ART TOK 12 - DHAYDOCK.ORG
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Key questions • What is art? • What is the purpose of art? • By what standard can art be judged? • What is the relationship between art and truth? • In terms of art as an Area of Knowledge, how is the relationship between art and truth similar to and different from the relationship between truth and the other AoKs?
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A.Polish Nobleman, Rembrandt, 1637 B.Bartok, SQ no. 4 movement IV C.Thomas Kinkade, Flower Arch in a Country Cottage D.Katy Perry, Roar E.Levi’s comercial, 2012 F. Half Dome List of G.Cheerios box c. 1990 H.Our Galaxy's Magnetic Field from Planck image Credit & Copyright: ESA/ Planck; Acknowledgement: M.-A. Miville-Deschênes, CNRS – IAS, U. Paris-XI works I. Andy Warhol, 32 Campbells Soup Cans, 1962 J. Kazimir Malevich, Black Square,White on White, Red Square K.Leni Riefenstahl, Triumph of the Will, 1934 L.Pablo Picaso, Guernica, 1937 M.Jackson Pollack, Lavender Mist, 1950 N.Petroglyph from Southern Arizona O.Andres Serrano, Piss Christ, 1987 P. Marcell Duchamp, Fountain, 1917
1. Art should make people think 2. Art should show some sort of feeling or emotion 3. Art should be original, unique or new
The purpose of art and knowledge issues • The creation of beauty/pleasure • Mimesis/Imitation • To enable us to feel what others feel/empathy/ understanding of the human condition “To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling - this is the activity of art.” • To create imaginary laboratories in which experiments on the human condition can be conducted • To teach/inform what is right and wrong • To create
Aesthetics A particular theory or conception of beauty or art. Aesthetics answers three questions: 1.What makes something a work of art? 2.What do we learn from it? 3.What value does this work have? Slides 21-30 were adapted from materials from the Warhol museum. Accessed on 2.10.15 at http://www.warhol.org/education/resourceslessons/Aesthetics-Lesson-4-- Theories/
3 definitions for aesthetics: 1. a particular taste for, or approach to, what is pleasing to the senses--especially sight; 2. a branch of philosophy dealing with the nature of art and beauty; 3. a particular theory or conception of beauty or art.
• Representation (imitation, realism, Aesthetic mimesis) Theories: • Expressionism (emotionalism) • Formalism • Communication of moral and religious ideas • Symbolic (non-verbal) communication • Instrumentalism • Institutionalism Material adapted from Julie Van Camp, Professor of Philosophy, California State University, Long Beach, presentation Teaching Aesthetics. http://www.csulb.edu/~jvancamp/multi/index.html
The essence of art is to Representation picture or portray reality. (imitation, realism, Good art mirrors the world, imitating nature or some mimesis): ideal form. Martin Johnson Heade, Thunderstorm at the Shore, c. 1870-1871, oil on paper mounted on canvas attached to panel 15 3/4 x 23 3/4 in. Carnegie Museum of Art, Howard N. Eavenson Memorial Fund
Expressionism (emotionalism): The essence of art is expression of the inner emotions, feelings, moods, and mental states of the artist. Good art effectively and sincerely brings these inner states to an external objectification. Willem de Kooning, Woman VI, 1953 Oil on canvas
The essence of art is “significant Formalism: form” - lines, shapes, colors, and other formal properties of the work; representation, expression, and other subject matter are irrelevant. Good art uses formal elements to trigger an “aesthetic emotion” in sensitive observers. Donald Judd, Untitled, 1974, Stainless steel and Plexiglas 8 x 194 1/2 x 14 in. Carnegie Museum of Art, Purchase: gift of Mr. and Mrs. Charles Denby, by exchange
Communication of moral and religious ideas: The essence of art is the communication of important moral and religious values from the artist to the observer. Good art is a form of sincere communication by the artist that “infects” the observers with those important moral ideas. Simon Bening, St. Gertrude de Nivelles, from the Hours of Cardinal Albrecht of Brandenburg (1490-1545), Archbishop and Elector of Mainz c. 1522-1523, opaque water-based paint mounted on board 7 x 5 in. Carnegie Museum of Art, Bequest of Howard A. Noble
Symbolic (non-verbal) communication: The essence of art is the communication of important ideas and other knowledge through symbolic (non- verbal) languages. Good art communicates its meaning effectively through this non- verbal language. Jacob Ochtervelt, Lady with Servant and Dog, c. 1671-1673, oil on canvas, 27 1/8 x 22 7/8 in. Carnegie Museum of Art, Henry Lee Mason Memorial Fund
Instrumentalism: The essence of art is its usefulness in helping us to comprehend and improve our overall life experiences. Good art is always a means to some important end. Romare Bearden, Pittsburgh Memories, 1984, collage on board, 28 5/8 x 23 1/2 in. Carnegie Museum of Art, Gift of Mr. and Mrs. Ronald R. Davenport and Mr. and Mrs. Milton A. Washington
Institutionalism: Art is determined by status conferred upon it by the institutions of the art world not by an observable property in the artwork Andy Warhol, Brillo Soap Pads Box, 1964, silkscreen ink and itself. house paint on plywood, 17 x 17 x 14 in. ©AWF Barry Le Va, On Corner - On Edge - On Center Shatter (Within the Series of Layered Pattern Acts), 1968-1971, twenty sheets of glass 59 x 79 in. ( 91 x 150 x 201 cm) Carnegie Mellon Art Gallery Fund
Knowledge issues • Whereas most other areas of knowledge have some concepts of right and wrong (whether in methods or outcomes) art resists this. To what extent can art then reveal truth? • If art is simply about creation, is art a celebration of power? • Do artists have the same ethical obligations that constrain other AoKs? • How does non-representational art contribute to knowledge of the world?
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