YANIK SOLAND WORKS 2016-2018
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listen to this track while scrolling through my portfolio: https://soundcloud.com/yah-nique/driving-my-tesla
Koto Core, 2018 Performance. Performance- objects: Selfmade Koto Instruments, Toys, Zen-Garden, Effect Pedals, Mixer exhibition views: WallRiss Art Space, Fribourg
neighborhood watch basel (coming soon), 2018 drawings 65 x 40 cm series of 2 watercolour, oil pastel and fineliner on paper
be water my friend, 2018 too much instagram, 2018 painting painting 65 x 40 cm 65 x 40 cm crayon and fineliner on the back of a concert poster, resin, crayon, oilcolor and fineliner on the back of a concert poster, resin, spray- glue, aluminium frame paint, glue, wooden frame Exhibition View: Tristesse, Basel
neighborhood watch (green ghost), 2018 painting 70 x 50 cm spray paint, oil pastel on wood. wooden frame
burned-out hammock, 2018 nervous meltdown, 2018 drawing drawing 65 x 40 cm 65 x 40 cm Fineliner and Pencil on paper Fineliner, Pencil and oil pastel on paper
am i too hairy?, 2018 panic attack over a tesla, 2018 drawing drawing 65 x 40 cm 65 x 40 cm Fineliner, Pencil and oil pastel on paper Fineliner, Pencil on paper. aluminium frame
dirty nikes (leftovers), 2018 Object 35 x 20 cm nike socks (used for the performance „be afraid. be very afraid.“), Moss, Frame
Fountain. 2017 Installation. ca 120 x 50 cm plexiglas water basin, colored water, pump exhibition view: :( --> :) @ Klybeckstrasse Basel
to catch a trend, 2017 Installation. 200 x 65 cm. engraved knife („speculative realism“) frozen in an ice block, deep cooler
exhibition views: :( --> :) @ Klybeckstrasse Basel
Be Afraid. Be Very Afraid. 2017 performance / installation. 3 x 4 m soil, plastic sheet, Bird masks, Fake Stones (plaster, wire frame and acrylic), nike sportsocks, LED light, four Paintings (acrylic on canvas) The Performance on the opening night was a collaboration with Miro Widmer.
exhibition views / performance (video stills): kunstverein freiburg, “liquid fertilizer“
Exhibition text „Liquid Fertilizer“, Kunstverein Freiburg: A mud-covered plastic foil spreads out on the floor of the exhibition spa- ce. The surface smells of damp soil, which could be thawed permafrost. Various objects complement the scenery: bird masks and tennis socks laid on stones - both visible traces of the performance that took place on the opening evening at the Kunstverein. The bird masks are reminiscent of plague doctor‘s masks worn since the early modern age to protect against the deadly epidemic. The special head shape of the masks also reminds us of David Cronenberg‘s film „the fly“, in which the protagonist slowly trans- forms into an insect. Together with the paintings leaning against the wall, the installation „be afraid. be very afraid“ speculates about a scenario in which released bacteria, viruses or other microorganisms now come to life thawed out. It remains to be seen whether it will result in an apocalyptic catastrophe. The deposited Nike socks point to fashionable macro trends of a highly technical consumer society and create an additional narrative extension of the installation. Perfomance Documentation: https://youtu.be/m_MmZstiVhI
BIKINI Welcomes You, 2017 Installation / Cooking Performance the art collective BIKINI has inaugurated their art space with a cooking performance and selfmade ceramics (www.bikini-space.ch)
Listen to the exhibition-soundtrack i wrote together with Lea Rüegg: https://soundcloud.com/yah-nique/bikini-welcomes-you-exhibition-soundtrack
Clepsydra, 2017 Composition-Project for 4 musicians (Bass, Drums, Viola, Guitar) with Samuel Tschudin Live at BIKINI Space, Basel
documentation-stills @ BIKINI Space
music score excerpt 5 chase A two-meter-high sandglass replaces the conductor and leads the musicians through the composition clepsydra. The music score consisted of tasks, conventional notation and images. documentation: https://youtu.be/SMk2ejPVuhA Drums vs. guitar The potential prey (guitar) will be pursued (rushed) until it can no longer escape because it is exhausted or caught up and thus placed so that it can be shot. A hunt does not always have to lead to the success of the agitator. Cheetahs (drummers) often break off a chase because they are quickly exhausted..... (Wikipedia)
How The World Ends (a tribute), 2017 object / painting. 200 x 90 cm. Tatami, spray paint, acrylic paint, car paint, watercolour, marker, LED, cable exhibition views: “Limbus“, Atelierhaus Klingental, Basel
dirty nikes (camouflage), 2017 dirty nikes (brown), 2017 drawing. 50 x 70 cm drawing. 50 x 70 cm fineliner and pastel on paper fineliner and pastel on paper, aluminium frame exhibition view: L‘OV - Centre D‘art Neuchatel, „Farrago“
melted snowball effect, 2016 performance / installation. 3 x 4 m. Colored water in acrylic glass basin, plastic sheet, aquarium hoses, drawing as Jacquard knitted cloth (merino wool) in a vacuum bag, cables, speakers, audio-mixer, contact microphones, aluminium masks, plastic foil, wooden frames.
Exhibition Views: Kunsthalle Basel, Every Contact Leaves A Trace A performer plays a concert on a water basin. A drawing knitted as a wool jacquard is the notation for the perfor- mer. The basin is microphoned and the audio signals through Effects manipulated. Five masked people film and photograph the performance. The coloured water leaves traces on the plastic sheet. Inspiration is the water percussion of the Baka Forest People. For this work I operated as a director and asked various artists and musicians for a certain collaboration, e. g. for composition, perfor- mance or set design. Performance documentation: https://youtu.be/zI-lmb4cqaE
Die Bande performing The White Cube Hotel, 2016 Hotel-project with Lea Rüegg, Fidel Stadelmann and Marc Norbert Hörler
The art collective „Die Bande“ used the institution „Ausstellungs- raum Klingental“ in Basel to run a hotel during the Art Basel Week. We used the internet platform „Air BnB“ to look for hotel guests. One overnight stay cost 30 francs. We were fully booked at the end. Our offer: Sleeping tents, lockers, self-made showers in the garden, breakfast in the morning and a bar in the evening. Two members of the collective spent the entire night in the hotel. During the day from 12:00-18:00 the hotel was open for visitors. Exhibition View: Ausstellungsraum Klingental
Curriculum Vitae: Performances: Yanik Soland Spit it out | WallRiss Artspace | Fribourg born 10.06.1990 in Basel Kota Records | Music Performance at Musikerhaus Basel | with Gleb Glonti lives and works in Basel, Schweiz Farrago 2 | Blossom Space | with Urs August Steiner, Nicolas Raufaste, Gregory Hari | Zürich Farrago | with Gregory Hari, Urs August Steiner | L‘OV - CAN (Centre d‘Art Neuchatel) www.yaniksoland.ch | https://soundcloud.com/yah-nique Liquid Fertilizer | Regionale 18 | with Miro Widmer | Kunstverein Freiburg | DE Swiss Performance-Price | Gessnerallee Zürich | for Gregory Hari Education Every contact leaves a trace | Degree Show | with Dave Kerman | Kunsthalle Basel Performance with Gregory Hari | Ausstellungsraum Klingental | Basel Site Visit | Kunstverein Freiburg | Germany 2018 - Piet Zwart Instituut, Rotterdam Master in Fine Arts 2013 - 2016 Hochschule für Gestaltung und Kunst, Basel Residencies: Bachelor in Fine Arts 2012 - 2013 Jazz School Luzern | E-Bass/Composition Artist Residency | BAR-project | Barcelona (ES) Artist Residency | Kracho, Kunst am Berg | Binn (CH) Curatorial Projects Music projects (E-Bass and composition): 2017 Co-Curator of BIKINI, an independent Art Space in Basel MIR | Abnormis Quodlibet | YanikMiro Septet | Flashmob | Hellalujah | Mrs. Understanding | ARF with Lea Rüegg, Cyril Hübscher, Raphaela Grolimund www.bikini-space.ch Concerts / Tours in: 2017 :( --> :) | curated with Gregor Brändli | with Francisco Sierra, Emanuel Rossetti, Deutschland | Österreich | Schweiz | Ungarn | Slowenien | Italien | Japan | Kroatien | Serbien Manuela Cosshalter, Yanik Soland | @ Tristesse, Klybeckstrasse 49, Basel 2016 Exhibition-project in my bathroom @ offenburgerstrasWse 49, Basel Miscellaneous: with Manuel Schneider Jury «Kulturförderpreis Basel», 2018 Solo/Duo Exhibitions Contribution in Lasso magazine No7, „Cosmic“, 2015 Puplication: »Ausstellung für Postangestellte», Plinth 2016 2017 Clepsydra | BIKINI | with Samuel Tschudin | Basel Member of the Art Collective «die Bande» melted snowball effect 2.0 | Collectif Halte | with Samuel Tschudin| Genf Co-Founder of the publisher «Plinth», www.p-l-i-n-t-h.com Yukon Ranger 5x42 | Schwarzwaldallee | with Valentina Minnig | Basel 2016 Average Of All Crimes | Offenburgerstrasse 49 | Basel Die Bande performing the white cube Hotel | Ausstellungsraum Klingental | Basel An der schönen blauen Donau | Artachment | Basel Spiel der Nixen | Artachment | Basel Die grosse Lagune | Artachment | Basel Buchvernissage/Performance | Poststelle Bläsiring 4057 | Basel 2015 Ausstellung für Postangestellte | Die Post | Schweiz Groupexhibitions (selection) 2018 Hidden Bar | ART Basel | cur. Hannah Weinberger BIKINI Collection | Bikini Space | Basel Spit it out | Wallriss Art Space | Fribourg Requiem | Ausstellungsraum Klingental | Basel Farrago 2 | Blossom Space | with Urs August Steiner, Nicolas Raufaste, Gregory Hari | Zürich 2017 Liquid Fertilizer | Regionale 18 | Kunstverein Freiburg | DE Farrago | Gregory Hari, Urs August Steiner| L‘OV - CAN (Centre d‘Art Neuchatel) Limbo | Atelierhaus Klingental | Basel | cur. Martin Chramosta :( --> :) | Tristesse @ Klybeckstrasse | Basel 2016 Every contact leaves a trace | Degree Show | Kunsthalle Basel Baile de máscaras | Apartment Bar-Residency | Barcelona (Es) Moving Image Fridays | Museum für Neue Kunst | Freiburg (Screening) Liste Total | Liste Art Fair | Kaskadenkondensator | Basel 2015 Revisited | Penthouse Gallery | Zürich Festival.mov | La filature | Mulhouse (FR) (screening) Cineruase7e | Exibições Paralelas | Brasilien (screening) Lockeres Denken | Jahresausstellung HGK | Kunsthaus Baselland Bangkok Underground Filmfestival | Museum Siam | Thailand (Screening) 2014 PCNC_BAY XII | mixtape | Vesch, Wien | cur. Manuel Scheiwiller On Site Off Space | Kunstraum Riehen Nachtflimmern | Projektraum M54 | Basel
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