TENTSMUIR NNR COASTLINES: SEA POETRY COMPETITION AND STANZA EVENT - POETRY COMPETITION PAMPHLET PDF, 739.56KB
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Tentsmuir NNR Coastlines: Sea poetry competition and StAnza event Wednesday 4 March 2020 Byre Theatre, St Andrews Programme
Welcome Welcome to Coastlines: Poetry inspired by Tentsmuir National Nature Reserve, a competition organised by Scottish Natural Heritage to celebrate the Year of Coasts and Waters. We are delighted to welcome our guest poets Valerie Gillies, Anna Crowe, Jim Crumley and Maureen Phillip who will be reading their own sea-inspired poems. This programme contains all the entries from the competition. We hope you enjoy reading them as much as we have. Molly Aldam, Graduate Placement, SNH 2
Running order 14:00: Poetry readings from Valerie Gillies, Anna Crowe and Jim Crumley 14:50: Comfort break 15:00: Multi-sensory poem performed by Maureen Phillips, Rachel and Ariane from PAMIS 15:10 Jim Stewart's poems read by Pete Cunningham 15:15: Presentation of awards and readings by winners of poetry competition 15:25: Audience Q&A with the poets and Tom Cunningham, Tentsmuir NNR manager 15:45: end 3
Anna Crowe Co-founder of StAnza, her translations from Catalan and Spanish (Bloodaxe and Arc) brought a Society of Authors Travelling Scholarship. Her poetry has been translated and anthologised, and recorded for the Poetry Archive. She was awarded the Peterloo Prize (twice), the Callum Macdonald Memorial Award, and three PBS Choices/ Recommendations. She enjoys collaborating with artists in other disciplines, such as painters, sculptors, photographers, textile artists and calligraphers. Her third collection is Not on the Side of the Gods (Arc, September 2019). 4
Jim Crumley Jim Crumley is a Scottish nature writer and the author of 40 books. Although his books are essentially prose works, poetry features in almost all of them to one extent or another. He has been short-listed for a Saltire Society book award, the Wainwright Prize, the Boardman- Tasker Prize for Mountain Literature and the Bamff International Mountain Book Award in Canada. His poems have also appeared in many newspapers and journals including The Independent, The Scotsman and The Scots Magazine. A unique honour for a native of Dundee was to compose a series of short poems which are displayed on mosaic mileposts along the length of the Dighty Burn that flows to the north and east of the city and into the Tay at Balmossie just across the river from Tentsmuir. His most recent books are a quartet of titles based on the seasons: the first of these, The Nature of Autumn, was published in 2016, and the final one, The Nature of Summer, is due out in June. He was a columnist for The Courier for 20 years until 2018. 5
Valerie Gillies Valerie Gillies was born in Canada in 1948 but grew up in Southern Scotland. She has an MA and an MLitt from the University of Edinburgh, where she wrote her thesis on William Drummond’s Flowres of Sion. She was also a Commonwealth Scholar at the University of Mysore in India, which has continued to have an important impact on her poetry. She is married to William Gillies, Professor Emeritus of Celtic Languages and Literature at Edinburgh University, with whom she has three children, and they live in Edinburgh. Along with Will Maclean, William and Valerie Gillies collaborated on St Kilda Waulking Song (1998), which features the poem by the same name in its original Gaelic and in a contemporary translation. In another family collaboration, she has contributed poems to the jewellery catalogues of her daughter Maeve, a Manhattan-based designer. 6
Multi-sensory poetry from Pamis We are delighted to have an original multi-sensory Tentsmuir poem, written by Maureen Phillip and performed with support from Arianne Holmes and Rachel Frame. In multi-sensory storytelling, a story (or poem!) is told through all five senses, allowing those who communicate less verbally to connect. Maureen Phillip Maureen is the Senior PAMIS Family Support and Development Director. Having an MA (Hons) in English , Maureen combines her love of literature, stories, plays, poetry and nature with her love of people with profound and multiple learning disabilities, and creates multi- sensory stories that enable people to access storytelling through the senses. Rachel Frame Rachel loves people. She loves participating in multi-sensory storytelling, attending the theatre, music, travelling and spending time with her family and friends. Arianne Holmes Arianne enjoys being involved in multi-sensory storytelling. She is bright and bubbly with a great sense of humour. She also loves swimming, travelling, bouncing to music on a trampoline and eating cake 7
Winning entry The Return of the Eagle with the Sunlit Eye by Kathleen Gray Welcome back, wise bird of the waters. Welcome back, you belong to us. Welcome back, guardian of seas. Welcome back, you are safely home. We know this place. Passed down from the old ones. They spoke of the land between two estuaries: great Tatha and little sister, Eden. A washed, water map. Our friend the great North Sea still strums sand; greeting us again. Her bounty of salty, sweet seal provides. The clarsach ebbs, flows, the tune of tides. Our presence completes this shore song. Memory of wing, feather, fur, claw, scale, fin. All that is gone, will return. We, the harbingers of hope. Welcome back, great soarer of the skies. Welcome back, to your rightful place. Welcome back, a return from exile. Welcome back, to your sunlight eye. 9
Runner up Tentsmuir by Liz Taylor Shifting sands, drifting sands, storm and spindrift lifting sands, an ever changing line. Where Tay and Eden greet the sea, creation and destruction hail the shifting Sands of Time. 10
Runner up Tentsmuir by Alexia Grosjean Sink, softly, into the silken sands. Sea-spray stings and seal-song sings. Above, clouds catch currents and sea-eagles soar, serenely. 11
A winter’s day at Tentsmuir by Mary Harwood We walked the spongy dunes in a zig-zag pattern, avoiding the pools, on our way to the beach, out of sight in front of us. The sand became looser, we knew we were near. At the top of a short climb it was there, ahead of us, miles and miles of amber sand and never-ending sea. We hurried on down to it, glad we were here. The wind was behind us as we walked, watching the shifting sands hurrying, lemming like, on their way to meld with the foaming waves. The day was delightful, cold but clear. 12
Untitled by Barry Carter The wind, the sea, and sands -- confluence of dreams is hunting fingerprints, a ministry of nature's hands. The moon drowns, drawn to dunes' hypnotic sands, gold drains from the kingfisher's wings, and winter feigns juggling suns. Forests whisper, rumours run, and spring reaches out from a mirror to retrieve and to put back the broken piece of glass. waves are star seeking spears, songbird's shrill caroling nears, the wind's faint drumming distils invocations of fishing kings and wishes of wistful mothers who gather near waters that are wielding incantations. 13
Lucky Scalp III Being scalped, off Tentsmuir by Beth McDonough Negotiate that blue expanse of firth, contoured on some navigation chart, to find an awkward reef called Lucky Scalp. Both on paper and online, the O.S. also terms that fishy scrap the oddball, Lucky Scalp. Google on. Check all elsewhere. Canmore states the same, but row a little further, read fragments which can just confess that "in local dialect", it may be known as Lucky Scaup. Scaupie too, in fisher mouths, their Fifer accents roughing up good English and that given name. But oddly, Scaup means mussel bed in sloppy Scots. Strange, how many molluscs cling to the ballast dumped as Lucky Scalp. 14
Goodbye to Zephyrs by Tom Rist It’s not the sea that’s lonely though the waves break on the shore and the skies stretch emptily away and the breakers roar, though the groynes reach to the deepness and the deepness crushes man, though countless cubic tones of weight is the ocean’s span. It’s that the sea is nothing, unconscious in its fire, and careless of the watching me that is its choir. There is no triton here no Thetis and no mer, only the unintelligence of the empty air. Goodbye to zephyrs then, the personified charade of the world that feels my sadness on the long promenade. 15
Nature at its best by Duncan Brown Tentsmuir is full of wonderful sights Not just through the days but also the nights Gems hidden deeply, jewels to be found Wonders of nature upon heavenly ground Wispy sands, fast flowing tides Seals on sandbanks and birds in hides Swirling winds whistling through tall pine trees As waves come crashing in off rough seas Avenues of forest like Alice in wonderland Unlike an ever changing picture of shifting sand Eider ducks and Oystercatchers capture the eye Like the shimmering of wings in a crystal blue sky Highland cattle roam amongst marsh orchid and ragged robin Whilst inquisitive seals are frequently seen bobbin’ Wading birds like plovers and geese gather in their masses Whilst photographers hope for the elusive otter to emerge from the grasses Signs of history in the way of coastal defences Which whilst we reflect allows us to connect with our natural senses 16
And the ice house that once allowed salmon to be preserved Gives the Natterer bats the home and protection deserved Yes Tentsmuir is full of wonderful surprises Whether it be from when the sun sets or from the moment it rises But no matter what time the wind blows within nature’s calendar year The ghostly sound of R.A.F. jets you feel you can still hear So if you are looking for adventure please visit Tentsmuir As you won’t be disappointed that is for sure And whether you visit as a family or just on your own You’ll have discovered one of best wonders of nature ever to be known. 17
the Cradle of Tentsmuir Point by Ewan Jenkins the tide rolls and laps toward the heath, rushing to touch and always received, receding as the moonlight wanes, frothing forward at the sun's last gleams. we sense our birthplace on this site of intimacy: exhaled onto the sparse shore, met by wildflowers waving tall stones smooth from the caress of an endless love, thick grasses, and the bite of storms, and there, a future of community and canopy sheltering abundance beneath verdant, mingling crowns this was the land of heat and light and below our feet ran the veins of life drinking and feeding from a shared and earthen deep. we learned of shadows; we hid our glistening backs from the flying ones. strange legs clackled toward us, great grey bodies basked in the sun. we crawled on our wet bellies, half-liquid children, urged by a secret urge; fulfilling the ocean's desire, fulfilling our promise to the sun, 18
to walk into the alchemical cauldron and live form, after form, after form. here now we stand at the windswept wasteland the ocean coming endlessly on, we meet her gaze, and with a nod, acknowledge the home we came from. 19
Soothings by Katalin Patnaik Worries take me to the shore And like a thousand times before I say what I always used to say: May the Tay take them away; May the Tay take them away. Memories rush back at me - the rising waves of my psyche. The shifting sand seems to prey: May the Tay take them away; May the Tay take them away. Salty water streams on my face The drops fall down in a crazy race Dolphins and seals are wailing today: May the Tay take them away; May the Tay take them away. Obnoxiously, birds speed by Soaring and chirping high in the sky Teaching me grace through their play: Let the Tay take them away; Let the Tay take them away. Along I run with dragonflies 20
My grief grows wings before my eyes I know clearly: woes can’t stay, Because the Tay takes them away; Because the Tay took them away. 21
A Winter’s Day Beach Walk by Leslie Moonlight On a cold raw day on Tentsmuir beach, there was not a soul to be seen, or even a bird, or a ship in sight. In the distance noisy thunder was heard, but soon to be mistaken, for army practice gun shooting, from over the water at Barry Buddon. Without a drop of rain pouring down in my direction, a wonderful rainbow appeared to brighten up the sky. Suddenly a blustery, gutsy, wind started to blow top sand across the beach, that it made spectacular twisting and winding movements, that looked like speedy Sidewinder snakes, dancing to the waters edge. The tide was on the turn, and nothing could hold back its foaming waves, from landing on the beach, and certainly not, the on mass defensive Sidewinders, engaging to deter it. The battle commenced as both enemies crashed head on, to such effect, that the Sidewinders, bounced straight off the rolling waves, that turned them into a mist of spray, lost forever more. 22
A Tentsmuir Calendar by Roderick Manson January Sea summits show too much venom to last beyond the ice crack calm. February The dunes of tomorrow are never the dunes of today. March War may not come but defences will always be here. April Life thrives in the passing shelter of reflected water peace. May Stained glass whirrs and flutters in the shimmering heat of spring. June The shadow-caster has gravestone wings; death is a hunger of the sky. July Shades of green ripple in the summer winds, murmuring waves to the shore. August Conflagration without flame and smoke; there are fires enough to burn. 23
September Look to the sea; the horizon will not be there long. October Tail chases body to russet-bury the seeds of the coming life. November Sealed the cycle of seasons with a birthing in the fall of the year. December The lifelong day has twenty-four hours; all that shifts is the balance of lights. 24
Winter Solstice at Tentsmuir by Ian Stevenson For Chloe The weather drags the watchers in Their blackened hooves cut Half-moon statutes into the pathways. There is no motion left in their bodies A stilled beauty burns delicate. Sunset and breath become ghosts. This is the land of water Awakened Its white light perfected. The solstice flares, sensuous Empties its shadows upon the shore. The beach grass bites at the legs that brush too close Too close The wind cups them like puppets. A monument of breath. A rainbow wraps itself against the cold. Rain, rain, And the song of rain Let fall Times end. The rain has brought the wood to this place. There are no waves here, Only the standing sea Howling white Beneath the glowing Green ribbons of cloud. Here it has nothing Here not even the wind can drag it away. It is boiling in its own madness Hearing the hooves of something warm passing Whispering to itself. Lost perplexed an empty reflection of frailty. And the geese returned to their other world And the seals flock to where the fish thundered All of time is emptied into a single coil of sand. The paths have rusted into the grass 25
Winter hangs old from the branches Wax dark dry. Let the winds blow like dreams across the sand. Let the moon steal into her shadow. A birth begins In this unquiet place. The deer have returned Astonished. 26
Sea Eagle by Marc Brady As I trudge through the forest as far as I can see, I hear the sea eagle tripling away near the coastal sea, As I walk to the beach, sand beneath my feet, I hear whispers in the clouds, the sea eagles are out to play. 27
Nature was her playground by Jodi Glass The river long running from north Scotland, on its way to the north sea. The minute it lands in Tentsmuir beach, it’s covering toes running in and out of welcoming cold water, in hot summers. washing sand off to be replaced by more. Sea eagles fly, bird sounds unique to Tentsmuir. You don't get Forest entrances or small birds at the east sands beach walk through trees and Forest paths. To read the sky. Sun shining and clouds dancing A six year old is laughing. Sand dunes not yet reached by every new wave, is now her slide. Nature was her playground. Giggling in delight as she slides down, just to climb up. For hours on end. Only interrupted by paddling to cool down. Sand trailing behind every footstep. The tide is coming up, time to leave by the trees. With birds and squirrels fleeing past high up. A hidden beach, found by accident, but an afternoon delight. 28
The laughter of a six year old, playing in river water and on sand dunes. Is a memory locked in forever. Take the 42 from Dundee, go past Linksie and my auntie’s house, you’re halfway there. 29
Strandloopers by Finola Scott Mesolithic Camp, Old Quarry Tentsmuir This amber season of ripening, she wakes to the high chatter of geese. Shivering she turns towards last night's embers. Recalls the laughter at the meal, the victory songs after the hunt. Pale sun winks through chinks in the hut lures her to the rich treasures of the shore. She's glad the hunters chose her. Soon their task will be complete; it will be time to head home to where mothers nurse the babies. She will miss this shifting place. Miss the seals' barks tangling with tide-crash. Miss the pull of purl water on the humped sandbar, miss the sear of guillemots arrowing the blue. Her mouth floods at the thought of blood-dark kelp and ladies tresses, She's proved herself. The young seals caught innocent at haul-outs will feed the camp through the Dark Time. She knows she has earned a pelt to warm her dreams. They are all heroes. That sand-bound bulk, shore stranded, will tide them bellies full, through the long dimming, She takes a fish hook from among the flints, goes out. 30
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Tentsmuir National Nature Reserve All photos © Lorne Gill/SNH 32
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