A Mechanised Collective Feast - Monza Liceo Artistico Preziosissimo Sangue 07/08 March 2019 Mary Katherine Spence Carlotta Novella - Liceo ...
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A Mechanised Collective Feast Monza Liceo Artistico Preziosissimo Sangue 07/08 March 2019 Mary Katherine Spence Carlotta Novella
Una macchina che ci raccolga tutti
7-8 Marzo Liceo Artistico Preziosissimo Sangue Monza
intorno allo stesso tavolo.
Un banchetto meccanizzato,
post-agricolo e post-industriale.
Una tavola più lunga, una tovaglia
più colorata, una pasta più
bizzarra.
Cosa portare con voi:
1 grembiule (o dei vestiti che si possono rovinare)
4 mollette da biancheria
1 paio di forbici
1 piatto, 1 forchetta, 1 cucchiaio e 1 bicchiere
penne e matite di vari colori
colori acrilici con pennelli
L’ultima cosa che vi chiediamo di portare è un pò
particolare: una manciata di “erbacce
commestibili”. Un esempio è l’aglio orsino, molto
comune nelle zone di Monza in Marzo, o il
tarassaco, o l’ortica e l’acetosa.
Insieme a queste erbacce commestivili vi
chiediamo di portare con voi una foto o una
mappa disegnata a mano che mostri dove le avete
raccolte.
Vi raccomandiamo di non raccogliere nulla che
sembri pericoloso - controllate su interent o
chiedete a qualcuno di vostra conoscenza prima
di raccogliere. Ci sono varie specie protette che
non possono essere raccolte per mantenere la
biodiversità locale.
Per raccogliere le foto abbiamo creato un
account Instagram dove ciascuno di voi potrà
postare le foto di dove avete raccolto queste
erbacce o la foto di un disegno o mappa che avete
creato per descrivere il luogo. Se non usate
Instagram portate una copia digitale su cellulare
o chiavetta USB. Vi chiediamo di raccogliere e
postare le foto con la location prima del 6 Marzo.
Per accedere all’account comune
login : themechanisedfeast
password : monza2019
Nell’ampio territorio della Pianura Padana, l’industrializzata Brianza e la sua capitale Monza sono divenuti negli anni uno dei poli manifatturieri dell’Italia del Nord. In un paesaggio post-industrializzato, dove stanche fabbriche emergono tra i ritagli di un paesaggio fertile e bucolico, autostrade e maestose reggie. Ma può questo paesaggio post-industriale divenire il sito adatto per un gesto collettivo, insirato ed inspiratore per un futuro sociale, poetico, civico e artistico? Nel suo Manifesto della Pittura Industriale - Per un’arte unitaria applicabile (1959), l’artista Situazionista Giuseppe Pinot Gallizio scrisse: “Oggi l'uomo è parte della macchina che ha creato e che gli è negata e ne è da essa dominato. Bisogna invertire questo non senso o non si avrà più creazione; bisogna dominare la macchina ed obbligarla al gesto unico, inutile, anti-economico, artistico, per creare una nuova società anti-economica ma poetica, magica, artistica.” Ma ci chiediamo, è vero che attraverso una nuova industrializzazione dominata dall’uomo e dalla natura potremo finalmente raggiungere una indipendeza collettiva, una produzione della comunità e coesione basata sulla poesia? Per scoprirlo spenderemo due giorni, il 7 e l’8 Marzo, per creare un “banchetto meccanizzato” per 100 invitati. Tre stazioni - 1.il pastificio, 2.la tinteggiatura e 3.la stamperia - diventeranno l’officina di sapori, colorazioni ed estrusioni per orchestrare e produrre un’opera d’arte commestibile, una sagra in corridoio.
‘Industrial Painting’ Pinot Gallizio, 1958
Extruder tile maker for A Factory As It Might Be _ by Assemble
DAY 1
Location:
Lecture theatre for presentation followed by 3 classrooms.
Format:
09:00_Introductory lecture and day briefing
10:00_3 Stations running parallely with classes of students rotating between them*
Station 1: dough testing and pasta production
Station 2: souce prep and table cloth dye
Station 3: poster and menu making
13:00_LUNCH
14:00_3 Stations running parallely with classes of students rotating between them*
Station 1: dough testing and pasta production
Station 2: souce prep and table cloth dye
Station 3: poster and menu making
15:30_Gathering and discussion of Day 2 plan - what we have learnt from the day
showing work produced - deciding what to use
17:00_Day one over
Description:
The 80 students will be divided into 3 classes of around 26 students each (the students are
kept in their own class).
*There will be 3 stations of mechanisation, each class gets to experience a station for 1.5
hours. Each station relates to one course of the meal to be staged in the afternoon of the
second day.
DAY 2
Location:
Lecture theatre.
Format:
09:00_Morning meeting to run through day tasks
10:00_Set up corridor cooking, serving, clean up stations + table + menu making
13:00_LUNCH
14:00_Feast preparation
15:30_Serve feast + toasts
16:30_Clean up
Description:
Students will be divided into groups for the final preparation of the feast food and hosting
items. Then we move to the gym, set up in the morning for food preparation, and then after
lunch set up for the feast.
3 Stations running parallely with 3 classes of students rotating between them* Room 1 - dough testing and pasta production 1. Torchio >> extruding colour + dough (+-6 ppl) 2. Pasta Machine >> pressing flowers/herbs + dough (+-6 ppl) 3. Hand rolled >> stamping/ shapes (+-6 ppl) 4. Documentation dough testing and pasta production (+-2ppl) Room 2 - sauce prep and fabric dye 1. Sauce making (+-5 ppl) 2. Dye prep_1 >> (+-5 ppl) 3. Dye prep_2 >> (+-5 ppl) 4. Dye prep_3 >> (+-5 ppl) 5. Documentation sauce and fabric dye (+-2ppl) Room 3 - posters 1. Poster making TBC >> (+-5 ppl) 2. Documentation poster and menu making (+-2ppl)
Previous work Mary Katherine Spence & Carlotta Novella
DRIFT DAYS // Lethaby Gallery // London 2016 week long collaboration between M.Katherine Spence and Carlotta Novella collaborative construction of: ~ residency and exhibition brief ~ reading room ~ orzo coffee brewing station ~ drift-days indoor and outdoor workwear ~ movement workshops and walks
CONSTRUCTING IN DETAIL // CSM // London As part of Unit 3 of MA Arch at Central Saint Martins, both as former students and tutors Left image: Amenity for a Community Kiln (Summer 2018) Right image: The Terracotta Yatai (2015)
M. Katherine Spence MA project (2015)
muf architecture/art installation at Venice central pavilion, Biennale 2012 'Common Ground' 1:1 photoboards form the backdrop to recorded discussions which took place in Altab Ali Park, Whitechapel, which brought together voices from institutions and groups around the park. Books and carrom tables within the space invite the tired visitor to stay and spend time there
Transito-Rio // Largos das Arches gallery // Rio de Janerio // Brazil As part of the Despina Graduates Residency Programme at Central Saint Martins Left image: Beetroot dyed potato gnocchi (2016) Right image: The inhabiting of a gallery space - tower with kitchen, sewing area, performative stage, poetry mobile podium (2016)
Discursive Dinner // School for Civic Action residency at Tate Modern // London Left image: School for Civic Action final dinner (Summer 2018) Right image: The Moss Wall Prototype (Summer 2018)
CASTINGS // Summer School // Roskilde Festival, Denmark Plaster and clay casting workshop with Roskilde Festival-goers Left image: Display of items produced during the summer school (2016) Right image: 3D casted clay mould and plaster cast (2016)
c.v.
mary katherine spence
07870626573
marykatherinespence@gmail.com
education
✤ MArch, MA Cities and Innovation (part-time), Central Saint Martins, University of the Arts London; 2013 - 2016.
✤ BArch (Hons), Clare College, Cambridge University; 2007- 2010.
residencies/workshops/projects
architect-in-residence, Narva, Interior Architecture Department, University of Tallinn, Estonia; Oct. 2016
✴ with collaborator Fran Edgerley, Assemble, 4-day series of immersive workshops with MA interior architecture students.
graduate residency, We Are Open, Lethaby Gallery, Central Saint Martins; Jan. - Feb. 2016.
✴ with collaborator Carlotta Novella, participated in first of four week-long graduate residencies leading to final exhibition
✴ design& construction of infrastructure for the program (a reading room, a kitchen), hosted open walks, reading & dreaming
groups and sewing sessions.
contributor, Open Source Housing Crisis, Central Saint Martins, Graphic Design Department; February - April 2015.
✴ contributor and general administrative assistance for day-long academic and cross-disciplinary event and workshops.
subeditor, Londonischanging, Housing Crisis Awareness Campaign, Dr Rebecca Ross; February - March 2015.
✴ online and city-situated awareness campaign broadcast live on London billboards.
employment
graduate design consultancy, Central Saint Martins and Argent; June - August 2018.
✴ with Carlotta Novella, a concept design for a temporary canopy structure for new commercial district Coal Drops Yard in
Kings Cross
project architect, Hayatsu Architects, London; May 2017 - September 2018.
✴ small-scale residential projects, community-led and collaborative design and art projects with The Community Brain
(Surbiton), Grizedale Arts (Lake District), Hauser and Wirth Somerset, V&A.
researcher, London College of Communication, Innovation and Regeneration Department; Feb. - Dec. 2016
✴ ’Charting The Elephant: a visual and cultural survey 1986 - 2016’
research assistant, Central Saint Martins, Spatial Practices Department; Sept. 2014 - April 2015.
✴ ‘Mapping the Distributed Audience: SPACE and the City,’ a joint initiative with SPACE artist studio providers, funded by
AHRC.
✴ work involved the interpretation and mapping of data, co-ordinating and creating creative research content and
representation with team partners, students, graphic and infographic designers.
researcher, Creating Artists’ Workspace, Greater London Authority, Culture Team; June - Sept. 2014.
✴ led and coordinated interviews with studio operators and tenants; writing, editing and production of printed material.
✴ worked across the Regeneration and Culture teams, including wider co-ordination with the Planning, Intelligence and
Housing & Land teams.
MArch program placement, Greater London Authority, Regeneration Team; May - June 2014
✴ involved in ‘Places of Work’ work-stream; assisted on publications Park Royal Atlas: An Employment Study and Artists’
Workspace Study: Report and Recommendations.
architectural assistant, muf architecture/art; Oct. 2011 - June 2013
✴ public realm design, including Chobham Manor and Canal Park, Queen Elizabeth Olympic Park, outdoor stage for
Picturehouse Cinemas, Stratford, Ruskin Interim Garden, Canal Park Design Guidance, Harrow Town Centre Public Realm
Design Guidance, Stratford Pocket outdoor theatre,.
✴ collaborated with landscape architects, architects, graphic designers, architectural historians, engineers including J&L
Gibbons, East, Crimson Architectural Historians, PRP, Stockleys.
IPCC, Jerusalem, July - Sept. 2009.
✴ planning assistant working towards a planned neighbourhood for Palestinians in East Jerusalem.
also
✤ visiting critic at Central Saint Martins, University of East London, The CASS; ongoing.
✤ representative Bermondsey and Bankside Housing Committee.Carlotta Novella London // UK
September 2018
CURRICULUM VITAE // Carlotta Novella
***************************************************************************************************************
Personal Info:
Carlotta Novella
Name 34 Evelina Road, SE15 2DX, London, UK
Address +44 (0)7926710660
Telephone Italian
Nationality 25-08-1990
Date of birth carlotta@publicworksgroup.net
Email
carlottanovellaworks.com
Website
Education:
2013-2015 MArch in Architecture ARB // R.I.B.A. [part 2], Central Saint Martins, UAL, UK
2012-2009 BSc Architecture & Construction management, IUAV University, Italy
Professional experience:
2014 - current Public Works Group, Art & Architecture collective, London // Associate
2012 - 2014 Ceolato Arredamenti Ltd. workshop, Vicenza, Italy // Interior designer
2012 - current UK and Europe // Freelance work
Teaching experience: MA permanent tutor position at UMA School of Architecture in Umeå (Sweden).
Tutor at both MA and BA level at Central Saint Martins in London.
Selected Projects:
July 2018 A Canopy for Coal Drops Yard, Argents, KX, London // designer with M.K.Spence
June 2018 Amenities for a community kiln, Skip Garden, CSM, London // Tutor and designer
2017 - current R-URBAN Poplar, London // Organiser & workshop coordinator
2017 - current Albido Display, Sedwick Natural History Museum, Cambridge // Designer
July 2017 Off Site - van & trailer, Site Gallery, Sheffield // Designer & workshop coordinator
June 2017 Oven and walkers shelter, Ruskin Museum, Coniston & CSM // Tutor and designer
June 2016 Pier to Pier, North Woolwich, London // Designer & workshop coordinator
March 2016 Transito-Rio, Art residency at Largos das Artes gallery, Rio, Brazil // Designer
February 2016 InterAct, Community Hub in Roman Road, London // Designer & organiser
January 2016 Drift Days, Lethaby Gallery, CSM, London // designer & performer with M.K.Spence
Symposiums and Lectures:
June 2018 Prototyping the Civic City, SCA, Tate Exchange, Tate Modern, London, UK
May 2018 UMA 2018 Round Tables, Umeå School of Architecture, Umeå, Sweden
October 2017 Rahmen des Kunstprojekts/der Konferenz, Steinhöfel, Germany
July 2017 Site Sessions: The Mobile Imagination, Off Site: A Collective Design, Sheffield, UK
May 2017 The Art of being Civic, Tate Exchange, Tate Modern, London, UK
January 2017 Tensegrity – and other Contradictory Complicities, Tenderpixel, London, UK
March 2016 The Role Of Art Schools and Universities, EAV Parque Lage, Rio de Janeiro, Brazil
January 2016 ECODA, Experimental co-Design Approaches , R-Urban, Olympic Park, London, UK
July 2015 Contested Spaces Lecture series and Symposium, Central Saint Martins, London, UKYou can also read
