We hope you enjoy this exclusive IMPACT books bundle to celebrate Free Comic Book Day! Go to NorthLightShop.com to purchase these books and more.
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We hope you enjoy this exclusive IMPACT books bundle to celebrate Free Comic Book Day! Go to NorthLightShop.com to purchase these books and more. Cincinnati, Ohio www.impact-books.com
Fu r r i e sve r Fu r e Jared Hodges & Lindsay Cibos Draw & Color Anthro Characters IN a Variety of Styles
Demonstration Sphinx: Drawing The Sphinx, best known from the famous For this character, we’ll create an Egyptian monument in Giza, is also a character in anthropomorphic sphinx dressed in Egyptian- Greek mythology. The Greek Sphinx is described inspired clothing, a fusion of her Greek and as having the body of a lion, the wings of a bird Egyptian roots. With a sharp tongue and a and the face of a woman. She would challenge fondness for riddles, she sits atop a pedestal travelers to solve her riddles, and those who on the lookout for travelers to quiz (for her failed were mercilessly devoured! However, amusement, not dinner). other legends characterize the sphinx as being a benevolent protector. 1 Brainstorm Character Designs Do some rough sketches to figure out your character’s look. Consider the 2 Thumbnail Pose Working small, no larger than a few inches, decide on a pose and do a 3 Sketch the Body Position Following the plan of your thumb- nail, start with a circle for the head. Add character’s personality. This sphinx is a final take of the design that combines a centerline to establish facing. Sketch catty snob who’s used to getting her way. all of your favorite elements from your a curving line of action and build the Reflect these traits in her facial expression exploratory sketches. Although rough rest of her torso along this line. As you and body language. For her costume, and lacking detail, this sketch should draw, keep in mind landmarks like the rib browse images of ancient Egyptian art give you a strong idea of what the cage, waistline and hips to help with the and classic interpretations of the sphinx finished picture will look like. Think of it proportions. for inspiration. as your road map. 46
4 Build Up the Shapes Sketch the eyes, ears, cheeks and structure of the muzzle to complete the basic head shape. Add arms and legs to build upon the solid structure of the torso. Note in the thumbnail how she’s pressing against her fingers and toes to hold her position; try to capture that force in the drawing. Then sketch the tail using surface lines to help visualize the curvature. 5 Sketch the Clothing Following the form of the body, lightly sketch the general contours of her outfit. Keep the details minimal for now and focus on flow and curvature. Note how the arm and leg bands wrap around her; draw the full three-dimensional shape to ensure a perfect fit. Sketch her long hair cascading around her ears and behind her shoulders. Finally, build the basic structure of the visible wing (the left is hidden behind her hair). 6 Add Details Work through your drawing, clarifying lines and adding details. Try for a good balance of straights and curves in the line work (for example, the sharp elbow of the right arm versus the rounded shoulder) to create tension. Draw the toes and add claws (fingers too), fluff up the tail with dashed lines for a hint of fur and draw some folds where the clothing is compressed or pulled. Finally, refine the details of her face, hair and wing. Erase your guidelines. Fun Facts Furry art was a part of ancient Egyptian history in the form of animalistic deities like the jackal-headed Anubis and falcon-headed Horus. Download free furries bonus materials at impact-books.com/furries-furever. 47
Demonstration Sphinx: Coloring With the line art complete, the sphinx is ready If you draw traditionally with pencil and paper for color. If you look at ancient Egyptian art, you like me, the next step is to scan your drawing. see a lot of richness and warmth: reds, browns Once scanned, open it in Photoshop and clean and yellows. Black, white and vivid blues and up the drawing. Use the Eye Dropper tool in greens fill out the rest of the spectrum. For our a dingy area of the paper as the sample color anthro sphinx, I’m using a tawny red color to for adjustment. Then you’ll need to adjust the express her lioness fur; tan for the wings and Fuzziness and Lightness sliders; I set it around outfit, and red, blue and gold as accent colors for 70 Fuzziness and +100 Lightness, but it depends her jewelry and accessories. Indigo stands in for on how rough the drawing is and the paper black hair. But before you can start laying down type, so experiment to see what works best. the colors, you’ll need to prep your drawing for Use the Eraser tool to remove any remaining digital painting. grain or straight lines, and set the line art layer to Multiply. 1 Establish the Color Palette Make a new layer beneath the line art, then use the Lasso tool to make a wide selection around the character and fill it with a neutral color. Carefully erase any colors outside the lines and lock the layer. Make another layer for your palette and dab some colors to set up your color scheme. I’m working with a palette of red, brown, tan and gold, accented with blue and deep purple. Using broad brushstrokes, roughly apply the colors to the charac- ter. 2 Block in Shadows and Highlights Develop the form of the charac- ter by building up the shadow tones and highlight areas. Don’t worry about getting the shad- ing perfect just yet. The goal at this stage is to feel out your color scheme and lighting. 48
3 Adjust the Shadow Placement Continue to refine your shading and use a reference photo for help. Brighten up the face to help make it the focal point. On a new layer beneath the char- acter colors, began to paint the pedestal, including cast shadows, to ground the character. 4 Refine the Details With controlled vertical strokes, build up the shadows and highlights on 5 Finish the Background Finally, refine the coloring on the pedestal. Add some light speckling to the hair. Try to keep the shading subtle give it a stony texture, blending several so the hair doesn’t look too stringy. It’s a layers of color to give it a weathered look. good idea to flip your image periodically On a new layer set to Multiply, paint in to check for mistakes. If you discover you details like cracks and the suggestion need to fix something about the drawing of hieroglyphs. With a hard eraser, cut at this stage, the easiest way is to make a away excess color to create a rough edge new layer and paint over the lines. around the structure. Download free furries bonus materials at impact-books.com/furries-furever. 49
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