Horizont. The orient green of dawn. Der Mondstrahl ist das Ruder. The moonbeam is the rudder. 34
O alter Duft Oh Ancient Scent
O alter Duft aus Märchenzeit, Oh ancient scent from far-off days,
Berauschest wieder meine Sinne! Intoxicate once more my senses!
Ein närrisch Heer von Schelmerein A merry swarm of idle thoughts
Durchschwirrt die leichte Luft. Pervades the gentle air.
Ein glückhaft Wünschen macht mich froh A happy whim makes me aspire
Nach Freuden, die ich lang verachtet. To joys which I too long neglected.
O alter Duft aus Märchenzeit, O ancient scent from far-off days,
Berauschest wieder mich. Intoxicate me again.
All meinen Unmut geb ich preis; Now all my sorry is dispelled,
Aus meinem sonnumrahmten Fenster And from my sun-encircled casement
Beschau ich frei di liebe Welt I view again the lovely world
Und träum hinaus in selge Weiten … And dream beyond the far horizon ...
O alter Duft aus Mächenzeit! O ancient scent from far-off days!
Pierrot lunaire|Dreimal 7 Gedichte|für eine Sprechstimme und 5 Instrumentalisten|op. 21
© Copyright 1914, 1941 by Universal Edition A.G., Wien/UE 34806
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