AZZEDINE ALAÏA - 2e Bureau
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PRESS RELEASE
AZZEDINE PETER
ALAÏA LINDBERGH
under the direction of Benjamin Lindbergh and Olivier Saillard
With the support
of Peter Lindbergh Foundation
Exhibition from Sunday, February 28th to Sunday, September 19th, 2021
Opening dates and times are subject to the Government guidelines.
Open every day from 11 am to 7 pm
Tickets : 7€ - Concession : 2€
Métro : Hôtel de Ville
Press contact :
fondationazzedinealaia@2e-bureau.com
presse@fondationazzedinealaia.org
Fondation Azzedine Alaïa
18, rue de la Verrerie, 75004 Paris
Tel. +33 ( 0 ) 1 87 44 87 75
presse@fondationazzedinealaia.org
fondationazzedinealaia@2e-bureau.comFor its first exhibition of 2021, the Foundation is proud to celebrate two great talents who made history
in photography and in fashion.
The works of Peter Lindbergh and those of Azzedine Alaïa have been brought together and dialogue
with one another in a community of spirit that has never weakened.
Like the artistic confluences that united Richard Avedon and Christian Dior or Yves Saint Laurent
and Helmut Newton, Peter Lindbergh and Azzedine Alaïa found a common territory where each
of their expressions seeks to reflect the other’s.
Without saying a word, the photographer and the couturier were united by their love of black, a love that
they would cultivate alike, be it in silver print or in solid color garments. Lindbergh ceaselessly turns
to black and white to signify his search for authenticity in the faces he brings to light. Alaïa draws on
the monochrome of timeless clothes, veritable sculptures for the body. Each of them finds therein
this impression of poetic realism that magnifies the subject before satisfying their own creative ambitions
Despite their geographically opposed origins, Lindbergh and Alaïa pursued similar horizons.
Raised in Duisburg, a town located in Germany, at a looking distance from the Netherlands, Peter Lindbergh
trained at the Krefeld School of Applied Arts. Azzedine Alaïa studied in the sculpture department
of the Beaux-Arts in Tunis, the town where the couturier grew up. The white chalk façades that reflect
the shadows of passers-by became a part of Alaïa’s Tunisia. The architecture of Duisburg, an industrial
and commercial town, provided the photographer’s setting, as did the Dutch beaches that he visited
frequently. Both men shared a taste for grand horizons, whether of the Mediterranean or of the North,
and where the use of solid blacks often creates a complicit dialogue.
Whilst Lindbergh’s reputation in Germany was growing, notably thanks to his work in the magazine Stern,
and he set up his studio in Paris in 1978, Alaïa was the couturier shrouded in discretion whose sophisticated
techniques were a secret whispered amongst the most important clients of Haute Couture. Soon,
this young German man taken with a passion for noble photography and this young man of Tunisian origin
wielding his scissors with lightning precision would write some of the greatest chapters
of the history of Parisian and French fashion.
Fondation Azzedine Alaïa
18, rue de la Verrerie, 75004 Paris
Tel. +33 ( 0 ) 1 87 44 87 75
presse@fondationazzedinealaia.org
fondationazzedinealaia@2e-bureau.comAlmost simultaneously, Alaïa became the architect of bodies, revealing and unveiling them, while
Lindbergh distinguished them by shining a light on their soul and personality. Step by step they became
the creators that dominate their respective disciplines. Both reject any artifice that distracts from the true
subject and it is with great ease that they come together over a number of powerful collaborations.
As is the case with the true greats who feign the absence of obstinance, simplicity is their playground.
A beach in Le Touquet, the streets of old Paris suggest shared inspirations of black and white cinema
and vast panoramas. The metal roof beams of an engine room, the foundations of the Eiffel tower
illustrate the memory of an industrial German landscape for one and reference the inordinate passion
for functional design and architecture held by the other.
Through the visages that they both magnify, they accomplish their great work in this strange rapport
of the disciplines that attempt to efface themselves in order to better reveal the other.
Alaïa’s clothes, according to the wishes of the couturier, must act as pedestals for the smiles and the eyes
of the women, icons and supermodels who wear them. For Lindbergh, who has built his notoriety
on the images of these great models, the authenticity of their traits is all that matters. Both have been
the great passionate artisans of their faces.
Under the glass roofed gallery of the Azzedine Alaïa Foundation at 18 rue de la verrerie, the setting for
so many photographs, and intimate runway presentations, under the metal beams of memories,
the works of Peter Lindbergh and Azzedine Alaïa will converse with one another again, on the occasion
of a unique exhibition.
Fondation Azzedine Alaïa
18, rue de la Verrerie, 75004 Paris
Tel. +33 ( 0 ) 1 87 44 87 75
presse@fondationazzedinealaia.org
fondationazzedinealaia@2e-bureau.comTHE PETER LINDBERGH FOUNDATION
Praised for his memorable cinematic black and white images, Peter Lindbergh (1944-2019) pioneered
a new form of realism by redefining the standards of beauty. The German photographer’s honest
approach has set him apart from his peers, by enduringly putting personality and soul to the front.
Lindbergh drastically and permanently redefined the standards of fashion photography in times
of excessive retouching, believing that “beauty is having the courage to be yourself.”
Lindbergh was the first photographer to include narratives in his fashion series, while his storylines
introduced a different vision on fashion photography. He firmly regarded fashion photography itself
as a contribution to photography and to contemporary culture overall.
His work is best-known for his emotion-filled, truth-revealing portraits. Lindbergh images hold strong
influences from 1920’s German cinema and are infused with memories of the artist’s childhood, spent i
n the industrial surroundings of Duisburg, North Rhine-Westphalia.
From its inception, Peter Lindbergh wished for his Foundation to carry on his singular and everlasting
stance on fashion photography, as testified by an extensive œuvre spanning over four decades.
After his passing, the Peter Lindbergh Foundation remained focused on documenting, preserving
and presenting the work of Peter Lindbergh, which will include his earliest pieces as a conceptual artist.
The Foundation aims to further bring Peter Lindbergh’s photographic legacy to light, both as an artisan
and as a visionary. Future missions will consist of supporting emerging talents from diverse fields
and collaborating with established artistic foundations internationally.
Fondation Azzedine Alaïa
18, rue de la Verrerie, 75004 Paris
Tel. +33 ( 0 ) 1 87 44 87 75
presse@fondationazzedinealaia.org
fondationazzedinealaia@2e-bureau.comTHE FOUNDATION AZZEDINE ALAÏA
Azzedine Alaïa lived a life filled with fashion, art, design,architecture, music and theatre.
Mr. Alaïa had been an avid collector in the creative and cultural disciplines for the past fifty years. In 2007,
he set about to preserve his own work and his large holdings by founding the Association Azzedine Alaïa
to become the Foundation Azzedine Alaïa with his lifetime partner, the painter Christoph Von Weyhe,
and his close friend of forty years, the publisher Carla Sozzani.
The Foundation Azzedine Alaïa has been recognized as a public utility on February 28th, 2020 The Foundation
missions are the conservation and enhancement of the work of Azzedine Alaïa, the works he has collected
during his life in the fields of art, fashion and design, the organization of exhibitions and the support for cultural
and educational activities.
The Foundation’s treasures are housed in Paris and exhibit Alaïa’s own work and his collections in Paris,
18 rue de la Verrerie, where he lived and work, and in Sidi Bou Saïd, the town he loved so dearly.
In Paris there is also a bookshop of fashion and cultural history and a café.
The Foundation will also give awards to promising visionaries in fashion.
The logo of the Foundation Azzedine Alaïa is by Julian Schnabel.
Fondation Azzedine Alaïa
18, rue de la Verrerie, 75004 Paris
Tel. +33 ( 0 ) 1 87 44 87 75
presse@fondationazzedinealaia.org
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