TTC's WILDE WEEKEND 27th- 28th June 2020 - FREE DIGITAL PROGRAMME OSCAR WILDE A 25-hour continuous read-a-thon to - Hampton Hill ...
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TTC’s WILDE WEEKEND 27th- 28th June 2020 FREE DIGITAL PROGRAMME A 25-hour continuous read-a-thon to celebrate the works of the great Victorian poet, playwright and author Performed and produced by OSCAR WILDE the members of Teddington Theatre Club
WELCOME TO TTC’S WILDE WEEKEND FROM THE ARTISTIC DIRECTOR Hello and welcome to TTC’s Wilde Weekend. The Coronavirus pandemic and lockdown has forced all of us involved in theatre to be a little more creative than usual. With no physical building in which to perform, we at TTC have resorted to regular Zoom readings to keep us busy. These are great fun but have not enabled us to engage with our audience. So we turned our thoughts to specific “lockdown” projects that were more outward looking. Our “Shakespeare in Solidarity” video was the first of these and its success led us to think of what to do next that would be relevant, fun to do - and entertaining. The thought of a 24 hour “play in a day” turned quickly to a themed event comprising the works of one or two playwrights. The choice of Oscar Wilde was, to use the vernacular, a no brainer. 2020 marks the 125 th year anniversary of Wilde’s conviction and imprisonment for “gross indecency”, which was the crime of being gay. It’s a shocking thought that full decriminalisation of homosexuality in the UK did not occur until the late 20 th century. Our event is in June, which is Pride Month. And as if all of that were not enough, everyone knows a Wilde quote. He penned some of the wittiest and most memorable lines spoken in theatre. He was also an accomplished poet, author of children’s stories, novels and short stories and an extremely well-informed critic and essayist. The breadth of Wilde’s canon of work is incredible. It gave us literally something for everyone to enjoy during this event. Oscar Wilde was the toast of society for many years. He graced the drawing rooms of the rich and famous, entertaining them with his wit and charm. When he fell from grace his lot was to serve hard labour in the Victorian penal system. It broke him. But it gave history a wonderful insight into the cruelty of the system and its effects on individuals when it acted as inspiration for pieces such as The Ballad of Reading Gaol and provided the backdrop to the heart-wrenching De Profundis. Both of these pieces feature in our programme, together with the best of the drawing room comedies, a political drama, a Biblical drama and a good smattering of those poems, stories and essays in between. An event like this does not come together overnight. We’ve been weeks in the planning and our team of over 60 actors and 9 directors have put an amazing amount of time and effort into the project. My sincere thanks to them all for making it happen. Thanks are also due to Rebecca Dowbiggin for kicking off the original idea and TTC’s Board for humouring us.
With just 2 sleeps to go before we kick off I’d like to offer a personal note of thanks to my partners in crime, Steve Wayman and Daniel Wain for doing so much of the admin and organisation - and allowing me the opportunity to have a bit of a sleep on Saturday. Also Wilde Irish Gin who have kindly provided me with my interval refreshments! Lockdown has been and continues to be a strange place. I hope that this experience proves to be fun and memorable for audience and participants alike, after all “Memory….. is the diary that we all carry about with us” Lottie Creatives and Crew Programme Organising Team Event Artistic Director & Host………..Lottie Walker Event Artistic Link & Host……………..Daniel Wain Event Production Manager & Host.… Steve Wayman Event Concept by…………………Rebecca Dowbiggin Event Publicity……………………Christine Wayman Creative Design…………………………..Sarah Carter Wardrobe Advice……………………..Zoe Harvey Lee How you can view TTC’s Wilde Weekend Simply go to the Teddington Theatre Club YouTube channel where the event will be live streamed. Look for our distinctive red logo: YouTube address: https://www.youtube.com/channel/UCFUz6zmn4iN4GPB-OV0Oodw
The story of Oscar Wilde – doomed flamboyant genius Oscar Fingal O’Flahertie Wills Wilde (1854 – 1900) was born in Dublin, the middle child of three to wealthy professional parents: His mother Lady Jane (nee Elgee) a Dublin socialite, fervent Nationalist, successful poet and journalist; His father Sir William, a leading surgeon and gifted writer, never far from personal scandal. Oscar’s older brother Willie was called to the bar but never practiced, working instead as a journalist, critic and sometime poet. Their little sister Isola died tragically young at just 9 years old. Oscar had a happy childhood with many visits to the countryside, combined with a privileged education. He read voraciously, but only those subjects which he enjoyed. After graduating in Classics from Trinity College Dublin, he’d developed a deep interest in Greek literature, going on to win a demyship to study Classical Moderations and Greats at Magdalen College, Oxford. It was here that Wilde began to develop the persona which made him so notorious a public figure in subsequent years. He dressed flamboyantly, his long hair and clean-shaven face at odds with the conventional code of the time. Armed with a biting wit and illuminating conversation, he made it his business to befriend many famous intellectuals. Though far from diligent in his study regime, his Viva Voce (Oral exam) was such a triumph, it earned him a Double First, to go alongside his prestigious 1878 Newdigate prize for poetry, awarded for his piece Ravenna. So how could this acclaimed scholar, poet and writer, one of the most famous celebrity figures of the late 19th century, die so young, virtually alone and penniless? It was in this period that Wilde established his lifelong habit of living beyond his means. He became an eccentric poster-boy for the new counter-conventional vogue of Aestheticism, depicted (and lampooned by some) as “Art for Art’s sake”. After Oxford he moved to London, becoming the toast of the highest society circles – Writers, Painters, Actors, even the Prince of Wales. But Wilde was unable to forge a living in keeping with his lifestyle. Despite publishing his first book Poems, which received mixed criticism and a small profit, and writing his first play Vera, or the Nihilists which initially he couldn’t get staged, he was forced for financial reasons to accept an offer to go to America on a lecture circuit. His long tour zig-zagging across towns and cities in the USA and Canada was exhausting but largely successful. At the end of it, he went off to Paris to write his next play The Duchess of Padua, a quasi-Shakespearean 16th C tragedy, which also proved unsuccessful.
In 1884 after returning to London, he married Constance Lloyd, daughter of a prominent QC and they had two sons, Cyril and Vyvyan. To support his family, Wilde wrote critical reviews and took on the full time role of Editor for Woman’s World magazine, which enabled him to continue his interest in fashion. He published a book of children’s fairy stories, The Happy Prince and other tales which was (and still is) much loved. His next play Salome, a seductive biblical tragedy, was initially banned from performance by the Lord Chancellor. His first and only novel, The Picture of Dorian Gray was heavily criticised, partly because of its homoerotic overtones. He began to have many close relationships with younger men, and in 1891 he started his affair with Lord Alfred Douglas (“Bosie”) who became the love of his life and, paradoxically, led to his downfall . But what followed was his most productive and successful period as a playwright: Lady Windermere’s Fan, A Woman of no Importance, An Ideal Husband and The Importance of being Earnest all followed in quick succession, firmly establishing him as one of the great anti-moralistic playwrights of the English language. These “comedies of manners” which satirise dandies, ingenues and haughty aristocratic ladies have stood the test of time to this very day. Then at the height of his fame, Wilde sued the fiery Marquess of Queensberry (Bosie’s father) for criminal libel, but this backfired as evidence emerged which led to Wilde being tried, and ultimately convicted, for gross indecency with men. In 1895 he was sentenced to two years hard labour. During his incarceration he wrote De Profundis, a long, often dark letter to Bosie recounting their relationship and Wilde’s subsequent spiritual journey. After his release, he exiled himself to France, where he composed what was to be his last piece, a 109-stanza long poem entitled The Ballad of Reading Gaol. Though they were estranged, Oscar continued to love Constance and the boys, but sadly Constance died in 1898. Impoverished, unwell, depressed and living in dingy conditions, Wilde finally succumbed to meningitis in late 1900, aged just 46. This brilliant wit, literary genius, former life and soul of every society party, was unceremoniously laid to rest in a Paris cemetery in the presence of just 56 mourners, although his long-time friend Robbie Ross was by his side. He leaves behind a great legacy of work which we are proud to perform today. Steve Wayman
TIMELINE OF THE WORKS PRESENTED IN WILDE WEEKEND Oscar Wilde at Oxford, 1876 1880 Portia: A sonnet to Ellen Terry 1881 Poems: A collection including: Requiescat, Impression du Matin, Magdalen Walks, Chanson, Apologia, The Grave of Keats, The Grave of Shelley, To Milton, Her Voice, My Voice, A Vision. A sonnet to Henry Irving: Fabien dei Franchi; Poem: Le Jardin des Tuileries. 1882 The Harlot’s House; Mrs Langtry as Hester Grazebrook; La Mer 1884 To my Wife; Costume 1885 A critic in Pall Mall: A Handbook to Marriage; Henry IV at Oxford; Shakespeare on Scenery; Dinners and Dishes 1886 A critic in Pall Mall: Twelfth Night at Oxford; Ben Jonson 1887 The Model Millionaire, The Sphinx without a Secret 1888 The Happy Prince, The Remarkable Rocket, The Devoted Friend, The Selfish Giant, The Nightingale and the Rose 1890 Sonnet to Sarah Bernhardt: Phedre; The Picture of Dorian Gray 1891 House of Pomegranates: The Young King, The Fisherman and his Soul, The Star Child 1892 Lady Windermere’s Fan 1893 A Woman of no Importance 1894 La Sainte Courtisane; Salome; The Sphinx 1895 An Ideal Husband; The Importance of being Earnest; Oscar Wilde Trial Excerpts 1898 The Ballad of Reading Gaol published (written 1897) 1905 De Profundis published (written in 1897) 1908 A Florentine Tragedy published (written c. 1894)
Running Order and Cast Lists All start times are approximate Saturday 27th June 15:00 Curtain Up Lottie Walker 15:10 The Importance of being Earnest Director: Marc Batten Stage directions: Caroline Ross John ("Jack") Worthing, J.P. Rob Wallis Algernon Moncrieff Matt Dennis Rev Canon Chasuble, D.D. Loz Keal Merriman Vaughan Evans Lane John Bellamy Lady Bracknell Clare Henderson-Roe Hon. Gwendolen Fairfax Tracy Frankson Cecily Cardew Heather Stockwell Miss Prism Enyd Galia 17:20 A handbook to marriage ARTICLE Clare Henderson-Roe 17:25 A Woman of no Importance Director: Daniel Wain Stage directions: Lara Parker Lord Illingworth Nigel Cole Sir John Pontefract Dave Dadswell Lord Alfred Rufford Daniel Wain Mr. Kelvil } David Robins The Ven. Archdeacon Daubeny } Gerald Arbuthnot Rob Wallis Farquhar } Abbas Krayani Francis } Lady Jane Hunstanton Caroline Ross Lady Caroline Pontefract Sue Bell Lady Stutfield Jane Stephenson Mrs. Allonby Roberta Cole Miss Hester Worsley Shana de Carsignac Alice Alice Fordham Mrs. Rachel Arbuthnot Kelly Nicoll 19:50 The Young King STORY Juanita Dahhan Sue Bell 20:20 Twelfth Night at Oxford REVIEW Jane Marcus
20:25 Henry IV at Oxford REVIEW Simon Bartlett 20:35 Costume ARTICLE Suzanne Lynch 20:40 Excerpt from the Trial of Oscar Wilde Director/Summariser: Laurie Coombs Sir Edward Clarke Daniel Wain Mr Carson Daniel Wain Oscar Wilde Ian Kinane 21:15 The Ballad of Reading Gaol POEM Director: Deb McDowell Performed by Brendan Leddy Jim Trimmer David Robins 21:50 The Harlot’s House POEM Shana de Carsignac 21:55 Salome Director & Stage directions: Simon Bartlett Herod Antibas, Tetrach of Judaea Peter Hill Herodias Juanita Dahhan Jokanaan Dave Brickwood The Young Syrian Jacob Taylor Tigellinus Loz Keal A Cappodocian Jim Trimmer A Nubian Ron Hudson Salome Mia Skytte-Jensen First Soldier James Hall Second Soldier Abbas Krayani The Page of Herodias Suzanne Lynch 1st Jew Sarah Perkins 1st Nazarene Suzanne Lynch 4 other Jews, 2nd Nazarene, 1 Pharisee, 1 The Company Sadducee, A Slave 23:10 Requiescat To my Wife POEMS Ron Hudson 23:15 De Profundis LETTER Steve Taylor
Sunday 28th June 00:55 Mrs Langtry as Hester Grazebrook ARTICLE Clare Cooper 01:00 La Sainte Courtisane Director & Stage directions: Clare Cooper First Man John Wilkinson Second Man Daniel Wain Myrrhina Sarah Perkins Honorius James Hall 01:20 A Florentine Tragedy Director & Stage directions: Clare Cooper Guido Bardi Peter Hill Simone Charles Halford Bianca Deb McDowell Maria Lucy Allan 02:15 The Picture of Dorian Gray ABRIDGED NOVEL John Wilkinson 02:35 The Grave of Keats POEMS John Wilkinson The Grave of Shelley Loz Keal To Milton Charles Halford 02:45 Her Voice My Voice POEMS Lucy Allan 02:50 The Sphinx without a Secret STORY Charles Halford 03:00 The Sphinx POEM Sarah Perkins 03:20 Magdalen Walks POEMS Lucy Allan Impression du Matin Ron Hudson Chanson John Wilkinson Apologia James Hall 03:30 Shakespeare on Scenery ARTICLE Lottie Walker 03:40 Dinners and Dishes ARTICLE John Gilbert 03:50 Ben Jonson ARTICLE Lottie Walker 04:00 Miscellaneos readings from the works of Oscar Wilde Lottie Walker
04:50 The Remarkable Rocket STORY Ruth Chaperlin 05:15 The Fisherman and His Soul STORY Zoe Arden Lydia Kennard 06:30 The Devoted Friend STORY Sarah Carter 07:00 The Happy Prince STORY Sally Halsey 07:20 The Selfish Giant STORY Guy Holloway 07:30 The Star Child STORY Caroline Ross Enyd Galia 08:00 The Model Millionaire STORY Mandy Matthiae John Mortley 08:10 The Nightingale and the Rose STORY Michelle Hood 08:30 Le Jardin des Tuileries POEMS Siân Walters La Mer Abbas Krayani 08:35 Sonnets to Theatrical Friends Phedre (Sarah Bernhardt) Simon Bartlett Fabien dei Franchi (Henry Irving) Gita Singham-Willis Portia (Ellen Terry) Simon Bartlett 08:45 An Ideal Husband Director: Sally Halsey Announcer: Sarah Carter The Earl of Caversham, K.G. John Bellamy Viscount Goring Ian Kinane Sir Robert Chiltern Dave Brickwood Vicomte de Nanjac } Mason } Daniel Wain Phipps } Lady Gertrude Chiltern Heather Stockwell Lady Markby Zoe Arden The Countess of Basildon Sally Halsey Mrs Marchmont Sarah Carter Miss Mabel Chiltern Lara Parker Mrs Cheveley Deb McDowell
11:40 Lady Windermere’s Fan Director: Mandy Matthiae Stage directions: Mandy Matthiae Lord Windermere John Gilbert Lord Darlington John Mortley Lord Augustus Lorton David Robins Mr Dumby Simon Bartlett Mr Cecil Graham Dave Dadswell Mr Hopper Matt Dennis Parker Brendan Leddy Lady Windermere Mia Skytte-Jensen The Duchess of Berwick Zoe Harvey-Lee Lady Agatha Carlisle Lucy Allan Lady Plymdale Gita Singham-Willis Lady Stutfield Ruth Chaperlin Lady Jedburgh } Siân Walters Mrs Cowper-Cowper } Mrs Erlynne Helen Geldert Rosalie Ruth Chaperlin 13:55 The Importance of being Earnest Director: Nigel Cole Stage directions: Brendan Leddy John ("Jack") Worthing, J.P. Jacob Taylor Algernon Moncrieff Alex Farley Rev Canon Chasuble, D.D. Daniel Wain Merriman Jim Trimmer Lane Jeremy Gill Lady Bracknell Jane Marcus Hon. Gwendolen Fairfax Lydia Kennard Cecily Cardew Jane Stephenson Miss Prism Laurie Coombs 16:00 approx End of Wilde Weekend
Teddington Theatre Club is resident at Hampton Hill Theatre Company registration number 939448 | Registered charity number 257265 Website: www.teddingtontheatreclub.org.uk Contact us on social media via: Facebook: @teddingtontheatreclub Twitter: @teddington_tc Instagram: @teddingtontheatreclub https://www.youtube.com/channel/UCFUz6zmn4iN4GPB-OV0Oodw Wilde’s statue, Dublin
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