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Acapulco 13-7 Catalogue
Roma Norte Winter 2019
06700, CDMX
www.gatonegro.ninja
gatonegroed@gmail.com
fb: GNediciones
ig: gatonegroediciones
Since 2013, Gato Negro Ediciones
has acted as a recognizably-
urgent voice in independent
publishing across the cultural
realm. Advocating the liberty of
thought, the Mexico City-based
press intentionally prints titles that
challenge the so-often sequestered
view of contemporary society.
In a new world where temporary
excess and obstruction of
knowledge are lived at its height,
Gato Negro returns the voices of
their authors to the fundamental
purpose of the book. By remaining
inside the economically-amicable
yet unconstrained process that
is risograph printing, an archive
of over 140 titles has been
successfully called into life ever
since its inception.
From political manifests to
art theory and prose, the books
of Gato Negro do not wish to
deconstruct reality through
ornamental distractions that lately
seem to have become an inevitable
requisite within the modern history
of publishing. Instead, Gato Negro
embraces the deliberately-chosen
content in its most primal form:
straightforward and entire. And
therefore, ever-growing in context.
The outcome of each
publication is a dialogue between
reader and creator — an ecological
construction of selfhood that distills
collective contemplation while all
we do is live.Title
Imprimir es resistir
Chile 2019
Author
On October 18, 2019 students of Chile
decided to avoid paying the Metro
ticket, which had risen $ 30, days
earlier, affecting most of the working
population of the city of Santiago. That
rise was the trigger for widespread
social discontent in the absence
of equality imposed by an extreme
neoliberal system validated for 30 years
by a democratic system that has always
been in the shadow of this capitalist
structure installed by the dictatorship.
The next day the right-wing government
of Sebastián Piñera sent the military
to the street and declared war on his
own people. Police violence took to the
streets facing the people who defended
themselves by blowing their empty
pots and throwing stones at the police
provocation.
Since that day the town has been
on the street actively resisting the
violence of authority and generating
manifestations of all kinds to show
the injustices that affect all Chileans.
The city was transformed into a book
full of words and images produced
independently, self-managed and
spontaneous. Photocopied posters, Photography, Political
2020
serigraphs, printed in mobile types and 98 pages
graffiti transformed the urban scene Spanish
40.5 cm x 26.5 cm
with a voice calling for the cessation of Printed in Risograph
police violence, the exit of the president
and a new political constitution that Retail Price
400 MXN, 40 USD, 40 €
replaces the text that has left the people
in poverty for the benefit of the big
businessmen.
On October 18, 2019, the Chilean
people woke up and took to the streets
to claim for 30 years of injustices and
for profound changes to recover their
dignity. The posters of this revolution
begin to circulate around the world.
Artists who have chosen anonymity to
work today are mobilized for a change,
printing and pasting their work in the
streets of Chile. Today in our country
printing is resisting.
4Title
Mother,
We All Have Been
Lonely
and Lovely Places
Author
Lara Konrad
Mother, We All Have Been Lonely and
Lovely Places serves as a trajectory
of personal history, narrating the
various stages of female dependency
in a patriarchal landscape. As the
book intimately examines emotional
and sexual behavioral patterns of
relationships that (re)formulate in
accordance to the inevitable process
of aging, its readers not only witness
adopted gender performativities within
society, but gradually begin to notice the
universal longing to unearth purpose in
hopes of outgrowing human loneliness.
Born in Germany, Lara Konrad spent most of her
childhood in Mexico. She holds a BA in Creative
Writing (The New School) and an MFA in Fine Arts
(Sandberg Institute). Her writings have appeared
in a diverse set of international publications, Sometimes I Wonder
including Das Magazin, Die Welt, NYTyrant, ZEIT.
‘Mother, We All Have Been Lonely and Lovely
Places’ (Gato Negro Ediciones) is her first book What does it mean
of prose.
to cum on my face
in the name of love?
Photography, Erotica, Pleasure
2020
120 pages
English
16.5 cm x 11.5 cm
Printed in Risograph
Retail Price
250 MXN, 25 USD, 25 €
isbn: 978-607-97969-0-7
5Title Special edition of 20 copies. Produced during a
A Rain Falls from the Sun residency at the Frans Masereel Centrum as part
of the Logocide, Logotomy, Logophagy project:
Author Creation, experimentation and reflection of
Gato Negro Ediciones nonsense: Logocide as a subversion tool.
Frans Masereel Centrum Edición especial de 20 ejemplares. Producido
durante una residencia en el Frans Masereel
Art Centrum como parte del proyecto Logocidio,
2019 Logotomía y Logofagia: Creación, experimentación
164 pages
40.5 cm x 26.5 cm y reflexión del sintentido.
Printed in Risograph
Retail Price
8 500 MXN, 350 USD, 350 €
6Title
Nostalgia
Author
David Horvitz
“Since the early 2000s, I have been making Erasure. Memory. Forgetting.
daily photographs with digital cameras. Each
day this archive of digital files would grow
Data. Archives.
bigger. I had no intention to exhibit these.
In 2018, in a culture over-inundated and
Photography, Artist’s Book
amassed with photographs (mostly digital) 2019
and with eroded attention spans, I decided to 120 pages
17 cm x 23 cm
start erasing my photo archive. This erasure Printed in Risograph
became an art-work I titled it NOSTALGIA.
Retail Price:
The passages in this book are descriptions of $300 MXN, 20 USD, 20 €
a selection of digital photographs that have
been deleted.”
9Title Him Author Alice Zukofsky Chronicle of a long night. Crónica de una larga noche. Photography, cryptography 2019 168 pages 17 cm x 23 cm Printed in Risograph Retail Price: $600 MXN, 40 USD, 40 € 10
Title
We Love Our Employees
Author
Alejandro Cartagena
The photographs that are included in this book
form part of the archive of the photographer
Alberto Flores Varela. The majority were taken on
commission by the “Sociedad de Cuauhtémoc
y Famosa” (SCyF), an institution established in
1918 for Cervecería Cuauhtémoc (Cuauhtémoc
Brewing Company), a company that marced
the foundation of modern Monterrey, Mexico.
Remember the context of those years was of
revolution. The business elite was threatened by
the labor rights included in the new constitution
of 1917, which featured the right to strike. This
is how the “most fortunate” workers of modern
Monterrey were domesticated. These images
represent the seed of the social order that was
established in many industrial cities around the
world. It was thus decided to sacrifice freedom
of expression, free association, and democratic
representation of the workers, among other
rights, in exchange for maintaining employment in
“the company.” This book depicts the first flash of Photography, Politics
restrained disillusionment: loyal forever. 2019
120 pages
17 cm x 23 cm
Las fotografías que integran este libro forman Printed in Risograph
parte del archivo del fotógrafo Alberto Flores Retail Price
Varela y la mayoría fueron tomadas por encargo $400 MXN, 25 USD, 25 €
de la Sociedad Cuauhtémoc y Famosa (SCyF),
institución creada en 1918 por Cervecería
Cuauhtémoc, empresa fundadora del Monterrey
moderno. Cabe recordar que el contexto
de aquellos años era de revolución. La élite
empresarial se encontraba totalmente amenazada
por la cartera de derechos laborales contenidos
en la nueva constitución de 1917, y que incluían
el derecho a huelga. Callados en la mesa familiar,
sonriendo, levantando un poco más la botella, no
tanto, ¡no se muevan! así fueron domesticados
los trabajadores “más afortunados” del Monterrey
moderno. Estas imágenes representan la simiente
del orden social que acabó por instalarse en
muchas ciudades industriales del orbe. Así se
decidió sacrificar la libertad de expresión, la libre
asociación y la representación democrática de
los trabajadores, entre otros derechos, a cambio
de conservar el empleo en “la compañía”. Este
libro retrata el primer flashazo de desilusión
contenida: leales para siempre.
1213
Title
The River /
El Río.
A Collaboration
Author
Zoe Leonard /
Dolores Dorantes
The book collects unpublished photographs
that the American artist Zoe Leonard has
taken along the Rio Grande (or Río Bravo) in
2017. As well, it includes commissioned texts
by the Mexican poet and activist, Dolores
Dorantes, who has been exiled to the United
States for years.
It is an immersion into the physical context,
the actual barrier; the very heart of the border
between Mexico and the US: the waters
of the Río Bravo or Rio Grande. A number
of figures appearing in the water recall
something else though: skin, scars, wrinkles,
genitals, the writing of an unknown language.
It is a visual-textual attempt of conversation
that explores the tensions between the
simple, ever-changing but continuously-fluid
flow of water, and all the terrible complexities
around, above and beneath it.
El libro recopila fotografías inéditas que la
artista estadounidense Zoe Leonard tomó
a lo largo del Río Bravo en 2017 y textos
encargados para este proyecto a Dolores
We were power, or we were once.
Dorantes, poeta y activista mexicana, quien The water isn’t an attribute of your
durante años ha estado exiliada en Estados circumstances. Crossing over isn’t
Unidos. Se trata de una inmersión en el an attribute of your circumstances.
contexto físico, la barrera real, el corazón de
la frontera entre México y Estados Unidos: las
aguas del río Bravo. Un número de figuras en Poetry, Politic Photography
el agua recuerdan algo más: piel, cicatrices, 2018
156 pages
arrugas, genitales, la escritura de un idioma Spanish, English
desconocido. Un poema hecho de fotografías 23 cm x 17 cm
Printed in Risograph
y la representación de esa secuencia con
un poema de palabras. Un intento roto de Retail Price
600 MXN, 30 USD, 30 €
conversación bilingüe visual-textual sobre las
tensiones entre un simple, siempre cambiante ISBN: 978-607-97969-3-8
pero siempre el mismo flujo de agua, y todas
las terribles complejidades alrededor, arriba y
debajo de él.
1415
Title
Some More Sonnet(s)
Author
Michalis Pichler
In 1972, Ulises Carrión produced his first artist’s
book SONNET(S) which consists of a 44
variations of a sonnet by Dante Gabriel Rosetti
titled “Heart’s Compass”. Using the language as
a material, Carrión writes Rossetti’s poem over
and over again on a typewriter, in slightly different
versions. This book today is considered Carrión’s
first ‘artist’s book’, where he still uses language,
but quite differently. In 2009 Michalis Pichler, in
a similar approach but using a computer, mostly
Word or Open Office, created 44 new variations
and published a book titled SOME MORE
SONNET(S).
En 1972, Ulises Carrión produjo su primer libro de
artista SONNET (S) que consta de 44 variaciones
de un soneto de Dante Gabriel Rosetti titulado
“Heart’s Compass”. Utilizando el lenguaje como
material, Carrión escribe el poema de Rossetti una
y otra vez en una máquina de escribir, en versiones
Poetry
ligeramente diferentes. Este libro hoy se considera 2019
el primer “libro de artista” de Carrión, donde 96 pages
17 cm x 23 cm
todavía usa el lenguaje, pero de manera bastante Printed in Risograph
diferente. En 2009, Michalis Pichler, con un
Retail Price
enfoque similar pero utilizando una computadora, $250 MXN, 20 USD, 20 €
principalmente Word u Open Office, creó 44
nuevas variaciones y publicó un libro titulado
SOME MORE SONNET(S).
16Title
Domestic Orbits
Author
Frida Escobedo
Domestic Orbits is a speculative essay
that explores how the domestic space is
configured around orbits of exclusion that
shape the trajectories of domestic workers.
How is the space articulated according to
gender, class, or race? Organized through a
series of case-studies that range from 1950s
until today’s Mexico City, the book looks at
the different scales in which domestic labor
gets erased by architects and planners. It
reads the architectural plans of five well-
known projects, giving a perspective that
aims to highlight social and economical
relationships. Domestic Orbits sketches
a counter-history of modern architecture,
questioning the duality that exists between
the visible and invisible — those who count,
and those who don’t.
Domestic Orbits es un ensayo sobre
una cartografía crítica que explora cómo
la configuración del espacio doméstico
depende de órbitas de exclusión que
delinean las trayectorias de las empleadas
domésticas. ¿Cómo el espacio se articula de
acuerdo al género, clase o raza? Organizado
según una serie de casos de los años 50
hasta nuestros días en la Ciudad de México,
el texto estudia en diferentes escalas de qué When I had my daughter,
manera el trabajo doméstico es eliminado I asked my boss if she
por arquitectos y proyectistas en cinco obras could live with me and she said no
muy conocidas que resaltan las relaciones because the house isn’t big enough.
sociales y económicas. De este modo, The room we sleep in is very small,
Domestic Orbits esboza una contra-
historia de la arquitectura moderna sobre
so I haven’t been lucky enough to live
la dualidad de lo visible e invisible: los que with her.
cuentan y los que no.
Research Based,
Architecture
2019
36 pages
English
40.5 cm x 26.5 cm
Printed in Offset
Coedition with instituto de
investigaciones independi-
entes and IF Publications
Retail Price
250$ MXN, 15 USD, 15 €
isbn: 978-607-97969-7-6
1718
19
Title
The Radical Ally
Author
Bouchra Khalili
In 1984, when Jean Genet was preparing
the edition of his most important articles,
he chose to start with a text that did not
belong with the rest of the collection. The
Declared Enemy — which would become
the title of Albert Dichy’s reference edition of
Genet’s articles and interviews from 1964
to 1986 — was written in Tangiers the same
year that Genet was invited to encourage
support and bear witness to the repression
suffered by the Black Panther Party (1970).
Bouchra Khalili’s The Radical Ally is a visual
and textual investigation on the work she
undertook in Twenty-Two Hours (2018). She
follows Genet’s traces during his stay with
the Panthers, and questions what remains of
the party’s political memory. Through other
important voices, Bouchra interrogates the
different layers of history that have engulfed
the struggle for liberation to which the
characters in her video have committed their
lives to. In this publication, we explore the
position of the radical ally as the reverse of
the declared enemy. To become the radical
ally, as Khalili reminds us in her interview with
Jackie Wang, Genet had to destroy the white
man in him.
En 1984, cuando Jean Genet preparaba la declarado. Para convertirse en el aliado radical,
edición de sus principales artículos, eligió como Khalili nos recuerda en su entrevista con
comenzar con un escrito que no pertenecía Jackie Wang, Genet tuvo que destruir al hombre
al resto de los textos incluidos en la colec- blanco en sí mismo.
ción. The Declared Enemy, que se convirtió
en el título de la edición de Albert Dichy de
los artículos y entrevistas de Genet de 1964 It is a form of resistance,
a 1986, fue escrito en Tánger el mismo año reclaiming history from the power.
que el escritor fue invitado a apoyar y aportar
su testimonio sobre la represión sufrida por
el Partido Black Panther (1970). The Radical Research Based,
Ally, de Bouchra Khalili, es una investigación Black Panthers
visual y textual sobre el trabajo que realizó 2019
84 pages
en el libro Twenty-Two Hours (2018), donde English
sigue las huellas de Genet durante su estan- 40.5 cm x 26.5 cm
Printed in Offset
cia con los Panthers con el fin de cuestionar
qué queda de la memoria política del Parti- Retail Price
250$ MXN, 15 USD, 15 €
do. A través de distintos autores, Bouchra
isbn: 978-607-97969-6-9
interroga las diferentes capas de la historia
que han envuelto la lucha por la liberación
de los personajes de su video. En esta
publicación, la autora explora la posición del
aliado radical como el reverso del enemigo
20Title Latent Spaces Author Federico Pérez Villoro In a landscape where the technologies governing our lives are increasingly obscured, this publication aims to reveal the underlying processes of a machine learning program. It seeks to mediate the “gaze” of the machine and human comprehension. The book documents the technical capabilities of an algorithm trained to analyze the formal patterns of the alphabet while it imagines other letters from that knowledge. The resulting outputs — letters without semantic value — embraces and emphasizes the meaningless results of the machine: it is the human input and framework that imbues “sense” to these forms. Combining expository exercises with surreal typographic characters, Latent Space: Notes on Seeing Letters Like a Machine is a grounding text on the mechanics of machine learning and a visual celebration of formal possibility. El libro documenta las capacidades técnicas de un algoritmo entrenado para analizar los patrones formales del alfabeto e imaginar otras letras, a partir de dicho conocimiento. En un entorno donde los procesos tecnológicos que gobiernan nuestras vidas son cada vez más inaccesibles, el libro busca mediar la “inteligencia” de las máquinas y la comprensión humana. Los resultados, letras sin valor semántico, apuntan a la falta de significado propio de lo que genera el algoritmo y enfatizan cómo es la interpretación humana lo que impregna de “sentido” a estas formas. Combinando ejercicios expositivos y caracteres tipográficos surrealistas, la publicación es un documento fundamental sobre la mecánica de la inteligencia artificial y una celebración de las posibilidades formales. Design, Algorythm, Machine 2019 140 pages English 23 cm x 17 cm Printed in Risograph Retail Price 400 MXN, 30 USD, 30 € 23
Title
Reunión / North Border
Author
Dani Zelko
Reunion are various acts that involve
conversing, reading and writing; quotidian
yet strange acts that always implicate being
next to one another. Zelko writes down
poems that others dictate to him. After
completing his homework of how to listen
and how to write, he edits the books within
the next coming days. In a round of nine
people, the writings are presented to the
author’s neighbors, friends, and family. The
writer reads his poems; he listens to himself
while he is being heard by others.
The second part of the project consists
of an extension of the first project, in other
places. In a round of nine chairs, the writer’s
poems are read by spokespeople, emissaries
who lend their bodies, eyes and voices. It is a
chain of situations and encounters: subjects
dictating and reading, reading and writing;
books and poems. All these are actions and
proceedings in order to be together.
This edition, titled North Border, was
realized between Septembre 2017 and
October 2018, taking place in Mexico,
USA, and Canada (Tijuana, Veracruz, Texas,
Florida, New York, Princeton and Toronto).
The cover’s photograph was taken just
before the presentation of Maritza’s book.
Maritza read her poems aloud to her caravan
friends. Then they gave away some books
to people who passed by, and walked to the
USA in order to seek political asylum.
Dani Zelko, Argentina, 1990. His work is made up of
words and people, that are put together through various
procedures to generate actions and situations where
political tension and language experiments act on one
another. He wants an affective conceptualism. He is
currently working on a solo presentation at the Reina
Sofia Museum, Madrid, around the Reunion project.
Poetry, Politics
2019
204 pages
English
23 cm x 17 cm
Printed in Risograph
Retail Price
200 MXN, 20 USD, 20 €
ISBN: 978-607-97969-9-0Title
Reunión / Frontera Norte
Author
Dani Zelko
Reunión son varios actos que involucran
conversar, leer y escribir; actos cotidianos
y a la vez extraños, que implican siempre
estar junto a otro. Zelko escribe los poemas
que otros le dictan. Después de cumplir su
tarea como escucha y como escriba, edita
los libros en los días siguientes. Los libros
son presentados ante los vecinos, familia y
amigos del escritor en una ronda de nueve
personas. El escritor lee sus poemas, se
escucha y es escuchado por los demás.
La segunda parte del proyecto consiste
en una extensión de los primeros actos en
otros lugares. Los poemas de los escritores
son leídos por portavoces, emisarios que
prestan su cuerpo, ojos y voz para leer en
una ronda de nueve sillas, los poemas de
los ausentes. Una cadena de situaciones
y encuentros, sujetos dictando y leyendo,
un escriba y un escucha, libros y poemas.
Acciones y procedimientos para estar con
los otros.
Esta edición, titulada Frontera Norte,
fue realizada entre septiembre de 2017 y
octubre de 2018, en distintos lugares de
México, Estados Unidos y Canadá, entre
ellos Tijuana, Veracruz, Texas, Florida, Nueva
York, Princeton y Toronto. La fotografía de la
portada expone la presentación del libro de
Maritza, realizada el 29 de abril en “La Línea”,
paso fronterizo entre Tijuana y San Diego.
Maritza leyó su libro junto a sus compañeras
de caravana, luego regalaron ejemplares
a las personas que pasaban por ahí y
caminaron hacia Estados Unidos a pedir
asilo político.
Poetry, Politics
2019
204 pages
Spanish
23 cm x 17 cm
Printed in Risograph
Retail Price
200 MXN, 20 USD, 20 €
28Title Nonverbal Author Alan Sierra Nonverbal is a book of drawings in which animals, everyday objects and parts of the body serve as short narrations that communicate physical sensations without words. Employing a similar economy that is writing, the content considers the lyrical genre, paralinguistics and the overall language of cartoons. Due to such close proximity to literary creation, the drawings are read as poems, jokes or refrains. Nonverbal es un libro de dibujos en el que animales, objetos de la vida cotidiana y partes del cuerpo sirven para contar pequeñas historias y transmitir sensaciones físicas sin usar una sola palabra. Con una economía de medios similar a la de la escritura, el contenido de la publicación considera el género lírico, la paralingüística y el lenguaje de las caricaturas. Esta proximidad con la creación literaria permite que los dibujos sean leídos como poemas, chistes o refranes. Illustration, Communication 2019 72 pages 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € 30
Title Cómo robar un libro Author David Horvitz David Horvitz lists 80 ways of how to steal a book. Every method supposes a new poetic adventure: from the very practical, to the witty, to the imaginative and romantic. In collaboration with Edition Taube, this project is a work of translation that documents the process of publication. It has been published in eight languages; each publication received its corresponding language-editor. David Horovitz enumera en su libro ochenta modos de robar un libro, cada uno supone una aventura más poética que real, hasta convertir el hurto en una obra por encima del libro robado. Este proyecto con Edition Taube es un trabajo de traducción y publicación en curso. El libro ha sido publicado hasta la fecha en ocho idiomas por editores diferentes; para la edición en español, la tarea corrió a cargo de Gato Negro Ediciones. Hide the book inside a fake rock. Book, Shoplifting, Instructions 2019 34 pages Spanish 16.5 cm x 11.5 cm Printed in Offset Coedition with Edition Taube Retail Price 150 MXN, 15 USD, 15 € isbn: 978-3-945900-22-2 32
ITI Sampler 2019
Title Author The Image Text Ithaca initiative at
ITI Sampler 2019 Pablo Lerma Ithaca College brings together
Carla Liesching an independent press, ongoing
workshops and symposia, and a
Coedition with
Image Text Ithaca Press John Rufo low-residency MFA program at
Matt Baczewski the intersection of writing and
2019
Martha Ormiston photography.
32 pages
English
Janet Solval Image Text Ithaca reúne a una prensa
16.5 cm x 11.5 cm
Printed in Risograph
Kirslyn Schell-Smith independiente, talleres y simposios
Retail Price
Nina Perlman en curso, y un programa MFA en
la intersección de la escritura y la
150 MXN, 15 USD, 15 € Melani Elissa Lopez fotografía.
isbn: 978-0-9967351-9-3The Leaders
Title The Leaders Author Natalia Talavera Andrea García Flores Andy Bibi Boris Donald Enrique Jair Juan Carlos Vladimir Xi Photography, Politics, Leadership 2016-2019 48 pages 10.5 cm x 8.5 cm Printed in Risograph Retail Price 50$ MXN, 5 USD, 5 €
Editions & Reprints
Title Piedras Author Arturo Hernández Alcazar Compendium of images in open confrontation: politicians placing first stones facing people protesting, throwing stones. An exercise on the constant erosion of solids as materialization of power and stone as the first and last tool. Compendio de imágenes en confrontación abierta: políticos colocando primeras piedras enfrentados a gente protestando, que lanza piedras. Un ejercicio sobre la constante erosión de los sólidos como materialización del poder y de la piedra como primera y última herramienta. Photography, Politics 2019 72 pages 16.5 cm x 11.5 cm Printed in Risograph Retail Price $150 MXN, 15 USD, 15 € 39
40
Title Imagen divina Author Toro-Goya Imagen divina, by Chilean photographer Toro Goya, presents twenty images as allegories of different Latin American countries; each transvestite nation is exhibited as the portrait of the maiden of the family, locked in the midst of the symbols and historical conflicts that has characterized it. Imagen divina, del fotógrafo chileno Toro Goya, presenta veinte imágenes a manera de alegorías de diferentes países latinoamericanos; cada nación travestida se exhibe como el retrato de la doncella de la de familia, encerrada en medio de los símbolos y conflictos históricos que la han caracterizado. Photography 2018 20 pages 40.5 cm x 26.5 cm Printed in Risograph Retail Price 1000$ MXN, 40 USD, 40 € 41
Title Tercera persona Author Verónica Gerber Bicecci Written in braille, Tercera Persona is a discussion that takes place between ‘him’ and ‘her.’ The reader witnesses a conversation of misunderstandings, the impossibility that is communication and everything quotidian. Veronica Gerber Bicecci (Mexico City, 1980) reduces language into a less complex framework, so everything we cannot understand — but that which haunts us every day — becomes again what it actually is and always was. Escrito en braille, una discusión en él y ella. Rastros de una conversación mal avenida: del mal entendimiento, de la imposibilidad de la comunicación total, de lo imposible de lo cotidiano. Verónica Gerber Bicecci (Ciudad de México, 1980) reduce el lenguaje a su mayor amplitud para que sea de nuevo eso que no podemos entender pero que sabemos que nos acecha cada día. El no saber como modo de operación lingüística. Narrative, Braille, Illustration 2014 32 pages 16.5 cm x 11.5 cm Printed in Risograph Retail Price $150 MXN, 15 USD, 15 € 43
Title An Artist Author Malena Pizani In more than 1400 laconic arguments, the Argentinian Malena Pizani describes an artist’s process of becoming. The statements — lacking verb in each sentiment — depict an artist that is petrified between two moments that for now does neither act, nor do, nor execute, nor intervene. It only thinks of itself, or sees itself through the gaze of the other. An Artist, de Malena Pizani, artista argentina, recopila, por medio de 1400 enunciados, las características de un artista en vías de definición. Los enunciados, carentes de verbo, describen al artista petrificado entre dos puntos que por el momento no actua, no hace, no ejecuta, no interviene; sólo se piensa a sí mismo o se ve a través de los ojos de los demás: An artist who looks out of the corner of his eye / An artist who looks out of the corner of his eye and also eavesdrops / An artist who looks out of the corner of his eye and makes comments in passing so that everyone else will hear / A mean-spirited artist / A dark- energied artist / A dark-energied who has power / A dark-energied artist who has power and distributes it among other dark-energied artists. Art 2017 112 pages English 16.5 cm x 11.5 cm Printed in Offset Retail Price 150 MXN, 15 USD, 15 € isbn 978-607-97599-3-3 44
Title Song of Songs Author Frosh Samo Songs of Songs by the Mexican artist Frosh Samo, is a new illustrative version of the Old Testament which intends to reinterpret the games given to King Solomon, King David, and his friends. Song of Songs del ilustrador mexicano Frosh Samo, es una nueva versión ilustrada del libro del Antiguo Testamento, una reinterpretación de los juegos a los que se entregan el Rey Salomón, el Rey David y sus amigos. Illustration, Erotica, Biblical 2018 36 pages English 23 cm x 17 cm Printed in Risograph Retail Price $250 MXN, 25 USD, 25 € isbn: 978-607-97969-4-5 46
Title The line, lie and the lice Author Diana Cantarey The line, the lie, and the lice is a book of divination that is governed by one idea: all complex ideas are composed of simple ideas. Two ideas: if everything can be reduced to a simple idea, why do I understand less and less every time? Three ideas: due to distraction, refraction or hyper- simplification. Four ideas: error — neither the one or the other, but something much worse. The line, the lie and the lice de Diana Cantarey es un libro de adivinación que se rige bajo una idea: todas las ideas complejas se componen de ideas simples. Dos ideas: si todo se puede reducir a ideas simples, ¿por qué cada vez entiendo menos? Tres ideas: por distracción, por refracción o por hipersimplificación. Cuatro ideas: error: ni lo uno, ni lo otro, sino algo mucho peor. Illustration 2018 74 pages 10.5 cm x 8.5 cm Printed in Risograph Retail Price 50 MXN, 5 USD, 5 € 48
Title
La manzana no espera
Author
Ricardo Carreira
In La manzana no espera, the Argentinian La manzana no espera del poeta y artista argentino
poet and artist Ricardo Carreira (1924- Ricardo Carreira (1942-1993), miembro del
1993), member of “Tucumán arde” collective, colectivo “Tucumán arde”, experimenta con los
experiments with the boundaries of words márgenes de las palabras, un espacio que escapa
— a space that escapes common language del lenguaje común para liberar el sonido, el
so it may liberate sound; where purpose and significado y la imagen como si fuera la primera vez,
image get to be experienced as if it were pero también como un espacio que demuestra el
the very first time; but as well as space that juego de su mecanismo, el margen de acción que
demonstrates a game’s mechanism — the se abre entre ellas, como huecos semánticos.
active margin that opens like a semantic
whole in-between them.
Poetry
2018
72 pages
Spanish
23 cm x 17 cm
Printed in Risograph
Retail Price
$200 MXN, 20 USD, 20 €
4950
Contemporary! Manifestos?
Title A Manifesto on the Appropriation of Space. A Methodology for Making Architecture Author APRDELESP C ! M ? 10: Buildings are not empty containers awaiting their inhabitants. They are composed of a large and ever-changing array of objects. During construction, prioritizing certain objects — like walls, floors, roofs, etc. — limits appropriation itself. In order to increase the opportunities of appropriation, objects that are traditionally dealt with by architects to encompass the possibility of object — such as a wall, sink, chair — would need to be augmented. Incrementar las oportunidades de apropiación, implica aumentar la clase de objetos tradicionalmente manipulados por los arquitectos con el fin de abarcar todos los objetos posibles (existentes, relacionados, propuestos y sugeridos), como una pared, un fregadero o una silla, que podrían ocupar un área determinada en un momento preciso del proyecto de construcción. Contemporary, Manifesto, Architecture 2019 44 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97969-5-2 52
53
Title
The Work of Art
in the Age of Its Digital
Reproducibility
Author
Michalis Pichler
C!M?
Benjamin’s arguments against the
reproducibility of image retake the
importance of digitalization that exists
today. “It would therefore be wrong to
underestimate the value of such theses as
a weapon. They brush aside a number of
outmoded concepts, such as creativity and
genius, eternal value and mystery” —Walter
Benjamin.
Los argumentos de Benjamin contra la
reproductibilidad de la imagen, retoman
importancia con la digitalización de nuestra
época. “Sería erróneo subestimar el valor de
estas tesis como un arma. Apartan una serie
de conceptos anticuados, como creatividad
y genio, valor eterno y misterio” —Walter
Benjamin.
#Foreword
#DigitalReproducibility
#Limitation
#DemolitionofCommodity
#MarketandPolitic
#ExchangeValueandUseValue
#DataFile
#DataFileandInternetasArt
#InternetandTestPerformance
#TheOnlineUser
#ClaimtobeOnline
#OldAuthorandNewAuthor
#ReceptionofPaintings
#MickeyMouse #Conceptualisms
#TactileandMental Contemporary, Manifesto,
#AestheticsofWar Art
2019
34 pages
English
16.5 cm x 11.5 cm
Printed in Risograph
Retail Price
150 MXN, 15 USD, 15 €
54Title
For a Collaborative
and Interdisciplinary
Lexicon of Cultural Agents
Author
Doris Summer
C ! M ? 08:
In this book, Doris Sommer, Director of
the Cultural Agents Initiative at Harvard
University, proposes an array of semantic
neologisms in order to understand the new
dynamics of our world that is in constant
acceleration; how to create new ideas
and new construction tools. It is a double
invitation: on the one hand, it develops
definitions that articulate an interdisciplinary
lexicon. On the other, it suggests missing
words. It is vital for the new lexicon’s
intuitions to move into public discourse.
Doris Sommer, Directora de la
Iniciativa de Agentes Culturales de la
Universidad de Harvard, propone en este
libroB1neologismos
VUELTA 1 semánticos con el fin
de entender las nuevas dinámicas de
nuestro mundo en constante aceleración,
una manera de crear nuevas ideas y
nuevas herramientas de construcción. Se
trataAmphibian
de una doble invitación: por un lado Color
Translator,
desarrollar communicator,
definiciones que articulenfrom
un one Structural element in the
léxico interdisciplinario y por otro, sugerir
cultural register to another, Antanas Renaissance of Tirana, Albania, Edi
palabras faltantes. Lo importante es que
Mockus.
las intuiciones del nuevo léxico pasen al
Rama.
discurso público.
Art Common sense
Artifice, device, to make Intersubjective agreement based on
Contemporary, Manifesto
comprehension difficult and refresh
2017 aesthetic judgment, Immanuel Kant.
perception, Viktor Shklovsky.
36 pages
English
16.5 cm x 11.5 cm
Printed in Risograph
Connectionist
Beauty Agent who fosters collaborations,
Retail Price
That
150 MXN, 15 which
USD, 15pleases
€ without interests Pedro Reyes.
or concepts, Immanuel Kant.
isbn: 978-607-97599-5-7
Constraints, hard and soft
Catharsis Imposed and also chosen conditions
Purges rebelliousness, Aristotle; of rational choice, Jon Elster.
banish the cop in the head, Augusto
Boal. Distribution of the Sensible
Range of access to and production
Civic culture of art, Jacques Rancière.
Articulation of law, morality, popular
culture, Antanas Mockus.
55
26 27Title ManyFiestas! Author Gabriela Jauregui C ! M ? 07: In her manifesto, the young Mexican author Gabriela Jauregui thinks about the blood- soaked war of drugs. Simultaneously, she proposes a communal organization, a resistance against individualism and isolation. As a type of game, Jauregui borrows words from other manifestos. The result is a manifesto-remix, unleashing a different and new political potential. Gabriela Jauregui, joven escritora mexicana, reflexiona en su manifiesto sobre la sanguinaria guerra contra las drogas. Propone al mismo tiempo, una organización comunitaria, una resistencia contra el individualismo y el aislamiento, dentro de un espíritu lúdico utilizando extractos de muchos otros manifiestos. Un manifiesto compuesto como un remix que busca liberar un nuevo potencial político. Call out loud Vivid and violent ideas To your blushing We shout the obscenities Contemporary, Manifesto 2017 36 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97599-6-4 56
Title La Pocha Nostra Manifesto For a Post-Democratic Era Author Pocha Nostra C ! M ? 06: The Spanish neologism “Pocha Nostra” can be translated into “our impurities” or “the cartel of culturally-betraying bastards”. It is an attitude against art and society: interracial, cross-trans-or-post-national, polygendered, post-ultra-retro-experimental, neoindio, or a remix of the same or nothing. And so what? What’s the problem? After all, national states are dysfunctional and outdated. El neologismo spanglish “Pocha Nostra” puede traducirse como “nuestras impurezas” o “el cartel de bastardos traidores culturales”. Esta es una actitud hacia el arte y la sociedad: interracial, trans-o-post-nacional, poligénero, post-ultra-retro-experimental, neoindio, o un remix del mismo o ninguno, ¿y qué? ¿Cuál es el pedo? Después de todo, los estados-nación son disfuncionales y fechados. El libro recopila manifiestos o antimanifiestos de los últimos veintitrés años de este colectivo para el que, muchas veces, el performance se convirtió en una pedagogía. We claim a border/less America in the largest sense of the term. We live in the South of the North, and in the North of the South. Contemporary, Manifesto 2018 48 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97599-8-8 57
Title
The Combahee
River Collective
Statement
Author
Combahee
River Collective
C ! M ? 05:
Combahee River Collective, an African-
american feminist collective, presents a
testimony of the reflective work since the
1970s in the United States. The book
discusses four major topics: the genesis
of contemporary black feminism and the
particularity of this very policy; the problems
and the history of the collective; the black
feminist practice and their issues. As
feminists and lesbians, they know that sexual
politics under patriarchy is pervasive in black
women’s lives, as well as the politics of class
and race.
Combahee River Collective, colectivo
feminista afroamericano, expone un
testimonio del trabajo reflexivo realizado
desde los años 70 en Estados Unidos. We will discuss four major
El libro discute cuatro grandes temas: el topics in the paper that
origen del feminismo contemporáneo de follows: (1) the genesis of
la comunidad negra, la particularidad de contemporary Black feminism;
su política, los problemas y la historia de
(2) what we believe, i.e.,
su colectivo y la problemática y la práctica
de éste feminismo. Como feministas y the specific province of our
lesbianas saben que la política sexual bajo el politics; (3) the problems in
patriarcado es tan dominante en la vida de organizing Black feminists,
las mujeres negras como lo son las políticas including a brief herstory of
de clase y raza. our collective; and (4) Black
feminist issues and practice.
Contemporary, Manifesto
2017
44 pages
English
16.5 cm x 11.5 cm
Printed in Risograph
Retail Price
150 MXN, 15 USD, 15 €
isbn: 978-607-97599-1-9
58Title An Attempt at a «Compositionist Manifesto» Author Bruno Latour C ! M ? 04: Written as an essay, An Attempt at a «Compositionist Manifesto» points to needing a manifesto in form of genre and contemporaneity. Using The Communist Manifesto as a model, Latour constructs a manifesto using the different meanings of the word “compose” in order to think about a new world: one that is composed and decomposed into heterogeneous elements. For the author, the manifesto is the world’s composition that we need to imagine. Escrito como un ensayo, An Attempt at a «Compositionist Manifesto» por un lado pone en evidencia la necesidad del manifiesto cómo género, y su total coincidencia con la contemporaneidad, a pesar de que el pensamiento opuesto sea dominante; por otro lado, usando el modelo del Manifiesto comunista, construye un manifiesto utilizando los diferentes sentidos de la palabra “componer”, con el fin de pensar un mundo nuevo: un mundo que se compone y descompone en elementos heterogéneos. Para Bruno Latour el manifiesto es la composta del mundo que necesitamos imaginar. Contemporary, Manifesto 2017 60 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-5-9 59
Title #ACCELERATE MANIFESTO for an Accelerationist Politics Author Alex Williams Nick Srnicek C ! M ? 03: Already by nature, manifestos are necessar- ily tied to time. For Alex Williams and Nick Srnicek, time is a raw material that can only be released from its obligations and contracts by means of acceleration. If Newton lived in these dark times, he might have reformulated his laws based on the concept of accelera- tionism. Por naturaleza, los manifiestos están ligados al tiempo. El manifiesto aceleracionista hace del tiempo la razón del manifiesto, no el tiempo necesario que necesita una cosa para cumplir su objetivo, sino el tiempo que el capitalismo necesita para capitalizarse. Para Alex Williams y Nick Srnicek el tiempo es una materia prima que sólo puede ser liberada de sus obligaciones y contratos por medio de la aceleración. Si Newton viviera en estos días oscuros probablemente reformularía sus leyes siguiendo la fórmula del aceleracionismo. Contemporary, Manifesto 2017 60 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-4-2 60
Title Untitled Manifesto Author Juan Caloca C ! M ? 02: Starting with the exclamation mark assumes that there is an exit on the other side. Untitled Manifesto asks: what is decomposition made off? In other words, does it take an exclama- tion mark in order to understand a question is taking form? For example, who can believe in the queries translated by Google? These are not questions without answers, but answers without questions. With his manifesto, the artist Juan Caloca shows how much knowl- edge we lack, and how little we know in order to imagine. Comenzar por un signo de interrogación supone que del otro lado hay una salida: Untitled Manifesto lo pone en duda: ¿cómo se compone la descomposición?; dicho de otro modo, ¿hacen falta signos de interrogación para entender en qué punto las preguntas cobran forma?, por ejemplo ¿quién puede creer en las interrogaciones traducidas por Google? En el fondo no se trata de preguntas sin respuestas, sino de respuestas sin preguntas. A punta de despojos en el habla, el artista Juan Caloca pone en evidencia, bajo forma de manifiesto, cuánto nos falta por saber y lo poco que sabemos para imaginar. For the sake of humanity: Burn this and all manifestos! To see if someone remembers us only with the oral memory. Contemporary, Manifesto 2017 48 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-3-5
Title Autoconstrucción: a definitely unfinished, inefficient, unstable, affective, emotional, delirious, cheerful, affirmative, sweaty, fragmentary, empirical, weak, happy, contradictory, supportive, indecent, sensual, amorphous, warm, committed index Author Abraham Cruzvillegas C ! M ? 01: The alphabetical order implies an act of rein- vention. Abraham Cruzvillegas recuperates the alphabetical order in order to organize a series of projects that otherwise would cause confusion. El orden alfabético, implica una redefinición de la experiencia personal, no en función de las viviencias, sino a partir de un orden impuesto por el abecedario. Abraham Cruzvillegas recupera el orden alfabético para organizar una serie de proyectos que de otro modo cavilarían confusos. Brief Works of art are moments in the long-term development of ideas and production. Exhibitions and projects are reports on this development. Contemporary, Manifesto 2017 44 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-2-8 62
Title A Theory of the Manifesto or a Manifesto for Manifestos Author Luciano Concheiro C ! M ? 00: This text serves a double function. On the one hand, it speculates the form of the manifesto; on the other, it takes the form of a manifesto itself. The subject takes the form of the object. The author notes that the difficulty with the manifesto lies within its very subject matter: time. Both present and future. The present is a body that can be transcended through the act of enunciating a manifesto. The future is the ground on which to build a kinder reality. Este texto cumple una doble función: por un lado especula sobre la forma del manifiesto y por otro toma forma de manifiesto; dicho de otro modo, su reflexión cobra la forma de su objeto. Luciano Concheiro constata que la dificultad del manifiesto reside en su objeto: el presente y el futuro; el presente como un cuerpo que puede ser rebasado por el puro acto de enunciar un manifiesto y el futuro como un terreno disponible para construir el tiempo deseado por el manifiesto. There is no manifesto without enemy. What do we hate most? The present. And even more than that? Tradition. Contemporary, Manifesto 2017 28 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-1-1 63
Title I Want a President Author Zoe Leonard C!M? Written in 1992, Zoe Leonard’s I Want a President enunciates a revolutionary manifesto. She demands “a dyke for president / a person with AIDS / a fag for vice president”. We really hope it happens someday. Above all, we are convinced here is where it starts. Redactado en 1992, I Want a President, de Zoe Leonard enuncia un manifiesto revolucionario: “una tortillera para presidenta/ una persona con SIDA/ un maricón para vicepresidente...” Realmente esperamos que suceda muy pronto; sobre todo, estamos seguros de que todo comienza por aquí. […] and layed off and sexually harrassed and gaybashed and deported. Contemporary, Manifesto 2017 32 pages English 10.5 cm x 8.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-8-0 64
Backlist 2013-2019
ISBN ARTIST/AUTHOR TITLE YEAR FORMAT WIDTH HEIGHT PAGES RUN LANGUAGE(S)
(CM) (CM)
Frans Masereel A Rain Falls from the Sun 2019 Paperback 26.5 40.5 160 20 English-
Centrum / Gato Spanish
Negro Ediciones
Alejandro We love Our 2019 Paperback 17 23 120 220
Cartagena Employees
Julian Barón Mi casa está vacía 2019 Paperback 11.5 16.5 80 220 Spanish
978-0-9967351-9-3 Carla Liesching Good Hope 2019 Paperback 11.5 16.5 32 75 English
978-0-9967351-9-3 Nina Perlman Bound by Hyphenation 2019 Paperback 11.5 16.5 32 75 English
978-0-9967351-9-3 Pablo Lerma A frame of Darkness 2019 Paperback 11.5 16.5 32 75 English
978-0-9967351-9-3 Janet Solval Foreing sounds on a Tuesday 2019 Paperback 11.5 16.5 32 75 English
978-0-9967351-9-3 Kirslyn Schell The Clinical Significance of Dura 2019 Paperback 11.5 16.5 32 75 English
Smith matter
978-0-9967351-9-3 Martha Ormiston Ding Ding Ding 2019 Paperback 11.5 16.5 32 75 English
978-0-9967351-9-3 Matt Baczewsky You Left as a Cycle 2019 Paperback 11.5 16.5 32 75 English
978-0-9967351-9-3 John Rufo Unowned pleasures 2019 Paperback 11.5 16.5 32 75 English
David Horvitz Nostalgia 2019 Paperback 17 23 120 350 English
Gato Negro MBS 2019 Paperback 10.5 8.5 48 220
Ediciones
Gato Negro Boris 2019 Paperback 10.5 8.5 48 220
Ediciones
Gato Negro Bibi 2019 Paperback 10.5 8.5 48 220
Ediciones
Gato Negro Jair 2019 Paperback 10.5 8.5 48 220
Ediciones
Gato Negro i 2019 Paperback 10.5 8.5 48 220
Ediciones
Michalis Pichler Some More Sonnet(s) 2019 Paperback 17 23 96 220 English
978-3-945900-22-2 David Horvitz Cómo robar un libro 2019 Paperback 11.5 16.5 84 Spanish
978-607-97969-3-8 Zoe Leonard The River / El Río A 2019 Paperback 17 23 156 600 Spanish/
/ Dolores Collaboration 1era edición English
Dorantes
978-607-97969-5-2 APRDELESP A Manifesto on the 2019 Paperback 11.5 16.5 44 100 English
Appropriation os Space.
A Methodology for Making
Architecture
978-607-97969-6-9 Bouchra Khalili News: 3 The Radical Ally 2019 Stapled 25 40.5 36 100 English
978-607-97969-7-6 Frida Escobedo News: 2 Domestic Orbits 2019 Stapled 25 40.5 64 100 English
978-607-97969-9-0 Dani Zelko Reunión North Border 2019 Paperback 17 23 204 200 English
978-607-98507-0-8 Alan Sierra Nonverbal 2019 Paperback 11.5 16.5 72 150
978-607-98507-1-5 Federico Pérez Latent Spaces 2019 Paperback 17 23 140 350 English
Villoro
NO ISBN Dani Zelko Reunión Frontera Norte 2019 Paperback 17 23 204 200 Spanish
Michalis Pichler The Work of Art in the Age of Its 2019 Paperback 10.5 8.5 34 50 English
Digital Reproducibility
Gato Negro Andy BB 2019 Paperback 10.5 8.5 48 50
Ediciones
978-607-98507-2-2 Alice Zukofsky Him 2019 Paperback 17 23 160 300
Gato Negro Vladimir 2019 Paperback 10.5 8.5 48 50
Ediciones
978-607-97450-6-6 León Muñoz Satán 2018 Paperback 27 40.5 20
Santini
978-607-97450-9-7 Daniel Aguilar Cómo se imprime un mural 2018 Paperback 11.5 16.5 80 100 Spanish
Ruvalcaba
978-607-97599-8-8 Pocha Nostra La Pocha Nostra Manifesto For a 2018 Paperback 11.5 16.5 48 300 English
Post-Democratic Era
978-607-97969-0-7 Lara Konrad Mother, We All Have Been 2018 Paperback 11.5 16.5 120 200 English
Lonely and Lovely Places
978-607-97969-3-8 Andrea García Rebeca 2018 Paperback 17 23 84 200 English
Flores
978-607-97969-4-5 Frosh Samo Song of Songs 2018 Paperback 17 23 36 200
NO ISBN Ricardo Pohlenz Bac Kga Mon 2018 Paperback 11.5 16.5 56 100
NO ISBN Wolfgang Lehner Ciudad sin nombre 2018 Paperback 11.5 16.5 48 100 English
GATO NEGRO EDICIONES BACKLIST 2013-2019ISBN ARTIST/AUTHOR TITLE YEAR FORMAT WIDTH HEIGHT PAGES RUN LANGUAGE(S)
(CM) (CM)
NO ISBN Ricardo Pohlenz Cuc Amo Nga 2018 Paperback 11.5 16.5 56 100 English
NO ISBN Alkisti Efthymiou documenta 14 special 2018 Paperback 11.5 16.5 64 200 English
NO ISBN El cuerpo que no está 2018 Paperback 29 40.5
NO ISBN Alejandro Enrique 2012-2018 2018 Paperback 11.5 16.5 60 200 Spanish
Cartagena
NO ISBN Eduardo Arias G. Frutas latinoamericanas 2018 Paperback 11.5 16.5 48 100 Spanish
NO ISBN Aleander Bühler I Know, That I Know Nothing 2018 Paperback 11.5 16.5 64 100
NO ISBN Mauricio Toro- Imagen divina 2018 Paperback 25 40.5 20 1000
Goya
NO ISBN Gato Negro Juan Carlos 2018 Paperback 8 10.5 32 100 --
Ediciones
NO ISBN Ricardo Carreira La manzana no es pera 2018 Paperback 17 23 72 200
NO ISBN Isaac Olvera Natasha 2018 Paperback 17 23 40 100 English
NO ISBN Rigoberto Díaz Nochitlán 2018 Paperback 11.5 16.5 32 200 Spanish
Julián
NO ISBN Alejandro P. M 2018 Paperback 11.5 16.5 64 200 Spanish
Luperca Morales
NO ISBN Dani Zelko Reunión 2 2018 Paperback 17 23 112 100 Spanish
NO ISBN Guillermo Báez Souvenir 2018 Paperback 11.5 16.5 32 200 Spanish
NO ISBN Nirvana Paz The Court 2018 Paperback 26 40.5 20
NO ISBN Diana Cantarey The line, lie and the lice 2018 Paperback 10.5 8 64 50
Humar A Dangerous Obsession / Una 2018 Paperback 11.5 16.5 48 100
Resources / peligrosa Obsesión
Bikini Wa
978-607-97450-7-3 Nirvana Paz The Court 2017 Paperback 17 23 96 200 -
978-607-97599-7-1 Dante Busquets We are the Dummies 2017 Paperback 11.5 16.5 36 100 English
978-607-7611-73-8 Museo Archivo En obra 2017 Hardcover 18 21 248 1000 Spanish
de la Fotografía
978-607-97450-1-1 Luciano A Theory of the Manifesto or a 2017 Paperback 11.5 16.5 28 300 English
Concheiro Manifesto for Manifestos
978-607-97450-2-8 Abraham Autoconstrucción: a definitely 2017 Paperback 11.5 16.5 44 300 English
Cruzvillegas unfinished, inefficient, unstable,
affective,
978-607-97450-3-5 Juan Caloca Untitled Manifesto 2017 Paperback 11.5 16.5 48 300 English
978-607-97450-4-2 Ale Williams, #ACCELERATE MANIFESTO 2017 Paperback 11.5 16.5 60 300 English
Nick Srnicek for an Accelerationist Politics
978-607-97450-5-9 Bruno Latour An Attempt at a «Compositionist 2017 Paperback 11.5 16.5 60 300 English
Manifesto»
978-607-97450-8-0 Zoe Leonard I want a President 2017 Paperback 8 10.5 32 300 English
978-607-97599-0-2 Alice Zukofsky Fish Fowl Flood Mud: Think of 2017 Paperback 17 23 60 100 -
the Storm
978-607-97599-1-9 Combahee River The Combahee River Collective 2017 Paperback 11.5 16.5 44 300 English
Collective Statement
978-607-97599-3-3 Malena Pizani An Artist 2017 Paperback 11.5 16.5 112 1000 English
978-607-97599-3-3 Zuriel Chakal 2017 Paperback 11.5 16.5 32 100
Bustamante
978-607-97599-5-7 Doris Summer For a Collaborative and 2017 Paperback 11.5 16.5 36 300 English
Interdisciplinary Leicon of
Cultural Agents
978-607-97599-6-4 Gabriela ManyFiestas! 2017 Paperback 11.5 16.5 36 300 English
Jauregui
NO ISBN Dani Zelko 19 September 2017 13:14:40 2017 Paperback 11.5 16.5 100 100 Spanish
NO ISBN Vanessa Ortega 63854 2017 Paperback 11.5 16.5 32 100 Spanish
Nazir
NO ISBN Sergej Vutuc As far as we can open it again 2017 Paperback 17 23 60 150 English
bind as could be Breathing
NO ISBN Gato Negro El cuerpo que no está 2017 Paperback 11.5 16.5 416 150 Spanish
Ediciones
NO ISBN León Muñoz I’d Shut my Eyes and Think 2017 Paperback 11.5 16.5 64 100 Spanish
Santini about a Tree
NO ISBN Carmen Huizar No haga caso de malos 2017 Paperback 11.5 16.5 96 100 Spanish
meicanos
NO ISBN Dani Zelko Reunion 1 2017 Paperback 11.5 16.5 100 100 English
GATO NEGRO EDICIONES BACKLIST 2013-2019You can also read