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Acapulco 13-7 Catalogue Roma Norte Winter 2019 06700, CDMX www.gatonegro.ninja gatonegroed@gmail.com fb: GNediciones ig: gatonegroediciones Since 2013, Gato Negro Ediciones has acted as a recognizably- urgent voice in independent publishing across the cultural realm. Advocating the liberty of thought, the Mexico City-based press intentionally prints titles that challenge the so-often sequestered view of contemporary society. In a new world where temporary excess and obstruction of knowledge are lived at its height, Gato Negro returns the voices of their authors to the fundamental purpose of the book. By remaining inside the economically-amicable yet unconstrained process that is risograph printing, an archive of over 140 titles has been successfully called into life ever since its inception. From political manifests to art theory and prose, the books of Gato Negro do not wish to deconstruct reality through ornamental distractions that lately seem to have become an inevitable requisite within the modern history of publishing. Instead, Gato Negro embraces the deliberately-chosen content in its most primal form: straightforward and entire. And therefore, ever-growing in context. The outcome of each publication is a dialogue between reader and creator — an ecological construction of selfhood that distills collective contemplation while all we do is live.
Title Imprimir es resistir Chile 2019 Author On October 18, 2019 students of Chile decided to avoid paying the Metro ticket, which had risen $ 30, days earlier, affecting most of the working population of the city of Santiago. That rise was the trigger for widespread social discontent in the absence of equality imposed by an extreme neoliberal system validated for 30 years by a democratic system that has always been in the shadow of this capitalist structure installed by the dictatorship. The next day the right-wing government of Sebastián Piñera sent the military to the street and declared war on his own people. Police violence took to the streets facing the people who defended themselves by blowing their empty pots and throwing stones at the police provocation. Since that day the town has been on the street actively resisting the violence of authority and generating manifestations of all kinds to show the injustices that affect all Chileans. The city was transformed into a book full of words and images produced independently, self-managed and spontaneous. Photocopied posters, Photography, Political 2020 serigraphs, printed in mobile types and 98 pages graffiti transformed the urban scene Spanish 40.5 cm x 26.5 cm with a voice calling for the cessation of Printed in Risograph police violence, the exit of the president and a new political constitution that Retail Price 400 MXN, 40 USD, 40 € replaces the text that has left the people in poverty for the benefit of the big businessmen. On October 18, 2019, the Chilean people woke up and took to the streets to claim for 30 years of injustices and for profound changes to recover their dignity. The posters of this revolution begin to circulate around the world. Artists who have chosen anonymity to work today are mobilized for a change, printing and pasting their work in the streets of Chile. Today in our country printing is resisting. 4
Title Mother, We All Have Been Lonely and Lovely Places Author Lara Konrad Mother, We All Have Been Lonely and Lovely Places serves as a trajectory of personal history, narrating the various stages of female dependency in a patriarchal landscape. As the book intimately examines emotional and sexual behavioral patterns of relationships that (re)formulate in accordance to the inevitable process of aging, its readers not only witness adopted gender performativities within society, but gradually begin to notice the universal longing to unearth purpose in hopes of outgrowing human loneliness. Born in Germany, Lara Konrad spent most of her childhood in Mexico. She holds a BA in Creative Writing (The New School) and an MFA in Fine Arts (Sandberg Institute). Her writings have appeared in a diverse set of international publications, Sometimes I Wonder including Das Magazin, Die Welt, NYTyrant, ZEIT. ‘Mother, We All Have Been Lonely and Lovely Places’ (Gato Negro Ediciones) is her first book What does it mean of prose. to cum on my face in the name of love? Photography, Erotica, Pleasure 2020 120 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 250 MXN, 25 USD, 25 € isbn: 978-607-97969-0-7 5
Title Special edition of 20 copies. Produced during a A Rain Falls from the Sun residency at the Frans Masereel Centrum as part of the Logocide, Logotomy, Logophagy project: Author Creation, experimentation and reflection of Gato Negro Ediciones nonsense: Logocide as a subversion tool. Frans Masereel Centrum Edición especial de 20 ejemplares. Producido durante una residencia en el Frans Masereel Art Centrum como parte del proyecto Logocidio, 2019 Logotomía y Logofagia: Creación, experimentación 164 pages 40.5 cm x 26.5 cm y reflexión del sintentido. Printed in Risograph Retail Price 8 500 MXN, 350 USD, 350 € 6
Title Nostalgia Author David Horvitz “Since the early 2000s, I have been making Erasure. Memory. Forgetting. daily photographs with digital cameras. Each day this archive of digital files would grow Data. Archives. bigger. I had no intention to exhibit these. In 2018, in a culture over-inundated and Photography, Artist’s Book amassed with photographs (mostly digital) 2019 and with eroded attention spans, I decided to 120 pages 17 cm x 23 cm start erasing my photo archive. This erasure Printed in Risograph became an art-work I titled it NOSTALGIA. Retail Price: The passages in this book are descriptions of $300 MXN, 20 USD, 20 € a selection of digital photographs that have been deleted.” 9
Title Him Author Alice Zukofsky Chronicle of a long night. Crónica de una larga noche. Photography, cryptography 2019 168 pages 17 cm x 23 cm Printed in Risograph Retail Price: $600 MXN, 40 USD, 40 € 10
Title We Love Our Employees Author Alejandro Cartagena The photographs that are included in this book form part of the archive of the photographer Alberto Flores Varela. The majority were taken on commission by the “Sociedad de Cuauhtémoc y Famosa” (SCyF), an institution established in 1918 for Cervecería Cuauhtémoc (Cuauhtémoc Brewing Company), a company that marced the foundation of modern Monterrey, Mexico. Remember the context of those years was of revolution. The business elite was threatened by the labor rights included in the new constitution of 1917, which featured the right to strike. This is how the “most fortunate” workers of modern Monterrey were domesticated. These images represent the seed of the social order that was established in many industrial cities around the world. It was thus decided to sacrifice freedom of expression, free association, and democratic representation of the workers, among other rights, in exchange for maintaining employment in “the company.” This book depicts the first flash of Photography, Politics restrained disillusionment: loyal forever. 2019 120 pages 17 cm x 23 cm Las fotografías que integran este libro forman Printed in Risograph parte del archivo del fotógrafo Alberto Flores Retail Price Varela y la mayoría fueron tomadas por encargo $400 MXN, 25 USD, 25 € de la Sociedad Cuauhtémoc y Famosa (SCyF), institución creada en 1918 por Cervecería Cuauhtémoc, empresa fundadora del Monterrey moderno. Cabe recordar que el contexto de aquellos años era de revolución. La élite empresarial se encontraba totalmente amenazada por la cartera de derechos laborales contenidos en la nueva constitución de 1917, y que incluían el derecho a huelga. Callados en la mesa familiar, sonriendo, levantando un poco más la botella, no tanto, ¡no se muevan! así fueron domesticados los trabajadores “más afortunados” del Monterrey moderno. Estas imágenes representan la simiente del orden social que acabó por instalarse en muchas ciudades industriales del orbe. Así se decidió sacrificar la libertad de expresión, la libre asociación y la representación democrática de los trabajadores, entre otros derechos, a cambio de conservar el empleo en “la compañía”. Este libro retrata el primer flashazo de desilusión contenida: leales para siempre. 12
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Title The River / El Río. A Collaboration Author Zoe Leonard / Dolores Dorantes The book collects unpublished photographs that the American artist Zoe Leonard has taken along the Rio Grande (or Río Bravo) in 2017. As well, it includes commissioned texts by the Mexican poet and activist, Dolores Dorantes, who has been exiled to the United States for years. It is an immersion into the physical context, the actual barrier; the very heart of the border between Mexico and the US: the waters of the Río Bravo or Rio Grande. A number of figures appearing in the water recall something else though: skin, scars, wrinkles, genitals, the writing of an unknown language. It is a visual-textual attempt of conversation that explores the tensions between the simple, ever-changing but continuously-fluid flow of water, and all the terrible complexities around, above and beneath it. El libro recopila fotografías inéditas que la artista estadounidense Zoe Leonard tomó a lo largo del Río Bravo en 2017 y textos encargados para este proyecto a Dolores We were power, or we were once. Dorantes, poeta y activista mexicana, quien The water isn’t an attribute of your durante años ha estado exiliada en Estados circumstances. Crossing over isn’t Unidos. Se trata de una inmersión en el an attribute of your circumstances. contexto físico, la barrera real, el corazón de la frontera entre México y Estados Unidos: las aguas del río Bravo. Un número de figuras en Poetry, Politic Photography el agua recuerdan algo más: piel, cicatrices, 2018 156 pages arrugas, genitales, la escritura de un idioma Spanish, English desconocido. Un poema hecho de fotografías 23 cm x 17 cm Printed in Risograph y la representación de esa secuencia con un poema de palabras. Un intento roto de Retail Price 600 MXN, 30 USD, 30 € conversación bilingüe visual-textual sobre las tensiones entre un simple, siempre cambiante ISBN: 978-607-97969-3-8 pero siempre el mismo flujo de agua, y todas las terribles complejidades alrededor, arriba y debajo de él. 14
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Title Some More Sonnet(s) Author Michalis Pichler In 1972, Ulises Carrión produced his first artist’s book SONNET(S) which consists of a 44 variations of a sonnet by Dante Gabriel Rosetti titled “Heart’s Compass”. Using the language as a material, Carrión writes Rossetti’s poem over and over again on a typewriter, in slightly different versions. This book today is considered Carrión’s first ‘artist’s book’, where he still uses language, but quite differently. In 2009 Michalis Pichler, in a similar approach but using a computer, mostly Word or Open Office, created 44 new variations and published a book titled SOME MORE SONNET(S). En 1972, Ulises Carrión produjo su primer libro de artista SONNET (S) que consta de 44 variaciones de un soneto de Dante Gabriel Rosetti titulado “Heart’s Compass”. Utilizando el lenguaje como material, Carrión escribe el poema de Rossetti una y otra vez en una máquina de escribir, en versiones Poetry ligeramente diferentes. Este libro hoy se considera 2019 el primer “libro de artista” de Carrión, donde 96 pages 17 cm x 23 cm todavía usa el lenguaje, pero de manera bastante Printed in Risograph diferente. En 2009, Michalis Pichler, con un Retail Price enfoque similar pero utilizando una computadora, $250 MXN, 20 USD, 20 € principalmente Word u Open Office, creó 44 nuevas variaciones y publicó un libro titulado SOME MORE SONNET(S). 16
Title Domestic Orbits Author Frida Escobedo Domestic Orbits is a speculative essay that explores how the domestic space is configured around orbits of exclusion that shape the trajectories of domestic workers. How is the space articulated according to gender, class, or race? Organized through a series of case-studies that range from 1950s until today’s Mexico City, the book looks at the different scales in which domestic labor gets erased by architects and planners. It reads the architectural plans of five well- known projects, giving a perspective that aims to highlight social and economical relationships. Domestic Orbits sketches a counter-history of modern architecture, questioning the duality that exists between the visible and invisible — those who count, and those who don’t. Domestic Orbits es un ensayo sobre una cartografía crítica que explora cómo la configuración del espacio doméstico depende de órbitas de exclusión que delinean las trayectorias de las empleadas domésticas. ¿Cómo el espacio se articula de acuerdo al género, clase o raza? Organizado según una serie de casos de los años 50 hasta nuestros días en la Ciudad de México, el texto estudia en diferentes escalas de qué When I had my daughter, manera el trabajo doméstico es eliminado I asked my boss if she por arquitectos y proyectistas en cinco obras could live with me and she said no muy conocidas que resaltan las relaciones because the house isn’t big enough. sociales y económicas. De este modo, The room we sleep in is very small, Domestic Orbits esboza una contra- historia de la arquitectura moderna sobre so I haven’t been lucky enough to live la dualidad de lo visible e invisible: los que with her. cuentan y los que no. Research Based, Architecture 2019 36 pages English 40.5 cm x 26.5 cm Printed in Offset Coedition with instituto de investigaciones independi- entes and IF Publications Retail Price 250$ MXN, 15 USD, 15 € isbn: 978-607-97969-7-6 17
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Title The Radical Ally Author Bouchra Khalili In 1984, when Jean Genet was preparing the edition of his most important articles, he chose to start with a text that did not belong with the rest of the collection. The Declared Enemy — which would become the title of Albert Dichy’s reference edition of Genet’s articles and interviews from 1964 to 1986 — was written in Tangiers the same year that Genet was invited to encourage support and bear witness to the repression suffered by the Black Panther Party (1970). Bouchra Khalili’s The Radical Ally is a visual and textual investigation on the work she undertook in Twenty-Two Hours (2018). She follows Genet’s traces during his stay with the Panthers, and questions what remains of the party’s political memory. Through other important voices, Bouchra interrogates the different layers of history that have engulfed the struggle for liberation to which the characters in her video have committed their lives to. In this publication, we explore the position of the radical ally as the reverse of the declared enemy. To become the radical ally, as Khalili reminds us in her interview with Jackie Wang, Genet had to destroy the white man in him. En 1984, cuando Jean Genet preparaba la declarado. Para convertirse en el aliado radical, edición de sus principales artículos, eligió como Khalili nos recuerda en su entrevista con comenzar con un escrito que no pertenecía Jackie Wang, Genet tuvo que destruir al hombre al resto de los textos incluidos en la colec- blanco en sí mismo. ción. The Declared Enemy, que se convirtió en el título de la edición de Albert Dichy de los artículos y entrevistas de Genet de 1964 It is a form of resistance, a 1986, fue escrito en Tánger el mismo año reclaiming history from the power. que el escritor fue invitado a apoyar y aportar su testimonio sobre la represión sufrida por el Partido Black Panther (1970). The Radical Research Based, Ally, de Bouchra Khalili, es una investigación Black Panthers visual y textual sobre el trabajo que realizó 2019 84 pages en el libro Twenty-Two Hours (2018), donde English sigue las huellas de Genet durante su estan- 40.5 cm x 26.5 cm Printed in Offset cia con los Panthers con el fin de cuestionar qué queda de la memoria política del Parti- Retail Price 250$ MXN, 15 USD, 15 € do. A través de distintos autores, Bouchra isbn: 978-607-97969-6-9 interroga las diferentes capas de la historia que han envuelto la lucha por la liberación de los personajes de su video. En esta publicación, la autora explora la posición del aliado radical como el reverso del enemigo 20
Title Latent Spaces Author Federico Pérez Villoro In a landscape where the technologies governing our lives are increasingly obscured, this publication aims to reveal the underlying processes of a machine learning program. It seeks to mediate the “gaze” of the machine and human comprehension. The book documents the technical capabilities of an algorithm trained to analyze the formal patterns of the alphabet while it imagines other letters from that knowledge. The resulting outputs — letters without semantic value — embraces and emphasizes the meaningless results of the machine: it is the human input and framework that imbues “sense” to these forms. Combining expository exercises with surreal typographic characters, Latent Space: Notes on Seeing Letters Like a Machine is a grounding text on the mechanics of machine learning and a visual celebration of formal possibility. El libro documenta las capacidades técnicas de un algoritmo entrenado para analizar los patrones formales del alfabeto e imaginar otras letras, a partir de dicho conocimiento. En un entorno donde los procesos tecnológicos que gobiernan nuestras vidas son cada vez más inaccesibles, el libro busca mediar la “inteligencia” de las máquinas y la comprensión humana. Los resultados, letras sin valor semántico, apuntan a la falta de significado propio de lo que genera el algoritmo y enfatizan cómo es la interpretación humana lo que impregna de “sentido” a estas formas. Combinando ejercicios expositivos y caracteres tipográficos surrealistas, la publicación es un documento fundamental sobre la mecánica de la inteligencia artificial y una celebración de las posibilidades formales. Design, Algorythm, Machine 2019 140 pages English 23 cm x 17 cm Printed in Risograph Retail Price 400 MXN, 30 USD, 30 € 23
Title Reunión / North Border Author Dani Zelko Reunion are various acts that involve conversing, reading and writing; quotidian yet strange acts that always implicate being next to one another. Zelko writes down poems that others dictate to him. After completing his homework of how to listen and how to write, he edits the books within the next coming days. In a round of nine people, the writings are presented to the author’s neighbors, friends, and family. The writer reads his poems; he listens to himself while he is being heard by others. The second part of the project consists of an extension of the first project, in other places. In a round of nine chairs, the writer’s poems are read by spokespeople, emissaries who lend their bodies, eyes and voices. It is a chain of situations and encounters: subjects dictating and reading, reading and writing; books and poems. All these are actions and proceedings in order to be together. This edition, titled North Border, was realized between Septembre 2017 and October 2018, taking place in Mexico, USA, and Canada (Tijuana, Veracruz, Texas, Florida, New York, Princeton and Toronto). The cover’s photograph was taken just before the presentation of Maritza’s book. Maritza read her poems aloud to her caravan friends. Then they gave away some books to people who passed by, and walked to the USA in order to seek political asylum. Dani Zelko, Argentina, 1990. His work is made up of words and people, that are put together through various procedures to generate actions and situations where political tension and language experiments act on one another. He wants an affective conceptualism. He is currently working on a solo presentation at the Reina Sofia Museum, Madrid, around the Reunion project. Poetry, Politics 2019 204 pages English 23 cm x 17 cm Printed in Risograph Retail Price 200 MXN, 20 USD, 20 € ISBN: 978-607-97969-9-0
Title Reunión / Frontera Norte Author Dani Zelko Reunión son varios actos que involucran conversar, leer y escribir; actos cotidianos y a la vez extraños, que implican siempre estar junto a otro. Zelko escribe los poemas que otros le dictan. Después de cumplir su tarea como escucha y como escriba, edita los libros en los días siguientes. Los libros son presentados ante los vecinos, familia y amigos del escritor en una ronda de nueve personas. El escritor lee sus poemas, se escucha y es escuchado por los demás. La segunda parte del proyecto consiste en una extensión de los primeros actos en otros lugares. Los poemas de los escritores son leídos por portavoces, emisarios que prestan su cuerpo, ojos y voz para leer en una ronda de nueve sillas, los poemas de los ausentes. Una cadena de situaciones y encuentros, sujetos dictando y leyendo, un escriba y un escucha, libros y poemas. Acciones y procedimientos para estar con los otros. Esta edición, titulada Frontera Norte, fue realizada entre septiembre de 2017 y octubre de 2018, en distintos lugares de México, Estados Unidos y Canadá, entre ellos Tijuana, Veracruz, Texas, Florida, Nueva York, Princeton y Toronto. La fotografía de la portada expone la presentación del libro de Maritza, realizada el 29 de abril en “La Línea”, paso fronterizo entre Tijuana y San Diego. Maritza leyó su libro junto a sus compañeras de caravana, luego regalaron ejemplares a las personas que pasaban por ahí y caminaron hacia Estados Unidos a pedir asilo político. Poetry, Politics 2019 204 pages Spanish 23 cm x 17 cm Printed in Risograph Retail Price 200 MXN, 20 USD, 20 € 28
Title Nonverbal Author Alan Sierra Nonverbal is a book of drawings in which animals, everyday objects and parts of the body serve as short narrations that communicate physical sensations without words. Employing a similar economy that is writing, the content considers the lyrical genre, paralinguistics and the overall language of cartoons. Due to such close proximity to literary creation, the drawings are read as poems, jokes or refrains. Nonverbal es un libro de dibujos en el que animales, objetos de la vida cotidiana y partes del cuerpo sirven para contar pequeñas historias y transmitir sensaciones físicas sin usar una sola palabra. Con una economía de medios similar a la de la escritura, el contenido de la publicación considera el género lírico, la paralingüística y el lenguaje de las caricaturas. Esta proximidad con la creación literaria permite que los dibujos sean leídos como poemas, chistes o refranes. Illustration, Communication 2019 72 pages 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € 30
Title Cómo robar un libro Author David Horvitz David Horvitz lists 80 ways of how to steal a book. Every method supposes a new poetic adventure: from the very practical, to the witty, to the imaginative and romantic. In collaboration with Edition Taube, this project is a work of translation that documents the process of publication. It has been published in eight languages; each publication received its corresponding language-editor. David Horovitz enumera en su libro ochenta modos de robar un libro, cada uno supone una aventura más poética que real, hasta convertir el hurto en una obra por encima del libro robado. Este proyecto con Edition Taube es un trabajo de traducción y publicación en curso. El libro ha sido publicado hasta la fecha en ocho idiomas por editores diferentes; para la edición en español, la tarea corrió a cargo de Gato Negro Ediciones. Hide the book inside a fake rock. Book, Shoplifting, Instructions 2019 34 pages Spanish 16.5 cm x 11.5 cm Printed in Offset Coedition with Edition Taube Retail Price 150 MXN, 15 USD, 15 € isbn: 978-3-945900-22-2 32
ITI Sampler 2019
Title Author The Image Text Ithaca initiative at ITI Sampler 2019 Pablo Lerma Ithaca College brings together Carla Liesching an independent press, ongoing workshops and symposia, and a Coedition with Image Text Ithaca Press John Rufo low-residency MFA program at Matt Baczewski the intersection of writing and 2019 Martha Ormiston photography. 32 pages English Janet Solval Image Text Ithaca reúne a una prensa 16.5 cm x 11.5 cm Printed in Risograph Kirslyn Schell-Smith independiente, talleres y simposios Retail Price Nina Perlman en curso, y un programa MFA en la intersección de la escritura y la 150 MXN, 15 USD, 15 € Melani Elissa Lopez fotografía. isbn: 978-0-9967351-9-3
The Leaders
Title The Leaders Author Natalia Talavera Andrea García Flores Andy Bibi Boris Donald Enrique Jair Juan Carlos Vladimir Xi Photography, Politics, Leadership 2016-2019 48 pages 10.5 cm x 8.5 cm Printed in Risograph Retail Price 50$ MXN, 5 USD, 5 €
Editions & Reprints
Title Piedras Author Arturo Hernández Alcazar Compendium of images in open confrontation: politicians placing first stones facing people protesting, throwing stones. An exercise on the constant erosion of solids as materialization of power and stone as the first and last tool. Compendio de imágenes en confrontación abierta: políticos colocando primeras piedras enfrentados a gente protestando, que lanza piedras. Un ejercicio sobre la constante erosión de los sólidos como materialización del poder y de la piedra como primera y última herramienta. Photography, Politics 2019 72 pages 16.5 cm x 11.5 cm Printed in Risograph Retail Price $150 MXN, 15 USD, 15 € 39
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Title Imagen divina Author Toro-Goya Imagen divina, by Chilean photographer Toro Goya, presents twenty images as allegories of different Latin American countries; each transvestite nation is exhibited as the portrait of the maiden of the family, locked in the midst of the symbols and historical conflicts that has characterized it. Imagen divina, del fotógrafo chileno Toro Goya, presenta veinte imágenes a manera de alegorías de diferentes países latinoamericanos; cada nación travestida se exhibe como el retrato de la doncella de la de familia, encerrada en medio de los símbolos y conflictos históricos que la han caracterizado. Photography 2018 20 pages 40.5 cm x 26.5 cm Printed in Risograph Retail Price 1000$ MXN, 40 USD, 40 € 41
Title Tercera persona Author Verónica Gerber Bicecci Written in braille, Tercera Persona is a discussion that takes place between ‘him’ and ‘her.’ The reader witnesses a conversation of misunderstandings, the impossibility that is communication and everything quotidian. Veronica Gerber Bicecci (Mexico City, 1980) reduces language into a less complex framework, so everything we cannot understand — but that which haunts us every day — becomes again what it actually is and always was. Escrito en braille, una discusión en él y ella. Rastros de una conversación mal avenida: del mal entendimiento, de la imposibilidad de la comunicación total, de lo imposible de lo cotidiano. Verónica Gerber Bicecci (Ciudad de México, 1980) reduce el lenguaje a su mayor amplitud para que sea de nuevo eso que no podemos entender pero que sabemos que nos acecha cada día. El no saber como modo de operación lingüística. Narrative, Braille, Illustration 2014 32 pages 16.5 cm x 11.5 cm Printed in Risograph Retail Price $150 MXN, 15 USD, 15 € 43
Title An Artist Author Malena Pizani In more than 1400 laconic arguments, the Argentinian Malena Pizani describes an artist’s process of becoming. The statements — lacking verb in each sentiment — depict an artist that is petrified between two moments that for now does neither act, nor do, nor execute, nor intervene. It only thinks of itself, or sees itself through the gaze of the other. An Artist, de Malena Pizani, artista argentina, recopila, por medio de 1400 enunciados, las características de un artista en vías de definición. Los enunciados, carentes de verbo, describen al artista petrificado entre dos puntos que por el momento no actua, no hace, no ejecuta, no interviene; sólo se piensa a sí mismo o se ve a través de los ojos de los demás: An artist who looks out of the corner of his eye / An artist who looks out of the corner of his eye and also eavesdrops / An artist who looks out of the corner of his eye and makes comments in passing so that everyone else will hear / A mean-spirited artist / A dark- energied artist / A dark-energied who has power / A dark-energied artist who has power and distributes it among other dark-energied artists. Art 2017 112 pages English 16.5 cm x 11.5 cm Printed in Offset Retail Price 150 MXN, 15 USD, 15 € isbn 978-607-97599-3-3 44
Title Song of Songs Author Frosh Samo Songs of Songs by the Mexican artist Frosh Samo, is a new illustrative version of the Old Testament which intends to reinterpret the games given to King Solomon, King David, and his friends. Song of Songs del ilustrador mexicano Frosh Samo, es una nueva versión ilustrada del libro del Antiguo Testamento, una reinterpretación de los juegos a los que se entregan el Rey Salomón, el Rey David y sus amigos. Illustration, Erotica, Biblical 2018 36 pages English 23 cm x 17 cm Printed in Risograph Retail Price $250 MXN, 25 USD, 25 € isbn: 978-607-97969-4-5 46
Title The line, lie and the lice Author Diana Cantarey The line, the lie, and the lice is a book of divination that is governed by one idea: all complex ideas are composed of simple ideas. Two ideas: if everything can be reduced to a simple idea, why do I understand less and less every time? Three ideas: due to distraction, refraction or hyper- simplification. Four ideas: error — neither the one or the other, but something much worse. The line, the lie and the lice de Diana Cantarey es un libro de adivinación que se rige bajo una idea: todas las ideas complejas se componen de ideas simples. Dos ideas: si todo se puede reducir a ideas simples, ¿por qué cada vez entiendo menos? Tres ideas: por distracción, por refracción o por hipersimplificación. Cuatro ideas: error: ni lo uno, ni lo otro, sino algo mucho peor. Illustration 2018 74 pages 10.5 cm x 8.5 cm Printed in Risograph Retail Price 50 MXN, 5 USD, 5 € 48
Title La manzana no espera Author Ricardo Carreira In La manzana no espera, the Argentinian La manzana no espera del poeta y artista argentino poet and artist Ricardo Carreira (1924- Ricardo Carreira (1942-1993), miembro del 1993), member of “Tucumán arde” collective, colectivo “Tucumán arde”, experimenta con los experiments with the boundaries of words márgenes de las palabras, un espacio que escapa — a space that escapes common language del lenguaje común para liberar el sonido, el so it may liberate sound; where purpose and significado y la imagen como si fuera la primera vez, image get to be experienced as if it were pero también como un espacio que demuestra el the very first time; but as well as space that juego de su mecanismo, el margen de acción que demonstrates a game’s mechanism — the se abre entre ellas, como huecos semánticos. active margin that opens like a semantic whole in-between them. Poetry 2018 72 pages Spanish 23 cm x 17 cm Printed in Risograph Retail Price $200 MXN, 20 USD, 20 € 49
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Contemporary! Manifestos?
Title A Manifesto on the Appropriation of Space. A Methodology for Making Architecture Author APRDELESP C ! M ? 10: Buildings are not empty containers awaiting their inhabitants. They are composed of a large and ever-changing array of objects. During construction, prioritizing certain objects — like walls, floors, roofs, etc. — limits appropriation itself. In order to increase the opportunities of appropriation, objects that are traditionally dealt with by architects to encompass the possibility of object — such as a wall, sink, chair — would need to be augmented. Incrementar las oportunidades de apropiación, implica aumentar la clase de objetos tradicionalmente manipulados por los arquitectos con el fin de abarcar todos los objetos posibles (existentes, relacionados, propuestos y sugeridos), como una pared, un fregadero o una silla, que podrían ocupar un área determinada en un momento preciso del proyecto de construcción. Contemporary, Manifesto, Architecture 2019 44 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97969-5-2 52
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Title The Work of Art in the Age of Its Digital Reproducibility Author Michalis Pichler C!M? Benjamin’s arguments against the reproducibility of image retake the importance of digitalization that exists today. “It would therefore be wrong to underestimate the value of such theses as a weapon. They brush aside a number of outmoded concepts, such as creativity and genius, eternal value and mystery” —Walter Benjamin. Los argumentos de Benjamin contra la reproductibilidad de la imagen, retoman importancia con la digitalización de nuestra época. “Sería erróneo subestimar el valor de estas tesis como un arma. Apartan una serie de conceptos anticuados, como creatividad y genio, valor eterno y misterio” —Walter Benjamin. #Foreword #DigitalReproducibility #Limitation #DemolitionofCommodity #MarketandPolitic #ExchangeValueandUseValue #DataFile #DataFileandInternetasArt #InternetandTestPerformance #TheOnlineUser #ClaimtobeOnline #OldAuthorandNewAuthor #ReceptionofPaintings #MickeyMouse #Conceptualisms #TactileandMental Contemporary, Manifesto, #AestheticsofWar Art 2019 34 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € 54
Title For a Collaborative and Interdisciplinary Lexicon of Cultural Agents Author Doris Summer C ! M ? 08: In this book, Doris Sommer, Director of the Cultural Agents Initiative at Harvard University, proposes an array of semantic neologisms in order to understand the new dynamics of our world that is in constant acceleration; how to create new ideas and new construction tools. It is a double invitation: on the one hand, it develops definitions that articulate an interdisciplinary lexicon. On the other, it suggests missing words. It is vital for the new lexicon’s intuitions to move into public discourse. Doris Sommer, Directora de la Iniciativa de Agentes Culturales de la Universidad de Harvard, propone en este libroB1neologismos VUELTA 1 semánticos con el fin de entender las nuevas dinámicas de nuestro mundo en constante aceleración, una manera de crear nuevas ideas y nuevas herramientas de construcción. Se trataAmphibian de una doble invitación: por un lado Color Translator, desarrollar communicator, definiciones que articulenfrom un one Structural element in the léxico interdisciplinario y por otro, sugerir cultural register to another, Antanas Renaissance of Tirana, Albania, Edi palabras faltantes. Lo importante es que Mockus. las intuiciones del nuevo léxico pasen al Rama. discurso público. Art Common sense Artifice, device, to make Intersubjective agreement based on Contemporary, Manifesto comprehension difficult and refresh 2017 aesthetic judgment, Immanuel Kant. perception, Viktor Shklovsky. 36 pages English 16.5 cm x 11.5 cm Printed in Risograph Connectionist Beauty Agent who fosters collaborations, Retail Price That 150 MXN, 15 which USD, 15pleases € without interests Pedro Reyes. or concepts, Immanuel Kant. isbn: 978-607-97599-5-7 Constraints, hard and soft Catharsis Imposed and also chosen conditions Purges rebelliousness, Aristotle; of rational choice, Jon Elster. banish the cop in the head, Augusto Boal. Distribution of the Sensible Range of access to and production Civic culture of art, Jacques Rancière. Articulation of law, morality, popular culture, Antanas Mockus. 55 26 27
Title ManyFiestas! Author Gabriela Jauregui C ! M ? 07: In her manifesto, the young Mexican author Gabriela Jauregui thinks about the blood- soaked war of drugs. Simultaneously, she proposes a communal organization, a resistance against individualism and isolation. As a type of game, Jauregui borrows words from other manifestos. The result is a manifesto-remix, unleashing a different and new political potential. Gabriela Jauregui, joven escritora mexicana, reflexiona en su manifiesto sobre la sanguinaria guerra contra las drogas. Propone al mismo tiempo, una organización comunitaria, una resistencia contra el individualismo y el aislamiento, dentro de un espíritu lúdico utilizando extractos de muchos otros manifiestos. Un manifiesto compuesto como un remix que busca liberar un nuevo potencial político. Call out loud Vivid and violent ideas To your blushing We shout the obscenities Contemporary, Manifesto 2017 36 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97599-6-4 56
Title La Pocha Nostra Manifesto For a Post-Democratic Era Author Pocha Nostra C ! M ? 06: The Spanish neologism “Pocha Nostra” can be translated into “our impurities” or “the cartel of culturally-betraying bastards”. It is an attitude against art and society: interracial, cross-trans-or-post-national, polygendered, post-ultra-retro-experimental, neoindio, or a remix of the same or nothing. And so what? What’s the problem? After all, national states are dysfunctional and outdated. El neologismo spanglish “Pocha Nostra” puede traducirse como “nuestras impurezas” o “el cartel de bastardos traidores culturales”. Esta es una actitud hacia el arte y la sociedad: interracial, trans-o-post-nacional, poligénero, post-ultra-retro-experimental, neoindio, o un remix del mismo o ninguno, ¿y qué? ¿Cuál es el pedo? Después de todo, los estados-nación son disfuncionales y fechados. El libro recopila manifiestos o antimanifiestos de los últimos veintitrés años de este colectivo para el que, muchas veces, el performance se convirtió en una pedagogía. We claim a border/less America in the largest sense of the term. We live in the South of the North, and in the North of the South. Contemporary, Manifesto 2018 48 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97599-8-8 57
Title The Combahee River Collective Statement Author Combahee River Collective C ! M ? 05: Combahee River Collective, an African- american feminist collective, presents a testimony of the reflective work since the 1970s in the United States. The book discusses four major topics: the genesis of contemporary black feminism and the particularity of this very policy; the problems and the history of the collective; the black feminist practice and their issues. As feminists and lesbians, they know that sexual politics under patriarchy is pervasive in black women’s lives, as well as the politics of class and race. Combahee River Collective, colectivo feminista afroamericano, expone un testimonio del trabajo reflexivo realizado desde los años 70 en Estados Unidos. We will discuss four major El libro discute cuatro grandes temas: el topics in the paper that origen del feminismo contemporáneo de follows: (1) the genesis of la comunidad negra, la particularidad de contemporary Black feminism; su política, los problemas y la historia de (2) what we believe, i.e., su colectivo y la problemática y la práctica de éste feminismo. Como feministas y the specific province of our lesbianas saben que la política sexual bajo el politics; (3) the problems in patriarcado es tan dominante en la vida de organizing Black feminists, las mujeres negras como lo son las políticas including a brief herstory of de clase y raza. our collective; and (4) Black feminist issues and practice. Contemporary, Manifesto 2017 44 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97599-1-9 58
Title An Attempt at a «Compositionist Manifesto» Author Bruno Latour C ! M ? 04: Written as an essay, An Attempt at a «Compositionist Manifesto» points to needing a manifesto in form of genre and contemporaneity. Using The Communist Manifesto as a model, Latour constructs a manifesto using the different meanings of the word “compose” in order to think about a new world: one that is composed and decomposed into heterogeneous elements. For the author, the manifesto is the world’s composition that we need to imagine. Escrito como un ensayo, An Attempt at a «Compositionist Manifesto» por un lado pone en evidencia la necesidad del manifiesto cómo género, y su total coincidencia con la contemporaneidad, a pesar de que el pensamiento opuesto sea dominante; por otro lado, usando el modelo del Manifiesto comunista, construye un manifiesto utilizando los diferentes sentidos de la palabra “componer”, con el fin de pensar un mundo nuevo: un mundo que se compone y descompone en elementos heterogéneos. Para Bruno Latour el manifiesto es la composta del mundo que necesitamos imaginar. Contemporary, Manifesto 2017 60 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-5-9 59
Title #ACCELERATE MANIFESTO for an Accelerationist Politics Author Alex Williams Nick Srnicek C ! M ? 03: Already by nature, manifestos are necessar- ily tied to time. For Alex Williams and Nick Srnicek, time is a raw material that can only be released from its obligations and contracts by means of acceleration. If Newton lived in these dark times, he might have reformulated his laws based on the concept of accelera- tionism. Por naturaleza, los manifiestos están ligados al tiempo. El manifiesto aceleracionista hace del tiempo la razón del manifiesto, no el tiempo necesario que necesita una cosa para cumplir su objetivo, sino el tiempo que el capitalismo necesita para capitalizarse. Para Alex Williams y Nick Srnicek el tiempo es una materia prima que sólo puede ser liberada de sus obligaciones y contratos por medio de la aceleración. Si Newton viviera en estos días oscuros probablemente reformularía sus leyes siguiendo la fórmula del aceleracionismo. Contemporary, Manifesto 2017 60 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-4-2 60
Title Untitled Manifesto Author Juan Caloca C ! M ? 02: Starting with the exclamation mark assumes that there is an exit on the other side. Untitled Manifesto asks: what is decomposition made off? In other words, does it take an exclama- tion mark in order to understand a question is taking form? For example, who can believe in the queries translated by Google? These are not questions without answers, but answers without questions. With his manifesto, the artist Juan Caloca shows how much knowl- edge we lack, and how little we know in order to imagine. Comenzar por un signo de interrogación supone que del otro lado hay una salida: Untitled Manifesto lo pone en duda: ¿cómo se compone la descomposición?; dicho de otro modo, ¿hacen falta signos de interrogación para entender en qué punto las preguntas cobran forma?, por ejemplo ¿quién puede creer en las interrogaciones traducidas por Google? En el fondo no se trata de preguntas sin respuestas, sino de respuestas sin preguntas. A punta de despojos en el habla, el artista Juan Caloca pone en evidencia, bajo forma de manifiesto, cuánto nos falta por saber y lo poco que sabemos para imaginar. For the sake of humanity: Burn this and all manifestos! To see if someone remembers us only with the oral memory. Contemporary, Manifesto 2017 48 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-3-5
Title Autoconstrucción: a definitely unfinished, inefficient, unstable, affective, emotional, delirious, cheerful, affirmative, sweaty, fragmentary, empirical, weak, happy, contradictory, supportive, indecent, sensual, amorphous, warm, committed index Author Abraham Cruzvillegas C ! M ? 01: The alphabetical order implies an act of rein- vention. Abraham Cruzvillegas recuperates the alphabetical order in order to organize a series of projects that otherwise would cause confusion. El orden alfabético, implica una redefinición de la experiencia personal, no en función de las viviencias, sino a partir de un orden impuesto por el abecedario. Abraham Cruzvillegas recupera el orden alfabético para organizar una serie de proyectos que de otro modo cavilarían confusos. Brief Works of art are moments in the long-term development of ideas and production. Exhibitions and projects are reports on this development. Contemporary, Manifesto 2017 44 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-2-8 62
Title A Theory of the Manifesto or a Manifesto for Manifestos Author Luciano Concheiro C ! M ? 00: This text serves a double function. On the one hand, it speculates the form of the manifesto; on the other, it takes the form of a manifesto itself. The subject takes the form of the object. The author notes that the difficulty with the manifesto lies within its very subject matter: time. Both present and future. The present is a body that can be transcended through the act of enunciating a manifesto. The future is the ground on which to build a kinder reality. Este texto cumple una doble función: por un lado especula sobre la forma del manifiesto y por otro toma forma de manifiesto; dicho de otro modo, su reflexión cobra la forma de su objeto. Luciano Concheiro constata que la dificultad del manifiesto reside en su objeto: el presente y el futuro; el presente como un cuerpo que puede ser rebasado por el puro acto de enunciar un manifiesto y el futuro como un terreno disponible para construir el tiempo deseado por el manifiesto. There is no manifesto without enemy. What do we hate most? The present. And even more than that? Tradition. Contemporary, Manifesto 2017 28 pages English 16.5 cm x 11.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-1-1 63
Title I Want a President Author Zoe Leonard C!M? Written in 1992, Zoe Leonard’s I Want a President enunciates a revolutionary manifesto. She demands “a dyke for president / a person with AIDS / a fag for vice president”. We really hope it happens someday. Above all, we are convinced here is where it starts. Redactado en 1992, I Want a President, de Zoe Leonard enuncia un manifiesto revolucionario: “una tortillera para presidenta/ una persona con SIDA/ un maricón para vicepresidente...” Realmente esperamos que suceda muy pronto; sobre todo, estamos seguros de que todo comienza por aquí. […] and layed off and sexually harrassed and gaybashed and deported. Contemporary, Manifesto 2017 32 pages English 10.5 cm x 8.5 cm Printed in Risograph Retail Price 150 MXN, 15 USD, 15 € isbn: 978-607-97450-8-0 64
Backlist 2013-2019
ISBN ARTIST/AUTHOR TITLE YEAR FORMAT WIDTH HEIGHT PAGES RUN LANGUAGE(S) (CM) (CM) Frans Masereel A Rain Falls from the Sun 2019 Paperback 26.5 40.5 160 20 English- Centrum / Gato Spanish Negro Ediciones Alejandro We love Our 2019 Paperback 17 23 120 220 Cartagena Employees Julian Barón Mi casa está vacía 2019 Paperback 11.5 16.5 80 220 Spanish 978-0-9967351-9-3 Carla Liesching Good Hope 2019 Paperback 11.5 16.5 32 75 English 978-0-9967351-9-3 Nina Perlman Bound by Hyphenation 2019 Paperback 11.5 16.5 32 75 English 978-0-9967351-9-3 Pablo Lerma A frame of Darkness 2019 Paperback 11.5 16.5 32 75 English 978-0-9967351-9-3 Janet Solval Foreing sounds on a Tuesday 2019 Paperback 11.5 16.5 32 75 English 978-0-9967351-9-3 Kirslyn Schell The Clinical Significance of Dura 2019 Paperback 11.5 16.5 32 75 English Smith matter 978-0-9967351-9-3 Martha Ormiston Ding Ding Ding 2019 Paperback 11.5 16.5 32 75 English 978-0-9967351-9-3 Matt Baczewsky You Left as a Cycle 2019 Paperback 11.5 16.5 32 75 English 978-0-9967351-9-3 John Rufo Unowned pleasures 2019 Paperback 11.5 16.5 32 75 English David Horvitz Nostalgia 2019 Paperback 17 23 120 350 English Gato Negro MBS 2019 Paperback 10.5 8.5 48 220 Ediciones Gato Negro Boris 2019 Paperback 10.5 8.5 48 220 Ediciones Gato Negro Bibi 2019 Paperback 10.5 8.5 48 220 Ediciones Gato Negro Jair 2019 Paperback 10.5 8.5 48 220 Ediciones Gato Negro i 2019 Paperback 10.5 8.5 48 220 Ediciones Michalis Pichler Some More Sonnet(s) 2019 Paperback 17 23 96 220 English 978-3-945900-22-2 David Horvitz Cómo robar un libro 2019 Paperback 11.5 16.5 84 Spanish 978-607-97969-3-8 Zoe Leonard The River / El Río A 2019 Paperback 17 23 156 600 Spanish/ / Dolores Collaboration 1era edición English Dorantes 978-607-97969-5-2 APRDELESP A Manifesto on the 2019 Paperback 11.5 16.5 44 100 English Appropriation os Space. A Methodology for Making Architecture 978-607-97969-6-9 Bouchra Khalili News: 3 The Radical Ally 2019 Stapled 25 40.5 36 100 English 978-607-97969-7-6 Frida Escobedo News: 2 Domestic Orbits 2019 Stapled 25 40.5 64 100 English 978-607-97969-9-0 Dani Zelko Reunión North Border 2019 Paperback 17 23 204 200 English 978-607-98507-0-8 Alan Sierra Nonverbal 2019 Paperback 11.5 16.5 72 150 978-607-98507-1-5 Federico Pérez Latent Spaces 2019 Paperback 17 23 140 350 English Villoro NO ISBN Dani Zelko Reunión Frontera Norte 2019 Paperback 17 23 204 200 Spanish Michalis Pichler The Work of Art in the Age of Its 2019 Paperback 10.5 8.5 34 50 English Digital Reproducibility Gato Negro Andy BB 2019 Paperback 10.5 8.5 48 50 Ediciones 978-607-98507-2-2 Alice Zukofsky Him 2019 Paperback 17 23 160 300 Gato Negro Vladimir 2019 Paperback 10.5 8.5 48 50 Ediciones 978-607-97450-6-6 León Muñoz Satán 2018 Paperback 27 40.5 20 Santini 978-607-97450-9-7 Daniel Aguilar Cómo se imprime un mural 2018 Paperback 11.5 16.5 80 100 Spanish Ruvalcaba 978-607-97599-8-8 Pocha Nostra La Pocha Nostra Manifesto For a 2018 Paperback 11.5 16.5 48 300 English Post-Democratic Era 978-607-97969-0-7 Lara Konrad Mother, We All Have Been 2018 Paperback 11.5 16.5 120 200 English Lonely and Lovely Places 978-607-97969-3-8 Andrea García Rebeca 2018 Paperback 17 23 84 200 English Flores 978-607-97969-4-5 Frosh Samo Song of Songs 2018 Paperback 17 23 36 200 NO ISBN Ricardo Pohlenz Bac Kga Mon 2018 Paperback 11.5 16.5 56 100 NO ISBN Wolfgang Lehner Ciudad sin nombre 2018 Paperback 11.5 16.5 48 100 English GATO NEGRO EDICIONES BACKLIST 2013-2019
ISBN ARTIST/AUTHOR TITLE YEAR FORMAT WIDTH HEIGHT PAGES RUN LANGUAGE(S) (CM) (CM) NO ISBN Ricardo Pohlenz Cuc Amo Nga 2018 Paperback 11.5 16.5 56 100 English NO ISBN Alkisti Efthymiou documenta 14 special 2018 Paperback 11.5 16.5 64 200 English NO ISBN El cuerpo que no está 2018 Paperback 29 40.5 NO ISBN Alejandro Enrique 2012-2018 2018 Paperback 11.5 16.5 60 200 Spanish Cartagena NO ISBN Eduardo Arias G. Frutas latinoamericanas 2018 Paperback 11.5 16.5 48 100 Spanish NO ISBN Aleander Bühler I Know, That I Know Nothing 2018 Paperback 11.5 16.5 64 100 NO ISBN Mauricio Toro- Imagen divina 2018 Paperback 25 40.5 20 1000 Goya NO ISBN Gato Negro Juan Carlos 2018 Paperback 8 10.5 32 100 -- Ediciones NO ISBN Ricardo Carreira La manzana no es pera 2018 Paperback 17 23 72 200 NO ISBN Isaac Olvera Natasha 2018 Paperback 17 23 40 100 English NO ISBN Rigoberto Díaz Nochitlán 2018 Paperback 11.5 16.5 32 200 Spanish Julián NO ISBN Alejandro P. M 2018 Paperback 11.5 16.5 64 200 Spanish Luperca Morales NO ISBN Dani Zelko Reunión 2 2018 Paperback 17 23 112 100 Spanish NO ISBN Guillermo Báez Souvenir 2018 Paperback 11.5 16.5 32 200 Spanish NO ISBN Nirvana Paz The Court 2018 Paperback 26 40.5 20 NO ISBN Diana Cantarey The line, lie and the lice 2018 Paperback 10.5 8 64 50 Humar A Dangerous Obsession / Una 2018 Paperback 11.5 16.5 48 100 Resources / peligrosa Obsesión Bikini Wa 978-607-97450-7-3 Nirvana Paz The Court 2017 Paperback 17 23 96 200 - 978-607-97599-7-1 Dante Busquets We are the Dummies 2017 Paperback 11.5 16.5 36 100 English 978-607-7611-73-8 Museo Archivo En obra 2017 Hardcover 18 21 248 1000 Spanish de la Fotografía 978-607-97450-1-1 Luciano A Theory of the Manifesto or a 2017 Paperback 11.5 16.5 28 300 English Concheiro Manifesto for Manifestos 978-607-97450-2-8 Abraham Autoconstrucción: a definitely 2017 Paperback 11.5 16.5 44 300 English Cruzvillegas unfinished, inefficient, unstable, affective, 978-607-97450-3-5 Juan Caloca Untitled Manifesto 2017 Paperback 11.5 16.5 48 300 English 978-607-97450-4-2 Ale Williams, #ACCELERATE MANIFESTO 2017 Paperback 11.5 16.5 60 300 English Nick Srnicek for an Accelerationist Politics 978-607-97450-5-9 Bruno Latour An Attempt at a «Compositionist 2017 Paperback 11.5 16.5 60 300 English Manifesto» 978-607-97450-8-0 Zoe Leonard I want a President 2017 Paperback 8 10.5 32 300 English 978-607-97599-0-2 Alice Zukofsky Fish Fowl Flood Mud: Think of 2017 Paperback 17 23 60 100 - the Storm 978-607-97599-1-9 Combahee River The Combahee River Collective 2017 Paperback 11.5 16.5 44 300 English Collective Statement 978-607-97599-3-3 Malena Pizani An Artist 2017 Paperback 11.5 16.5 112 1000 English 978-607-97599-3-3 Zuriel Chakal 2017 Paperback 11.5 16.5 32 100 Bustamante 978-607-97599-5-7 Doris Summer For a Collaborative and 2017 Paperback 11.5 16.5 36 300 English Interdisciplinary Leicon of Cultural Agents 978-607-97599-6-4 Gabriela ManyFiestas! 2017 Paperback 11.5 16.5 36 300 English Jauregui NO ISBN Dani Zelko 19 September 2017 13:14:40 2017 Paperback 11.5 16.5 100 100 Spanish NO ISBN Vanessa Ortega 63854 2017 Paperback 11.5 16.5 32 100 Spanish Nazir NO ISBN Sergej Vutuc As far as we can open it again 2017 Paperback 17 23 60 150 English bind as could be Breathing NO ISBN Gato Negro El cuerpo que no está 2017 Paperback 11.5 16.5 416 150 Spanish Ediciones NO ISBN León Muñoz I’d Shut my Eyes and Think 2017 Paperback 11.5 16.5 64 100 Spanish Santini about a Tree NO ISBN Carmen Huizar No haga caso de malos 2017 Paperback 11.5 16.5 96 100 Spanish meicanos NO ISBN Dani Zelko Reunion 1 2017 Paperback 11.5 16.5 100 100 English GATO NEGRO EDICIONES BACKLIST 2013-2019
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