Sereina Steinemann - Selected works
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Sereina Steinemann Selected works
Landschaft Hochmoor 2019/2020, 28 x 42 cm, acrylic on cotton canvas private collection Hochmoor 2019, 21 x 29.7 cm, pencil, color pencil and marker on paper
«WASSER IN DEN OHREN» Galerie Bernhard Bischoff & Partner, Bern, 2020 Photos: Jean-Pierre Balmer
Lagerfeuer 2017/2019, 140 x 110 cm, acrylic on cotton canvas
Krawatten 2019, 70 x 75 cm, acrylic on cotton canvas
Palme (klein) 2018, 36 x 27 cm, acrylic on cotton canvas private collection
Tasse 2018/2019, 42 x 52 cm, acrylic on cotton canvas
Zigarette 2018/2019, 44 x 45 cm, acrylic on cotton canvas Private collection
«ICH ARBEITE AM TAG» Kunstmuseum Luzern, 2019/2020
Mauer 2019, 160 x 110 cm, acrylic on cotton canvas Art collection of canton of Lucerne
Erbsenschote The Issue 2019, 27 x 33 cm, acrylic on linen canvas 2019, 41 x 30 cm, acrylic on linen canvas private collection
ART AND ARCHITECTURE
«St-Toujours», 2018–2019
Art and Architecture Project by Eva Maria Gisler The art and architecture work «St-Toujours» consists
Artistic realization: Sereina Steinemann of a façade painting high above the main entrance
CEFF St-Imier, on behalf of the Canton of Bern of the Ceff St-Imier building and 41 painted clocks
Photos: Jean-Pierre Balmer in acrylic on cotton.
Eva Maria Gisler was responsible for the concept, I
provided the artistic realization.
The painted picture of a clock is hung in every room
of the building, where prospective nurses are trai-
ned. These silent clocks in classrooms, in the ma-
nagement office, in the kitchen or cafeteria show
the time - but not the current time of day, but the
phenomenon of time itself. The painted clocks also
remind us of the original function of the building,
which was formerly a clock factory.
This network in the interior spaces is supplemented
by a larger painted clock on the building façade: in-
tegrated into the structure of the façade design,
the building features a relief rondel in a central po-
sition above the main entrance, which is now desig-
ned as a clock in blue and yellow.
Important aspects of the everyday working life in
the health and social sector are the ability to have
time even under time pressure and to bring in the
individual personality in addition to the professional
performance of clearly defined tasks.
The art and construction work «St-Toujours» with
its painted clock pictures for the Ceff premises re-
fers to this – and at the same time creates a link to
the former watchmaking industry. It creates a tem-
porary workplace and thus addresses aspects of
work such as homework, efficiency and precision in
the series, but in the execution of the individual pic-
tures also tells of the value of immaterial work, the
human factor, care and humor.«WIDRIGE UMSTÄNDE, REKORDVERDÄCHTIGE FAKTEN» Museum zu Allerheiligen, Schaffhausen, Ernte 2018 Photo: Michael Lio
Geldsack Mappe mit Lupe
2017, 27 x 33 cm, acrylic on cotton canvas 2018, 110 x 140 cm, acrylic on cotton canvas
Art collection canton of Schaffhausen«KNOPF, FARBSTIFTE, FEUERZEUG, KIRSCHEN, LAPTOP IM GRAS, PALME (KLEIN)» Kunsthaus Langenthal, Cantonale Berne Jura, 2018–2019 Photo: Martina Flury Witschi
«BUCHSTABENLADEN» Popps Packing, Hamtramck MI, USA, 2018
Acryl on plywood, wood, zines to buy (unique copies)
«NEUE VERBRECHEN IRRE GELÖST» I invented a comic book character: Ruby Rabbit, detective. For Ruby
Galerie Bischoff & Partner, Bern, 2017 Rabbit, I am developing a vocabulary through painting; the figure itself
Photos: Jean-Pierre Balmer is not represented, but shows itself in attributes, traces and working ma-
terials.No title Neuste Nachrichten 2017, 110 x 115 cm, acrylic on cotton canvas 2017, 140 x 110 cm, acrylic on cotton canvas
«16 ARTIST POSTERS» For the scholarship exhibition AC 2017 I painted a series of 16 posters,
Kunstmuseum Bern, 2017 each with a name of the artists participating in the 2nd round. Each pos-
ter is hand-painted. Acrylic and marker on paper, 100 x 70 cm.«DAS RÄTSEL DER PYRAMIDEN» Alpineum Produzentengalerie Luzern, 2017 Photo: Andri Stadler Elixier No title pencil on paper, 2017, 29.7 x 21 cm acrylic on wood, 2017, 300 x 4 x 2 cm
No title acrylic on cotton canvas, 2016, 30 x 30 cm
Postcards, flyers, folded brochures, business cards; For the exhibition «DAS RÄTSEL DER PYRAMIDEN» I produced invented 2017, produced in edition, available to take away advertising material, which was displayed on the counter in the entran- Alpineum Produzentengalerie Luzern ce area without further marking. It is partly intentionally poorly designed Photo: Andri Stadler and mostly remains abstract.
«FRÜHE FRAGEN» Kunsthaus Langenthal, 2016/17 Photo: Martina Flury Witschi
«SOLIDE PLÄNE» During my residency in Linz, Austria, I painted posters. The text of the
Lokal-int, Raum für zeitgenössische Kunst, Biel, 2016 hand-painted posters is always the same: it promotes the exhibition of
Photos: Jean-Pierre Balmer the same title on 10.11.2016 in the Lokal-int, room for contemporary
art, Biel. At the same time, the posters are also exhibition objects in the
exhibition itself.Acrylic and marker on paper 100 x 70 cm
«SACRAMENTO» Museum zu Allerheiligen, Schaffhausen, 2015 Photos: Jürg Fausch
TURM KOBOLT 2015, 70 x 65 cm, acrylic on cotton canvas 2015, 110 x 90 cm, acrylic on cotton canvas Manor Art collection private collection
RAST 2015, 42 x 51 cm, acrylic on cotton canvas
PAPPE GINSTER STALL 2015, catalogue Manor Art Prize Edition Fink – Verlag für zeitgenössische Kunst, Zürich, Ed. Lynn Kost/Museum zu Allerheiligen Schaffhausen Book design: Georg Rutishauser & Sereina Steinemann 128 pages, 58 ill., 27×20 cm Photos: Jean-Pierre Balmer
«BORNHOLM» Felix-Project, Bern, 2015 Acrylic on aluminium 4 billboards, each 130 x 278 cm
COMIC MAGAZINES 2018–2020 Selection of issues since 2018: comic books 15 x 11.5 cm Colour & b/w copies
MAGAZINES 2013–2016
«DAS NEUE HEFT»
2009–2013
(Example page and selected title pages)
2009-2013, 42 issues, number of copies: 20–70
Fanzine with found footage & text
b/w & colour copies, DIN A6 14.8 x 10.5 cm
dasneueheft.chSEREINA STEINEMANN (*1984) SOLO (*) AND DOUBLE (**) EXHIBITIONS
Lives and works in Bern, Switzerland. 2020 Wasser in den Ohren, Galerie Bischoff & Partner, Bern**
sereinasteinemann.com with Quynh Dong
hello@sereinasteinemann.com 2018 Anyone for Tennis?, Popps Packing, Hamtramck/Detroit MI
(USA), with Forest Hudes**
2017 Neue Verbrechen irre gelöst, Galerie Bernhard Bischoff &
Partner, Bern*
EDUCATION Ordnen, pflegen, messen, prüfen, etagen, Loeb, Bern*
Das Rätsel der Pyramiden, Alpineum Produzentengalerie,
2009–2012 Master of Arts, History of Photography, University of Zurich Luzern*
2006–2009 Bachelor of Arts, Fine Arts, Berne University of the Arts 2016 Solide Pläne, Lokal-int, Biel/Bienne, with Eva Maria Gisler**
2004–2006 Basic course Political science, History, History of Art Les oranges bleues, maxxx project space, Sierre*
University of Zurich 2015 SACRAMENTO, Museum zu Allerheiligen, Schaffhausen*
Das Feld, Vidmarhallen, Bern*
BORNHOLM, Felix-Projekt, Köniz*
RESIDENCIES & AWARDS 2014 ALLES WIE NIE ZUVOR, zqm, Berlin (Germany) w Kyra Balderer**
2013 Stills, Lokal-int, Biel/Bienne, with Julia Bodamer**
2020 Grant by the canton and city of Schaffhausen
2018 Studio Fellowship Stiftung Binz 39, Zurich (4 months) SELECTED GROUP EXHIBITIONS
Artist Residency, Popps Packing, Hamtramck/Detroit MI, USA
Nomination for Lingener Kunstpreis 2018 (Germany) 2019 Finaleminimale, Alpineum Produzentengalerie, Luzern
2017 Travel grant by the canton of Bern (USA 2018) Jahresausstellung Zentralschweizer Kunstschaffen
2016 Studio Fellowship by the city of Bern in Linz (Austria) Kunstmuseum Luzern
2015 Manor Art Prize Schaffhausen 2018 Cantonale Berne Jura, Kunsthaus Langenthal
2014 Studio Fellowship by the canton of Schaffhausen in Berlin (Ger) Ernte 18, Museum zu Allerheiligen, Schaffhausen
Gastspiel 05, Alpineum Produzentengalerie, Trudelhaus Baden
2017 Cantonale Berne Jura, EAC (les halles), Porrentruy
ART AND ARCHITECTURE Jahresausstellung Zentralschweizer Kunstschaffen, Kunstmuseum
Luzern
2018 «St Toujours», CFF St Imier, canton of Bern Art Fair Suomi, Cable Factory, Helsinki (FI)
on invivation by Eva Maria Gisler ACS 2017, Aeschlimann Corti Stipendium, Kunstmuseum Bern
2017 «11 Fahnen», Bodenweid, city of Bern 2016 Cantonale Berne Jura, Kunsthaus Langenthal
ERNTE 16, Museum zu Allerheiligen, Schaffhausen
ACS 2016, Aeschlimann Corti Stipendium, Centre Pasquart, Biel
WORKS IN COLLECTIONS/ACQUISITIONS 2015 ACS 2015, Aeschlimann Corti Stipendium, Kunstmuseum Thun
Die Basis, kollaboratives Experiment, Kunsthaus Langenthal
2019 Art collection canton of Lucerne 2014 Jahresausstellung Zentralschweizer Kunstschaffen
2018 Art collection canton of Schaffhausen Kunstmuseum Luzern
2017 Art collection city of Lucerne Wonderfuel Zeromoney, Gelbes Haus, Luzern
LOEB Art collection Bern Room That Is Used for Spaces, Perla-Mode, Zürich
DC BANK Art collection Bern 2013 Cantonale Berne Jura, Centre Pasquart, Biel/Bienne
2015 Art collection canton of Schaffhausen 2012 Leavingroom, Bern [with Übersee]
2015 MANOR Art collection 2011 Vitrine Nr. 1, Editionen, Die Diele, Zürich
Cantonale Berne Jura, Kunsthalle Bern
Cantonale Berne Jura, Kunsthaus Langenthal [with Übersee]
2010 Die Anatomie der Bilder», Stadtgalerie, Bern
2009 Weihnachtsausstellung, Kunsthalle Bern
Mit Aussicht, degree show, Kunsthaus LangenthalCola 2020, 19 x 15 cm, acrylic on paper private collection
© Sereina Steinemann 2020
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