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SHREVEPORT SYMPHONY ORCHESTRA MICHAEL BUTTERMAN, MUSIC DIRECTOR 2021-22 WILLIS-KNIGHTON MASTERWORKS SERIES Your music. Your world.
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WA R N I N G ! Watching Shreveport Symphony performances may result in spontaneous and explosive: • Clapping • Singing • Foot tapping rtists • Dancing Talented a mances ...and occasionally, tears. and perfor in process. “INDULGE with enthusiasm” says The Best of Times Award-winning monthly magazine “celebrating age and maturity”. March 2019 May 2019 June 2019 “Celebrating Age and Maturity” “Celebrating Age “Celebrating Age and Maturity” and Maturity” End of Life 100 Years R e s o u r c e D i friendship, philanthropy & gracious living King r 9 Plan Today to Woman’s e 1 c t Ease Burdens Tomorrow Arthur 2 0 Write Your Own Obituary Department Club o r y Hospice Care What’s Truth? • Will vs. Living Will Save on Funeral Costs What’s Legend? 0 + f o Communicate Effectively with Aging Parents r 5 s T U h o s o f e Also Inside Shop Smart at the Farmers’ Market The Worst Person in Louisiana Keep Cool on the Grill The Best of Times Radio Hour every Saturday at 9:05 a.m. on 710 KEEL and 101.7 FM. On Apple Podcasts at The Best of Times Radio Hour. Silver Pages – Northwest Louisiana’s premier resource directory for “those of us 50+” 318-636-5510 w w w. Th eBestO f Ti m e sNe w s. c om
SSO BOARD OF DIRECTORS & STAFF Officers Staff Charlton (Havard) Lyons IV, Lois Robinson, Executive Director President lrobinson@shreveportsymphony.com Robert Crawford, Treasurer Laura McLemore, Secretary *Debbie Graham, Director of Finance Margaret Shehee, Member dgraham@shreveportsymphony.com at Large Margaret Elrod, Immediate *Elizabeth Miller, Development Manager Past President emiller@shreveportsymphony.com *Crozet Duplantier, Librarian Board Members cduplantier@shreveportsymphony.com Eugene Bryson Leigh Anne Chambers *Michele Gunn, Assistant Librarian Anil Chhabra ssolibrary@shreveportsymphony.com Jennifer Elliott Knox Goodman Brett Andrews, Director of Artistic Operations Rozelle Hahn bandrews@shreveportsymphony.com Jazmin Jernigan Erica Ledet *Denotes part-time employee Jerard Martin Sharon McGivney Sherry Pendley Rebecca Radford Joe Rice Wendell Riley Holly Roca William Sale Libby Siskron Anne Wilson Ex-Officio Theresa Bridges Michael Butterman Cindy Jones, Symphony Guild President Lois Robinson Rick Rowell Lester Wilson page 7
A MESSAGE FROM THE PRESIDENT Dear Friends of the Symphony, As we mark the return of the Symphony to the RiverView Theater with a new season following an absence of almost two years, I am deeply grateful for the many layers of community support and hard work that make the performances of the Shreveport Symphony possible. The support comes from so many places― subscribers, single ticket buyers, donors, sponsors, and more. It is difficult to pick from such a cornucopia of generosity, but here are a few examples that come to mind: First – YOU, our audience members, are what makes our existence real. We found out last season that making music for an empty hall is an empty exercise compared to the energy of having a live gathering of enthusiastic community members. So give yourself a hand! Next, I offer a huge shout-out to our generous sponsors and donors, starting with the Willis-Knighton Health System, our season sponsor for over 10 years. There are too many others to mention in this space, but every gift, large or small, makes a difference and the cumulative effect of their generosity makes these performances possible, and have made it possible for the SSO to reach a level of consistent financial stability that is rare in the Symphony orchestra world. Then, our governmental partners deserve special thanks―particularly SPAR, the City of Shreveport and the Shreveport Regional Arts Council, the Louisiana Division of the Arts, the National Endowment for the Arts, and, in the COVID-19 era, the Small Business Administration. Finally, I thank our Musicians, Board, and Staff for doing the continuing work that is needed to bring the music to life. It is an endless job, but I hope not a thankless one. My best to all of you, and thank you once more for being part of the Shreveport Symphony family. Charlton (Havard) Lyons IV, President page 8
WELCOME FROM MICHAEL BUTTERMAN Dear Friends, Ellis Island: The Dream of Your orchestra and your music is America. back this season with a return to live Fittingly, we concerts and a return to a doubly close that renovated RiverView Theater! program, and our season, As our Willis-Knighton Masterworks with the Series represents a homecoming of ever-popular sorts, we are proud to feature return “New World” engagements from five favorite guest Symphony by artists, in addition to two new stars, Dvořák. Photo: Shannon Palmer a collaboration with Shreveport Little Theatre and a world premiere. Our commitment to education remains strong. Throughout the In December, we’re finally back at the season, our musicians will be sharing RiverView, as we ring in the holidays their talents with local schools, and with the multi-talented film and TV we’ll be presenting a virtual Discovery star, Erich Bergen. After the new year, Concert from April 18 through May 2. GRAMMY®-winning guitarist Jason Vieaux plays the world’s most popular As usual, you will hear our musicians guitar concerto, and the orchestra in the pit for performances by welcomes back native son John-Henry Shreveport Opera and Shreveport Crawford for a program that also Metropolitan Ballet. And many of our features a stunning duo cello concerto musicians will once again share the shared with the SSO’s new principal stage with our guest artists as part cellist Courtenay Vandiver. Wideman of The Noel Foundation, Inc. Competition Gold Medalist Simon Chamber Music Series. Karakulidi makes his SSO debut in Beethoven’s third piano concerto, Like so many things, great music is along with music inspired by Italy from even better when it’s shared with Rossini and Mendelssohn. friends. We’ve missed being with you and can’t wait to welcome you back Magic abounds in April, as master to share the life-enriching power of illusionist Michael Grandinetti brings orchestral music…together! his spellbinding show to the stage. And later in the month the brilliant Enjoy, violinist Jennifer Frautschi returns to play a gorgeous concerto by Saint-Saëns, along with music from Schumann. Finally, we explore the immigrant experience in a multimedia blend of projected images, live actors and orchestral music by Peter Boyer called page 9
MICHAEL BUTTERMAN, MUSIC DIRECTOR Making his mark as a model for today’s conductors, Michael Butterman is recognized Mr. Butterman gained international attention for his commitment to creative artistry, as a diploma laureate in the Prokofiev innovative programming, and to audience International Conducting Competition and and community engagement. In addition as a finalist in the prestigious Besançon to his artistic leadership of the Shreveport International Conducting Competition. As Symphony, he serves as Music Director for the recipient of the Seiji Ozawa Fellowship, the Boulder Philharmonic Orchestra, whom he studied at Tanglewood with Robert he has led to national prominence, resulting Spano, Jorma Panula, and Maestro Ozawa, in an invitation to open the Kennedy Center’s with whom he shared the podium to lead inaugural SHIFT Festival of American the season’s opening concert. Earlier, Mr. Orchestras in 2017. He is also the Music Butterman was sponsored by UNESCO to Director of the Pennsylvania Philharmonic, lead the National Philharmonic Orchestra an orchestra uniquely focused on music of Moldova in a concert of music by great education. In early 2022, he was appointed American masters. Music Director of the Williamsburg Symphony For six seasons, Mr. Butterman served as Orchestra, following an extensive search Music Director of Opera Southwest in spanning two seasons. He has recently Albuquerque, NM. During much of that completed a 19-year association with the time, he was also Director of Orchestral Rochester Philharmonic Orchestra as their Studies at the LSU School of Music and was Principal Conductor for Education and Principal Conductor of the LSU Opera Community Engagement, and a 15-year Theater. Previously, he held the post of tenure with the Jacksonville Symphony, first as Associate Conductor of the Columbus Pro Associate, and then as Resident Conductor. Musica Orchestra, and served as Music As a guest conductor, Mr. Butterman has Di-rector of the Chamber Opera, Studio led many of the country’s preeminent Opera, and Opera Workshop at the Indiana ensembles, including the Cleveland University School of Music. Orchestra, Philadelphia Orchestra, National At Indiana University, Mr. Butterman conducted Symphony, Detroit Symphony and Houston a highly acclaimed production of Leonard Symphony. Other recent appearances Bernstein’s little-known 1600 Pennsylvania include performances with the Fort Worth Avenue in a series of performances at the Symphony, Colorado Symphony, Oregon Kennedy Center in Washington, DC, receiving Symphony, Phoenix Symphony, Kansas City unanimous praise from such publications as Symphony, Charleston Symphony, Hartford The New York Times, Washington Post, Symphony, San Antonio Symphony, Syracuse Variety, and USA Today. He was subsequently Symphony, New Mexico Symphony, Santa Fe invited to New York at the request of the Symphony, California Symphony, Louisiana Bernstein estate to prepare a performance Philharmonic, Spokane Symphony, El Paso of a revised version of the work. Symphony, Mobile Symphony, Winston-Salem Symphony, Pensacola Opera, Asheville Michael Butterman’s work has been Lyric Opera and Victoria Symphony (British featured in six nationwide broadcasts on Columbia). Summer appearances include American Public Radio’s Performance Today. Tanglewood, the Bravo! Vail Valley Music He can be heard on two CDs recorded for Festival, Colorado Music Festival, and the the Newport Classics label and on a new Wintergreen Music Festival in Virginia. disc in which he conducts the Rochester Guest appearances this season include the Philharmonic and collaborates with actor Lancaster and Williamsburg symphonies, John Lithgow. and a residency at the North Carolina School of the Arts. michaelbutterman.com
KERMIT POLING, ASSOCIATE CONDUCTOR Winner of the 2019 Silver Medal from the International Global Music Awards, Kermit Poling is an inspiring and passionate voice in American music. The classical music magazine Fanfare wrote, “the Romantic spirit lives, breathes and flourishes in Kermit Poling.” Music Director of the South Arkansas Symphony, The Marshall Symphony Orchestra, Shreveport Metropolitan Ballet as well as 36 seasons as the Shreveport Symphony’s Associate Conductor, and 27 years as SSO Concertmaster, audiences throughout the region have come to delight in his precise, energetic and Shreveport Metropolitan Ballet), Peter passionate performances. Pan, Prince Charming, and Beauty and the Beast. The Pennsylvania Ballet In January 2017 he conducted his debuted Fairy Rhymes in 2020 and debut recording with the London Ballet Des Moines premiered The Symphony Orchestra for an album of Beautiful Mermaid. In February 2022, his compositions for the Centaur label. a new guitar concerto will premiere Fanfare described the release as “a featuring renown guitarist Lily Afshar. fabulous disc, splendidly recorded and executed.” His Symphony No. 1 Kermit Poling has been a featured “Shreveport Symphony” was premiered conductor on NPR’s Performance Today, by the Shreveport Symphony and the Arkansas Educational Television Michael Butterman in 2016. His first Network, the Red River Radio Network, string quartet, Within the Orb of Glories WGBH Boston and has appeared Wearing, received its international as violinist on Louisiana Public Television television debut in February 2017 on and PBS in addition to numerous the EWTN cable network. Ballet television and radio stations throughout companies throughout the United the country. Away from the concert States have commissioned and stage, he is the General Manager and performed his works, including Snow well-known classical music voice of Red White (originally composed for River Radio (KDAQ Public Radio). 1324 Louisiana Avenue 11AM - 2PM Greater Shreveport Music Teachers Association Affiliated since 1962 with La. Music Teachers Association and Music Teachers National Association page 11
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SSO ORCHESTRA ROSTER Violin Bass Bass Trombone Kirsten Yon, Justin Kujawski, Principal J. Mark Thompson, Principal Concertmaster Ben Carter Elizabeth O’Bannon, Kirby Nunez Tuba Assistant Concertmaster Christopher Pike Steven Curtis, Principal Lois Robinson Clay Garrett Rachel Bundy Henry Edwards Flute Timpani Christopher Reed Leslie Daniel Newman, Chandler Teague, Principal Daniel Santelices Acting Principal Percussion Janis Adams Teague Sally Horak Chandler Teague, Principal Doreida Aleksi Jennifer McRae Anthony Robinson Cal Alexander Michael Britt Jonathan Andino Oboe Theresa Zale Bridges, Greg Lyons Elizabeth Beck Mel Mobley Jennifer Carsillo Principal Laura Crawford Joseph Ryan Estes Piano/Keyboard Callie Dean Leah Forsyth Robert Cruz Elijah Evans Abigail Hawthorne Gay Grosz Juan Flores Kristin Perry Chialing Hsieh Mary Eileen Grant Clarinet Harp Diana Hector-Norwood Jake Hale, Principal Juliette Buchanan Aura Hernandez Canedo Sandra Clark Janel Hector Amy Hiller-Wang Christopher Ayer Miranda Hollingsworth Cheyenne Cruz Musicians are represented by Elizabeth McShane Trevor Davis Local 116, AFM, AFL-CIO Kermit Poling Scot Humes (Assistant Conductor) Angela Russell Bassoon _________________ Algimantis Staskevicious Ann Shoemaker, Principal Ye Tao Jonathan Castillo Sofiko Tchetchelashvili Douglas Bakenhus Technician Staff Renee Ward Jorge Cruz Greg Ingraham Master Audio Engineer Viola Jason Veigl Borys Smolaga, Principal Horn Adrienne Gabriel Thomas Hundemer, Principal Master Carpenter Michael Drobycki Kristine Coreil Syd Hydro Michele Gunn James Boldin Meghan Birmingham Katie McBain Master Electrician Julia Clancy Colin McRae Joshua Waldrop Matt Dickerson Tatiana Kotcherguina Josquin Larsen Trumpet Master Flyman Christopher Lowry Rick Rowell, Principal Charles Regauer Robbie Mayberry Mike Scarlato Paul Tullis Eric Siereveld Property Master/ Cello Jacob Walburn Technical Director Courtenay Vandiver Pereira, Trombone Debbie Graham Principal Michael Davidson, Principal David Jankowski Adam Johnson Stage Employees are represented Jason Mooney Jeremy Dowden by Local 298, IATSE, AFL-CIO Brett Andrews Andrew Eden Ruth Drummond Cody Green Eliot Haas page 14
SSO ANNUAL FUND DONORS Platinum Baton Knox M. Goodman Dr. & Mrs. William McColgan $10,000 (+) Dr. & Mrs. Larry Hiller Mr. & Mrs. Bart T. McDonald Access Health Inc. Hollisann & Sidney Kent Ken & Sharon McGivney Anonymous Carole & William Lacefield Mr. & Mrs. Harry E. McInnis, Jr. The J.B. Atkins Foundation Mr. & Mrs. Larry Meier Laura McLemore Mr. & Mrs. Edward J. Dr. & Mrs. Charles Moffet Linda Nall, M.D. Crawford Cynthia A. Murray The Nelson Foundation Community Foundation of Dr. & Mrs. Phillip A. Rozeman Stephen & Constance Pajeski Northwest Louisiana Shane Shehee Mr. & Mrs. Carl Pendley The Alta & John Franks Margaret Stagg Sour Joe & Stella Rice Foundation Dr. Holly Wall Ms. Dorothy Rivette Mrs. Ike Muslow Marion Weiss Will Sale Doug Schaumburg Gold Baton Conductor Circle Mandel Selber, Jr. $7,500-$9,999 $1,000-$2,499 Mrs. Gilbert R. Shanley Jr. Mrs. Pearla T. Despot Dr. & Mrs. Calvin Alexander Nell Shehee The Jack Webster Grigsby Mr. Joe M. Badt The Community Foundation - Foundation Dr. Grace Bareikis Smith Family Donor David & Margaret Shehee Cole Dr. & Mrs. Shane Barton Advised Fund Jack & Anita Berg Gay & Al Vekovius Silver Baton Sandra Breithaupt Stephen & Kecia Vekovius $5,000-$7,499 Mary & Dick Bremer Drs. Robert & Lisa Walter Anonymous Elizabeth Bright Dr. & Mrs. Richard Wigle John E. & Lindsay Atkins Frank & Suzzanne Bright Mrs. J. Woodfin Wilson, Jr. Mr. & Mrs. George A. The Honorable & Mrs. Wright Family Trust Baldwin, Jr. Eugene W. Bryson, Jr. Bob & Signe Zale Carl & Shirley Bernofsky Mrs. Lo B. Cassidy & Beverly The Crow Foundation Cassidy Brooke Concertmaster Mr. & Mrs. James K. Elrod Mr & Mrs. John D. Caruthers Circle Sandra K. Hand Drs. Neera & Anil Chhabra $500-$999 The Community Foundation - The Cat Doctor Eileen & Mike Adkins Ann V. & Robert C. Leitz, III Dr. Megan Conway & Anonymous Donor Advised Fund Mr. Calvin Head Tookie & Baker Barr Nellie G. & Charlton Havard Marletta Eddy Sharon Bennet Lyons IV Dr. & Mrs. John Epling Will Blanchard The Magale Foundation Glenn & Ginger Flournoy Drs. Bernadette & Carter Boyd Mrs. J. Frederick Patten Ivy & Archer Frierson Colonel & Mrs. Hugh G. Mr. & Mrs. Donald W. Weir, Jr. Dayne & Kathy Hassell Butterfield Brian A. Hebert Mrs. Abry Cahn Bronze Baton Frank & Mary Hughes Mr. & Mrs. Vernon Chance, Jr. $2,500-$4,999 Gladys & Ed E. Hurley Lisa & Alvin Childs, Jr. Anonymous Foundation Delbert Chumley Drs. Ernest & LaWanda John Hussey Mr. & Mrs. Hubert Debo Blakeney Dr. & Mrs. Paul A. Jordan Jennifer & Dwayne Elliott Camellia Trading Company Col. Shirley Kelley-Heim Charles Gerard Mr. Paul DeTello & Mr. Jesse Heim, III Dr. & Mrs. Alexander Mr. & Mrs. Stanton Dossett Mr. & Mrs. Glenn V. Kinsey Gomelsky Lois Robinson & Crozet Mr. & Mrs. Charles R. Labanics The Community Foundation - Duplantier Dr. & Mrs. Robert T. Lafargue Susan M. & Quintin T. Mr. & Mrs. William Flanagan Mrs. Jane Law Hardtner III Donor Advised The Community Foundation - Dr. Dale Bauman & Fund Flournoy-Courtney Family Ms. Paula Leonard Dick & Clara Hemmings Donor Advised Fund Dr. Jerard R. Martin Chris & Connie Holoman page 15
SSO ANNUAL FUND DONORS (continued) Scott & Ginger Lowe Mr. Glenn I. Jackson Ken Caldwell & Coco Garrett Dr. & Mrs. James E. Lusk Mr. & Mrs. Bernard JohnsonMax & Magan Causey Henry Walker & Laurie Lyons Kurt & Patti Ley Xingwen Chen Geoff & Martha Mangin Mr. & Mrs. Thomas McElroy, Jr. Dr. & Mrs. Judd H. Chidlow Andy & Dianne Mapp Mr. Andrew Twyman & Sylvia Clayton Jerry & Allison Montgomery Mr. Sam Medica Maria Colon Margaret Leary Oden Mr. & Mrs. Taylor F. MooreDr. & Mrs. David Cooksey Dee & Carol Peterson Mr. & Mrs. Robert Neff Jr.Jean Cooper Lt. Col. & Mrs. Michael J. D. Keith & Cynthia Payne Bobby & Adrienne Critcher Petrosh Jr. Ashok & Sudha Rao Veronica Czarzasty James & Joy Pitney John & Joy Ratcliff Yeona DaCosta-Auld Janie Richardson Retail Merchants Association Jordan & Callie Dean Austin & Martha Beadles Mr. & Mrs. Ted Roberts Mr. & Mrs. Paul Derousse Robertson Dr. Sandra C. Roerig Marilyn McGuffin Deupree Holly Roca Elizabeth Scalf Clif Dopson & Jeanne Street Rick Rowell Mr. Michael Staggs Linda Dowling Dr. & Mrs. F. Thomas Siskron III Martha Storer Dr. & Mrs. Richard Drummond Ann Spikes Gary A. & Susan Taylor Kathleen Ellis Craig & Judy Storer Heidi Timken Susan Erba Rev. Pike Thomas The Community Foundation -Carolyn S. Fleming Arthur & Margaret Thompson Katherine S. Tyrrell Fund Julie Fristensky Col. & Mrs. David Thomson Dr. & Mrs. John P. Valiulis Minou & George Fritze Mr. & Mrs. G.W. Van Hoose Johnette Waterman Sally Gardner Tyler Wolf Dr. & Mrs. Steven Whited David & Sara Ginsburg Craig S. Woodring Mr. & Mrs. Edward Ytsma Dr. & Mrs. Warren D. Grafton Dr. & Mrs. Seborn Woods Liz Zale Debbie Graham Jack & Audrey Zahm Barbara Gramling Associate Mrs. Laura Gregorio Principal Circle $100-$199 Dr. Tobin H. Grisgby $200-$499 Mary Anna Adams David & Susan Gross Ability Air Conditioning, INC Mr. & Mrs. W. Michael Adams Dr. & Mrs. Kenneth Harrison Dr. Glen Adkins Anonymous (6) Mrs. Sandra Harrold Anonymous (2) Mrs. June Applewhite Mr. David Henington & Kitty & Charles Boyd Tom & Elizabeth Arceneaux Dr. Dominic Salinas Judith K. Causey Cheryll & Johnny Barbo Jim & Sai Hill Dr. & Mrs. David Cavanaugh Dr. Brian Basinger Matthew & Blanche Hirsch Mr. & Mrs. Joshua Chambers Helen L. Bates Harold Holland Drs. David & Carol Clemons Kathryn M. Beaird Virginia R. Houston U. L. Coleman Companies Dr. George Belchic, Jr. Lisa Hunter Brian & Stacey Crawford Dr. & Mrs. James R. Bergeron Dorothy Jarzabek Harriet Daggett Mrs. Oscar Lee Berry, Jr. Patricia Jones Dr. Jerry & Ruth Drummond Mrs. Harold R. Bicknell Sarah Kirkpatrick & Richard Eglin Drs. Steven & Diana Bienvenu Grant Summers Mr. & Mrs. John & Suzanne Ellis Dee Black Jeffrey Kuhlmann Jeanette & David Garrett Joseph A. Bocchini Jr. MD Ginny & Rich Lamb Greg & Peggy Gavin Amy Bokenfohr Jean Y. Laster Mr. & Mrs. Joseph Glorioso Phil & Sarah Boswell Jeanette M. & David L. Lay Annette & Mike Hall Dr. Gale W. Bridger Merrilee Streun Leatherman Kathryn A. Hamilton Brian & Theresa Bridges Dr. & Mrs. J. Anthony Lee Mike & Whittney Harper Paul & Christine Broussard Kennedy & Diana Lim Dr. & Mrs. Sanders F. Hearne Lara & David Bryan James Lu Mrs. Sam Bailey Hicks III Jane Eggerstedt & Dr. Aubrey & Joan Lurie Gene & Ellen Huggs Donna Burrell Debby Macy Phil & Virginia Israel Mr. Burt Madden page 16
SSO ANNUAL FUND DONORS (continued) Mrs. Ann C. May Mr. & Mrs. T.E. Pendleton Elizabeth Stephens Mr. & Mrs. Mack McCarter Mitzi Perry Mr. & Mrs. John & Ruby James & Velma McLelland Patricia Pinckard Stewart Dr. & Mrs. Robert McVie Kathleen Plante Ms. Ann Stokes Mark & Lucy Medvec Dr. & Mrs. Donald Posner Lucy Robinson & Kelly Tatchell David & Jeanne Miller Joan H. Potter Dr. John Todd Mr. & Mrs. Mansour Amy Quinn & Bill McGill Juan & Virginia Villarreal Mirfakhraee Tommy & Kay Rabon Lance Wilkerson Mr. & Mrs. Curt Mitchell Alex & Rebecca Radford Mrs. Louise Pons Williams Mr. & Mrs. Scott & Randee Debra & Russell Ramstad Terry & Kathryn Willis Monceaux Doris & Herschel Rice Mrs. James W. Wood Karin & Paul Morrow Wendell Riley John & Susan Wood Malcolm Murchison Mr. & Mrs. Edward L. Rowell Sally Wood Michael & Susan Muse Mr. & Mrs. Gerald A. Sayres, Jr. Donna Wyatt Jane & Dale Olsan Tommy Seabaugh Mr. & Mrs. O. Michael Owens Barbara Semon SHREVEPORT SYMPHONY AGENCY ENDOWMENT FUND Held by the Community Founding Donors to Meet the Foundation Of North Carolyn Q. Nelson Louisiana Endowment Challenge In calendar 2016, the Shreveport Maestri Symphony was challenged by the Anonymous Community Foundation of North Louisiana via the Carolyn Q. Nelson Soloists Endowment Challenge to raise Mrs. D. R. James $100,000 to establish a new agency Peggy and Charlton Lyons endowment fund. The terms of the Principals challenge called for a matching Charles, Michael, and Stephen McCord $100,000 donation to be made by and the Rick McCord Family the Community Foundation if the new David and Margaret Shehee Cole fund had a total of $100,000 or more Dr. Rozelle Hahn deposited by December 31, 2016. Mrs. Sybil J. Patten We are thrilled to announce that we Ken and Sharon McGivney met the terms and raised the $100,000 Assistant Principals with the extremely generous support of Nellie and Havard Lyons the following Founding Donors: Berte and Ike Muslow Matching Donor George and Jean Baldwin The Community Foundation of North Dr. Anil and Laura Nanda Louisiana Mickel and Emily Husted Carl and Sherry Pendley Mrs. J. Woodfin Wilson, Jr. page 17
MEMORIALS & HONORARIUMS Memorials Bettie King In Memory of Gilbert (1/21/21-11/15/21) Lee, Drake & Margaret Shanley Margaret & Jeff Little Ms. Jenifer Hill In Memory of Henry Bob, Martha, Matthew & Mrs. J. Frederick Patten Brenner Madeline Marak Mr. & Mrs. Michael McCarthy In Memory of Gordon Mr. & Mrs. Joseph Glorioso Singleton Mrs. J. Frederick Patten Bettye McGee Dorothy Mims Dr. Grace Bareikis Dr. & Mrs. F. Thomas Siskron III Kathryn Oliphant In Memory of Martha In Memory of William Kay Paine Talbot Carsillo Mrs. J. Frederick Patten Dr. & Mrs. F. Thomas Siskron III Mr. & Mrs. Charles R. Labanics Evelyn H. Quinn Scott & Sally Shafer In Memory of Dr. William In Memory of Joseph Joe & Becky Sulc & Lucille Teague Cooper Polly & Bruce Williams Susan Ison Dr. & Mrs. Jack Berg & Family Drs. Ernest & LaWanda In Memory of Mrs. Dalton Blakeney In Memory of Peggy Gray Woods Valerie Capitanich Mrs. Margaret P. Fontaine Dr. & Mrs. F. Thomas Siskron III Sid & Melissa Cook The Donald A. Cowser, Jr. In Memory of Sarah Family Holland Honorariums Harold Holland (1/21/21-11/15/21) Dr. Jerry & Ruth Drummond Ginger & Richard Folmer In Memory of Leila Kramer In Honor of Jennifer Jean Galloway Dr. & Mrs. F. Thomas Siskron III Butterman David & Sandra Ginsburg Anonymous Bobette Goodman In Memory of Dr. Ike Susan & Jim Graass Muslow Ms. Jenifer Hill Dr. & Mrs. F. Thomas Siskron III Ronnie Jones & Jim Outland Jim Kent 333 Texas Street, Suite 2235 Shreveport, Louisiana 71101 318-703-3641 www.ascm-llc.com
Thank You to Our Generous Sponsors Season Sponsor “Seasons bring with them new opportunities and excitement. We at Willis-Knighton are pleased to share the excitement of renewed live performances, understanding the many benefits they bring our community. In my new JAMES K. ELROD position as president emeritus, I pledge my continued support for organizations such as the Willis-Knighton Health System is the only locally owned, locally operated Shreveport Symphony that enhance the quality not-for-profit health system in the region. of life in Shreveport-Bossier. ” As such we believe it is important to James K. Elrod, President Emeritus contribute to efforts to improve the Willis-Knighton Health System quality of life for the people we serve.. Celebrity Concert Sponsors Guest Artist THE NOEL FOUNDATION, INC. Sponsor LSUS FOUNDATION - LAURA AND ED RUTH HERRING NOEL CRAWFORD ENDOWED CHAIR Education Supporters Supporting Partners Supported in part by a grant from the Louisiana Supported in part by a grant from the Division of the Arts, Office of Cultural Development, Shreveport Regional Arts Council with Department of Culture, Recreation & Tourism, in funds from the City of Shreveport cooperation with the Louisiana State Arts Council. Funding has also been provided by the National Endowment for the Arts, a Federal agency. page 19
SHREVEPORT SYMPHONY ORCHESTRA MICHAEL BUTTERMAN, MUSIC DIRECTOR Your music. Your world. 2021-22 WILLIS-KNIGHTON MASTERWORKS SERIES Holiday Pops BEETHOVEN Piano Concerto From the New World No. 3 with Erich Bergen Saturday, May 7—7:30 PM MENDELSSOHN “Italian” BOYER Ellis Island: The Saturday, Dec. 18—7:30 PM Symphony Dream of America in John-Henry Crawford Symphony of collaboration with the Shreveport Little Theatre Plays Haydn Illusions DVOŘÁK Symphony No. 9, *Free livestream* Saturday, Apr. 2—7:30 PM “From the New World” Saturday, Jan. 29—7:30 PM featuring master illusionist HAYDN Cello Concerto in D Michael Grandinetti Concierto de PROKOFIEV Classical Aranjuez Symphony Saint-Saëns & Thursday, June 2—7:30 PM GIOVANNI SOLLIMA Schumann Jason Vieaux, guitar Violoncelles Vibrez! Saturday, Apr. 23—7:30 PM RODRIGO Concierto de Jennifer Frautschi, violin Aranjuez Viva Italia! FAURÉ Pavane KERNIS Dance Hits Concerto Saturday, Mar. 5—7:30 PM SAINT-SAËNS Violin STRAUSS Suite from Le Simon Karakulidi, piano Concerto No. 3 Bourgeois Gentilhomme ROSSINI Overture SCHUMANN Symphony No. 4 All concerts are at the RiverView Theater. to L’Italiana in Algieri shreveportsymphony.com | 318.227.TUNE (8863)
WILLIS-KNIGHTON MASTERWORKS SERIES Saint-Saëns & Schumann Saturday, April 23 7:30 PM RiverView Theater Michael Butterman, conductor Jennifer Frautschi, violin Photo: Dario Acosta GABRIEL FAURÉ Pavane, Op. 50 CAMILLE SAINT-SAËNS Violin Concerto No. 3, Op. 61 Allegro non troppo Andantino quasi allegretto Molto moderato e maestoso; Allegro non troppo Ms. Frautschi ~I NT ERMI SSI ON ~ ROBERT SCHUMANN Symphony No. 4, Op. 120 Ziemlich langsam - Lebhaft Romanze: Ziemlich langsam Scherzo: Lebhaft Langsam - Lebhaft CONCERT SPONSORS LAURA AND ED CRAWFORD page 21
ARTIST BIOGRAPHY About Jennifer Frautschi Utah Symphonies and the Florida Orchestra, as well as return engagements Two-time GRAMMY nominee and Avery with the Rhode Island Philharmonic and Fisher career grant recipient Jennifer the Alabama, Arkansas, Belo Horizonte Frautschi has garnered worldwide (Brazil), Portland, and Phoenix Symphonies. acclaim as a deeply expressive and musically adventurous violinist with Despite severely restricted concert impeccable technique and a wide-ranging activities in the 2020-21 season, Ms. repertoire. Equally at home in contemporary Frautschi was able to maintain an and classic repertoire, her recent active performance schedule throughout seasons have featured innumerable the pandemic, most notably as soloist performances and recordings of works in live performances with Leonard ranging from Robert Schumann and Slatkin and the Rhode Island Philharmonic Lili Boulanger to Barbara White and and with Peter Rubardt and the Pensacola Arnold Schoenberg. She has also had Symphony. She also performed as the privilege of premiering several new soloist with Chris Confessore and the works composed for her by prominent Brevard Symphony and Lucas Richman composers of today. Critics have and the Bangor Symphony, and recorded described her performances as recitals for the online seasons of the ‘electrifying,’ ‘riveting’ and ‘mesmerizing’ New Mexico Philharmonic, Santa Rosa and lauded her ‘staggering energy and Symphony, and the Helicon Founda- finesse’ and ‘fierce expression.’ After a tion in NY. Highlights of the 2021-22 recent performance of the Brahms season include a return to the Rhode Violin Concerto, Cleveland Classical Island Philharmonic with Bramwell Tovey wrote: ’We witnessed the most conducting, and her first appearance at magnificent performance by a guest the Sarasota Music Festival. soloist in recent memory. From the Born in Pasadena, California, Ms. outset of the Brahms Concerto, she Frautschi began the violin at age three was a stunning presence, her playing with the Suzuki Method. From ages 12 a breathtaking conflation of grace and to 18 she studied with Robert Lipsett at grit, and at times downright ferocious.’ the Colburn School for the Performing Ms. Frautschi has appeared as soloist Arts and the University of Southern with Pierre Boulez and the Los Angeles California (USC) School of Music in Los Philharmonic, Christoph Eschenbach Angeles. She went on to attend Harvard and the Chicago Symphony Orchestra and the New England Conservatory of at the Ravinia Festival, and at Wigmore Music (NEC), and finished her studies Hall and Lincoln Center’s Mostly Mozart with Robert Mann at The Juilliard Festival. Highlights of recent seasons School. She performs on a glorious include performances with the Cincinnati 1722 Antonio Stradivarius violin known Symphony Orchestra, the Minnesota as the “ex-Cadiz,” on generous loan to her Orchestra, St. Paul Chamber Orchestra, from a private American foundation with Boston and Buffalo Philharmonics, support from Rare Violins In Consortium. and Orchestra of the Teatro di San Carlo Opera House; the Jacksonville, jenniferfrautschi.com Milwaukee, New Jersey, Tucson, and page 22
SAINT-SAËNS & SCHUMANN PROGRAM Gabriel Fauré (1845-1924) theme is introduced by solo flute over soft Pavane, Op. 50 pizzicato accompaniment in the lower After showing musical ability at an early strings. Other woodwinds and eventually age, Fauré was sent by his parents to École the upper strings take up the melody as Niedermeyer in Paris for training in church it unfolds through repetition and slight music. Eleven years later he graduated with variation. The contrasting middle section is first-place honors in composition, fugue, louder and contains scale-like fragments and counterpoint and began service as a that are quasi-developmental and repeated church organist, teaching organ and on different pitch levels. The opening composing. By the time he was 40, Fauré was theme then returns, and the piece gently suffering from bouts of severe depression, ends the way it started―with solo flute. which he described as “spleen.” His Pavane is truly a miniature jewel in the compositions had not brought financial orchestral repertoire. success, and while he dreamed of achieving Camille Saint-Saëns (1835-1921) public acclaim with symphonies, concertos, Violin Concerto No. 3 and operas, he was dissatisfied with his Saint-Saëns’ earliest years resemble those own attempts in these genres. of Mozart, the Wunderkind. The young However, several years later Faure’s Frenchman learned to play the piano at the fortunes changed. He was named chief age of two, composed his first little piano organist at La Madeleine in Paris, he pieces shortly after his third birthday, and worked for a while as music critic for Le began formal lessons in composition and Figaro, and he accepted a teaching post in organ four years later. As an adult he dazzled composition at the Conservatoire, where he the world with his virtuosic performances mentored and influenced many illustrious and compositions. He wrote more than pupils, including Maurice Ravel and Nadia 200 works that represent practically all Boulanger. The turning point in his life genres of his day—opera, symphony, came when he was appointed head of the concerto, piano, chamber, and even music Conservatoire in 1905. Fauré suddenly for the cinema. became famous, and his works began to Derived from a sketch that Saint-Saëns be performed at important concerts. made in 1859, Concerto No. 3 was Toward the end of his life he was awarded composed for the famous Spanish virtuoso, the Grand Croix of the Légion d’honneaur, Pablo de Sarasate, who performed the and he was fêted at a national tribute at the solo part at the premiere in October 1880 Sorbonne, where noted performers played his in Hamburg. Like most concertos, there are music to an enthusiastic gathering in the three movements in a fast-slow-fast format. presence of the president of the republic. Both outer movements contain fiery, dramatic Although Fauré never composed large- themes―a bold, gypsy-like melody on the scale works, he did write incidental music lowest strings of the violin in the opening for the stage and short orchestral pieces. movement and two forceful themes in the One of the latter is Pavane, Op. 50, which finale. As one might expect, the solo violin takes its title from a popular royal dance is filled with rapid scales, arpeggios, and of the 16th and early 17th centuries. Written double stops, allowing ample opportunities in 1887, this work is filled with expressive for technical display, while the orchestra Romanticism. Fauré is highly regarded for is generally relegated to the role of his beautiful songs and choral writing, and accompaniment. Thematic development his gift for melodic invention is evident in relies mostly on repetition and sequence Pavane. The simple but mesmerizing main (same pattern but on different pitch levels) page 23
SAINT-SAËNS & SCHUMANN PROGRAM (continued) of melodic figures. Providing contrast is a piano, delighting in intimate, expressive gentle, swaying melody, somewhat like a miniatures. Inspired by his love for the barcarolle, in the middle movement. Several legendary piano virtuoso Clara Wieck (who unusual aspects occur in this Concerto. became his wife), Schumann produced a One is the use of solo violin harmonics with phenomenal number of songs in 1840. clarinet, both playing arpeggio figures, at The following year he wrote all four of his the end of the first movement. Another is the symphonies, and in 1842 he composed improvisatory introduction that begins the almost all of his chamber works. finale, and later on, a chorale-like section Schumann’s Fourth Symphony initially that is in a major key. The two main themes seems to follow the Viennese Classical of this movement return and are intensified, plan. It begins with a fast movement in bringing the work to a brilliant close. sonata form. Labeled Romanz, the slow Despite his admiration for Liszt and Wagner, second movement features a melodious Saint Saëns does not succumb to excessive theme in the oboe and cello. The scherzo emotion or “empty” virtuosity. Rather, consists of two themes—one that is boisterous Concerto No. 3 is imbued with appealing and the other more relaxed—that are lyricism and charm that endears it to repeated, and this is followed by a fast finale. audiences today. An ardent admirer of Beethoven, Schumann uses features—recurring motives, continuity Robert Schumann (1810-1856) from one movement to the next, and Symphony No. 4 thematic connection between movements— Schumann occupies a unique niche in the that may be traced back to the great master. history of music in the 19th century. As the However, Schumann goes far beyond son of a German bookseller and novel- Beethoven. Completely immersed in ist, he acquired a profound knowledge of Romanticism, Schumann describes himself literature and philosophy, and both arts as “a Romantic composer” and refers to deeply affected his personality and music. Symphony No. 4 as a “symphonic fantasy.” Inspired by the works of Jean-Paul Richter His approach to structural principles is as well as E. T. A. Hoffmann, Schumann use revolutionary. In addition to the four main fictional characters in his writings and movements, there is a lengthy brooding compositions to portray varying emotions. He introduction at the beginning of the work saw himself as having two conflicting and a slow transition between the scherzo personalities—the passionate, forthright and finale. Undoubtedly viewing the Florestan and the dreamy romantic Symphony as an organic whole, Schumann Eusebius—and this duality worsened over instructs performers to play all the parts of time, eventually leading to mental illness. the work without pause. In addition, the There are glimpses of Schumann’s introduction, which consists of two related vacillating impulses throughout his entire melodic figures, form the basis for almost life. He enrolled in law school to please his the entire work. The result is an intense, parents, but after hearing Paganini play tightly woven composition―a seamless, the violin, he turned to music. Hoping to one-movement work comprising six sections become a concert pianist but unsuccessfully of fluctuating moods and tempos. By writ- strengthening his fingers, he decided to ing such a work, Schumann unwittingly laid devote his creative energies to composition. the groundwork for the symphonic poem of His obsessive nature led him to focus almost the later 19th century. completely on one genre at a time. At first © Program Notes by Dr. La Wanda J. Blakeney Schumann wrote almost exclusively for solo page 24
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T HE SH R EVEPORT L I TT LE T HEAT RE 100th SEASON 2021-2022 Shreveport Little Theatre...100 Years of Great American Theatre! September 2-12, 2021 October 14 -24, 2021 December 9-19, 2021 Feb. 24 - March 6, 2022 April 21 - May 1, 2022 ALL FIVE MAINSTAGE SHOWS For only: $125 (adults) or $119 (seniors, students, active military) a savings of $10 off individual ticket price FO R MORE I NFORMATI ON Call (318) 424-4439 or online at www.ShowTix4U.com Or visit our Box Office 812 Margaret Place S H R E V E P O R T L I T T L E T H E A T R E Noon - 4 p.m. Monday - Friday 100th Season Sponsor www.shreveportlittletheatre.com Strand 2021-22 Season Ad (SLT).qxp_4.5 x 3.75 8/2/21 2:56 PM Page 1 PLACES PLEASE 2021 2022 South Pacific The Second Mutts Gone Nuts THURSDAY APRIL 21, 2022 City-Legendary Laughs SATURDAY FEBRUARY 26, 2022 8PM One Night of Queen SATURDAY 2PM SEPTEMBER 18, 2021 8PM Roald Dahl’s Charlie WEDNESDAY APRIL 27, 2022 Postmodern Jukebox and the Chocolate 8PM THURSDAY DECEMBER 2, 2021 Factory Waitress 8PM WEDNESDAY FRIDAY MARCH 16, 2022 MAY 6, 2022 Rudolph The 7PM 8PM Red-Nosed Reindeer: The Queen’s Beautiful-The Carole The Musical Cartoonists King Musical WEDNESDAY FRIDAY TUESDAY DECEMBER 15, 2021 MARCH 25, 2022 JUNE 7, 2022 7PM 7PM 8PM THE STRAND THEATRE (318) 226-8555 or www.thestrandtheatre.com
THE NOEL FOUNDATION, INC. CHAMBER MUSIC SERIES The Noel Foundation, Inc. Chamber Music Series brings together the talents of world-class guest artists and some of our top Shreveport Symphony musicians in intimate musical settings. General admission seats for all Chamber Music Series concerts are FREE. Jennifer Frautschi & Friends Mendelssohn & Stravinsky Sunday, April 24—3 PM Octets Anderson Auditorium, Centenary College Sunday, May 22—3 PM Jennifer Frautschi, violin LSUS University Center Theater Jennifer Carsillo, violin Chialing Hsieh, piano MENDELSSOHN String Octet in E-flat Michael Butterman, piano Major, Op. 20 STRAVINSKY Octet for Wind Instruments SHOSTAKOVICH Five Pieces for Two Violins and Piano BARTÓK 44 Duos for Two Violins (selections) DVOŘÁK Sonatina, Op. 100 page 28
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SUPPORT YOUR SYMPHONY The Shreveport Symphony Orchestra’s artistic, education, and community programs would not be possible without the support of generous individuals and corporations. There are many ways for you to play a crucial role. Each opportunity offers its own experiences and rewards. Annual Fund Get the maximum return on your Join our growing community of music investment—the creation of a vibrant lovers and music makers and enjoy the and lively community in which to live rewards membership has to offer. For and do business. Our Corporate more than 65 years, the Shreveport Partners are entitled to an array of Symphony Orchestra has been a source marketing and hospitality benefits. of pride and a cultural priority in the Commit to Education Shreveport area, engaging people in all Every year, the Shreveport Symphony segments or the community. Orchestra commits to an extensive The Music-by-the-Month Plan is a education program, offered free to convenient and affordable way to every child in grades 3–5 in Caddo and support the SSO’s Annual Fund on an Bossier Parishes. You can be instrumental ongoing basis. By enrolling in this plan, in providing music education for the your credit card will be automatically children in our community. Your support billed at intervals determined by you could transform a child’s life. (monthly, quarterly, or for a fixed number Gift & Estate Planning of months), making it easy to spread Secure the Symphony’s future by making your payments over a period of time. us part of your estate plans. Your gift Be in Good Company may have significant financial advantages Become a corporate partner today. to you and to the Symphony. We offer a Gain prestige and visibility by contributing variety of gift options that can fulfill your to the cultural life of your community. personal and financial goals while Sponsor a concert, a guest artist’s furthering the Symphony’s mission. Contact appearance, or a special event. us to find the one that is right for you. Volunteer Opportunities with the Symphony The Shreveport Symphony Orchestra offers a variety of volunteer opportunities for you to join us and contribute to our success: • Usher at concerts • Work at will-call during the concerts • Office support—help with mailings, answering phones, etc. • Hospitality—provide refreshments for the musicians or for a reception • Transportation—pick up guest artists and provide transportation during their stay • Special events—a variety of needs for events, big and small • You name it! Have you noticed a need to be met? Call and talk to us about it. If you’d like to make a gift to the Shreveport Symphony, or discuss volunteer opportunities, please call 318.222.7496 or send an e-mail to lrobinson@shreveportsymphony.com. page 30
Return Welcome to the Joytoofa Live wonderful Music!year of music! For over 66 years the Shreveport Symphony Guild’s The Shreveport Symphony Guild celebrates its 65th objective has been to support, promote and help to year. From develop the the beginning, Shreveport the major Symphony as well purpose as supportofthe the Guild Nena has Plantand continues Wideman Pianoto be a supportive Competition and to further organization symphonic music for appreciation the Shreveport Symphony through education. We are thrilled to return to live symphonic performances! Orchestra. The Guild also is supportive of the Beautiful music provides a balm to our souls in today’s Wideman busy world. International Piano Competition as well as the owner of the Symphony House. The Guild proudly sponsors a concert provided by the Shreveport Symphony each year as well as volunteers at Music brings joy and enriches our lives. It can be relaxing, exciting and the Discovery Concerts where children are introduced to the symphony, many soothing totime. for the first our souls. We are Our also asymphony brings sponsor of the Nenathose Plant things Widemanand so much Piano more with each Competition performance. including hosting a dinner for the participants and providing refreshments throughout competition. The TheGuild is proud upcoming to be year will sponsor excitingone ofcelebrate as we the concerts presented the 150 th birthday by the of our Shreveport Symphony beloved Symphony HouseOrchestra eachWoodlawn located at 2803 year. In addition, the Guild on the Centenary Campus. enjoys volunteering This historic during home, built in 1872,theis Discovery Concerts the Guild’s meeting where place area as well school is available to rent for events such as weddings, showers, meetings, etc. To children attend special presentations created especially for them. To find out more information about the Symphony House and the Guild, visit our website at watch the children experience the symphony, the music and the shreveportsymphonyguild.org. orchestral instruments, many for the first time, is truly a treat for all. If you are not a member of the Guild, we invite you to join us. Please contact me at Cindytjones@gmail.com The Guild is also a sponsorfor for morethe information Wideman on International how to join. WePiano would love to have you as a member. Competition as well as hosting a dinner for the participants and providing Again, we refreshments throughout are thrilled to return the competition. to live symphonic performances by the Shreveport Symphony and look forward to a wonderful season of beautiful music. The CindyGuild is very Jones, proud to be the owner and caretaker of the Symphony President House located Shreveport at 2803Guild Symphony Woodlawn on the Centenary Campus. This historic house, built in 1872, is available to rent for various events suchSHREVEPORT as weddings, showers, meetings SYMPHONY and other GUILD EXECUTIVE events. You COMMITTEE, can read 2021-2022 more about President the house by logging Cindy Jones onto the Guild's website at Corresponding Secretary Alyce Labanics shreveportsymphonyguild.org. First Vice President Sandra Harrold Treasurer Kitty Jo Boyd Second Vice President Marilyn Fong Past President Advisor Alyce Labanics IfRecording you are Secretary not alreadyGrace a member Bareikisof theParliamentarian Guild, we invite you to join Valerie us. Taylor Please contact me for more information. page 31 We look forward to a wonderful year full of memorable performances
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Dr. Glen Adkins Heather Vandiver Executive Director Director The Academy for the Arts at First Baptist Church of Shreveport seeks to teach and train students of all ages in music, theater, and the humanities. We believe talent in any form is a gift from God that can be developed and improved with practice and training. To that end we offer lessons in vocal and instrumental music, and we offer regular and exciting opportunities for performance. Currently the Academy is offering lessons in piano, organ, voice, violin, viola, cello, guitar, ukelele, and drums. We also offer class lessons in Chinese language and in world religions. Instruction is available for all ages. The Shreveport Bossier Community Chorale is under the auspices of the Academy for the Arts. We currently have 12 teachers and 180 students enrolled in the Academy. For information visit www.aftafbcs.org First Baptist Shreveport . 543 Ockley Drive . 318-865-8414 page 34
Last year, the Community Foundation granted to organizations like the Shreveport Symphony Orchestra. Become a donor. Effect positive change. Create a legacy. Visit cfnla.org or call 318-221-0582 today to get started. HERE FOR GOOD page 35
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