SHREVEPORT SYMPHONY ORCHESTRA - 2020-21 WILLIS -KNIGHTON MASTERWORKS SERIES MICHAEL BUTTERMAN, MUSIC DIRECTOR
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SHREVEPORT SYMPHONY
ORCHESTRA
MICHAEL BUTTERMAN, MUSIC DIRECTOR
2 0 2 0 - 2 1 W I L L I S - K N I G H TO N M A S T E R W O R K S S E R I E S
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WA R N I N G ! Watching Shreveport Symphony
performances may result in
spontaneous and explosive:
• Clapping
• Singing
• Foot tapping
rtists • Dancing
Talented a
mances ...and occasionally, tears.
and perfor
in process.
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page 8
SSO BOARD OF DIRECTORS & STAFF
Officers Staff
Margaret Elrod, President Lois Robinson, Executive Director
Charlton (Havard) Lyons, IV, lrobinson@shreveportsymphony.com
Vice President
Robert Crawford, Treasurer *Debbie Graham, Director of Finance
Laura McLemore, Secretary dgraham@shreveportsymphony.com
Margaret Shehee,
Member at Large Alison Krepak, Director of Patron Advancement
akrepak@shreveportsymphony.com
Board Members
*Elizabeth Miller, Development Associate
Eugene Bryson emiller@shreveportsymphony.com
Leigh Anne Chambers
Anil Chhabra *Crozet Duplantier, Librarian
Jennifer Elliott cduplantier@shreveportsymphony.com
Ginger Flournoy
Knox Goodman *Brett Andrews, Artistic Operations Manager
Rozelle Hahn bandrews@shreveportsymphony.com
Brian Hebert
*Denotes part-time employee
Paul Jordan
Jazmin Jernigan
Erica Ledet
Jerard Martin
Sharon McGivney
Sherry Pendley
Rebecca Radford
Joe Rice
Wendell Riley
Holly Roca
William Sale
Libby Siskron
Anne Wilson
Ex-Officio
Theresa Bridges
Michael Butterman
Alyce Labanics
Lois Robinson
Rick Rowell
Lester Wilson
page 9
A MESSAGE FROM THE PRESIDENT To say that 2020 and this symphony season have been something we’ve not experienced before would be the greatest of understatements. The year 2020 has been an extraordinarily frightening, exhausting, uncertain, and sad year for all of us. I applaud the musicians, the maestro, and symphony management and my board peers for stepping up to the plate and adapting to the pandemic and its effects in creative and meaningful ways. From parking lot productions to virtual concerts both streamed and televised, they have truly lived up to the mantra of “the show must go on.” I think the pandemic, as tragic as it has been, has caused us to think outside the box and do things that we might not have considered in more normal times. As vaccines become more widely distributed, we hope to be able, before too long after this writing, to present live concerts while adhering to the capacity, social distancing, and masking guidelines that are a vital part of mitigation measures. We look forward to being with you physically in the future, but in the meantime, we will continue to be with you virtually. We appreciate your support during these tenuous times. You have shown your faith and confidence in us as well as how much you appreciate the symphony’s value to our community. We cannot thank you enough for that. Warmly,
WELCOME FROM MICHAEL BUTTERMAN
In this year like no other, the importance of music
has never been clearer. It is a sacred oasis from
the mundane and chaotic, as well as a way to
express that which is otherwise inexpressible. It
connects us, spiritually, to a higher plane, and
connects us, emotionally, to one another by
reminding us of our shared human experience.
The challenges to live music presented by the
pandemic are significant, but so, too, is society’s Photo: Rene Palmer
need for the benefits it provides. Fortunately, with
every crisis comes opportunity—a chance to adapt
and reinvent—and we are “leaning in” to the current moment with our re-imagined
programming tailored to these unprecedented times. From televised Independence
Day and Holiday programs to our re-imagined Willis-Knighton Masterworks
Series, we are working to keep the music playing for our community.
We are grateful, once again, to have First Baptist Church as our temporary
home. Its video capabilities allow us to take you “inside” the performance like
never before, whether you are attending in person or streaming the concert from
home. Programming that makes use of more intimate ensembles provides us the
opportunity to bring you gems like the brilliant original scoring of Copland’s
Appalachian Spring and the splendor of Mahler’s Fourth Symphony in a fascinating
chamber reduction.
Your SSO is here for you in times of celebration, as well as times of struggle. Great
music sustains and uplift us, nourishingour souls and strengthening our resolve.
Together, we will ‘keep the music playing’ and look forward to brighter days in the
near future.
Yours,
Michael Butterman
page 11MICHAEL BUTTERMAN, MUSIC DIRECTOR
Making his mark as a model for today’s Mr. Butterman gained international attention
conductors, Michael Butterman is recognized as a diploma laureate in the Prokofiev
for his commitment to creative artistry, International Conducting Competition and
innovative programming, and to audience as a finalist in the prestigious Besançon
and community engagement. In addition International Conducting Competition. As
to his artistic leadership of the Shreveport the recipient of the Seiji Ozawa Fellowship,
Symphony, he serves as Music Director for he studied at Tanglewood with Robert Spano,
the Boulder Philharmonic Orchestra, whom Jorma Panula, and Maestro Ozawa, and
he has led to national prominence, resulting shared the podium with Ozawa to lead the
in an invitation to open the Kennedy Center’s season’s opening concert. Earlier, Mr. Butterman
inaugural SHIFT Festival of American Orchestras was sponsored by UNESCO to lead the
in 2017. He is also the Music Director of National Philharmonic Orchestra of Moldova in
the Pennsylvania Philharmonic, an orchestra a concert of music by great American masters.
uniquely focused on music education. He
has recently completed a 19-year association For six seasons, Mr. Butterman served as
with the Rochester Philharmonic Orchestra as Music Director of Opera Southwest in
their Principal Conductor for Education and Albuquerque, NM. During much of that time,
Community Engagement, and a 15-year he was also Director of Orchestral Studies at
tenure with the Jacksonville Symphony, first as the LSU School of Music and was Principal
Associate, and then as Resident Conductor. Conductor of the LSU Opera Theater.
Previously, he held the post of Associate
As a guest conductor, Mr. Butterman has led Conductor of the Columbus Pro Musica
many of the country’s preeminent ensembles, Orchestra, and served as Music Director of
including the Cleveland Orchestra, Philadelphia the Chamber Opera, Studio Opera, and
Orchestra, National Symphony, Detroit Opera Workshop at the Indiana University
Symphony and Houston Symphony. In the School of Music. As its Associate Music Director,
2019-20 season, he returns to the National he led the Ohio Light Opera through two
Symphony on several occasions for festivals, conducting over 35 performances
performances at the Kennedy Center, and leads each summer.
the North Carolina School of the Arts Symphony
in a program featuring a new work by At Indiana University, Mr. Butterman conducted
Grammy-nominated composer Chris Brubeck. a highly acclaimed production of Leonard
Bernstein’s little-known 1600 Pennsylvania
Other recent appearances include Avenue in a series of performances at the
performances with the Colorado Symphony, Kennedy Center in Washington, DC, receiving
Oregon Symphony, Phoenix Symphony, unanimous praise from such publications
Kansas City Symphony, Charleston Symphony, as The New York Times, Washington Post,
Hartford Symphony, San Antonio Symphony, Variety, and USA Today. He was subsequently
Syracuse Symphony, New Mexico Symphony, invited to New York at the request of the
Santa Fe Symphony, California Symphony, Bernstein estate to prepare a performance of
Louisiana Philharmonic, Spokane Symphony, a revised version of the work.
El Paso Symphony, Mobile Symphony,
Winston-Salem Symphony, Pensacola Opera, Michael Butterman’s work has been featured
Asheville Lyric Opera and Victoria Symphony in six nationwide broadcasts on American
(British Columbia). Summer appearances Public Media’s Performance Today. He can be
include Tanglewood, the Bravo! Vail Valley heard on two CDs recorded for the Newport
Music Festival, Colorado Music Festival, and Classics label and on a new disc in which he
the Wintergreen Music Festival in Virginia. conducts the Rochester Philharmonic and
collaborates with actor John Lithgow.
www.michaelbutterman.com
page 12333 Texas Street, Suite 2235 Shreveport, Louisiana 71101
318-703-3641
www.ascm-llc.com
page 13KERMIT POLING, ASSOCIATE CONDUCTOR
Winner of the 2019 Silver Medal from the
Global Music Awards, Kermit Poling is an
inspiring and passionate voice in American
music. The classical music magazine
Fanfare wrote, “the Romantic spirit lives,
breathes and flourishes in Kermit Poling,”
remarking on his “quite natural musicianship”
and a “Schubertian gift for melody.” Indeed,
Kermit’s talents encompass conducting and
composition along with years of virtuoso including Snow White, (originally composed
violin performances. for Shreveport Metropolitan Ballet), Peter
Pan, Prince Charming, and Beauty and the
After 24 seasons as Music Director of the
Beast. The Pennsylvania Ballet debuted Fairy
South Arkansas Symphony, 34 seasons as
Rhymes last season and Ballet Des Moines
the Shreveport Symphony’s Associate
premiered The Beautiful Mermaid. His work,
Conductor, 27 years as SSO Concertmaster,
No Sound of Trumpet nor Roll of Drum, was
and his many seasons as music director
premiered in was featured in Symphony
of the Marshall Symphony Orchestra and
Magazine. His score to the silent film Tarzan
the Shreveport Metropolitan Ballet, few
of the Apes and for the documentary
audiences in the Ark-La-Tex are unaware of
Tarzan: Lord of the Louisiana Jungle won
his many talents.
accolades across the country.
Kermit conducts worldwide, with his
Poling received the Outstanding Artist in Music
compositions also performed throughout the
Fellowship in 2000 from the State of Louisiana
world. In January 2017 he conducted his
and twice received a Music Fellowship from
debut recording with the London Symphony
the Shreveport Regional Arts Council. Maestro
Orchestra for an album of his compositions
Poling studied at the Boston Conservatory of
for the Centaur label. Fanfare described
Music, the Cleveland Institute of Music and the
the release as “a fabulous disc, splendidly
Tanglewood Music Center, where he studied
recorded and executed.” He has been
with Leonard Bernstein, Kurt Masur, Gustav
featured with the Orchestra Filarmonia
Meier and Seiji Ozawa. In 2012, he was
Veneta, the Orchestra of the Province of
awarded a career advancement award from
Lecco in Italy, the Symphony Orchestra of
the State of Louisiana.
the State of Mexico, the Guanajuato Symphony
Orchestra, the Shenzhen Symphony of Kermit Poling has been a featured conductor
China, and many other orchestras across on Performance Today, the Arkansas
the world and in the United States. Educational Television Network, the Red River
Radio Network, WGBH Boston and has
Poling’s compositions have excited audiences
appeared as violinist on Louisiana Public
everywhere. His Symphony No. 1 “Shreveport
Television and PBS in addition to numerous
Symphony” was premiered by the SSO and
television and radio stations throughout the
Michael Butterman in 2016. His string
country. He has served on the faculty of
quartet, Within the Orb of Glories Wearing,
Centenary College, Texarkana Community
received its international television debut
College, the Boston Conservatory and the
in February 2017 on the EWTN cable
Puerto Rico Conservatory of Music. Away
network. Ballet companies throughout the
from the concert stage, he is choirmaster and
United States such as Ballet Des Moines, the
organist at St. George’s Episcopal Church in
University of Hartford, Ballet Oklahoma and
Bossier City, LA, and is the General Manager
The Pennsylvania Ballet in Philadelphia have
and well-known classical music voice of Red
commissioned and performed his works,
River Radio (KDAQ Public Radio).
page 14SSO ORCHESTRA ROSTER
Violin Clarinet Piano
Kirsten Yon, Concertmaster Jake Hale, Principal Robert Cruz
Elizabeth O’Bannon, Sandra Clark Gay Grosz
Resident Concertmaster
Bassoon Harp
Rachel Bundy Ann Shoemaker, Principal Janel Hector
Henry Edwards Jonathan Castillo
Musicians are represented by
Christopher Reed Jorge Cruz Local 116, AFM, AFL-CIO
Daniel Santelices
Janis Adams Teague Saxophone
Kristin Campbell Trevor Culp ___________________
Jennifer Carsillo Paul Forsyth
Laura Crawford Horn Technician Staff
Kermit Poling Thomas Hundemer,
(Asst. Conductor) Master Audio Engineer
Principal
Rob Whited
Adam Black
Viola Kristine Coreil Master Carpenter
Borys Smolaga, Principal James Boldin Syd Hydro
Adrienne Gabriel
Trumpet Master Electrician
Michael Drobycki
Rick Rowell, Principal Matt Dickerson
Michele Gunn
Mike Scarlato Master Flyman
Cello Steve Pyatt
Courtenay Vandiver Trombone
Pereira, Principal Michael Davidson, Property Master/
David Jankowski Principal Technical Director
Brett Andrews Adam Johnson Debbie Graham
Ruth Drummond Bass Trombone Stage Employees are represented by
Eliot Haas J. Mark Thompson, Local 298, IATSE, AFL-CIO
Bass Principal
Justin Kujawski, Principal Tuba
Kirby Nunez Steven Curtis, Principal
Lois Robinson
Timpani
Flute Chandler Teague,
Leslie Daniel Newman Principal
Sally Horak
Percussion
Oboe Chandler Teague,
Theresa Zale Bridges, Principal
Principal Anthony Robinson
Abigail Hawthorne
Kristin Perry
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Shreveport LA, 71105
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page 16SSO ANNUAL FUND DONORS
Platinum Baton— Mr. Paul DeTello Col. Shirley Kelley-Heim &
$10,000 (+) Mr. & Mrs. William Flanagan Mr. Jesse Heim, III
Anonymous Dr. & Mrs. Larry Hiller Mr. and Mrs. Glenn V. Kinsey
Anonymous Hollisann and Sidney Kent Mr. & Mrs. Charles R. Labanics
The Alta & John Franks Dr. & Mrs. Charles Moffet Carole & William Lacefield
Foundation Cynthia A. Murray Dr. & Mrs. Robert T. Lafargue
Access Health Inc. Lois Robinson and Crozet Dr. Jerard R. Martin
Mr. & Mrs. Edward J. Duplantier Dr. & Mrs. Bill McColgan, Jr.
Crawford III Dr. & Mrs. Phillip A. RozemanMr. and Mrs. Bart T. McDonald
Mrs. Ike Muslow Shane Shehee Paul and Betty McDonald
Margaret Stagg Sour Foundation
Gold Baton— Marion Weiss Mr. & Mrs. Harry E. McInnis, Jr.
$7,500-$9,999 Laura Lyons McLemore
David and Margarett Shehee Conductor Circle— Deborah Monarch
Cole $1,000-$2,499 Linda Nall, M.D.
Mrs. Pearla T. Despot Mr. Joe M. Badt Mr. and Mrs. George D.
The Jack Webster Grigsby Dr. Grace Bareikis Nelson, Jr.
Foundation Dr. & Mrs. Shane Barton Stephen and Constance Pajeski
Dr. & Mrs. Jack Berg Mr. & Mrs. Carl Pendley
Silver Baton— Drs. Ernest and LaWanda Joe & Stella Rice
$5,000-$7,499 Blakeney Ms. Dorothy Rivette
Anonymous Barbara (Bobbie) Brasher Holly Roca
John E. & Lindsay Atkins Sandra Breithaupt Doug Schaumburg
Mr. & Mrs. George A. Frank & Suzzanne Bright Mandel Selber, Jr.
Baldwin, Jr. The Honorable and Mrs. Mr. and Mrs. Gilbert R.
Carl & Shirley Bernofsky Eugene W. Bryson, Jr. Shanley Jr.
The Community Foundation - Jane & John D. Caruthers, Jr. Nell Shehee
Ann V. and Robert C. Leitz III Mrs. Lo B. Cassidy and The Nelson Foundation
Donor Advised Fund Beverly Cassidy Brooke Gay and Al Vekovius
The Crow Foundation The Community Foundation - Dr. Holly Wall
Mr. and Mrs. James K. Elrod Smith Family Donor Drs. Robert & Lisa Walter
Knox M. Goodman Advised Fund Dr. & Mrs. Richard Wigle
Sandra K. Hand The Community Foundation - Mrs. J. Woodfin Wilson, Jr.
Nellie G. and Charlton Walter-Poljak Donor Wright Family Trust
Havard Lyons IV Advised Fund
The Magale Foundation Drs. Neera & Anil Chhabra Concertmaster
Ken & Sharon McGivney The Cat Doctor Circle—$500-$999
Mrs. J. Frederick Patten Dr. Megan Conway & Mr. Anonymous
The J.B. Atkins Foundation Calvin Head Mary & Dick Bremer
Mr. & Mrs. Donald W. Weir, Jr. Mr. & Mrs. Stanton Dossett Mr. & Mrs. Vernon Chance, Jr.
Marletta Eddy Ms. Ann Spikes
Bronze Baton— Dr. & Mrs. John Epling Arthur & Margaret Thompson
$2,500-$4,999 Glenn & Ginger Flournoy Linda Dowling
Anonymous Ivy and Archer Frierson Debbie Graham
Anonymous Gladys & Ed Hurley Reverend Pike Thomas
Dr. Dale Bauman and Foundation Dennis and Susan Webb
Ms. Paula Leonard Dayne and Kathy Hassell Eileen and Mike Adkins
Camellia Trading Company Brian A. Hebert Tookie & Baker Barr
The Community Foundation - John Hussey Carolyn W. and Charles T.
Flournoy-Courtney Family Dr. & Mrs. Paul A. Jordan Beaird Family Foundation
Donor Advised Fund
page 17SSO ANNUAL FUND DONORS (continued)
Sharon Bennett Rick and Laurie Boswell The Community Foundation -
Will Blanchard Kitty and Charles Boyd Katherine S. Tyrrell Fund
Drs. Bernadette & Carter Boyd Judith K. Causey Johnette Waterman
Colonel & Mrs. Hugh G. Dr. & Mrs. David Cavanaugh Dr. and Mrs. Steven Whited
Butterfield Drs. David & Carol Clemons Mrs. Louise Pons Williams
The Community Foundation - U. L. Coleman Companies Suzanne Williams
Hardtner Donor Advised Doctors Paul and Danielle Susan Wood
Fund Cooper Craig S. Woodring
Lisa and Alvin Childs, Jr. Brian and Stacey Crawford Jack and Audrey Zahm
Jennifer and Dwayne Elliott Jordan & Callie Dean
Jaf and Shelly Fielder Mr. & Mrs. Hubert Debo Associate—
Charles Gerard Mr. and Mrs Paul Derousse $100-$199
Dr. & Mrs. Alexander Gomelsky Marilyn M. Deupree Mr. & Mrs. W. Michael Adams
Mrs. James S. Harrold Dr. Jerry & Ruth Drummond Anonymous
Dick and Clara Hemmings Richard Eglin Anonymous
Chris and Connie Holoman Sue Ford Mrs. June Applewhite
Sarah Kirkpatrick and Grant Mrs. Sally Gardner Ms. Susan Bairnsfather
Summers Jeanette and David Garrett Dr. Brian Basinger
Scott & Ginger Lowe Greg & Peggy Gavin Mr. & Mrs. Eric Bates
Dr. & Mrs. James E. Lusk Mr. & Mrs. Joseph Glorioso Kathryn M. Beaird
Geoff and Martha Mangin Dr. & Mrs. Warren D. Grafton Kelly Beaty
Jerry & Allison Montgomery Annette and Mike Hall Dr. George Belchic, Jr.
Ms. Patricia A. O’Brien Mike and Whittney Harper Gretchen Bell
Margaret Leary Oden Mrs. Sam Bailey Hicks III Dr. & Mrs. James R. Bergeron
Dee and Carol Peterson Gene and Ellen Huggs Amy Bokenfohr
Lt. Col. & Mrs. Michael J. Phil & Virginia Israel Sarah Boswell
Petrosh Jr. Mr. Glenn I. Jackson Jeff Brainard
Janie Richardson Mr. & Mrs. Bernard Johnson Dr. Gale W. Bridger
Dr. and Mrs. Rick Rowell Patricia Jones Allyson Brooks
Craig & Judy Storer Mrs. Jane Law Lara & David Bryan
Martha Storer Kurt & Patti Ley Kenneth Caldwell
Col. & Mrs. David Thomson Mrs. Charlton H. Lyons, Jr. Max and Magan Causey
Mr. & Mrs. G.W. Van Hoose Andy and Dianne Mapp Dr. & Mrs. Judd H. Chidlow
Dr. & Mrs. Seborn Woods Mrs. Ann C. May Sylvia Clayton
Mr. & Mrs. Thomas McElroy, Jr. Mr. & Mrs. Robert S. Cochran
Principal Circle— Mrs. Lottie M. McGuire Maria Colon
$200-$499 Michael and Susan Muse Dr. & Mrs. David Cooksey
Ability Air Conditioning, INC Mr. & Mrs. Robert Neff Jr. Jean Cooper
Dr. Glen Adkins D. Keith & Cynthia Payne Veronica Czarzasty
Anonymous Alex and Rebecca Radford John H. Doak
Anonymous Ashok and Sudha Rao Jeanne Street
Anonymous John and Joy Ratcliff Dr. & Mrs. Richard Drummond
Anonymous Retail Merchants Association Carolyn S. Fleming
Judy Austin Herschel and Doris Rice Charles Fowler
BancorpSouth Dr. Sandra C. Roerig George Fritze
Helen L. Bates Ms. Elizabeth Scalf Peggy Geddes and Sharon
Mrs. Oscar Lee Berry, Jr. Mr. and Mrs. Phillip R. Semon Geddes
Mrs. Harold R. Bicknell Dr. and Mrs. F. Thomas Siskron John Goddard
Drs. Steven & Diana Bienvenu Elizabeth Stephens Ann and Dave Graham
Joseph A. Bocchini Jr. MD Gary A. and Susan Taylor Barbara Gramling
page 18SSO ANNUAL FUND DONORS (continued)
Laura Gregorio Mr. and Mrs. Curt Mitchell
Dicky & Sally Grieder Mr. and Mrs. Scott and Randee Monceaux
Deborah G. Griffith Mrs. Marianne Mosteller
Dr. Tobin H. Grisgby Dr. Anil and Laura Nanda
David and Susan Gross Jane and Dale Olsan
Michael & Deborah Hale Mr. & Mrs. O. Michael Owens
Minette Haynes Mitzi Perry
Dr. and Mrs. Sanders F. Hearne Patricia Pinckard
Mr. David Henington Dr. & Mrs. Donald Posner
Mrs. E. R. Hensley Joan H. Potter
Ms. Blanche Hirsch Amy Quinn and Bill McGill
Virginia R. Houston Tommy and Kay Rabon
Lisa Hunter Wendell Riley
Dorothy Jarzabek Mr. & Mrs. Gerald A. Sayres, Jr.
Jeanette M. and David L. Lay Tommy Seabaugh
Merrilee Streun Leatherman Barbara Semon
Charles and Diane Libro George Sewell
James Lu Beejal Shah
Dr. Aubrey & Joan Lurie Mrs. Eleanor S. Shuping
Debby Macy Dr. John Todd
Mr. and Mrs. Rodney Mathew Sam Medica and Andrew Twyman
Mr. and Mrs. Truly W. McDaniel Terry and Kathryn Willis
James and Velma McLelland Mrs. James W. Wood
Beverly Miller Donna Wyatt
Mr. & Mrs. Mansour Mirfakhraee
page 19SHREVEPORT SYMPHONY AGENCY
ENDOWMENT FUND
Held by the Community Founding Donors to Meet the
Foundation Of North Carolyn Q. Nelson
Louisiana Endowment Challenge
In calendar 2016, the Shreveport
Maestri
Symphony was challenged by the
Anonymous
Community Foundation of North
Louisiana via the Carolyn Q. Nelson Soloists
Endowment Challenge to raise Mrs. D. R. James
$100,000 to establish a new agency Peggy and Charlton Lyons
endowment fund. The terms of the
Principals
challenge called for a matching
Charles, Michael, and Stephen McCord
$100,000 donation to be made by
and the Rick McCord Family
the Community Foundation if the new
David and Margaret Shehee Cole
fund had a total of $100,000 or more
Dr. Rozelle Hahn
deposited by December 31, 2016.
Mrs. Sybil J. Patten
We are thrilled to announce that we Ken and Sharon McGivney
met the terms and raised the $100,000
Assistant Principals
with the extremely generous support of
Nellie and Havard Lyons
the following Founding Donors:
Berte and Ike Muslow
Matching Donor George and Jean Baldwin
The Community Foundation of North Dr. Anil and Laura Nanda
Louisiana Mickel and Emily Husted
Carl and Sherry Pendley
Mrs. J. Woodfin Wilson, Jr.
Martin Family Private
Holdings, LLC
Proudly Supports
The Shreveport Symphony Orchestra
page 20MEMORIALS & HONORARIUMS
Memorials Mr. & Mrs. Quintin T. Hardtner, III
(1/1/20-1/20/21) Dr. & Mrs. Larry Hiller
Dr. & Mrs. Robert T. Lafargue
In Memory of William T. Adams Mr. & Mrs. Robert Leitz
Eleanor R. Sockrider Don & Maurice Wilkins
In Memory of Luci Bond In Memory of Alicia Pineda
The Doctors Lucienne and Joe Simon Larry and Olivia Hiller
In Memory of Ray Boswell In Memory of Larry Pledger
Mr. & Mrs. Edward J. Crawford III Mr. & Mrs. George D. Nelson, Jr.
Mr. Scott Green and Robert D. Smith
In Memory of Jo Ann Pugh
In Memory of Joe Cage Dr. & Mrs. F. Thomas Siskron III
Wayne Buckley
In Memory of Billy Jean Reasor
In Memory of William Carsillo Mr. & Mrs. Gilbert R. Shanley Jr.
Jean Banfield
Louise W. Epstein In Memory of Peyton Shehee and
Dr. & Mrs. F. Thomas Siskron III Virginia Shehee
Michael and Judilyn Wise
In Memory of Sheila Chumley
Mr. & Mrs. George D. Nelson, Jr. In Memory of Virginia Shehee
The Doctors Lucienne and Joe Simon
In Memory of Winburn Curlin
Stan Hancock In Memory of Bitsy Smith
Dr. & Mrs. F. Thomas Siskron III
In Memory of O. Delton Harrison
Mr. & Mrs. Robert Leitz In Memory of Martha Smith
Mrs. Tom Stagg Mr. & Mrs. George D. Nelson, Jr.
Mr. & Mrs. O. Michael Owens
In Memory of Dr. James S. Harrold, Jr. Barbara Stinson
Mrs. Sandra Harrold
In Memory of Sam W. Smith
In Memory of Bruce Henderson Community Foundation – Smith Family
Dr. & Mrs. F. Thomas Siskron III Donor Advised Fund
In Loving Memory of Sarah Holland In Memory of Dr. William Teague
Harold T. Holland Tookie & Baker Barr
In Memory of Mary McCord Drs. Ernest and LaWanda Blakeney
Mr. & Mrs. Edward J. Crawford III Lisa and Alvin Childs, Jr.
Kathleen Ellis
In Memory of Carolyn Murov Mr. Scott Green and Robert D. Smith
Anonymous Linda Luck Insurance Agency
James and Martha Cirilli Janie Richardson
Mr. & Mrs. Edward J. Crawford III Dr. & Mrs. Rick Rowell
Dr. & Mrs. Larry Hiller John M. Shuey, Jr.
Mr. Scott Green and Robert D. Smith
Madeline Holder In Memory of Dr. William and Lucille
Jean Y. Laster Teague
Mr. and Mrs. George D. Nelson, Jr. Mr. & Mrs. Charles R. Labanics
Janie Richardson In Memory of Donald Zadeck
Mr. & Mrs. Donald W. Weir, Jr. Mrs. Tom Stagg
In Memory of Dr. Ike Muslow In Memory of Carol Zaffater
Ms. Elizabeth B. Beck Mr. & Mrs. George D. Nelson, Jr.
Dr. George Belchic, Jr.
Mr. & Mrs. Edward J. Crawford III
page 21Your business
starts here.
2711 E. Texas St.
Bossier City, LA 71111
318.747.6000 • NMLS#412577
www.citizensnb.com
page 22Thank You to Our Generous Sponsors
Season Sponsor
“Willis-Knighton is pleased to support the
Shreveport Symphony Orchestra through
our Tithe the Bottom Line philosophy of
philanthropy. The presence of the JAMES K. ELROD
Symphony in our community indicates our
commitment to offering diversity in Willis-Knighton Health System is the
musical entertainment for our citizens only locally owned, locally operated
and for generations to come.” not-for-profit health system in the region.
As such we believe it is important to
James K. Elrod, President & CEO contribute to efforts to improve the
Willis-Knighton Health System quality of life for the people we serve..
Concert Sponsors
Holiday
Broadcast THE NOEL FOUNDATION, INC.
Sponsor
LAURA AND ED
CRAWFORD
Media Sponsors
Education & Community Supporting Partners
Engagement Supporters
THE COMMUNITY
Supported in part by a grant from the Louisiana
FOUNDATION OF NORTH
Supported in part by a grant Division of the Arts, Office of Cultural Development,
LOUISIANA - WILLIAM C. Department of Culture, Recreation & Tourism, in
from the Shreveport Regional
WOOLF FUND Arts Council with funds from cooperation with the Louisiana State Arts Council.
the City of Shreveport Funding has also been provided by the National
Endowment for the Arts, a Federal agency.
page 23WILLIS-KNIGHTON
MASTERWORKS SERIES
The Four Seasons,
Recomposed
Saturday, January 30, 2021
7:30 PM
Virtual Event
Livestreamed from First Baptist
Church of Shreveport
Michael Butterman, conductor
Francisco Fullana
RALPH VAUGHAN WILLIAMS The Lark Ascending
Arranged for string orchestra
by Adam Johnson
Mr. Fullana
MAX RICHTER Vivaldi’s The Four Seasons Recomposed
Spring I, II, III
Summer I, II, III
Autumn I, II, III
Winter I, II, III
Mr. Fullana
CONCERT SPONSORS
Laura and Ed
Crawford
page 24ARTIST BIOGRAPHY
About Francisco Fullana Kravis Center, as well as two tours of
eastern China and Japan.
Spanish-born violinist Francisco Fullana,
winner of the 2018 Avery Fisher Career Francisco was recently named artist
Grant, has been hailed as a “rising star” in residence of the Balearic Islands
(BBC Music Magazine), an “amazing Symphony Orchestra for the 2021-24
talent” (conductor Gustavo Dudamel) and seasons, being in charge of curating
“frighteningly awesome” (Buffalo News). and leading conductorless programs
and the new festival ‘Lincoln Center in
A native of Mallorca in the Balearic Mallorca,’ a weeklong series of annual
Islands of Spain, Francisco is making a performances with artists from Lincoln
name for himself as both a performer Center’s Chamber Music Society. The
and a leader of innovative educational first edition will take place this June,
institutions. As an orchestral soloist he has culminating with a performance of
performed the Mendelssohn Violin Beethoven’s Triple Concerto under
Concerto with the Bayerische Philharmonie Pablo Mielgo alongside Chamber
led by the late Sir Colin Davis, the Music Society of Lincoln Center’s directors
Sibelius Concerto with the Münchner David Finckel and Wu Han to celebrate
Rundfunkorchester, and the Brahms Beethoven’s 250th Anniversary.
Violin Concerto with Venezuela’s Teresa
Carreño Orchestra under the baton of Orchid Classics recently released
Gustavo Dudamel. He has also soloed Francisco’s recording “Through the
with the City of Birmingham, Vancouver, Lens of Time,” which includes Max
Pacific, Alabama and Madrid Symphonies Richter’s 2012 composition The Four
as well as the Saint Paul Chamber Seasons Recomposed performed with
Orchestra and the Spanish Radio the City of Birmingham Symphony
Television Orchestra. Orchestra conducted by Carlos Izcaray.
This ambitious project, recently named
Active as a chamber musician, Francisco Forbes’ CD of the Week and featured
has participated in the Marlboro Music as the #1 Classical Track on Apple
Festival and is a member of the Chamber Music, carries forward from its modern
Music Society of Lincoln Center’s Bowers reconsideration of Vivaldi’s beloved
Program. His musical collaborators classic with a series of contemporary solo
have included Midori, Viviane Hagner, works for violin that also shine a new light
Nobuko Imai, Charles Neidich, Mitsuko on the Baroque musical tradition.
Uchida, and members of the Guarneri,
Juilliard, Takács and Cleveland quartets. Francisco received bachelor’s and master’s
degrees from The Juilliard School following
Highlights of Francisco’s recent and studies with Donald Weilerstein and
upcoming orchestral engagements include Masao Kawasaki, and holds an Artist
debuts with the Buffalo Philharmonic Diploma from the USC Thornton School
Orchestra, Chamber Orchestra of of Music. He currently performs on the
Philadelphia, Tucson, Miami and 1735 “Mary Portman” ex-Kreisler Guarneri
Springfield Symphony Orchestras, and del Gesù violin, kindly on loan from
Argentina’s National Orchestra. Recital Clement and Karen Arrison through the
debuts this season also include the Stradivari Society of Chicago.
Phillips Collection and Palm Beach’s franciscofullana.com
page 25THE FOUR SEASONS, RECOMPOSED PROGRAM
Both compositions on tonight’s program portrays a soaring bird in flight. The solo
were inspired by poems about nature, and violin has trills and wide-sweeping
they reveal the close connection between melodies, suggesting birdlike sounds and
music and the other arts, as well as sights movements. Truly remarkable, though, are
and sounds of the external world. the free-flowing rhythms in the numerous
violin cadenzas, and this sense of unfettered
RALPH VAUGHN WILLIAMS (1872-1958) movement pervades the entire composition.
The Lark Ascending Interspersed throughout the piece are
Arranged for string orchestra by contrasting episodes of new melodies
Adam Johnson supplied by the woodwinds. The work closes
with an unaccompanied violin cadenza that
Vaughn Williams was born into a prominent reaches two octaves above the treble staff
English family that included well-known before dropping down a third lower. The
figures like Charles Darwin and Josiah overall effect is one of tranquility and grace.
Wedgewood. As a child, he took lessons in
piano, violin, and organ. After receiving The Lark Ascending was written on the
degrees from the Royal College of Music eve of World War I, leading some critics
and Trinity College, Cambridge, he today to suggest the music seems imbued
studied composition with Max Bruch in with nostalgia, perhaps even a tinge of
Berlin and Maurice Ravel in Paris. sadness. Although this may be true, we
should also recognize that the unusual
But Vaughn Williams’s interests extended musical qualities―rhythmic freedom,
beyond writing music. He worked as a which was revolutionary at that time, and
conductor, served as a church organist, beautiful modal melodies―blend perfectly
taught school for a while, and collected with nature and poetry. The result is a
and edited hundreds of English folksongs. composition that occupies a truly unique
He was also fond of literature, especially niche in violin/orchestral literature.
poetry, and as a native of the Cotswolds,
he loved the English countryside. © Program note by Dr. La Wanda J. Blakeney
While seeking to forge his own compositional
MAX RICHTER (1966- )
identity, Vaughn Williams consciously
Vivaldi’s The Four Seasons Recomposed
rejected imitation of European models
and returned to his English roots. All of Composer Max Richter is part of Deutsche
his interests come together in The Lark Grammophon’s acclaimed Recomposed
Ascending, a short, one-movement work series, in which contemporary artists are
originally written in 1914 for violin and invited to re-work a traditional piece of music.
piano. He later recast the work for solo
violin and orchestra, scoring it for The idea of recomposing and re-processing
woodwinds, strings, two horns, and musical works was common practice in
triangle (the only percussion instrument), Vivaldi’s time and the project presents an
and this version is better known than the exciting opportunity to make favorite classics
original. In 2013, British conductor and relevant to a wider audience. However,
pianist Adam Johnson made an Richter’s approach differs fundamentally
arrangement for solo violin, string from the preceding releases: in contrast
orchestra and triangle, and this is the to previous participants who reworked
version we hear tonight. recordings from the extensive Deutsche
Grammophon catalogue, Richter actually
Inspired by George Meredith’s poem of the ‘recomposed’ Antonio Vivaldi’s The Four
same name, Vaughn Williams musically Seasons. He is the first in the series to
page 26THE FOUR SEASONS, RECOMPOSED PROGRAM (continued)
employ an existing score, ‘inscribe’ his our musical language today.” Other
new composition into Vivaldi’s and record resonances are no less unexpected:
a ‘new’ version of a familiar work, thus Richter describes part of the first movement
creating a new hybrid work. of his Summer as “heavy music for the
orchestra. It’s relentless pulsed music,
Like many composers Richter was always which is a quality that contemporary
fascinated by Vivaldi’s 1725 composition dance music has; and perhaps I was also
because “The Four Seasons is an omni- thinking about John Bonham’s drumming.
present piece of music and like no other Then, in the second movement of Autumn
part of our musical landscape.” But he was I asked the harpsichordist Raphael
also aware that for many, including himself, Alpermann to play in what is a rather
it had long ago ceased to be something old-fashioned way, very regularly, rather
of beauty and had instead become an ever like a ticking clock. That was partly
present piece of muzak “You hear it in the because I didn’t want the harpsichord
supermarket regularly, you’re confronted part to be attention-seeking, but also
with it in adverts or hear it as muzak when because that style connects to various
on hold. Slowly you begin to blank it out.” pop records from the 1970s where the
Richter yearned to reconnect with the piece harpsichord or Clavinet was featured,
and to re-start the conversation on Vivaldi’s including various Beach Boys albums and
work, and he sought to do so in an the Beatles’ Abbey Road.”
accessible style that mirrored Vivaldi’s
intentions with the piece, rather than to Clearly, Richter has brought his own
place a 20th-century Modernist imprint on frame of reference to the project. As he
it. “I wanted to open up the score on a says, “Vivaldi’s music is made of regular
note-by-note level, and working with an patterns, and that connects with post-
existing recording was like digging a mine minimalism, which is one strand in the
shaft through an incredibly rich seam, music that I write. That felt like a natural
discovering diamonds and not being able to link, but even so it was surprisingly
pull them out. That became frustrating. difficult to navigate my way through it. At
I wanted to get inside the score at the every point I had to work out how much
level of the notes and in essence re-write is Vivaldi and how much is me. It was
it, re-composing it in a literal way.” difficult but also rewarding because the
In order to do this Richter wrote an raw material is so fascinating.” Just as
entirely new score and recorded it with Richter’s Seasons plays tricks with the way
Daniel Hope and The Konzerthaus we hear Vivaldi’s original, so it also asks
Kammerorchester in Berlin. questions of the soloist. “Violinists have
Vivaldi’s The Four Seasons hardwired in
Richter calculates that, in the process, he their brain. [A soloist] is likely to play the
has discarded around three-quarters of original I don’t know how many times in
Vivaldi’s original. He opens with what he a year, and for him to have my parallel
describes as “a dubby cloud which I’ve text going on in another part of his brain
called Spring 0. It functions as a sort of is a challenge.”
prelude, setting up an electronic, ambient
space for the first Spring movement to Adapted from the booklet text for the
step into. I’ve used electronics in several Recomposed release, written by Nick
movements, subtle, almost inaudible Kimberley.
things to do with the bass, but I wanted
certain moments to connect to the whole
electronic universe that is so much part of
page 271324 Louisiana Avenue 11AM - 2PM
Greater Shreveport
Music Teachers
Association
Affiliated since 1962 with La. Music Teachers
Association
and
Music Teachers National Association
page 28CHAMBER MUSIC SERIES
The Noel Foundation, Inc. Chamber Music Series brings together the talents of world-class
guest artists and some of our top Shreveport Symphony musicians in intimate musical settings.
General admission seats for all Chamber Music Series concerts are FREE.
SCHUBERT’S DEATH AND THE BEETHOVEN’S SEPTET
MAIDEN & MORE Sun., May 2, 3 PM
Sun., March 21, 3 PM First Baptist Shreveport
First Baptist Shreveport Elizabeth O’Bannon, violin; Adrienne
The Emerald String Quartet—Kiril Gabriel, viola; David Jankowski, cello;
Laskarov & Diana Norwood, violins; Borys Justin Kujawski, bass; Jake Hale, clarinet;
Smolaga, viola; Brett Andrews, cello Ann Shoemaker, bassoon; Adam Black, horn
SCHUBERT String Quartet, No. 14 in BEETHOVEN Septet, Op. 20
D minor, “Death and the Maiden” The Beethoven Anniversary comes to
BEETHOVEN String Quartet, Op. 59, a close with another celebration. The
No. 3 in C Major septet calls for a mixed string and wind
ensemble, calling for great precision
Featuring an actual Stradivarius violin,
from the performers. Be sure to catch
the Emerald Quartet will perform
the violin part—it’s a whopper and will
one of chamber music’s most famous
be played by Elizabeth O’Bannon,
works, “Death and the Maiden” by Associate Concertmaster of the SSO.
Franz Schubert.
PROKOFIEV AND BRAHMS
I-49 BRASS Sun., May 16, 3 PM
Fri., April 23, 3 PM First Baptist Shreveport
First Baptist Shreveport Yevgeny Yontov, piano; Jake Hale,
Rick Rowell and Mike Scarlato, trumpets; clarinet; Jennifer Carsillo and Rachel
Thomas Hundemer, horn; Michael Bundy, violins; Borys Smolaga, viola;
Davidson, trombone; J. Mark Thompson, John-Henry Crawford, cello
bass trombone
The I-49 Brass will present a diverse PROKOFIEV Overture on Hebrew
program drawn from five centuries of Themes, Op. 34
brass quintet literature—from Renaissance BRAHMS Piano Quintet in f minor, Op. 34
to Bach to a new commission, “Commute”
by Costas Dafnis.
page 29Health Care | Memory Care | Assisted Living | Independent Living
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page 30SUPPORT YOUR SYMPHONY
The Shreveport Symphony Orchestra’s artistic, education, and community
programs would not be possible without the support of generous individuals and
corporations. There are many ways for you to play a crucial role. Each opportunity
offers its own experiences and rewards.
Annual Fund Get the maximum return on your
Join our growing community of music investment—the creation of a vibrant
lovers and music makers and enjoy the and lively community in which to live
rewards membership has to offer. For and do business. Our Corporate
more than 65 years, the Shreveport Partners are entitled to an array of
Symphony Orchestra has been a source marketing and hospitality benefits.
of pride and a cultural priority in the Commit to Education
Shreveport area, engaging people in all Every year, the Shreveport Symphony
segments or the community. Orchestra commits to an extensive
The Music-by-the-Month Plan is a education program, offered free to
convenient and affordable way to every child in grades 3–5 in Caddo and
support the SSO’s Annual Fund on an Bossier Parishes. You can be instrumental
ongoing basis. By enrolling in this plan, in providing music education for the
your credit card will be automatically children in our community. Your support
billed at intervals determined by you could transform a child’s life.
(monthly, quarterly, or for a fixed number Gift & Estate Planning
of months), making it easy to spread Secure the Symphony’s future by making
your payments over a period of time. us part of your estate plans. Your gift
Be in Good Company may have significant financial advantages
Become a corporate partner today. to you and to the Symphony. We offer a
Gain prestige and visibility by contributing variety of gift options that can fulfill your
to the cultural life of your community. personal and financial goals while
Sponsor a concert, a guest artist’s furthering the Symphony’s mission. Contact
appearance, or a special event. us to find the one that is right for you.
Volunteer Opportunities with the Symphony
The Shreveport Symphony Orchestra offers a variety of volunteer opportunities for
you to join us and contribute to our success:
• Usher at concerts
• Work at will-call during the concerts
• Office support—help with mailings, answering phones, etc.
• Hospitality—provide refreshments for the musicians or for a reception
• Transportation—pick up guest artists and provide transportation during their stay
• Special events—a variety of needs for events, big and small
• You name it! Have you noticed a need to be met? Call and talk to us about it.
If you’d like to make a gift to the Shreveport Symphony, or discuss volunteer opportunities,
please call 318.222.7496 or send an e-mail to lrobinson@shreveportsymphony.com.
page 31page 32
is a proud sponsor of
Merrill Lynch Wealth Management
401 Edwards Street, Suite 600
Shreveport, LA 71101
(318) 674-9400
page 33Sharing In Great
Performances.
Regional full-service commercial
real estate company
Management of multi-family
communities and commercial
properties
Development, site planning, and
construction services
Support the Arts
207 Milam St., Suite C • Shreveport, LA 71101 • p: 318.221.0541 • ulcoleman.com
page 34Dr. Glen Adkins Heather Vandiver
Executive Director Director
Guitar Voice
Micah Sasser
Tara Heeter Guitar, Cello,
Organ, Piano, Ukulele, Drums,
Bagpipes Violin
Rev. Clista Adkins
World Religions
Kristal Patterson
Voice
Lisa Alford
Piano
Currently the academy is offering: piano, organ, cello, guitar,
voice, drums, and bagpipes. We are expanding to add Humanities
courses to our curriculum. They currently include Chinese
Language Class and World Religion Class. Instruction is offered to
all ages.
For information call 318-841-8428 or visit www.aftafbcs.org
First Baptist Shreveport . 543 Ockley Drive . 865-8414
page 35page 36
Last year, the Community Foundation granted
to organizations like the Shreveport Symphony Orchestra.
Become a donor.
Effect positive change.
Create a legacy.
Visit cfnla.org or call 318-221-0582
today to get started.
HERE FOR GOOD
page 37page 38
page 39
page 40
page 41
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