SUMMER 2019 - London Art Week
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SUMMER 2019 SPONSORS
“While people continue
to flock to London’s museums
and historic houses, the vast
majority are unaware
of the commercial galleries
that offer some of the best SUMMER 2019
free shows in town…”
FINANCIAL TIMES
28 June to 5 July
“Knowledge comes with discovery...
It’s a treasure trove of recognised masterpieces PREVIEW
and works by lesser known talents that make Thursday 27 June 12 to 8 pm
London Art Week so special.”
LATE NIGHT
LUKE SYSON, METROPOLITAN MUSEUM OF ART,
NEW YORK (2012-2018) Tuesday 2 July until 9 pm
URBINO, attributed to OPENING TIMES
THE CONVERSION OF SAUL PAINTER
Noli me Tangere, c.1560 – 1570
“London Art Week... WEEKDAYS 10 am to 6 pm
Courtesy of Raccanello Leprince
one of the most WEEKEND 11 am to 5 pm
FRONT COVER
ADOLPH MENZEL (1815 – 1905)
A Woman with a Hat, in Profile to the Right
anticipated events For auction house viewing
Courtesy of Stephen Ongpin Fine Art
of the season.” and sale times: EXHIBITIONS / EVENTS / AREA GUIDES
A Hellenistic marble head of a Queen
Third-second century BC APOLLO MAGAZINE see pages 24, 29, 56 at WWW.LONDONARTWEEK.CO.UK
Courtesy of Oliver Forge & Brendan Lynch Ltd
PAUL VAN SOMER (1576 – 1621)
Sir Thomas Dallison, 2 nd Bt. of Laughton (1591 – 1645), c.1620
Courtesy of The Weiss Gallery
@londonartweek_ @londonartweek @londonartweek
SPONSORS PARTNERS
Tectus Insurance presents a new, unique concept for private collectors, dealers, MUSEUM PARTNERS
musicians, galleries and museums. Tectus are not trying to reinvent the wheel but our
product is simpler and more flexible than any other presently on the market. Our policies
are formulated on an individual and confidential basis and at a highly competitive cost.
www.tectusbrokers.com
Founded in 1715 and based in Lincoln’s Inn, Hunters operates at the heart of legal
London. The firm provides effective, discrete advice to individuals, businesses, trusts,
landed estates and charities, preserving and protecting our clients’ interests and their
artworks. Hunters shares its clients’ passion for art and is recognised as a leader in the CULTURAL PARTNERS
field of art and cultural heritage law, bringing its lawyers’ experience and expertise to
bear when clients want to transition art to the next generation, buy or sell artworks or
are involved in disputes in both the UK and international art markets. Hunters’ specialist
and diverse legal service is acknowledged in the top legal directories.
www.hunterslaw.com
SUPPORTING SPONSORS
Martinspeed is a leading provider of art storage, transport and installation. Based
in London our clients include national and international museums, galleries, private
collectors, dealers and artists. Founded in 1975 to service high-end private collectors,
commercial galleries and international art fairs, Martinspeed is now one of the market
leaders in global fine art logistics. With years of practical experience, our technicians are
among the most knowledgeable in the industry, whether installing heavy and awkward
objects, ancient or modern artworks, multi-media works or priceless paintings.
www.martinspeed.com
MEDIA PARTNERS
For over 300 years, St James’s has had a long-established reputation as the home of
fine food, culinary expertise and innovation. It is one of London’s most original and
compelling districts, defined by its unique mix of contemporary and heritage brands.
It is also home to the city’s most influential collection of art galleries, being the
traditional centre of the global Art Market. With an unparalleled restaurant scene,
St James’s has become the home of a spectacular range of international cuisine from CHARITY PARTNERS DRINKS SPONSOR
eclectic modern offerings to the iconically British offerings from the local establishments
such as Franco’s, Rowley’s, Fortnum & Mason and Wilton’s.
www.stjameslondon.co.uk
4 5
INTRODUCTION
Dr. GABRIELE FINALDI
Director, The National Gallery
T here are few things as exciting for me as visiting a
museum I have never seen or a private collection that
is unknown to me. London Art Week, with the sheer
volume of art works that are on show – from ancient statues
to medieval stained glass, from plein-air sketches to pieces by
contemporary artists – is an equally exhilarating experience.
London is, of course, an astounding treasure house for the
curious, with its public museums and exhibitions, and for a few
days at the end of June and early July it offers, in addition, a
veritable cornucopia of discoveries, rarely seen works, newly
presented paintings and sculptures, fascinating juxtapositions Galleries and dealers display the
of works of art, and all of this in an amazing array of spaces. very best they have to the discerning,
the cultivated or the just inquisitive.
Museums might acquire a few works,
but most will be bought by private
collectors.
As the Director of the National Gallery,
I know how important it is that this
should happen. It may come as a
surprise to many to know that more
than half of the pictures in the Gallery
have come as gifts from individual
collectors.
I look forward to joining you at London
Art Week this Summer.
PAUL HUET (1803 – 1869)
Trees in the Park at Saint-Cloud, c.1820, oil on canvas, 37.6 x 55.5 cm
www.nationalgallery.org.uk
Presented by the Lishawa Family in memory of Kate (Lishawa), 2005
© The National Gallery, London
INTRODUCTION 6 7
JACOB VAN DER BEUGEL
Contemporary artist and artist-in-residence
at The Wallace Collection
I t is fascinating to study which
objects survive the perils of time;
the ritualised, the ones that find a
protected home in stable institutions or
families, objects whose importance are
The event ensures that newly discovered pieces have the
opportunity to become novel masterpieces, and in turn
become protected, ritualised and relevant, as society’s forever
shifting preoccupations discover precedents that our artist
ancestors have already explored.
increased through their sale and trade
or combinations of all three. Even more www.jacobvanderbeugel.com
interesting is how these artefacts are
reinterpreted by successive generations
and appear to have their own evolution
of relevancy.
Our cultural institutions, such as the
beloved Wallace Collection, are the
guardians and keepers of our collective
curated objects that continue to inform
our self-understanding. They steer a
hazardous course between remaining
faithful to their founding origins, risking
obsolescence, and evolving, risking
mutation; a delicate balancing act for
retaining cultural relevance.
London Art Week helps stimulate
these discussions, and ensures that
the objects we choose to curate, new
and old, do not only serve as feedback
loops, reaffirming the totems of specific JACOB VAN DER BEUGEL
The North Sketch Sequence, 2014
ages, but also help discover different Handmade ceramics and mirrors
narratives, latent with fresh clues about A permanent installation depicting the DNA of the Duke and Duchess of Devonshire,
our past and future. Chatsworth House
8
INTRODUCTION 9
ROB & NICK CARTER
Contemporary Artists
R ob and Nick Carter are a husband and wife artistic duo
who have been collaborating for over twenty years. Their
work is housed in the collections of the Mauritshuis, The
Hague; the Frans Hals Museum, Haarlem; the Frick, Pittsburgh;
the Victoria & Albert Museum, London; the David Roberts
Foundation, London; the Städel Museum, Frankfurt; and the Like many of the Old Masters, we
Fondation Custodia, Paris. They are the only living artists to too employed teams of artists, and
show a work at the Frick Collection, New York. using computer generated imagery
we brought these impossible
“For many people today the art of the past has become arrangements to life with a realism that
remote, perhaps even unintelligible. Rob and Nick Carter want underscores and pays homage to the
to reverse this trend.” The words of art critic Alastair Sooke original paintings.
sum up the approach we took in 2008 when we conceived
Transforming, a series of twelve digitally-animated Old Master It has been so inspiring for us to look
paintings. In our first film ‘Transforming Still Life Painting’ back and directly reference the artists
(2009-2012) we brought to life Ambrosius Bosschaert the of the Dutch Golden Age, in particular
Elder’s 1618 work Vase with Flowers in a Window. Blooms Ambrosius Bosschaert, Jacob van
slowly open up; the distant landscape changes from dusk to Ruisdael, Willem van Aelst and Rachel
dawn; and the five insects in the original painting come to life Ruysch. Their refined still life paintings
within the seamless three-hour looped film. in exquisite detail were the perfect
starting point for our Transforming
series. Works such as Dead Frog with
Flies (Bosschaert, 1630), Still Life with
a Candle, Walnuts and a Mouse (Van
Aelst, 1647) and Flowers in a Vase
(Ruysch, c.1685) are all stimulating
subject matter to bring alive, and as
relevant now as they were 400 years ago.
Once again we look forward to London
Art Week and the chance to see and
discover works of art, and learn from
experts within the context of a gallery
ROB AND NICK CARTER
Transforming Five Tulips in a Wan-Li Vase, 2017
environment.
32-minute looped film, framed iPad, 43 × 38 × 7 cm, edition of 12 + 5 artists’ proofs
After Ambrosius Bosschaert the Elder (1573 – 1621), oil on wood, 49 × 37 cm www.robandnick.com
10 Page number / Gallery name / Exhibition title
GALLERY
INDEX 15 / DIDIER AARON
Silk and Finery: Dress in Art 1700 – 1900
16 / ANTONACCI LAPICCIRELLA FINE ART
Recent Acquisitions from Private Collections
17 / PAOLO ANTONACCI ROMA
Nineteenth and Twentieth Century European Paintings
and Works on Paper
18 / ARIADNE GALLERIES
Taking Shape: Form and Function in Antiquity
19 / GALERIE ARY JAN
Orientalism and Belle Epoque from the Nineteenth Century
20 / BAGSHAWE FINE ART
British Painting 1750 – 1950
21 / F. BAULME FINE ARTS
A Parisian’s Passion for Old Masters
22 / CHARLES BEDDINGTON LTD
Canaletto, Bellotto and their Circle
23 / BENAPPI FINE ART
Summer Highlights
24 / BONHAMS
Old Master Paintings
25 / GALERIE ALEXIS BORDES
French Taste: Eighteenth to Twentieth Century Painting and Drawing
26 / BRUN FINE ART
A Collection of Sculptures
27 / BURZIO.
Fine Antiques and Works of Art
28 / CALLISTO FINE ARTS
Baroque Sculptures and Paintings
29 / CHRISTIE’S
Old Master Paintings
30 / ANDREW CLAYTON-PAYNE
From London to Lucknow: A Rediscovered Collection of Drawings by Johan Zoffany (1722 – 1810)
31 / COLNAGHI
An Eye on the Antique: Seventeenth-Century Painting and Antiquity
GALLERIES 32 / GALERIE MICHEL DESCOURS 50 / KLAAS MULLER
Heroines and Muses in European Painting Flemish and Italian Masters
INDEX 1600 – 1900
51 / AMBROSE NAUMANN FINE ART
33 / DESMET GALLERY Lines of Time
Sculptures
52 / STEPHEN ONGPIN FINE ART
34 / BEN ELWES FINE ART ‘A World Caught with the Eye and Held by the Pencil’:
Master Paintings, Works on Paper & Sculpture Drawings by Adolph Menzel
35 / SAM FOGG 53 / ORDOVAS
Medieval Art in England Always Drawing: José Antonio Suárez Londoño,
36 / OLIVER FORGE & BRENDAN LYNCH LTD Works on Paper 1997 – 2018
Works of Art from the Ancient World 54 / GUY PEPPIATT FINE ART
37 / S. FRANSES British Drawings and Watercolours including Landseer
The Lost Tapestries of Charles I Drawings from the collection of the artist F.R.Lee R.A. (1798 – 1879)
38 / MARTYN GREGORY GALLERY 55 / RACCANELLO LEPRINCE
Images of South East Asia Summer Highlights
39 / FLORIAN HÄRB - MARTIN GRÄSSLE 56 / SOTHEBY’S
Master Drawings Old Master Paintings
40 / DANIEL KATZ GALLERY LTD 57 / KAREN TAYLOR FINE ART
Expressive Souls British Watercolours, Drawings and Oil Sketches
41 / LAMPRONTI GALLERY 58 / TOMASSO BROTHERS FINE ART
Mythological Paintings Lines of Time
42 / GALLERIA DEL LAOCOONTE & GALLERIA W. APOLLONI 59 / TRINITY FINE ART
Leoncillo – Drawings & Sculptures WITH GEORG LAUE, KUNSTKAMMER LTD
The Renaissance Casket from Newbattle Abbey
43 / GEORG LAUE, KUNSTKAMMER LTD
The Renaissance Casket from Newbattle Abbey 60 / GALLERIA CARLO VIRGILIO & C.
XX and XXI Century Sculptures
44 / LOWELL LIBSON &
JONNY YARKER LTD 61 / THE WEISS GALLERY
Recent Acquisitions The Elizabethan Image
45 / LULLO ³ PAMPOULIDES
The Insatiable Desire II: Collecting Paintings, Sculptures and Drawings
46 / JAMES MACKINNON PAUL JOURDY (1805 – 1856)
Woman Putting on Her Earrings, c.1841
Eighteenth to Twentieth Century British and European Paintings and Drawings Courtesy of Galerie Michel Descours
47 / OLIVIER MALINGUE
CARL FREDERIK AAGAARD (1833 – 1895)
Abstract or Not View of Mount Etna through the ruins of
Taormina Greek Theatre, 1871
48 / JOHN MITCHELL FINE PAINTINGS Courtesy of F. Baulme Fine Arts
From Fjord to Forest
PETER PAUL RUBENS and STUDIO
49 / MULLANY HAUTE EPOQUE FINE ART The Triumph of Justice
Haute Epoque Fine Art Page number / Gallery name / Exhibition title Courtesy of Lampronti Gallery
DIDIER
14 EXHIBITION TITLE 15
Silk and Finery:
A ARON Dress in Art 1700 – 1900
Third Floor Founded in 1923, the gallery has been in business for three
Clifford House generations. It is now directed from New York by Hervé Aaron and,
15 Clifford Street to enable a closer relationship with its clients, is also represented at
prestigious locations in Paris and London.
London W1S 4JY
At its three locations the gallery displays important works of art of the
CONTACT seventeenth, eighteenth and nineteenth centuries, and among its clients
Marc Fecker are some of the greatest museums worldwide.
PIETRO ROTARI (1707 – 1762) JEAN VIGNAUD (1775 – 1826)
La Dormeuse, pendant to: La Liseuse Louis Casimir de Pastour de Costebelle (1783 – 1815)
Both pastel, c.1752 – 1756 (Dresden period) in the Vestibule d’Honneur of the Palais des Tuileries
Each: 47 x 36 cm Graphite on paper, 31.5 x 23 cm
Signed: J Vignaud
www.didieraaron.com / contact@didieraaronltd.com / +44 (0) 20 7534 9100 MAP 01
ANTONACCI PAOLO
EXHIBITION TITLE 16 EXHIBITION TITLE 17
Recent Acquisitions Nineteenth and Twentieth Century
LAPICCIRELLA from Private Collections ANTONACCI European Paintings and Works on Paper
FINE ART ROMA
First Floor Francesca Antonacci Damiano Lapiccirella Fine Art is the result of a at 37 Bury Street Paolo Antonacci opened his gallery in the prestigious historical
15 Old Bond Street merger between two old-established antique galleries, both leading lights St. James’s area of the Roman art district, on via Alibert 16a right in front of
London W1S 4AX in the world of Italian and international collecting since the early 1900s. London SW1Y 6AU the via Margutta.
CONTACT The gallery, whose exhibitions are of museum standard, has become a CONTACT Paolo Antonacci’s interests in the sphere of art have always focused
Francesca Antonacci focal point over the years for enthusiasts and collectors of paintings of the Paolo Antonacci on seeking out, shedding light on and studying the artists and paintings
Damiano Lapiccirella “Grand Tour” and of drawings and sculptures by European artists from the that portrayed Rome, its Campagna, Italian vedutismo in general and the
late eighteenth to the early twentieth century. The gallery shows at the most various aspects of the “Grand Tour” from the second half of the eighteenth
prestigious art and antique fairs, and over the years, many of its works have century to the beginning of the twentieth century.
entered important public as well as numerous private collections.
ANTONIO MANCINI
(1852 – 1930)
An Old Man with
a Pipe, c.1895
Oil on canvas
100 x 60 cm
Damiano Lapiccirella & Francesca Antonacci Paolo Antonacci
VINCENZO GEMITO
(1852 – 1929) WILLIAM BELL SCOTT (1811 – 1890) ENGLISH SCHOOL
Portrait of Mariano Study for “The Fatal Sisters Select the Doomed at the Battle” First quarter of the 19th century
Fortuny, c.1880 Pencil on paper, 78.8 x 152.5 cm Elegant Figures admiring the Ruins of Tintern Abbey
Bronze, 65 x 39 cm Oil on canvas, 180 x 120 cm
Conception: 1874
Signed on the left:
Gemito
www.alfineart.com / info@alfineart.com / +39 335 669 3181 / +39 335 614 8588 MAP 02 www.paoloantonacci.com / info@paoloantonacci.com / +39 632 651 679 MAP 03ARIADNE EXHIBITION TITLE
GALERIE EXHIBITION TITLE
18 19
Taking Shape: Form and Function Orientalism and Belle Epoque
GALLERIES in Antiquity ARY JAN from the Nineteenth Century
Second Floor Founded in 1972, Ariadne has developed a reputation as one of the at Gallery 8 Mathias Ary Jan has an international reputation as a specialist
6 Hill Street leaders in the field of ancient art, with prominent galleries on New 8 Duke Street, St. James’s dealer in French and European painting from the end of the
London W1J 5NF York’s Upper East Side and in Mayfair, London. London SW1Y 6BN nineteenth and the beginning of twentieth centuries, particularly the
Orientalist school and the Belle Epoque.
CONTACT Exhibiting exceptional Egyptian, Greek, Roman, Eurasian and Byzantine CONTACT
Alexandra Hamburger works of art, Ariadne is also committed to promoting and reinvigorating Mathias Ary Jan Through a very rigorous choice of paintings, the gallery stands out as
the field, staging exhibitions of ancient objects alongside the works of major one of the best European galleries of this period.
contemporary artists, such as Richard Serra.
Gregory Demirjian, Alexandra Hamburger, Torkom Demirjian and James Demirjian Mathias Ary Jan
MESOPOTAMIAN
Weight in the form
of a Duck
Second millennium BC
Calcite
Dimensions: 26 cm L
FRANTZ CHARLET (1862 – 1928) FERDINAND ROYBET (1840 – 1920)
The Dama Game The Connoisseurs
Oil on panel, signed and dated 1891 lower left Oil on panel, signed lower right
22 x 29.9 in 21.2 x 18.1 in
www.ariadnegalleries.com / info@ariadnegalleries.com / +44 (0) 20 3053 9559 MAP 04 www.galeriearyjan.com / contact@galeriearyjan.com / + 33 (0) 1 42 61 42 10 MAP 05BAGSHAWE F. BAULME EXHIBITION TITLE
EXHIBITION TITLE 20 21
British Painting 1750 – 1950 A Parisian’s Passion for Old Masters
FINE ART FINE ARTS
First Floor Founded by Nicholas Bagshawe in 1979, and joined by his wife at Chris Beetles Gallery Having built up years of experience as a collector of Old Masters,
3 Georgian House the art historian Dr Kendall Bagshawe in 2006, Bagshawe Fine Art 8 Ryder Street Franck Baulme went on to launch a gallery in Paris in 2008.
10 Bury Street trades principally in British painting of the eighteenth, nineteenth and St. James’s
early twentieth centuries. Since 2014 he has been established in a gallery in the Hotel de
St. James’s London SW1Y 6QB
Tessé, an eighteenth century palace located on the left bank of the
London SW1Y 6AA Areas of specialization include eighteenth-century portraiture, nineteenth- Seine, in front of the Louvre. Here he presents sixteenth to nineteenth
CONTACT
century genre painting and works from the Pre-Raphaelite circle. century works of art, mainly, French, Italian, Flemish and Dutch. Important
CONTACT Franck Baulme
museums such as the Los Angeles County Museum of Art, the Louvre, the
Nicholas Bagshawe Alice Origlio
Royal Castle of Warsaw, the National Gallery of Washingtonand many
Kendall Bagshawe more have purchased works of art from his gallery.
Franck Baulme
SIR THOMAS LAWRENCE, P.R.A.
(1769 – 1830)
Portrait of the Barrister Samuel Rose JEAN-BAPTISTE PATER (1696 – 1736) CARL FREDERIK AAGAARD (1833 – 1895)
Oil on canvas The Halt, c.1732 View of Mount Etna through the ruins of Taormina Greek Theatre, 1871
76.25 x 63.5 cm Oil on canvas, 63 x 76 cm Oil on canvas, 100 x 72 cm, signed and dated, lower right
www.bagshawes.com / info@bagshawes.com / +44 (0) 20 7930 3800 MAP 06 www.fbaulme-finearts.com / contact@fbaulme-finearts.com / +33 (0) 6 19 94 92 78 MAP 07CHARLES BENAPPI
EXHIBITION TITLE 22 EXHIBITION TITLE 23
Canaletto, Bellotto and their Circle Summer Highlights
BEDDINGTON FINE ART
LTD
First Floor Charles Beddington Ltd, established in 1998, is a dealer and 27 Dover Street Benappi Fine Art are leading dealers in Italian and European Old
16 Savile Row agent in Old Master Paintings, based in Mayfair, London. We offer London W1S 4LZ Master paintings and sculpture, working with private collectors and
London W1S 3PL paintings from a broad range of periods and schools, with a leaning major museums in Europe and the United States. The gallery prides
towards the eighteenth century. CONTACT itself on displaying only the highest quality art works with extensive
CONTACT Harry Gready academic research.
Leopold Deliss Charles Beddington was at Christie’s between 1983 and 1998, ultimately
as head of the London Old Master Picture Department, and is well Benappi have been an established institution in Turin for over fifty years.
respected for his role as the pre-eminent scholar of Venetian view painting, The London gallery was opened in 2017 at 27 Dover Street and offers
and Canaletto in particular. The gallery is known for its strong academic visitors the chance to see important paintings and sculpture from the
background and for offering paintings that are either rediscoveries or fresh to fifteenth to the nineteenth century.
the market.
Charles Beddington Filippo Benappi
GIOVANNI ANTONIO CANAL
called CANALETTO (1697 – 1768)
Westminster Bridge from the North with the
Lord Mayor’s Procession, 25 May 1750
Oil on canvas
46.5 x 76.8 cm
LORENZO BARTOLINI (1777 – 1850)
Ideal Portrait of Beatrice
GIOVANNI ANTONIO CANAL (Portrait of Juliette Récamier as Beatrice)
called CANALETTO (1697 – 1768) Rome, c.1823
Old Somerset House from the River Thames Marble bust, carved fully in the round
Oil on chamfered mahogany panel Height: 47 cm
57.5 x 109 cm Signed: L.BARTOLINI
www.charlesbeddington.com / info@charlesbeddington.com / +44 (0) 20 7439 4959 MAP 08 www.benappi.com / london@benappi.com / +44 (0) 20 3865 2900 MAP 09BONHAMS GALERIE
EXHIBITION TITLE 24 EXHIBITION TITLE 25
Old Master Paintings French Taste: Eighteenth to Twentieth
ALEXIS BORDES Century Painting and Drawing
101 New Bond Street Our discoveries include Velázquez’s Portrait of a Gentleman which at Gallery 8 Situated just next to the Place Vendôme, our elegant exhibition
London W1S 1SR sold for £2,953,250, and more recently an early altarpiece identified 8 Duke Street, St. James’s space in the heart of Paris attracts an international clientele. The
as the work of the Renaissance master Lorenzo Veneziano, which London SW1Y 6BN intimacy of the upstairs gallery charms amateurs, collectors and
CONTACT made £1,688,750. institutions. The gallery welcomes clients every weekday and exhibits
Andrew McKenzie CONTACT a selection of unpublished works on paper and canvas, mainly from the
Poppy Harvey-Jones We can furthermore boast a good number of world auction records, Alexis Bordes eighteenth and nineteenth century French schools, twice a year.
including £17,106,500 for Jean Honoré Fragonard ‘s Portrait of the
Duc d’Harcourt (a global world record for an Old Master in 2013) and Every exhibition is accompanied by a well-documented catalogue. The
£1,106,500 for William Dobson’s Self-portrait. gallery has participated in the Biennale Paris since 2010, BRAFA since
2004 and TEFAF Maastricht this year. For the past few years, Alexis Bordes
has been working on a catalogue raisonné of the oeuvre of the wonderful
SALE
portraitist Henri François Riesener.
Wednesday 3 December 2 pm
VIEWING TIMES
Saturday 29 July 11 am – 5 pm
Sunday 30 July 11 am – 5 pm
Monday 1 July 9 am – 4.30 pm
Alexis Bordes
Tuesday 2 July 9 am – 4.30 pm
Wednesday 3 July 9 am – 12 pm
CHARLES PARROCEL (1688 – 1752)
A Fusilier from the French Army seen
from behind, c.1744 – 1745
JOHN CONSTABLE (1776 – 1837) JUSEPE DE RIBERA (1588 – 1656) Red chalck heightened with white
East Bergholt Common Saint Jerome in Prayer chalk on beige paper
Oil on canvas, 19.5 x 24 cm Oil on canvas, 45 x 34.5 cm 45 x 40 cm
www.bonhams.com / oldmasters@bonhams.com / +44 (0) 20 7468 8308 MAP 10 www.alexis-bordes.com / expert@alexis-bordes.com / + 33 6 80 64 34 MAP 11BRUN BURZIO. EXHIBITION TITLE
EXHIBITION TITLE 26 27
A Collection of Sculptures Fine Antiques and Works of Art
FINE ART
First and Second Floor Brun Fine Art is a leading international gallery specialising in Dover Street BURZIO. has been dealing in fine art for last three generations, the
38 Old Bond Street prestigious continental furniture, paintings, Asian works of art and London W1 third generation is represented by Luca, who works alongside his
London W1S 4QW objects of absolute quality and beauty. wife; Laura.
CONTACT
After more than twenty years of experience in the world of Fine Art, Primary specialisation is continental decorative arts, with particular
CONTACT Luca Burzio
Giovanni Lacerenza
Augusto Brun and his brother Marco decided to open a new space in attention to fine furniture, sculpture, textiles, glass, ceramics and bronzes.
Laura Burzio
London, launching the gallery Brun Fine Art at 38 Old Bond Street.
NAPLES, KINGDOM OF THE TWO SICILIES
A pair of Italian Louis XVI white painted and gilt
wood console tables with Breccia di Vituliano
Luca & Laura Burzio marble tops, 1790s
Height: 83.5 cm, length: 128 cm, depth: 51 cm
Marco & Augusto Brun
ANTONIO MARAINI (1886 – 1963)
Adam and Eve, 1923
Bronze, 76 x 42 x 12 cm
www.brunfineart.com / info@brunfineart.com / +44 (0) 20 7493 0195 MAP 12 www.lucaburzio.com / info@lucaburzio.com / +44 (0) 7502 571 587 MAP 13CALLISTO CHRISTIE’S
EXHIBITION TITLE 28 EXHIBITION TITLE 29
Baroque Sculptures and Paintings Old Master Paintings
FINE ARTS
Third Floor Callisto Fine Arts was established by Carlo Milano and Tatiana 8 King Street Christie’s is a name and place that speaks of extraordinary art,
17 Georgian House Palinkasev with the aim of dealing in the finest works of art, with a fresh St. James’s unparalleled service and expertise, as well as international glamour.
10 Bury Street approach and with a great attention to research. The name of the London SW1Y 6QT
gallery comes from the Greek word for “the most beautiful”. Founded in 1766 by James Christie, Christie’s has since conducted the
London SW1Y 6AA greatest and most celebrated auctions through the centuries, providing
CONTACT
Callisto has discovered major Renaissance and Baroque works of art Henry Pettifer
a popular showcase for the unique and the beautiful. For London Art
CONTACT
over the years, and counts among their clients international museums Week, Christie’s London opens its doors for an exhibition of works from
Carlo Milano and private collectors. It participates to London Art Week, Fine Arts Paris their upcoming Old Master Paintings sales, showcasing art by some of the
and Modena Antiquaria. greatest names in Western art history.
Masterpieces of European sculpture and paintings unearthed by Callisto
have been sold to institutions like the Metropolitan Museum of Art and the SALE
Los Angeles County Museum of Art, among others, and to prestigious private Thursday 4 July 7 pm
collectors worldwide. VIEWING TIMES
Saturday 29 June 12 noon – 5 pm
Sunday 30 June 12 noon – 5 pm
Monday 1 July 9 am – 4.30 pm
Tuesday 2 July 9 am – 8 pm
Wednesday 3 July 9 am – 4.30 pm
Carlo Milano Thursday 4 July 9 am – 12 noon
FRANS VAN MIERIS (1635 – 1681)
An Interior with a Woman reading Music at a partially
draped Table with a double-headed Lute
Signed and dated F van. Mieris 1671
Oil on panel, unframed, 22.2 x 18.1 cm
CLAUDE DE JONGH (c.1605 – 1663)
GIOVANNI COLI (1636 – 1691) and FILIPPO GHERARDI (1643 – 1704) DOMENICO ANTONIO VACCARO (1678 – 1745) Old London Bridge, signed and dated C.d. Jonghe / 1650 (lower left, on the wall)
The Sacrifice of Polyxena, oil on canvas, 200 x 134 cm The Risen Christ, polychrome terracotta, 71 cm Oil on panel, unframed, 43.4 x 101.5 cm
www.callistoart.com / info@callistoart.com / +44 (0) 207 8397037 MAP 14 www.christies.com / info@christies.com / +44 (0) 20 7839 9060 MAP 15ANDREW COLNAGHI
EXHIBITION TITLE 30 31
EXHIBITION TITLE
From London to Lucknow: A Rediscovered An Eye on the Antique: Seventeenth-Century
CLAYTON-PAYNE Collection of Drawings by Johan Zoffany Painting and Antiquity
(1722 – 1810)
Second Floor Andrew Clayton-Payne set up his art dealership in 1997 26 Bury Street Founded in 1760, Colnaghi has a rich and varied history as a
16 Savile Row after having worked at Christie’s, where he was Head of St. James’s leading Old Master dealership.
London W1S 3PL British drawings and watercolours. He specialises in British and London SW1Y 6AL
European art 1700 – 1850. For London Art Week, alongside our usual selection of important
CONTACT CONTACT Spanish and Italian paintings and sculptures, we will be putting on an
Andrew Clayton-Payne He has sold important paintings and drawings to some of the major Will Elliott exhibition exploring the relationship between seventeenth-century artists
museums in the world such as the Tate, Metropolitan Museum of Art, and antiquity, juxtaposing Ancient Greek and Roman art and objects with
New York and the Getty Museum, Los Angeles. The main focus of his the paintings they inspired.
business is the buying and selling of works by Gainsborough, Constable
and Turner. This year we are also launching an exciting project in Venice, at the historic
Abbazia di San Gregorio, merging the spirit of the Grand Tour with the desires
of the twenty-first century traveller.
Andrew Clayton-Payne Jorge Coll
CEO
Samno-Attic Helmet
Late 5th to early 4th century BC,
Bronze, 27.7 cm
JOHAN ZOFFANY (1733 – 1810) JOHAN ZOFFANY (1733 – 1810) HENDRICK DE CLERK (c.1560 – 1630)
Study of an Indian Cow, c.1793 Self-Portrait, 1796 The Judgement of Paris
Black, white and coloured chalks on paper, 27 x 41 cm Black, white and coloured chalks on paper, 35.5 x 26.6 cm Oil on panel, 103 x 136 cm
www.clayton-payne.com / andrew@clayton-payne.com / +44 (0) 20 7493 6980 MAP 16 www.colnaghi.com / info@colnaghi.com / +44 (0) 20 7491 7408 MAP 17GALERIE MICHEL DESMET EXHIBITION TITLE
EXHIBITION TITLE 32 33
Heroines and Muses in European Painting Sculptures
DESCOURS 1600 – 1900 GALLERY
at Lampronti Gallery Michel Descours and his team offer an array of artworks from the at Willow Gallery The gallery is a young family business, founded in 1980 and
44 Duke Street, St. James’s Renaissance to the twentieth century. Established in 1975 on the Rue 40-41 Duke Street, St. James’s recently joined by the second generation.
London SW1Y 6DD Auguste-Comte, each year the gallery holds two exhibitions complete London SW1 Y6D
with catalogues in collaboration with international researchers. The gallery is based in the Sablon district – the heart of art in Belgium
CONTACT CONTACT – and is focussed on classical sculpture and works of art, dating from
Michel Descours The gallery’s work has led to noteworthy sales to major museums around Tobias Desmet Antiquity to the Neoclassical period; reflecting the taste of a ‘Grand Tour’
Mehdi Korchane the world. Accompanied by their bookshop, Librairie des arts Michel Tom Desmet collector or traveller.
Marianne Paunet Descours, the gallery also welcomes its clients and a wide circle of art lovers
to lectures on a regular basis. This year Michel Descours will be opening a
new space on Rue de Louvois, in Paris.
Michel Descours Tobias & Tom Desmet
Circle of LEONHARD KERN
(1588 – 1662)
Orpheus losing Eurydice at the
gates of the Hades
German Alabaster, S. Germany
Second quarter 17th Century
NICOLAS CHAPERON (1612 – 1654/1655) PAUL JOURDY (1805 – 1856) 17.3 (height) x 15.3 (width) cm
Diane Chasing Satyrs, c.1635 Woman Putting on Her Earrings, c.1841 After the model by Peter Vischer
Oil on canvas, 123 x 134 cm Oil on canvas, 128 x 75 cm the Younger (1487 – 1525)
www.peintures-descours.fr / contact@galerie-descours.com / +33 (0) 680 065203 / +33 (0) 4783 73454 MAP 18 www.gallerydesmet.com / info@gallerydesmet.com / +32 (0) 486 02 16 09 / +32 (0) 475 37 60 50 MAP 19BEN ELWES SAM FOGG
EXHIBITION TITLE 34 EXHIBITION TITLE 35
Master Paintings, Works on Paper Medieval Art in England
FINE ART & Sculpture
First Floor Ben Elwes Fine Art has an established reputation as a specialist dealer 15D Clifford Street Over the last three decades, Sam Fogg has built a reputation as the
45 Maddox Street in the field of Old Master and British paintings. Ben, together with his London W1S 4JZ world’s leading dealer in the art of the European Middle Ages.
London W1S 2PE wife Rachel Layton Elwes who comes from an American academic and
museum background, founded the gallery in 2004 in the heart of Mayfair. CONTACT By raising the profile and visibility of this great and expanding subject,
CONTACT Matthew Reeves the gallery is committed to continually challenging and re-defining the
Rachel Elwes Their clients include some of the world’s major museums including the market for Medieval Art.
National Gallery, Tate Britain, the Musée du Louvre and the Metropolitan
Museum of Art.
Ben Elwes and Rachel Elwes
MARGARET FOLEY
(c.1827 – 1877)
Jenny Lind (1820 – 1887) ENGLAND, NORWICH c.1525
c.1866 – 1869 A roundel showing a woman
Sculpted white marble harvesting hay; June, from a
portrait relief roundel, series depicting the Labours of
Inscribed MF FOLEY the Months
SC ROME Made for the Norwich house of
41.5 cm diameter Thomas Pykerell (d. 1545)
4.5 cm depth 26.5 cm diameter
www.benelwes.co.uk / gallery@benelwes.co.uk / +44 (0) 20 7629 6645 MAP 20 www.samfogg.com / info@samfogg.com / +44 (0) 20 7534 2100 MAP 21OLIVER FORGE & S. FRANSES EXHIBITION TITLE
EXHIBITION TITLE 36 37
Works of Art from the Ancient World The Lost Tapestries of Charles I
BRENDAN LYNCH
LTD
First Floor Oliver Forge and Brendan Lynch specialise in Antiquities and 80 Jermyn Street S Franses Ltd is known for exceptional tapestries and carpets and
2 Georgian House Islamic and Indian art. Established in 1998 the company has sold St. James’s outstanding examples of textile art. The gallery only handle works
10 Bury Street to institutions and private collectors worldwide. London SW1Y 6JD that have relevance to living and collecting today. Recent exhibitions
include “Henry VIII: The Unseen Tapestries” and “Medieval and
St. James’s
A recent discovery was a ‘lost’ Roman marble bust of Antinous-Osiris CONTACT Renaissance Tapestry in Europe” with the Palace of the Grand Dukes of
London SW1Y 6AA from the collection of Thomas Hope. Found in a house in Derbyshire its Lithuania, Vilnius.
Simon Franses
whereabouts were unknown since 1917. In December 2017 the company
CONTACT
sold a group of Iznik pottery from the collection of Sir Alan Barlow (1881- The Franses Tapestry Archive and Library in London, established in 1987,
Oliver Forge 1968) to a single private collector. is devoted to the study of European tapestries and figurative textiles. It is the
Brendan Lynch world’s largest academic research resource on the subject and now holds over
240,000 visual records of European tapestries accessible by subject, date,
country of manufacture and place of origin.
Simon Franses
Oliver Forge & Brendan Lynch
ROYAL MORTLAKE WORKSHOP
Dido and Aeneas. A newly discovered tapestry from a major lost series of Mortlake
tapestries The Voyages of Aeneas Navitatione d’Enea
After Designs by PERINO DEL VAGA and FRANCIS CLEYN
A Roman banded agate trapezophoros fragment in the A Hellenistic marble head of a Queen Mortlake, England, circa 1640’s, hand woven with coloured wools and silks
form of the head of a lion, second century AD, 18.4 cm Third-second century BC, height: 27 cm 4.62 m width x 3.43 m height
www.forgelynch.com / oliver@forgelynch.com / +44 (0) 20 7839 0368 MAP 22 www.franses.com / gallery@franses.com / +44 (0) 20 7976 1234 MAP 23MARTYN GREGORY FLORIAN HÄRB -
EXHIBITION TITLE 38 EXHIBITION TITLE 39
Images of South East Asia Master Drawings
GALLERY MARTIN GRÄSSLE
34 Bury Street Established in 1965, Martyn Gregory is the world’s leading Second Floor Florian Härb and Martin Grässle specialise in old master and
St. James’s authority on the art of the ‘China Trade’ and pictures 5 Dalmeny Court nineteenth century drawings. Both have previously worked with
London SW1Y 6AU relating to China and the Far East by both Western and 8 Duke Street Katrin Bellinger in London and Munich.
Eastern artists.
St. James’s After running the drawings department at Colnaghi’s in the early 2000s,
CONTACT
As well as showing work at the gallery in St. James’s, Martyn London SW1Y 6BL Florian set up his own business in St. James’s in 2007. Following Katrin’s
Oliver Harris
Gregory holds an annual exhibition in Hong Kong and exhibits at retirement from the art trade in 2015, and after running Katrin Bellinger
TEFAF Maastricht and in New York. CONTACT Kunsthandel in Munich for twenty-seven years, Martin opened his own
Florian Härb premises in central Munich the same year. Florian and Martin regularly exhibit
Martin Grässle at art fairs and events such as the Salon du Dessin and the London Art Week.
Florian Härb & Martin Grässle
CHARLES W. ANDREWS (1830 – 1869)
A View of Manila from the Pasig River, c.1860
Pencil and watercolour with white heightening, 36.5 x 58.9 cm
RADEN SALEH (1811 – 1880)
Portrait of Jan Peter Lodewijk Albert Gezelschap
Oil on canvas, 38 x 32 cm
Signed and dated Raden Saleh 1835 (lower left)
HANNS ULRICH FRANCK (1603 – 1680) ADOLPH MENZEL (1815 – 1905)
Hercules, Nessus and Deianira The Church of Aura near Kissingen , 1884
Black and white chalk on beige paper, 21.2 cm (diam.) Carpenter’s pencil, 31.3 x 23.5 cm
Signed and dated, upper left, A. Menzel / 84
www.florianhaerb.com / florian@florianhaerb.com / +44 (0) 774 779 1670
www.martyngregory.com / info@martyngregory.com / +44 (0) 20 7839 3731 MAP 24 www.graessle-art.com / contact@graessle-art.com / +49 172 819 7556 MAP 25DANIEL KATZ LAMPRONTI EXHIBITION TITLE
EXHIBITION TITLE 40 41
Expressive Souls Mythological Paintings
GALLERY LTD GALLERY
6 Hill Street Danny Katz has been dealing in Old Master sculpture since 1968 44 Duke Street, St. James’s The Lampronti Gallery specialises in Italian seventeenth and
London WIJ 5NF and is renowned for handling only the best. Blessed with a famously London SW1Y 6DD eighteenth century Old Master painting, with a particular focus on
discerning ‘eye’ he blends the passion of a collector with the expertise view paintings, landscapes and still lives, ranging from Caravaggio
CONTACT of a connoisseur. CONTACT to Canaletto. The gallery participates in the most prestigious Old
Tom Davies Cesare Lampronti Master fairs throughout Europe, such as the Biennale Internazionale di
The Daniel Katz Gallery is based at an elegant townhouse at 6 Hill Street, Roma, the Biennale Internazionale di Firenze, and TEFAF.
just off Berkeley Square. From here it displays beautiful works of art from
antiquity to the twentieth century. The gallery collaborates with international museums and institutions in
conducting research and providing loans for exhibitions.
Daniel Katz, Tom Davies and Aude Breusse Cesare Lampronti
GASTON LA TOUCHE (1854 – 1913) AUGUSTE RODIN (1840 – 1917) PETER PAUL RUBENS
The Lovers Fugit Amor, bronze, 45 x 36.8 cm and STUDIO
Oil on canvas, 114 x 121 cm Signed A.Rodin on the front of the base and inscribed with the foundry The Triumph of Justice
Signed and dated 1890 – 1893 mark L. Perzinka Fondeur Versailles on the back of the base, conceived Oil on canvas
before 1887; this bronze cast by the Perzinka foundry, Versailles, in 1899 145 x 170 cm
www.katz.art / info@katz.art / +44 (0) 20 7493 0688 MAP 26 www.cesarelampronti.com / info@cesarelampronti.co.uk / +44 (0) 20 7839 2977 MAP 27GALLERIA DEL GEORG LAUE, EXHIBITION TITLE
EXHIBITION TITLE 42 43
Leoncillo – Drawings & Sculptures The Renaissance Casket
LAOCOONTE KUNSTKAMMER from Newbattle Abbey
& GALLERIA LTD
W. APOLLONI Founded in 1926, Galleria W. Apolloni has been in business for at Trinity Fine Art Georg Laue is internationally known for exceptional Renaissance
three generations and has sold many masterpieces to museums Second Floor artworks made for Kunst- and Wunderkammer out of amber, coral,
at Laocoon Gallery in Italy and abroad, such as the Coaci inkstand to the Minneapolis 15 Old Bond Street coconut, silver, rock crystal and other precious materials.
2a-4 Ryder Street Institute of Art and the Pétiet family portraits by Andrea Appiani to
London W1S 4AX
the Villa Reale in Milan. In his Munich gallery, he recreates the atmosphere of the princely
St. James’s
Kunstkammer representing the macrocosm on the base of mankind’s
London SW1Y 6QB In 2012, together with his wife Monica Cardarelli, he founded Galleria
CONTACT
artistic creations and God’s natural works. In building up Kunstkammer
Georg Laue
del Laocoonte, which has specialised in presenting the works of twentieth collections, Georg Laue has not just become a staunch ally of collectors.
CONTACT
century Italian artists including Sironi, Savinio, Severini, Balla and many He also supports public institutions, among them some leading museums,
Eleonora Falovo others with exhibitions at their gallery in Rome, fairs across Europe and even in preparing and carrying out Kunstkammer exhibitions. Since 2014, he is
Marco Fabio Apolloni in public museums. also based in London with his Kunstkammer Ltd.
Marco Fabio Apolloni Georg Laue
& Monica Cardarelli
Court Renaissance Casket from
Newbattle Abbey
Master of Perspective,
Nuremberg, dated 1565
Various woods, engraved bone,
mother of pearl, alabaster,
etched and fire-gilt iron
Dimensions 35 x 53 x 36 cm
LEONCILLO LEONARDI
(1915 – 1968)
Due Tagli, 1967
Pastel on torn paper applied to
cardboard, signed & dated
58 x 38 cm
www.laocoontegalleria.it / laocoontegallery@libero.it / marcofabioapolloni@gmail.com
+39 348 123 4707 / +39 347 156 5812 MAP 28/29 www.kunstkammer.com / london@kunstkammer.com / + 44 73 6537 5486 / + 44 (0) 20 7493 4916 MAP 30LOWELL LIBSON & EXHIBITION TITLE
LULLO ³
44 EXHIBITION TITLE 45
Recent Acquisitions The Insatiable Desire II
JONNY YARKER LTD PAMPOULIDES Collecting Paintings, Sculptures and Drawings
Second Floor Lowell Libson & Jonny Yarker Ltd has an international First Floor Lullo Pampoulides is a specialist dealership focused on master
3 Clifford Street reputation as a specialist dealer in British art with an 33 Cork Street paintings and sculpture. Established in 2016 by Andrea Lullo and
London W1S 2LF emphasis on paintings, watercolours, drawings and sculpture London W1 S 3NQ Andreas Pampoulides, two long-time friends and art experts, it is
of the seventeenth to mid-nineteenth centuries and are based in a bespoke gallery in the heart of Mayfair where it presents
CONTACT recognised for handling important works of outstanding quality CONTACT
artworks in a fresh and modern context, supported by rigorous, up to
Lowell Libson backed with exceptional scholarship. Chiara Soldi
date and accessible scholarship.
Jonny Yarker Matteo Zambolo
We count leading American, European and British museums and Their ambition is to assist art lovers of all ages to engage with paintings
private collectors amongst our regular clients. and sculptures from all periods, all schools and across all price levels.
Lowell Libson & Jonny Yarker Andreas Pampoulides & Andrea Lullo
FEDERICO JEHUDA
POLLACK, known as
GINO PARIN (1876-1944)
THOMAS GAINSBOROUGH R.A.(1727 – 1788) POMPEO GIROLAMO BATONI (1708 – 1787) Fanny Tedeschi in Purple
A Mountainous Landscape with a Herdsman and his Cattle Portrait of Philip Stanhope, c.1750 and black, c.1926
Drawn in the mid to late 1770s, black and white chalks and stump on white Oil on canvas, 96.5 x 72.4 cm Oil on canvas
wove paper, 28 x 36.8 cm 140 x 130 cm
www.libson-yarker.com / pictures@libson-yarker.com / +44 (0) 20 7734 8686 MAP 31 www.lullopampoulides.com / info@lullopampoulides.com / +44 (0) 20 7494 2551 MAP 32JAMES OLIVIER
EXHIBITION TITLE 46 EXHIBITION TITLE 47
Eighteenth to Twentieth Century British Abstract or Not
MACKINNON and European Paintings and Drawings MALINGUE
at Saffronart James Mackinnon has been an independent dealer since 1970, First Floor Olivier Malingue was founded on London’s New Bond Street in
First Floor specialising in European paintings and drawings from 1780 – 1850. 143 New Bond Street 2016 to bring key historical works into contemporary curatorial
73 New Bond Street London, W1S 2TP frameworks. With access to a wide range of Impressionist, Modern,
London W1S 1RS He concentrates on the French and British Schools, but also the Surrealist, Post-war and Contemporary works, the gallery presents a
Italian, German and Northern artists working in Italy, employing his CONTACT
considered exhibition programme which intelligently combines works
CONTACT
extensive knowledge of the plein-air landscape oil sketch. Among Olivier Malingue from different historical contexts.
James Mackinnon rediscovered paintings were the first known oil by the Italian Giambattista Priscilla Malingue
Lusieri and views by Thomas Jones. Cassandra Brayham Through his programme, Olivier Malingue builds on over twenty years of
expertise dealing with key pieces by internationally acclaimed masters from
the nineteenth and twentieth centuries.
James Mackinnon Olivier & Priscilla Malingue
GAËTAN CATHELINEAU (1787 – 1859)
Une cave en Touraine
Oil on paper laid on canvas
41 x 33 cm
Signed and dated 1824
JEAN DUBUFFET (1901 – 1985)
GEORGE RICHMOND R.A. Le Margrave, 1970
(1809 – 1896) Transfer on polyester
London Inferno Signed and dated on the outside
Oil on panel, 44 x 81.3 cm of the left leg: J.D.70
Signed with initials and 88.2 x 39.8 x 22.7 cm
dated 1874 (34 ¾ x 15 ⅝ x 9 in)
info@mackinnon.com / +44 (0) 7973 539 332 MAP 33 www.oliviermalingue.com / info@oliviermalingue.com / +44 (0) 20 3621 2730 MAP 34JOHN MITCHELL MULLANY
EXHIBITION TITLE 48 EXHIBITION TITLE 49
From Fjord to Forest Haute Epoque Fine Art
FINE PAINTINGS HAUTE EPOQUE
FINE ART
First Floor John Mitchell Fine Paintings is an independent family business 11 Bury Street Based in St. James’s, London, Mullany specialises in Haute Epoque
17 Avery Row established in 1931. Now in its third generation it is run by brothers St. James’s fine art with an emphasis on continental sculpture, works of art and
Brook Street James and William Mitchell. They specialise in buying and selling London SW1Y 6AB complementary old master paintings dating from 1200 – 1700.
European and British paintings and drawings from the seventeenth to
London W1K 4BF the twentieth century. Our international exhibitions include TEFAF Maastricht, TEFAF New
CONTACT
Nicholas Mullany
York Fall, BRAFA (Brussels Antiques & Fine Arts Fair), London Art Week
CONTACT
Over the firm’s ninety-year history they have sold paintings to many Angela Mullany
and Master Drawings New York. We are members of the BADA, the
James Mitchell national and international institutions; most notably in recent years the SLAD, the SNA, the CRAB / KKAB and the CINOA.
William Mitchell earliest Dutch painting in the National Gallery of Art, Washington; a winter
James Birtwistle landscape of 1611 by Adam van Breen.
James Mitchell & William Mitchell
PEDER BALKE (1804 – 1887)
Landscape from Finnmark
Oil on canvas, 34.9 x 52 cm
ENGLAND, NOTTINGHAM
15th century
Relief with the Adoration
JOHANN GOTTFRIED STEFFAN of the Magi
(1815 – 1905) Alabaster, with original
Lake Brienz, Switzerland, 1865 polychrome and gilding
Oil on canvas, 36.4 x 46 cm 39 x 24.8 cm
www.johnmitchell.net / enquiries@johnmitchell.net / +44 (0) 207493 7567 MAP 35 www.mullanyfineart.com / info@mullanyfineart.com / +44 (0) 207 592 0276 / +44 (0) 77 96 30 30 81 MAP 36KLAAS MULLER AMBROSE
EXHIBITION TITLE 50 EXHIBITION TITLE 51
Flemish and Italian Masters Lines of Time
NAUMANN
FINE ART
at Willow Gallery Klaas Muller BVBA was founded in 2000. Muller’s passion for art at Tomasso Brothers Fine Art Ambrose Naumann Fine Art opened its doors in New York City
40-41 Duke Street was passed on by his family, known as artists and art dealers for Marquis House in October of 2018. The gallery deals in late nineteenth and
St. James’s several generations. After having studied art history at the University 67 Jermyn Street early twentieth century European paintings and works on paper, a
of Gent, Klaas Muller decided to open a gallery in Brussels, near the particularly rich offering of Belgian artists of the fin-de-siècle.
London SW1Y 6DF St. James’s
Sablon.
London SW1Y 6NY Within the first months of residency on the Upper East Side ANFA has
CONTACT
In recent years he has become more focused on Flemish Old Master participated in October Art Week and Master Drawings New York.
Klaas Muller paintings, drawings and sculptures of the late sixteenth and seventeenth CONTACT
century, with a preference for Rubens, his studio and his school. Among LeeAna Wolfman
its clientele the gallery counts renowned international museums such as the
Metropolitan Museum of Art and the Louvre, as well as private collectors.
Klaas Muller Ambrose Naumann & LeeAna Wolfman
JACOB JORDAENS
(1593 – 1678)
Study of a lady looking
down, seen en profile
towards the left, resting GUSTAAF C. DE BRUYNE
her right hand on her left (1914 – 1981)
shoulder, c.1623 – 1625 Waarom (Why)
Black and red chalk on Oil on panel, 27 x 20.6 cm
tinted paper, heightened Signed and dated lower right
with white, 37.4 x 26.3 cm G.C. De Bruyne / 1961
www.klaasmuller.com / muller.antiques@skynet.be / +32(0) 478 38 18 29 MAP 37 www.anfainc.com / info@anfainc.com / +1 (212) 734 0050 MAP 38STEPHEN ONGPIN EXHIBITION TITLE 52 53
‘A World Caught with the Eye and Held
ORDOVAS EXHIBITION TITLE
Always Drawing: José Antonio Suárez
FINE ART by the Pencil’: Drawings by Adolph Menzel Londoño, Works on Paper 1997 – 2018
Riverwide House Stephen Ongpin has nearly thirty years of experience as 25 Savile Row Founded in 2011, Ordovas deals in the best of twentieth
6 Mason’s Yard a dealer in Old Master, nineteenth and twentieth century London W1S 2ER century and contemporary art with a museum quality exhibition
Duke Street, St. James’s drawings. He began his career at P. & D. Colnaghi in 1986, programme in London and New York. Pilar Ordovas previously
responsible for researching, writing, and editing the gallery’s CONTACT worked at Christie’s, as International Director and Deputy Chairman,
London SW1Y 6BU
annual catalogues of drawings. Gonzalo Ordovas Post-War and Contemporary Art in Europe, and as a Director of
Gagosian Gallery, London. Scholarly in tone, the exhibition programme
CONTACT
Since 2006, Stephen has worked independently as a private dealer in focuses on historical works as well as modern masters, often displaying
Stephen Ongpin
the field of Old Master, Nineteenth Century and Modern drawings. In works that have not been seen for generations.
Laura Ongpin
December 2007 he opened a gallery in St. James’s in London. Stephen
Megan Corcoran
Ongpin Fine Art mounts annual exhibitions of Master Drawings in both Ordovas has organised exhibitions in conjunction with a number of leading
London and New York, and issues regular catalogues. institutions, including The Courtauld and Dulwich Picture Gallery, the
Rijksmuseum and The Nelson-Atkins Museum of Art.
ADOLPH MENZEL (1815 – 1905)
A Bearded Man Looking Down to the Left
Graphite (carpenter’s pencil) and black
chalk, with stumping, 20.6 x 13 cm
Signed with initials and dated A.M. / 91
at the lower left
Stephen Ongpin Pilar Ordovas
JOSÉ ANTONIO SUÁREZ
ADOLPH MENZEL (1815 – 1905) LONDOÑO (b. 1955)
Portrait of the Daughter of Dr. Karl von Maercker 014, executed in 1999
Watercolour and gouache, over an underdrawing in pencil Watercolour, inks and pencil
22.1 x 18 cm, signed and dated Menzel / Sept. 1848 at the lower left on paper, 13.9 x 9.3 cm
www.stephenongpin.com / info@stephenongpinfineart.com / +44 (0) 20 7930 8813 / +44 (0) 7710 328 627 MAP 39 www.ordovasart.com / london@ordovasart.com / +44 (0) 207 287 5013 MAP 40GUY PEPPIATT EXHIBITION TITLE
RACCANELLO EXHIBITION TITLE
54 55
British Drawings and Watercolours, including Summer Highlights
FINE ART Landseer Drawings from the Collection of the LEPRINCE
Artist F.R.Lee R.A. (1798 – 1879)
Third Floor Guy Peppiatt started his working life at Dulwich Picture Gallery at Shapero Rare Books Raccanello Leprince display Renaissance pottery in a modern
6 Mason’s Yard before joining Sotheby’s British Watercolours department in 1993. 32 Saint George Street style without vitrines or glass cabinets. The choice of items is highly
Riverwide House London W1S 2EA selective; quality, rarity, condition and the impact of each piece must
He left Sotheby’s in 2004 to become an independent dealer and has be attractive to a modern public.
Duke Street, St. James’s
shared a gallery in Mason’s Yard with Stephen Ongpin for the past ten CONTACT
London SW1 6BU years, specialising in eighteenth and nineteenth century British drawings We look to appeal to collectors, connoisseurs and museum curators as
Justin Raccanello
and watercolours. well as new clients who have never looked at ceramics before. We also
CONTACT
publish a series of more academic books under the title “Feu et Talent”.
Guy Peppiatt
Guy Peppiatt Camille LePrince & Justin Raccanello
SIR EDWIN HENRY LANDSEER, R.A. (1802 – 1873) JOHN SELL COTMAN (1782 – 1842)
Stags by a Fallen Tree The South Gate, Yarmouth
Pen and brown ink on wove Whatman paper dated 1835 Watercolour over pencil, 18.5 x 22.7 cm URBINO, attributed to
11.3 x 18.1 cm, inscribed lower centre: Sir E Landseer RA Inscribed in another hand on part of the old mount: North Side of South Gate - THE CONVERSION OF
Yarmouth, taken down in 1812. John Sell Cotman SAUL PAINTER
c.1560 – 1570
Noli me Tangere
Tin-glazed earthenware
Diameter: 42.5 cm
www.peppiattfineart.co.uk / guy@peppiattfineart.co.uk / +44 (0) 20 7930 3839 / +44 (0) 7956 968 284 MAP 41 www.bazaart.co.uk / info@bazaart.co.uk / +44 (0) 7710 461627 MAP 42SOTHEBY ’S KAREN TAYLOR EXHIBITION TITLE
56 57
EXHIBITION TITLE
Old Master Paintings British Watercolours, Drawings
FINE ART and Oil Sketches
6-7 St. George Street Sotheby’s Old Masters department is the most experienced in The Courtyard Shop Karen Taylor is a private dealer in British and topographical art
London, W1S 2FE the field with an average tenure of over 30 years amongst our 4 Mason’s Yard with a particular interest in works of historical and geographical
senior specialists. Duke Street, St. James’s importance, mainly from the eighteenth and nineteenth centuries.
CONTACT
London SW1 6JF
Andrew Fletcher During London Art week in 2019 we will be offering for sale Karen worked in the British drawings department at Sotheby’s and
important Fine and Decorative Arts in a series of auctions including after ten years moved to Spink, where she ran the picture department. In
CONTACT
Old Master paintings and drawings; Antique and Old Master 1999 she established Karen Taylor Fine Art and for the last three years she
Karen Taylor
Sculpture; Treasures; and Illuminated Manuscripts. We look forward to has been regularly exhibiting at fairs in London and holding exhibitions.
welcoming you to our galleries.
A fully illustrated catalogue of the exhibition is available.
SALE
Wednesday 3 July 7 pm
VIEWING TIMES
Saturday 29 June 12 noon – 5 pm
Sunday 30 June 12 noon – 5 pm
Monday 1 July 9 am – 4.30 pm
Tuesday 2 July 9 am – 4.30 pm FRANCIS DANBY ARA (1793 – 1861)
Wednesday 3 July 9 am – 1 pm A Boatyard, possibly at Exmouth Point, Devon
Karen Taylor Oil on paper, 12.6 x 19 cm
JOSEPH MALLORD
WILLIAM TURNER, R.A.
Landscape with Walton
Bridges, c.1840 – 1850
Oil on canvas
87.5 x 118 cm
Estimate £4,000,000 –
6,000,000
www.sothebys.com / enquires@sothebys.com /+44 (0) 20 7293 6414 MAP 43 www.karentaylorfineart.com / karen@karentaylorfineart.com / +44 (0) 20 8743 9207 / +44 (0) 7881 581275 MAP 44TOMASSO TRINITY FINE ART
EXHIBITION TITLE 58 EXHIBITION TITLE 59
Lines of Time The Renaissance Casket
BROTHERS WITH GEORG LAUE, from Newbattle Abbey
FINE ART KUNSTKAMMER LTD
Marquis House Tomasso Brothers, established in 1993 and based at Bardon Hall, Leeds Second Floor Established in 1984, Trinity Fine Art has earned a
67 Jermyn Street and Marquis House, London, are recognised for specialising in important 15 Old Bond Street reputation as a leading destination for exceptional
St. James’s European sculpture from the early Renaissance to the Neoclassical London W1S 4AX works of art which are nearly always sourced from private
periods, with a particular knowledge of European Renaissance bronzes. collections, giving our visitors the opportunity to enjoy
London SW1Y 6NY museum quality pieces in an intimate environment.
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In addition to advising private collectors of European sculpture and Alexandra Toscano
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Old Master paintings internationally, Tomasso Brothers Fine Art has Specialising in Master Paintings, Sculpture and Works of Art from
Emanuela Tarizzo made significant sales to some of the world’s most prestigious museums the fifteenth to nineteenth centuries, we exhibit at the principal art
and have promoted and supported major international institutions. In 2012 fairs, loan to museums and sponsor institutional exhibitions. Our
Tomasso Brothers were one of the sponsors of the landmark show ‘Bronze’ at clients include many of the world’s major museums as well as most
the Royal Academy of Arts, London. important private collections.
Dino Tomasso & Raffaello Tomasso Carlo Orsi, Walter Padovani and Alexandra Toscano
Court Renaissance Casket from
Newbattle Abbey by the Nuremberg
Master of Perspective, dated 1565,
on its English stand attributed to
James Moore, c.1720
Various woods, engraved bone,
mother of pearl, alabaster,
etched and fire-gilt iron
Dimensions with stand:
89 x 57.5 x 39 cm
NORTH ITALIAN c.1500 – 1520 Attributed to JAN CLAUDIUS DE COCK (1667 – 1735)
Head of Cupid Weeping A Pair of Dwarfs
Bronze White Carrara marble on integral polylobed plinths
17.2 cm high 35 cm high (she), 36.5 cm high (he)
www.tomassobrothers.co.uk / info@tomassobrothers.co.uk / +44 (0) 20 7839 9394 MAP 45 www.trinityfineart.com / info@trinityfineart.com / +44 (0) 20 7493 4916 MAP 46You can also read
