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Landmark Productions
ROSS O’CARROLL-KELLY
Postcards
from the
Ledge
Broadcast live from
Mermaid Arts Centre, Bray
Saturday 15 May, 2021
1 On-Demand 16–23 May, 2021
Contents
Landmark Productions 4
The Hook, Lyon and Sinker
Guide to Estate Agent Jargon 6
Paul Howard 8
Ross O’Carroll-Kelly 10
Rory Nolan 11
The Ledge Writ Lorge 12
Jimmy Fay 14
Grace Smart 15
POST-SHOW TALK Credits
Paul Keogan
16
18
with Paul Howard and Rory Nolan
Denis Clohessy 19
in conversation with Ross O’Carroll-Kelly: The Stage Years 20
Irish Times columnist Róisín Ingle Thanks 22
As part of Live Broadcast and available on-demand Join The Conversation 24
BOOK WITH YOUR SHOW TICKET OR BUY SEPARATELY HERE
2 3
Landmark Productions Producer Landmark Productions
ROSS O’CARROLL-KELLY
Postcards
Landmark Productions is one of Ireland’s
leading theatre producers. It produces
wide-ranging work in Ireland, and shares
that work with international audiences.
It produces a wide range of ambitious
work – plays, operas and musicals – in
theatres ranging from the 66-seat New
Theatre to the 1,254-seat Olympia. It
co-produces regularly with a number of
from the
Ledge
Earlier this year it launched Landmark
Live, a new online streaming platform
to enable the company to bring the
partners, including, most significantly,
Galway International Arts Festival and Irish
National Opera. Its 18 world premieres
by Paul Howard
thrill of live theatre to audiences around include new plays by major Irish writers
Director
the world. Postcards from the Ledge is such as Enda Walsh and Mark O’Rowe,
the third production to be streamed to featuring a roll-call of Ireland’s finest Jimmy Fay
date. In June, Landmark will present the actors, directors and designers.
world premiere of a new play by Deirdre Set and Costume Designer
Kinahan, The Saviour, broadcast live from Numerous awards include the Judges’ Grace Smart
the Everyman Theatre. Louise Lowe will Special Award at The Irish Times Irish
direct Marie Mullen and Brian Gleeson in Theatre Awards, in recognition of Lighting Designer
this blistering new play, presented as part ‘sustained excellence in programming and
of Cork Midsummer Festival 2021. for developing imaginative partnerships Paul Keogan
to bring quality theatre to the Irish and
Led by Anne Clarke since the company’s international stage’; and a Special Tribute Sound Designer
foundation in 2003, Landmark’s Award for Anne Clarke, for her work as Denis Clohessy
productions have received multiple ‘a producer of world-class theatre in the
awards and have been seen in leading independent sector in Ireland’.
theatres in London, New York and beyond. www.landmarkproductions.ie Broadcast live from
Mermaid Arts Centre, Bray
Saturday 15 May, 2021
JOIN THE LANDMARK MAILING LIST HERE On-Demand 16–23 May, 2021
to find out about future Ross O’Carroll-Kelly shows and other upcoming events.
4 5
The Hook, Lyon and Sinker Original character, retains much
of its: We couldn’t get all of the
South Killiney:
Definitely Ballybrack.
Guide to Estate Agent Jargon blood out of the living room carpet.
Stunning: Okayish.
Period: Old.
Subject to planning permission:
Architect-designed interior: First-time buyer, would ideally Plumbed for a washing There is no planning permission.
A madman laid it out. suit: It’s fine if it’s all you can afford. machine:
There is no washing machine. Sylvan setting:
Bijou: Foxrock: Probably Cornelscourt. There are trees nearby.
There isn’t room for two people to Renewed buyer interest, an area
break wind at the same time. Fully fitted: The previous owners of: People are so desperate to get on Style: Used as a suffix by estate
left the bath, the toilet and the sink. the property ladder that they’ll even agents. This also means “not” - as in
Blank canvas: Derelict. consider moving here. an “Adam-style fireplace” is not an
Galley kitchen: Half a kitchen. Adam fireplace.
Carpets and curtains included: Restaurant quarter, close to a
You’ll have to throw them out Good-neighbourhood-adjacent: lively: Opposite a chipper. Tasteful: It’s a subjective thing.
yourself. It’s in a bad neighbourhood.
Rustic: Ramshackle. Terenure:
Cash buyer, would ideally suit: Glenageary: Probably Sallynoggin. Templeogue. No question.
No bank would lend you the money Sea views:
to buy it. Highly motivated seller: If you stand on the toilet bowl in the Transport links, conveniently
Can’t wait to be rid of it. upstairs bathroom and crane your close to all: The people on the
Characterful: The toilet is outside. neck to the left, you can sometimes upper deck of the bus can see in your
Imaginative use of space: see water, provided the tide is in. window.
Charming: Ugly. Even smaller than it appears.
Secluded: Up-and-coming:
Colourful history, a house with a: Investor, represents an ideal No one will hear you scream. Many of the local criminals are
Drugs were sold from here. opportunity for an: considered Ones to Watch in the
No one who buys it would ever Self contained: future.
Commutable distance from dream of living in it. Includes four walls and a ceiling.
Dublin: It’s in the Midlands. Vibrant: Neighbours from hell.
Low-maintenance garden: Shabby-chic: It was last decorated
Compact: You’ll have to sit in the A paved over garden, possibly when the Beatles were all still mates.
next room to watch TV. concealing a dead body.
Situated close to all the
Cosy: You’ll have to sit outside to Mock-Tudor: Not Tudor. conveniences of modern living:
watch TV. Opposite a convenience store that
Open-plan: It’s one room. sells drink.
DIY enthusiast, scope for Smart: Empty.
improvement, especially for On-street parking:
the: Structurally unsound. Requires There is no parking. South-facing rear-garden:
plumbing and rewiring. You’d better enjoy the sight of your
Opportunity: Headache. neighbours semi-naked.
6 7
Paul Howard Author
Paul Howard is a multi-award-winning In 2012, he wrote the book and lyrics among Irish athletes and an interview
journalist, author, playwright and for Anglo: The Musical, a puppet-based, with the disgraced former sprinter, Ben
comedy writer. He has been described comedy musical about the collapse Johnson. He was also shortlisted for the
by The Irish Times as ‘Ireland’s pre- of Ireland’s banks. In 2018, his second award in 2002, 2003, and 2004.
eminent satirist’ and by the Irish musical comedy, Copperface Jacks: In October 2016, his biography of Tara
Independent as ‘one of the world’s The Musical was the sell-out hit of the Browne, the Irish-born Guinness heir
funniest writers’. He is best known as the summer. His satirical football memoir, immortalised in The Beatles’ song ‘A Day
creator of Ross O’Carroll-Kelly, a fictional Triggs – The Autobiography of Roy Keane’s in the Life’, was published by Picador.
rugby jock whose exploits have been Dog, was a number one bestseller in It won the Best Non-Fiction award at
the subject of twenty novels, which 2012 and was shortlisted for an Irish the 2016 Irish Book Awards and has
have collectively sold more than 1.5 Book Award. been optioned for a movie by a major
million copies in Ireland alone. production studio.
He has written comedy for radio and
He is also the author of three previous television and was one of the main
Ross O’Carroll-Kelly plays, The Last sketch writers on the twice IFTA-
Days of the Celtic Tiger in 2007, Between nominated satirical TV show Irish
Foxrock and a Hard Place in 2010 and Pictorial Weekly, in which he appeared
Breaking Dad in 2014, all of which as David Drumm and Peter Darragh
enjoyed long sell-out runs and revivals Quinn. He has also written sketches for
in Dublin, Cork and Limerick. The Mario Rosenstock Show. In 2014,
he was commissioned by US network E!
He is a four-time Irish Book Award to write a pilot for a sitcom he devised
winner, collecting the Best Popular called The Cliterati.
Fiction prize for Should Have Got Off at
Sydney Parade in 2007, The Oh My God Before he embarked on a career as a
Delusion in 2010, and Downturn Abbey comedy writer, he was one of Ireland’s
in 2013. most respected sports journalists,
working mostly for The Sunday Tribune,
In 2013, he was named Columnist of the covering World Cups, Olympic Games
Year for his weekly satirical column in and numerous other major sporting
The Irish Times. events. He was named Irish Sports
Journalist of the Year in 1998 for an
investigation into eating disorders
8 9
Ross O’Carroll-Kelly Rory Nolan
Ross O’Carroll-Kelly is the great Nearly A Whistle in the Dark and Famine as part of
Man of Irish rugby – and he doesn’t mean DruidMurphy, and The Colleen Bawn for the
that in a big-headed way. company.
After leading Castlerock College to victory Rory graduated from the Gaiety School of
in the Leinster Schools Senior Cup final Acting in 2003, making his post-graduate
of 1999, great things were predicted for debut in The Drunkard, a new adaptation
the man generally regarded as the most by Tom Murphy (B*spoke Theatre Company
handsome out-half of his generation. and GIAF). Since then Rory has appeared in
However, he failed to deliver on his Chekhov’s First Play (Dead Centre); Northern
promise for a number of reasons, none of Star, The Importance of Being Earnest
which he wants to get into now – mainly opposite Stockard Channing, The Critic, Is
because he wouldn’t give Warren Gatland This About Sex, Don Carlos, Attempts on Her
the satisfaction of mentioning his name. Life, Improbable Frequency, The Taming of
Rory first slipped into Ross O’Carroll-Kelly’s the Shrew and Peer Gynt (Rough Magic);
In recent years, Ross has concentrated Dubes fourteen years ago in The Last Days of Jacques Brel is Alive and Well and Living in
his efforts on becoming one of Ireland’s the Celtic Tiger. Since then he has appeared Paris, Death of a Salesman, The Importance
most promising middle-aged coaches. as Ross in sold out runs of the highly of Being Earnest and A Christmas Carol (Gate
Determined to give something back – and successful Between Foxrock and a Hard Place Theatre); Roddy Doyle’s adaptation of The
encouraged, no doubt, by the generous and Breaking Dad (Landmark Productions). Playboy of the Western World, Macbeth,
remuneration package on offer – he Big Love, Comedy of Errors, The Last Days
recently inspired his old school to victory He appeared in Woyzeck in Winter (Landmark of a Reluctant Tyrant, The Rivals, Arrah-na-
in the 2029 Leinster Schools Junior Cup. Productions / Galway International Arts Pogue, Translations, She Stoops To Conquer,
His triplet boys were in the starting XV, Festival), which premiered in Galway in 2017 Aristocrats, The Government Inspector (Best
although obviously on merit, and he and subsequently played at the Barbican, Supporting Actor nomination Irish Times
resents the insinuation that it was any London and at the Gaiety (DTF). Awards); Heavenly Bodies (Abbey Theatre);
other way. Cat on a Hot Tin Roof (Corn Exchange);
Rory has appeared in the Druid production Woyzeck (Corcadorca) and Observe the
When he’s not inspiring the next of The Cherry Orchard at The Town Hall Sons of Ulster Marching Towards the Somme
generation of Irish players, Ross is Theatre, Galway and has been seen as (Livin’ Dred).
working as an estate agent for Hook, Lyon Pozzo in Druid’s acclaimed production of
and Sinker, doing his bit to create the Waiting for Godot directed by Garry Hynes, Screen credits include A Thousand Times
economic miracle that is Ireland’s latest for which he was awarded Best Supporting Goodnight with Juliette Binoche; FitzJohn
property bubble. He is still, unbelievably, Actor at the Irish Times Irish Theatre in the feature film WILD; the role of Charlie
married to Sorcha. Less unbelievably, he Awards 2017. He is a member of the Druid McCreevy in Charlie (Touchpaper Films/
still does alright on the side. Company ensemble and has also appeared RTÉ); Max Clayton in Fair City and most
as Falstaff in DruidShakespeare (Best recently Morrice O’Hanlon in Acceptable
Supporting Actor nomination Irish Times Risk (RTÉ).
Awards), Conversations on a Homecoming,
10 11
The Ledge
plot around them, then write jokes to director, Jimmy Fay, who is still teaching
grout all the pieces together. But it’s actors this old dog new tricks.
who bring the comedy to life. And since
Lorge
Anne Clarke of Landmark first suggested Seeing Rory bring Ross to life has truly
writ
bringing the Rossmeister to a theatre been a thrill for me. And I’m delighted
audience, I’ve been fortunate enough to that, for once at least, he has the stage all
work with some of the very best. to himself.
I have so many highlights from the last PAUL HOWARD
fourteen years. The late Susan FitzGerald’s
portrayal of Ross’s unscrupulous, yummy-
mummy old dear, using her feminine
wiles to disarm a tiger kidnapper in
Between Foxrock and a Hard Place. Philip
O’Sullivan’s nefarious yet lovable Charles,
What? Could it really be fourteen years since Rory Nolan first brought bringing Bertie Ahern back from the
Ross O’Carroll-Kelly to life on a Dublin theatre stage? It doesn’t seem political wilderness, then persuading
anything close to that long ago. But then I know that it was in the Ross’s wife to join them on the Dark Side
in Breaking Dad. Lisa Lambe’s pitch-perfect
summer of 2007 that I first met Rory in Maureen’s Bar at the back of Sorcha stepping onto the stage holding
the Olympia Theatre. With his shoulders pinned back, and his chin a stolen masterpiece, The Taking of Christ,
raised forty-five degrees higher than seemed possible, he launched in the final scene of Last Days, and, with
impeccable comic timing, announcing,
into a monologue in a South Dublin accent that convinced me that I “Oh my God, I love Caravaggio!”
was looking at the living, breathing incarnation of the character who’d
inhabited my head for the best part of a decade. And two equally brilliant Ronans. Rory
Keenan’s award-winning take on the
The first Ross O’Carroll-Kelly play was Since then, he has come to own the eight-year-old Dublin gangster manqué,
called The Last Days of the Celtic Tiger. It character, to the extent that, now, when riding around on his faithful two-wheel
was meant to be an ironic title, since we I’m writing the next book, or the weekly steed. And Laurence Kinlan’s older, hands-
were still very much in the middle of it at column in Irish Times, his version of Ross down-the-front-of-his-trousers version,
the time, still enjoying this new mealtime is my physical and aural reference point. whose belief in crime was so rocked by
we’d all discovered called brunch, still Rory’s Ross is my go-to impression of the the professional incompetence of Gary
selling houses to each other for about entitled, overly confident, far-thicker-than- Cooke’s neurotic tiger kidnapper that he
three times more than they were actually he-looks former schools rugby star, who began to direct the operation himself.
worth. Even those Cassandras who beneath it all is vulnerable and ever so
foretold the end of Ireland’s decade of slightly kind and easy to hurt. My involvement in bringing Ross to a
decadence spoke of a soft landing. There live theatre audience has been one of
was a brash stupidity about those times The job of the comedy writer, from what the great joys of my life as a writer. And it
and Rory captured it expertly from his very I’ve learned so far, is to come up with has been my great fortune to work with
first outing as Ross. amusing scenarios, build some kind of the best in the business, especially the
12 13
Jimmy Fay Grace Smart
Director Designer
Theatre, having also spent time there Grace was the overall winner of the 2015
as Staff Director, Associate Director and Linbury Prize for her design for Saint Joan
Literary Director. Directing work at the at The Lyric, Belfast.
Abbey includes the acclaimed production
of Owen McCafferty’s Quietly (also toured Her designs for theatre and opera
to Edinburgh Festival Fringe 2013 and include: Herding Cats (Soho Theatre);
the Irish Rep, New York 2016), The Risen Susanna (Linbury Studio, ROH); Henry VI,
People, The Government Inspector, Curse of Richard III (Sam Wanamaker Playhouse,
the Starving Class, Macbeth, The Playboy of Shakespeare’s Globe); Crocodile Fever
the Western World, Ages of the Moon, The (Traverse, Edinburgh); The End of History…
Resistible Rise of Arturo Ui, The Seafarer, (Royal Court); God of Chaos (Theatre
Saved, The School for Scandal, Howie the Royal Plymouth); One Night in Miami…
Rookie, True West, Henry IV, The Muesli Belt, (Nottingham Playhouse/Bristol Old Vic/
At Swim-Two-Birds, Melonfarmer and The HOME, Manchester); Good Vibrations,
Papar. In New York he directed the world The Colleen Bawn, Here Comes the Night
For Landmark, Jimmy has directed Greener premiere production of Sam Shepard’s (Lyric, Belfast); Killer Joe ( Trafalgar
by Fiona Looney, and all the previous play Ages of the Moon starring Stephen Rea Studios); Postcards from the Ledge (Gaiety,
Ross O’Carroll-Kelly plays: Breaking Dad, at the Atlantic Theater. Jimmy was the first Dublin); The World’s Wife (WNO); Shebeen
Between Foxrock and a Hard Place and Director of the Dublin Fringe Festival and (Nottingham Playhouse); Mighty Atoms
The Last Days of the Celtic Tiger, all by Artistic Director of Bedrock Productions. (Hull Truck); Normal, Blasted (STYX); East
Paul Howard. Directing credits there include the Irish is East (Northern Stage/Nottingham
premieres of This Is Our Youth, Roberto Playhouse); Shopping and Fucking (Lyric
Jimmy is the Executive Producer of the Zucco, Blasted, Night Just Before The Forest, Hammersmith); A Midsummer Night’s
Lyric Theatre, Belfast, where he has Quay West and Faraway. In 2007 he was Dream (Guildhall); Here Lie the Remains
directed Double Cross by Tom Kilroy (co- invited to curate the theatre programme of Mercy (Theatre Deli); Wonderland (UK
production with The Abbey), Fire Below for the prestigious Kilkenny Arts Festival. Tour); Bar Mitzvah Boy (Gatehouse); A
(a war of words) by Owen McCafferty Doll’s House (The Space); Object Love
(co-production with The Abbey), The (VAULT Festival); The Pier (Studio, Oxford
Ladykillers by Graham Linehan, St. Joan Playhouse); The Picture of Dorian Gray and
by Bernard Shaw, Here Comes the Night by 3 Sisters on Hope Street (LIPA).
Rosemary Jenkinson, Pentecost by Stewart
Parker, Mixed Marriage by St John Ervine
and True West by Sam Shepard. He has
been an Associate Artist of the Abbey
14 15
Writer Paul Howard
Landmark Productions
Director Jimmy Fay
ROSS O’CARROLL-KELLY
Set and Costume Designer Grace Smart
Lighting Designer Paul Keogan
Postcards
Sound Designer Denis Clohessy
Production Manager Eamonn Fox
Stage Director Sophie Flynn
Ledge
Stage Manager Dylan Farrell
from the Costume Supervisor
Hair and Make-Up
Ciara Fleming
Val Sherlock
Mic Technician Niall Woods
Set Construction TPS
Cast
Scenic Artists Sandra Butler, Jason McCaffrey
Ross Rory Nolan
by Paul Howard
Featuring the voices of
Producer
Digital Producer
Anne Clarke
Hugh Farrell
Ronan Laurence Kinlan Marketing Sinead McPhillips
Charles Philip O’Sullivan Social Media Comms Doireann Gillan
Publicity Sabrina Sheehan | Mission PR
Lucy Kate Gilmore
Box Office Assistant Annie Duffy McMahon
Sorcha Lisa Lambe
Photography Patrick Redmond
Honor Caoimhe O’Malley
Illustration Alan Clarke
Graphic Design Gareth Jones
Time – May 2029
Place – 22 Glenageary Crescent, Sallynoggin, Dublin Join the conversation online @RossOCK #PostcardsfromtheLedge
The performance runs for approximately 2 hours,
including an interval of 15 minutes. BROADCAST STREAMING | SEISMIC
Director Noel Vaughan
Camera Operators Martin Cavanagh
Katie Hughes
Audio Engineer Karl McGovern
Streaming Directors Willie Van Velzen
Matt Herlihy
Executive Producer Jessica Fuller
16 17
Paul Keogan Denis Clohessy
Lighting Designer Sound Designer
Paul studied Drama at Trinity College Denis has worked with numerous
Dublin and Glasgow University. dance and theatre companies including
The Abbey Theatre, The Gate Theatre,
Recent theatre credits include Breaking Fishamble, Rough Magic, Junk Ensemble,
Dad, Between Foxrock and a Hard Place, Brokentalkers, CoisCéim, Corn Exchange,
The Walworth Farce (Landmark The Tron Theatre, Glasgow, Northlight
Productions); Katie Roche, Cyprus Avenue, Theatre, Chicago and Beijing Children’s
The Plough and the Stars, Our Few and Evil Theatre. He won the Irish Times Theatre
Days, The Risen People and Drum Belly Award for Best Design Sound in 2019 and
(Abbey Theatre); The Caretaker (Bristol Old 2010 and was a nominee in 2015. Denis
Vic); A Short History of Tractors in Ukrainian was an associate artist with the Abbey
and The Gaul (Hull Truck); Tribes, Blasted, in 2008 and was a participant on Rough
Afterplay and Blue/Orange (Crucible, Magic’s ADVANCE programme in 2012. In
Sheffield); Sinners, Here Comes The Night 2016 Pat Kinevane’s play Silent (Fishamble)
(Lyric Theatre, Belfast); A Streetcar Named won an Olivier Award, for which Denis
Desire (Liverpool Playhouse); Molly composed the music.
Sweeney (Gate Theatre); Before it Rains
(Sherman Cymru/Bristol Old Vic); The His work in film includes composing music
Hudsucker Proxy (Nuffield, Southampton); for the feature films Under The Clock and
Far Away (Corcadora Theatre Company); Older than Ireland (Snack box Films), The
and Big Maggie (Druid). Irish Pub (Atom Films), His and Hers (Venom
Film), The Land of the Enlightened (Savage
Recent opera credits include Falstaff Film), In View (Underground Cinema) and
(Vienna State Opera); Dialogues des The Reluctant Revolutionary (Underground
Carmelites (Grange Park Opera); Wake Films). His television work includes
(Nationale Reisopera, Netherlands); Abbeyfeale Good and The Confessors (Atom
The Makropulos Case (Opera Zuid, Films), The Bailout (John Kelleher Media)
Netherlands); and Dead Man Walking and the TV series The Limits of Liberty
(Opera Ireland) . (South Wind Blows) performed by the RTÉ
Concert Orchestra.
Recent dance credits include Giselle (Ballet
Ireland); Cassandra and Hansel and Gretel
(Royal Ballet); and No Man’s Land (English
National Ballet/Queensland Ballet).
18 19Ross O’Carroll-Kelly
The Stage Years
e a k i n g
Br
Dad
20 21Thank You
Landmark Productions would like to thank
Manus Agnew, Maurice Cassidy, Eamonn Ceannt, Alan Clarke, Tom Clinch, Richard
Cook, Joan Costello, Sara Cregan, Moya Doherty, Druid Theatre Company, Dubarry of
Ireland, Dubray Books, Julian Erskine, Paul Fahy, John Finn, Jackie Gallagher, Brendan
Galvin, Basil Geoghegan, Michael Gleeson, Pádraig Heneghan, Sile Heneghan, Paul
Joyce, Julie Kelleher and all at Mermaid Arts Centre, Eoin Kilkenny, Cliona Lewis, Sheena
Masterson, John McBratney, Noelle McCarthy, John McColgan, Sinead McGrath, Michael
McLoughlin, Tracey McLoughlin, Gerard McNaughton, Aaron Monaghan, Pat Moylan,
Faith O’Grady, Maura O’Keeffe, Stephen O’Neill, Gavin O’Sullivan, Patricia Reilly, Jonathan
Rothwell, Renata Fitzpatrick Sheridan, Jonathan Shankey, Cally Shine, Tom Slattery,
Eleanor White, Emily White and Jonathan White.
Virtual Tour Partners
Postcards from the Ledge is broadcast live by Landmark Productions from the stage of LANDMARK PRODUCTIONS
Mermaid Arts Centre, Bray, and is presented as part of a nationwide virtual tour to the
following venues:
UCH Limerick; Cork Opera House; Pavilion, Dún Laoghaire; Town Hall Theatre, Galway; An
Grianán, Letterkenny; Backstage Theatre, Longford; Dunamaise Arts Centre, Portlaoise; glór,
Ennis; Siamsa Tíre, Tralee; The Courthouse Arts Centre, Wicklow and Wexford Arts Centre.
Thank you to all our partners.
Paul Howard would like to thank
Anne Clarke and her brilliant Landmark team, who have made the last fourteen years so BY DEIRDRE KINAHAN
DIRECTED BY LOUISE LOWE
memorable and so rewarding, especially Sara Cregan, Sophie Flynn and Jonathan White.
With Landmark, you always get to work with the very best of people. On this show, it has
STARRING MARIE MULLEN
been my pleasure to work with Paul Keogan, Eamonn Fox, Carl Kennedy, Denis Clohessy,
Grace Smart and Val Sherlock. Thank you to the cast, seen and unseen: Lisa Lambe, Philip
O’Sullivan, Laurence Kinlan and Caoimhe O’Malley. And fond thoughts going out to AND BRIAN GLEESON
the late Susan Fitzgerald. Thanks to my agent, Faith O’Grady. Thanks to my wife, Mary
McCarthy. And massive, massive thanks to the two men without whom I would never Live Broadcast from Everyman Theatre, Cork
have pulled any of this off: director Jimmy Fay, my Phil Spector (without the threats of as part of Cork Midsummer Festival
gun violence); and the great Rory Nolan, a legend in his own Dubes
Live Broadcast 19–20 June
On-Demand 21–27 June
22 23
Book Online landmarkproductions.ieJoin The Conversation Thank you for joining us to watch the live broadcast of Postcards from the Ledge by Paul Howard. Join the conversation online using the hashtag #PostcardsfromtheLedge @RossOCK @landmarkIreland We’d love to hear your thoughts. Should you have any other comments that you’d like to share with us please email live@landmarkproductions.ie
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