JULIAN LANGDON, CASEY BENNETTO, GILLIAN COSGRIFF - Programme
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JULIAN LANGDON, CASEY BENNETTO, GILLIAN COSGRIFF LORELEI
VICTORIAN OPERA PRESENTS
LORELEI
OPERATIC CABARET – NEW WORK
Music Julian Langdon, Casey Bennetto and Gillian Cosgriff
Lyrics Casey Bennetto and Gillian Cosgriff
Orchestration Julian Langdon
Concept Ali McGregor
Musical Director Phoebe Briggs
Director and Dramaturg Sarah Giles
Set and Costume Designer Marg Horwell
Lighting Designer Paul Jackson
Sound Designer Jim Atkins
Assistant Director Cathy Hunt
CAST
Lorelei A Dimity Shepherd
Lorelei B Ali McGregor
Lorelei C Antoinette Halloran
Victorian Opera Chamber Orchestra
3–10 NOVEMBER 2018
The Coopers Malthouse, Merlyn Theatre
World premiere, Saturday 3 November 2018, The Coopers Malthouse
Dimity Shepherd (Lorelei A),
Ali McGregor (Lorelei B) and Running Time is approximately 75 minutes, no interval
Antoinette Halloran (Lorelei C) Sung in English
3
PRODUCTION
PRODUCTION TEAM
Production Manager Eduard Inglés
Stage Manager Luke Hales
Assistant Stage Manager Rebecca Neeson
MUSIC STAFF
Repetiteur Phillipa Safey
ORCHESTRA
Violin 1 Peter Clark
Violin 2 Cameron Jamieson
Viola Shani Williams
Cello Nils Hobiger
Bass Mark Elton
Flute/Piccolo Tamara Kohler
Oboe/Cor Anglais Rachel Curkpatrick
Clarinet/Bass Clarinet Lachlan Davidson
Guitar Doug de Vries
Percussion Arwen Johnston
Percussion Kaylie Melville
Harp Yuko Tomonaga
ACKNOWLEDGEMENTS
Performer Alex Aldrich
Victorian Opera would like to thank Onset Arts.
Dimity Shepherd
4
WELCOME DIRECTOR’S NOTE
New Australian work is at the core of cabaret, which revisits this classic story A story. About a young boy on an If you say yes to all three questions the
Victorian Opera’s mission to reimagine and invests it with a contemporary accent. adventure. Off to discover the world. work has passed the test.
the potential of opera, for everyone. Falls in love. Has children. Grows old. Many operas, plays and films fail this
The result is lively, funny, sad and humane,
Reforming the great traditions of our Dies. This story becomes a story not test.
and is given a unique energy by the trio
artform to sing and speak with a twenty- just about this boy, but about humanity;
of divas – Ali McGregor, Dimity Shepherd about what it means to be human. I point this out because these things are
first century Australian accent is just as
and Antoinette Halloran who have, each important.
important to us as making accessible Take another story.
in their own right, made such remarkable
the great literature of operatic heritage. We learn so much about our humanity
contributions to Australian theatre. About a young girl on an adventure. Off from the stories we tell, and if we don’t
Indeed, it is the logical extension and
to discover the world. Falls in love. Has interrogate the kind of stories we’re
completion of that process; one cannot The great novelist Joseph Conrad once
children. Grows old. Dies. telling, the kind of characters we’re
flourish without the other. Tradition said, ‘the value of a sentence is in the
personality which utters it’ and this is This story ends up being about seeing, we have no hope of moving
nourishes and informs the present
womanhood. About what it means to be forward.
moments of creativity, it enriches them particularly true for our version of Lorelei.
Prepare to be seduced, surprised and, a woman. Perhaps about motherhood. It may seem trivial that the caterpillar in
and provides both a guiding light and a
basis for comparison. above all, delighted by this fascinating new I think a lot about this. About how a children’s book is male, but these are
work. Welcome and enjoy. men represent humanity and women the building blocks of a society where
Myth is inseparable from the history of represent their gender. inequality is so neatly stitched into the
opera. The first titles, such as Orfeo and fabric that we often don’t even notice it.
Il ritorno d’Ulisse, were all from the I think a lot about it when I read stories
RICHARD MILLS Lorelei presented us the chance to
to my children. So many male pronouns.
literature of Greek myth, and this matter Artistic Director, Victorian Opera unpick this stitching and take another
So many stories about little boys.
of Greece has been a deep well of look at the stories we take for granted.
resource for opera ever since, right up And I think about it when I read the
to our own times – Henze’s The Bassarids classics. So many female characters
and my own Love of the Nightingale, for authored by men; women defined SARAH GILES
example. through the eyes of men. Director
There is a very famous test called the
The story of the sirens – appropriated
Bechdel test. It is a test that can be
by the Germans and put in the Rhine – a
applied to any play, film or opera. To
story of feminine allure has featured pass this test you must say yes to the
both in opera and concert (Debussy’s following three questions:
Sirènes from his Nocturnes). It has a rich
provenance, which has inspired our Is there a scene where there are two
female characters?
version created by composer Julian
Langdon in collaboration with Casey Do you know their names?
Bennetto and Gillian Cosgriff to make Do they talk about something other than
a startling new work, part opera, part a man?
6 7
MUSICAL DIRECTOR’S NOTE THE LORELEI – IN LEGEND
The opportunity to be a part of an and Latin numbers, Julian’s incredibly The Lorelei in German lore is a siren by the echo of the rock, leading to
inspired and relevant work comes up all inventive orchestration and evocative of distracting beauty said to sit atop a the murmuring rumoured to be the
too rarely so when this particular one use of the three voices conjure up particular rock at the edge of the River dangerous song of the siren.
came up I jumped at the chance to be a vivid soundscape. Combined with Rhine, singing to lure sailors to their
involved. Having long admired the work incisive, poignant and witty lyrics, the doom. When she was a human woman The comb she holds is golden,
of Casey Bennetto, Julian Langdon and three Lorelei take us on a wild ride her lover was faithless, so in despair She sings a song as well
Gillian Cosgriff, this was an exciting down the River Rhine with many a twist she threw herself into the river and was Whose melody binds an enthralling
prospect right from the start. and turn along the way. transformed into a siren whose voice And overpowering spell.
pulled men under her spell and onto the In his little boat, the boatman
The creation of a show around the Bringing such an exciting and necessary
rocks. Is seized with a savage woe,
combination of our three incredible work to life has been a lively and
singing actresses meant that there thought-provoking process. It’s been a Her name comes from the name of He’d rather look up at the mountain
were endless possibilities in terms of huge pleasure to be part of this creative that echoing rock on the southern Than down at the rocks below.
dramatic and musical styles for the team. bank of the Rhine – Lurlei. In Clemens
composers and librettists to explore. Brentano’s 1801 ballad ‘Zu Bacharach
am Rheine’ a woman called Lore Ley From ‘The Lorelei’
From the shimmering opening PHOEBE BRIGGS English translation of the poem by
accused of bewitching and murdering
sequence of layered rhythms and Musical Director Heinrich Heine, 1824. Translated by A.Z.
men is on her way to a convent but falls
lush harmonies through to tango, pop Foreman.
to her death from this rock, leaving only
the trace of her name behind. The fatal
allure of this creature and her unearthly
song was defined further in an 1824
poem by Heinrich Heine, Die Lorelei
which has since been set to music by
more than 25 composers.
The area where this rock is located -
Rhine Gorge at Sankt Goarshausen, was
actually one of the deepest and most
dangerous points of the River Rhine.
The song attributed to the Lorelei was
Sarah Giles (Director), probably drawn from a combination of
Phoebe Briggs (Musical
Director) and Paul Jackson sounds including the currents of the
(Lighting Designer) Rhine and a nearby waterfall, amplified
Ali McGregor
8 9
BIOGRAPHIES
JULIAN LANGDON CASEY BENNETTO GILLIAN COSGRIFF PHOEBE BRIGGS SARAH GILES MARG HORWELL
Music and Orchestration Music and Lyrics Music and Lyrics Musical Director Director Costume and Set Designer
Julian graduated from Casey Bennetto is best Gillian graduated from Phoebe completed a Sarah Giles is an award- Marg is a multi-award-
the Victorian College known for writing the the Western Australian BMus at the University of winning opera and theatre winning Designer, she
of the Arts with an musical KEATING! and Academy of Performing Melbourne. A member of director. has received seven
honours degree in worst known for blathering Arts (WAAPA) in 2010 with the Opera Australia music Opera works include Greenroom Awards, two
practical composition on at length about things a Bachelor of Music Theatre. staff 2002–2012, she was O Mensch! by Pascal Sydney Theatre Awards
and was awarded the first Theatre credits: Vivid appointed Head of Music at and multiple nominations
everyone else in the room Dusapin, libretto by
Melbourne Prize for Music White (Melbourne Theatre Victorian Opera in October for her work in Theatre,
had worked out years Friedrich Nietzsche, Pas à
Development Award. Company), Company (Watch 2012. For Victorian Opera, Dance, Film and Opera.
ago. Over the past three Pas – Nulle Part by György
This led to a series of This); Loving Repeating (Vic Phoebe has conducted
months he’s also been Kurtág, libretto by Samuel Most recently she
orchestral commissions Theatre Company); and The Sunday in the Park with
writing a new musical with Beckett and Into the Little designed Set and
and orchestration Pirates of Penzance (The George, Play of Herod,
opportunities for Sisters Grimm, scoring Hill by George Benjamin, Costumes for Salome
Production Company). Sweeney Todd, Cendrillon, libretto by Martin Crimp all (English National Opera),
major performing arts the second season of Get
Television credits: Offspring, Four Saints in Three Acts for Sydney Chamber Opera Blasted, Melancholia, The
companies as well as Krack!n and preparing for
House Husbands, Fat Tony & and The Sleeping Beauty. and Sydney Festival. Testament of Mary, The Real
recordings sessions for his role as Musical Director
Co., Ricketts Lane and Get She conducted Opera in the and Imagined History of The
feature film, television, in the Circus Oz/Die Roten As a theatre director
Krack!n. She has toured Paddock (Opera Northwest) Elephant Man (Malthouse
and video games. Julian Punkte collaboration Rock Sarah has worked with
combines his love for extensively with her solo and was assistant/cover Theatre), The House of
Bang! which is literally Sydney Theatre Company,
traditional compositional shows as a comedian conductor for Don Pasquale Bernarda Alba (Melbourne
the next show on in this Malthouse Theatre,
processes using a pencil and cabaret performer. (IFAC/OA, Tokyo), The Theatre Company),
theatre. Melbourne Theatre
and paper with the latest Awards: Best Cabaret Magic Flute, Merry Widow, Common Ground (Chunky
Company, Griffin Theatre
digital music making (Melbourne Fringe), Green Fledermaus, The Pearlfishers, Move), Production Design
and State Theatre of South
practices to produce Room Awards for Writing, Così fan tutte, A Little Night for the short film Mrs
BIOGRAPHIES
Australia.
work across a spectrum Original Songs, and Artiste Music, The Mikado (OA) and McCutcheon, and costumes
of interdisciplinary (Cabaret). She has recently Guys and Dolls (Ambassador Sarah was the Richard
for The Resistible Rise of
projects and events. He been cast in Harry Potter Group). Phoebe received Wherrett Fellow at Sydney
Arturo Ui (Sydney Theatre
is currently working on and the Cursed Child, playing a Helpmann Award Theatre Company in 2011
Company).
an opera for children at the Princess Theatre in nomination for Best Music and was Co-Resident
called Melisma’s Little Melbourne from January Direction for Black Rider Director at Sydney Theatre
Book. 2019. (VO/Malthouse). Company in 2013.
10
DIMITY SHEPHERD ALI MCGREGOR ANTOINETTE HALLORAN PAUL JACKSON JIM ATKINS
Lorelei A Concept / Lorelei B Lorelei C Lighting Designer Sound Designer
Appearances for Victorian Ali McGregor started her Helpmann Award- Paul has designed lighting Jim Atkins designs and
Opera include Cherubino in career as a principal soprano nominated in 2016, 2017 and for most of Australia’s mixes sound for a host
Marriage of Figaro, Orphée with Opera Australia 2018, Antoinette Halloran ‘s leading performing arts of live and recorded
in Orphée et Eurydice, performing over 25 roles companies and has lectured situations nationally and
most recent engagements
Alice in Through The
and winning a Green Room include the title role in Tosca in design at the University of internationally. Recent
Looking Glass, Arsamene
Award in 2004. She then for West Australian Opera, Melbourne, RMIT University highlights include One
in Xerxes, Nireno in Julius
Caesar, Flora in Traviata, ran away with the circus Mrs Lovett in Sweeney and the Victorian College Infinity (Melbourne Festival);
Beggar Woman in Sweeney in the form of hit show Todd for Victorian Opera of the Arts. His work has Black Rider (Victorian
Todd, Helpmann Award La Clique and has since and New Zealand Opera, featured in festivals and Opera/Malthouse); En
nominated Lucy in performed everywhere from associate artist for José programmes in the United Masse and Pleasure Garden
Threepenny Opera and Glastonbury to Carnegie Carreras’ National Tour and States, Asia, Europe and (Sydney Festival/ National
Clara in Midnight Son, Hall. She was nominated for concerts with the Sydney, the United Kingdom. Paul Sawdust New York); Armand
roles in Banquet of Secrets, an ARIA award in 2014 & in Melbourne, Adelaide, West was listed in The Bulletin’s Van Helden (Melbourne
The Riders, Nixon In China 2015 was awarded a special Australian and Christchurch Smart 100 for 2004, was Symphony Orchestra);
and Sunday In The Park Green Room Award for her the Gilbert Spottiswood 24 Reasons to Party (Kate
Symphony Orchestras.
With George.
contribution to cabaret. For Opera Australia, Churchill Fellow for Ceberano /Adelaide
Also Cherubino, Carmen 2007 and was an Artistic Symphony Orchestra); Setan
Artistic Director for Antoinette has sung the
and Rosina in The Barber Associate at Malthouse Jawa (AsiaTOPA/ Humboldt
of Seville for Opera Adelaide Cabaret Festival title roles in Madama
from 2016 to 2018, she has Butterfly and Rusalka, Mimi Theatre from 2007-2013. Forum Kultur, Berlin);
Australia, roles for
recently debuted a critically (La bohème) and Stella (A He has received a Helpmann Between 8&9 (Chamber
Opera Queensland and
Chamber Made Opera, acclaimed show about the Streetcar Named Desire). Award, six Green Room Made, Castlemaine Festival,
Katchen in Black Rider iconic Peruvian soprano Yma Awards, a Sydney Theatre Chengdu China).
Future engagements include
for VO/Malthouse and Sumac. In 2019, Ali returns Award and two APDG
Lady Macbeth and Mrs
the title role in The Ghost to Victorian Opera to star in awards. Paul was awarded an
Lovett in Perth and the title
Wife at the Melbourne, A Little Night Music. Australia Council Fellowship
Adelaide, Sydney role in The Merry Widow in
BIOGRAPHIES
(Theatre) for 2017-2019.
and London’s BITE02 Adelaide.
festivals.
12 13
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21UPCOMING EVENTS
Parsifal
The ultimate operatic odyssey
Immerse yourself in the legend of the Holy Grail and the
knights who protect it. Witness the most mesmerising
Wagnerian quest for redemption.
20, 22 and 24 February 2019 | Palais Theatre, St Kilda
Alice Through the Opera Glass*
A marvellous adventure for the whole family
Peer into the magic looking glass and come on a fantastical
journey through opera’s most memorable music with Alice and
the White Rabbit.
14 and 15 June 2019 | Arts Centre Melbourne, Playhouse
A Little Night Music*
The most musical of musicals
A LITTLE
Musical theatre lovers rejoice - Sondheim is back! Nancye
Hayes, Ali McGregor, Simon Gleeson and Samuel Dundas star Music and Lyrics by
in one of Sondheim’s most beloved and sophisticated musicals. STEPHEN SONDHEIM
NIGHT MUSIC
27 June – 6 July 2019 | Arts Centre Melbourne, Playhouse Book by
HUGH WHEELER
Heroic Bel Canto* Orchestrations by Jonathan Tunick
Suggested by a Film by Ingmar Bergman
The best of Bellini, Donizetti and Rossini Originally Produced and Directed on Broadway by Harold Prince
Celebrate the inimitable art of bel canto with superstars Jessica
Pratt and Daniela Barcellona. Experience an evening of vocal BOOK NOW AS PART OF A SEASON 2019 SUBSCRIPTION
prowess with famous arias, duets and ensembles.
SINGLE TICKETS ON SALE 12 NOVEMBER
14 July 2019 | Arts Centre Melbourne, Hamer Hall
*Currently available as part of a Season 2019 subscription. Single tickets on sale Monday 12 November 2018.
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