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Carte Italiane

Title
Ph.D. Dissertations in Italian Studies at UCLA, 2007-2020

Permalink
https://escholarship.org/uc/item/22r4k8fp

Journal
Carte Italiane, 13(1)

ISSN
0737-9412

Author
Tumolo, Joseph

Publication Date
2021

DOI
10.5070/C913054162

Copyright Information
Copyright 2021 by the author(s). All rights reserved unless otherwise indicated. Contact the
author(s) for any necessary permissions. Learn more at https://escholarship.org/terms

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Ph.D. Dissertations in Italian Studies at UCLA, 2007–2019

We offer this list both as a bibliographic reference and as a testament to the enduring scholarly
interest of Italian studies. Many of these dissertations were written in the Department of Italian at
UCLA—which, as of December 2020, has merged with the Department of European Languages
& Transcultural Studies—but also span other disciplines including History, Sociology, Education,
and Music, to name a few. We will continue to supplement this list in future volumes, and we hope
that this information will serve as an important reference and inspiration to scholars of Italian and
European studies in the future.

2020

Cantor, Sarah. “The Orphan-Hero in Italian Renaissance Epic.” Director: Andrea Moudarres.
2020.

Di Blasio, Federica. “Local/Global Aesthetics: Cesare Pavese, Pier Paolo Pasolini, Gianni Celati.”
Directors: Thomas Harrison, Lucia Re. 2020.

Guarro, Adriana. “Ties that Bind: Women and Friendship in Early Modern Italy.” Directors:
Andrea Moudarres, Deanna Shemek. 2020.

2019

Ardeni, Viola. “Fiabe inesauribili. Revisionismo e metamorfosi del femminile dal Seicento al terzo
millennio.” Directors: Lucia Re, Jon R. Snyder. 2019.

Stanphill, Cindy. “The Rise of the Novel in Venice: Carlo Gozzi, Pietro Chiari, Antonio Piazza.”
Directors: Massimo Ciavolella, Clorinda Donato. 2019.

2018

Sanna, Adele. “Verso un nuovo arcipelago mediterraneo: le isole di Grazia Deledda, Fabrizia
Ramondino, Anna Maria Ortese.” Director: Lucia Re. 2018.
2017

Hopkins, Sienna Star. “Female Biographies in Renaissance and Post-Tridentine Italy.” Director:
Massimo Ciavolella. 2017.

Nadir, Erika Marina. “Prima La Musica o Prima La Parola? Textual and Musical Intermedialities
in Italian Literature and Film.” Director: Luigi Ballerini. 2017.

Sottong, Heather Renee. “Dante and Argentine Identity.” Director: Massimo Ciavolella. 2017.

Streifer, Monica Leigh. “The Body Politic on Stage: Women Writers and Gender in Twentieth-
Century Italian Theater.” Director: Lucia Re. 2017.

2016

Redford, Renata. “Cartographies of Estrangement: Transnational Female Identity and Literary
Narrative between Italy and Eastern Europe.” Director: Lucia Re. 2016.

Robinson, Nicole. “Out of Italy: Italian Women Exiled Under Fascism Reimagine Home and Their
Italian Identity.” Director: Lucia Re. 2016.

2014

Baranello, Adriana Marie. “Fillia’s Futurism Writing, Politics, Gender and Art After the First
World War.” Director: Lucia Re. 2014.

Siracusa, Dominic Edward. “Emilio Villa: Poet of Biblical Proportions. A Dissertation and
Translation.” Director: Luigi Ballerini. 2014.

White, Christopher Burton. “Misery is the True Script for Comedy: A Study of Italian Film
Comedy in the 1950s.” Director: Thomas Harrison. 2014.

2013

Asaro, Brittany Kay. “The Unseen Beloved: Love by Hearsay in Medieval and Early Modern
Italian Literature.” Director: Massimo Ciavolella. 2013.
Gomez, Carmen Marie. “Women Writers and Italian Fascism: Figures of Female Resistance in
Paola Masino, Paola Drigo, and Milena Milani.” Director: Lucia Re. 2013.

Lavagnino, Claire Genevieve. “Women’s Voices in Italian Postcolonial Literature from the Horn
of Africa.” Director: Lucia Re. 2013.

Madrigal, Melina Rae. “Joyful Miss: Gendered Perspectives on Marriage in Renaissance Italy.”
Director: Massimo Ciavolella. 2013.

Martinescu, Mihaela. “Witnesses to an Elusive Reality: Pirandello’s and Antonioni’s Characters
in Search of a Story.” Director: Thomas Harrison. 2013.

Proietti, Leonardo. “L’Arte in e l’arte di Antonioni: un percorso verso l’astrazione
cinematografica.” Director: Thomas Harrison. (Master’s thesis). 2013.

Van Ness, Emma Katherine. “Antonio Pietrangeli, the Director of Women: Feminism, Film
Theory and Practice in Postwar Italy.” Director: Thomas Harrison. 2013.

2012

Wolf, Amit. “Superarchitecture: Experimental Architectural Practices in Italy 1963-1973.”
Directors: Lucia Re, Michael Osman and Diane Favro. 2012.

2011

Bini, Andrea. “The Myth of the Economic Boom and Postwar Male Crisis in the Filmic Tradition
of Comedy Italian Style.” Director: Thomas Harrison. 2011.

Hennessey, Brendan William. “Luchino Visconti and the Elegant Art of Adaptation: Gramsci and
Inter-Semiotic Translation in Popular Italian Cinema (1942–1976).” Directors: Thomas Harrison,
Lucia Re. 2011.

2010

Carey, Sarah Ann. “Storytelling and the Photographic Image: Interactions, Boundaries and
Displacements in Italian Culture, 1839–2009.” Director: Lucia Re. 2010.

De Masi, Giuseppina. “Filippo Tommaso Marinetti: Un ritrattato profilo storico letterario
attraverso i pro e i contro.” Director: Luigi Ballerini. 2010.
Divorski, Staisey Emilie. “At War with Oedipus: Family, Conflict and Sexuality in Italian
Literature and Cinema, 1965–1988.” Director: Lucia Re. 2010.

Doebler, William Michael. “Ciascun saria di color vinto: The Philology and Philosophy of Terms
for Color and Light in Occitan and Italian Poetry from the Troubadours through Petrarch.”
Director: Luigi Ballerini. 2010.

Pezzera, Viviana. “Donne sotto i riflettori: figure di attrici nella letteratura e nella cultura italiana
tra ‘800 e ‘900.” Director: Lucia Re. 2010.

Rizzo, Gianluca. “Modernità del maccheronico folenghiano.” Directors: Luigi Ballerini, Massimo
Ciavolella. 2010.

Serafini, Tiziana. “Paesaggio, tempo e logos nella poesia di Andrea Zanzotto.” Director: Luigi
Ballerini. 2010.

Stevens, Elizabeth Emslie. “Dante’s Danielisms: New Angles on the Scriptural Side of Dante,
Theology and Hermeneutics of the Book of Daniel in the Commedia.” Director: Massimo
Ciavolella. 2010.

Weisberg, Alessia Nanni. “Between Collective History and Personal Experience: the Memoirs of
the Ex-Red Brigades and the Whisper of the Victims.” Director: Remo Bodei. 2010.

Westhoff, Erica Lynn. “Il Sensale, Il Lanzi, L’Imbroglia: Reconsidering Renaissance Comedy
through the Plays of Francesco Mercati.” Director: Massimo Ciavolella. 2010.

2009

Hiller, Jonathan Robert. “‘Bodies that Tell’: Physiognomy, Criminology, Race and Gender in Late
Nineteenth- and Early Twentieth-Century Italian Literature and Opera.” Director: Lucia Re. 2009.

2008

Cooper, Allison Ann. “Disanimate Modernism: Literature, Painting and Aesthetics in Wartime
and Post World War I Italy.” Directors: Thomas Harrison, Lucia Re. 2008.

Gentilli, Gabriele Giuseppe. “Vasco Pratolini: una storia italiana.” Director: Franco Betti. 2008.
2007

Filippi, Alessio Antonio. “Gluttony and Rapture: Food Culture, Carnal Sins and Mysticism in the
Medieval Church.” Director: Luigi Ballerini. 2007.

Hopkins, Rebecca. “Islands and Oases: Italian Colonial Cultures, Migration, and Utopia in
Women’s Writing in Italian and English.” Directors: Lucia Re, Gil Hochberg. 2007.

Villa, Maria Cristina. “L’Italia non vede, non sente, non parla? Il cinema italiano della
deportazione razziale.” Director: Luigi Ballerini. 2007.

Wirth, Petra. “La commedia grave di Bernardino Pino da Cagli, ovvero la poetica degli scacchi.”
Director: Massimo Ciavolella. 2007.
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