SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
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The three mythological scenes painted by Velázquez and lost in the re of 1734 When the Real Alcázar was burnt down over 500 works of art were destroyed, these included many important pieces by Titian, Veronese, Rubens, and Velázquez. Of the series of 4 mythological scenes by Velázquez, which had been hanging in the Hall of Mirrors, only Mercury and Argus was saved from the ames. Today it is hanging in the Prado, and although it has suffered alterations and additions, it is still considered one of this great artist’s most interesting late works. We know from the late 17th century Royal Inventories, that the three lost paintings were depictions of Venus and Adonis, Apollo and Marsyus, and Psyche and Cupid. Thanks also to these inventories we have a good idea of the canvas size too, and more or less how they had been hung. Although we have no idea how they looked. My idea here has been to produce these three lost tales from Ovid, following the treatment of the surviving Mercury and Argus, in mood light and technique. There is an atmosphere of suspense, premeditating the action which gives Mercury and Argus (1659) its tension, and this I have also tried to maintain in different ways. It was interesting to have to decide which moment from each story Velázquez would have chosen, and here I have opted for the unity of couples in landscape. The 2 violent central scenes anked by the death of Adonis on the left, and the resurrection of Psyche on the right. I imagine the four paintings, each with its couple painted to the same scale, stretching frieze-like at eyelevel above the famous lion tables, all the way down the south wall of the great state room. It has been suggested that the hanging of paintings in this room, had been decided by Velázquez himself, and that there may also have been interrelation from one painting to another (cf. Steven N. Orso). Prosaically, in my mind, the reddening dusk in Titians Portrait of Charles V on horseback casts him as strolling, lance at the ready, towards Velázquez´s twilight land of Gods. Simon Edmondson, Madrid. Acknowledgements: Jose Manuel Barbeito: El Alcázar de Madrid. Colegio O cial de Arquitectos de Madrid 1992. Steven. N. Orso: Philip IV and the decoration of the Alcázar of Madrid. Princetown Univ. Press 1986. Museo Nacional del Prado, Madrid. fi fl fi fl
PSIQUE Y CUPIDO I VENUS Y ADONIS I 2014 2014 Charcoal on paper Charcoal on paper 107 x 148 cm 107 x 148 cm
PSIQUE Y CUPIDO II VENUS Y ADONIS II 2014 2014 Charcoal on paper Charcoal on paper 107 x 148 cm 107 x 148 cm
PSIQUE Y CUPIDO VENUS Y ADONIS 2017 2017 Charcoal on paper Charcoal on paper 58,5 x 83,5 cm 58,5 x 83,5 cm
APOLO Y MARSIAS 2017 Charcoal on paper 58,5 x 152,5 cm
MERCURIO Y ARGOS 2017 Charcoal on paper 58,5 x 152,5 cm
STANDING BY THE RUINS N.1 STANDING BY THE RUINS N.2 2020 2020 Oil on panel Oil on panel 50 x 45 cm 50 x 45 cm
MID-SUMMER BALL 2021 Oil on canvas 181 x 198 cm
TENNIS BLUE 2021 Oil on canvas 181 x 198 cm
SALA DE REZAR N.3 SALA DE REZAR N.4 2019-20 2019-20 Oil on canvas Oil on canvas 103 x 89,5 cm 103 x 89,5 cm
MAP ROOM 2020 Oil on canvas 65 x 46 cm
TWO PORTRAITS 2007 Oil on canvas 181 x 149 cm
RED CARPET 2021 Oil on canvas 138,5 x 160 cm
ARMADORA 2021 March 2021 M aOil r conhcanvas 2021 124 x 142 cm Galería Álvaro Alcázar | Ferrer del Río 5 28028 Madrid | 91 342 8108 | galeria@galeriaalvaroalcazar.com
A SMALL WORLD 2020 Oil on panel 55 x 48 cm
Brief biography Collections Simon Edmondson, London (UK), 1955 Arts Council of Great Britain. Contemporary Art Society. He trained in London, where he graduated in M. Unilever PLC. A. in Painting at Chelsea College of Art (1977-78) Prudential Life Inc., New York, USA. and later in M. F. A. in Painting at Syracuse Prudential Holborn, London. University in New York (1978-80). Haggerty Museum. Milwaukee, USA. May and Samuel Rudin Foundation, New York. He had his rst major institutional exhibition at the Collection de Beaux Artes Contemporain, Monaco. Deutsche Bank in Madrid in 1998 and in 2009-10 Stephen Solovey Foundation, Chicago. at the Stadtgalerie Klagenfurt in Austria. Chazen Museum of Modern Arte, Wisconsin, USA. La Chaux-des-Fonds, Museum of Modern Art, Suiza. Since 1991 Edmondson has lived and worked in Deutsche Bank Collection, Spain. Madrid. His work is represented in major cities Colección Gobierno de Cantabria, Spain. around the world and he regularly participates in Lloyds Bank, Madrid. the most prestigious art fairs such as Arco, Art Fundación Zuloaga, Madrid. Chicago, Art Basel and Art Paris. Simone Audemars Foundation, Theatre-contemporain, Lausanne. Kunsthaus Kollitsch, Austria. fi
May 13- June 26 2021 Galería Álvaro Alcázar | Ferrer del Río 5 28028 Madrid | 91 342 8108 | galeria@galeriaalvaroalcazar.com
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