SANTIAGO PARRA Upheaval - 15th July to 15th August 2020 - JD Malat Gallery
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‘When suddenly without wanting it, my arms lift the brush and a splash It has taken the artist more than ten years to refine his technique and marks the beginning of the painting, in stupor I watch how the brush to this day he denies having fully mastered it. He has learnt through moves up and down, side to side and something gets written down on experimentation, trial and error and it has been a walk through an the canvas, I know it’s my unconscious writing but while it happens I am uncharted path as no one before him has done this. What is interesting a witness to it all. When the energy has come out I know it’s time to lift and unique about his work is that it is not constrained to the actual act the brush out of the canvas. The painting has now finished, I look up, of painting but rather his entire life revolves around it and his painting exhausted, seeing it for the first time, I am surprised, amazed, at how depends on how he lives his life. Indeed, of the painterly process, Parra this intriguing image has come out of myself’- Santiago Parra describes that ‘I’ve had to learn to listen to myself, to become conscious of life’s rhythm and of my own energy cycles, of how each thing has its own JD Malat Gallery is proud to present Upheaval, a solo exhibition by time and how nothing can be hurried’ Colombian artist Santiago Parra. His greatest influences are the Surrealists and their quest for truth by Following Rising Action, the ground breaking solo exhibition that took researching the unconscious as a source for art. Many people describe place in 2018, Santiago Parra is back with his most accomplished body of Parra as an abstract expressionist but there are many differences, mainly work to date. Parra has described this exhibition as being more refined and in the production process. Although abstract expressionists pushed the more attuned. He has changed the way paint is applied and chosen deeper boundaries of abstraction they were still immersed in the tradition of blacks with subtle nuances resulting in a more defined brushstroke. The western painting, whereas Parra’s work is not inscribed in traditional image- change of style can be attributed to the period of isolation enforced by making but rather, is the result of a ritual where inner pulsions leave a trace Covid 19 which had a direct impact on the artist’s aesthetic. on a canvas. The exhibition consists of fourteen mid to large format paintings created Colour is not used as a discursive or expressive element but instead it in a span of six months. These paintings were produced during the Covid is used as a medium to render the gesture visible and fixate it. Abstract 19 lockdowns, a time of intense emotional tension for the artist. As a expressionism rather than being spontaneous gave the impression of result, immense amounts of energy exude from the paintings. There’s a lot spontaneity as most of its paintings involved careful planning and were of angularity and violent splatter, composition is highly dynamic, and the made during months or even years, while on the contrary in Parra’s work brushstrokes appear to vibrate out of the canvas. Indeed, the artist called you are not seeing the impression of spontaneity but rather the real thing, the exhibition Upheaval after seeing the paintings together. He liked how his paintings are created in seconds and in one single brushstroke. The the word upheaval refers both to a massive telluric movement and also artist is more interested in discovering the possibilities of automatism denotes a violent disruption of his inner feelings. rather than painting in the traditional way. Parra manages to master automatism, unconscious is not depicted or illustrated in his work but The subject of these works is simple: Parra yearns to express himself in the rather it is its source. His goal is to create the conditions where only the freest possible way. In this quest, he has found automatism which was a unconscious is responsible for the creative process. Parra uses automatic technique developed by Surrealists, its goal is to express one’s inner world painting to materialize his unconscious, to render it visible and at the same in the purest most accurate way without the control or judgement of social time cathartic. pressures exerted by consciousness. One prerequisite to this kind of work is having the real urge to do it. Parra explains that his ‘objective is to let Since Rising Action, Parra had a daughter which he said has changed him the practice develop on its own, the less conscious intervention the better’. in a way that he had not expected, he has become more focused, more Covid 19 really helped the artist reach his ideal aesthetic by creating new clear minded and this has undoubtedly translated into his work. In addition, emotions inside of him that led to these tormented yet energetic canvases. Covid 19 has given Parra the opportunity to rethink his place in life, to question his values and aspirations. The upheaval that many worldwide Every element of the painting: the brush, the paint and the canvas are experienced during the pandemic seems ever so accurately portrayed in chosen following the principle of automatism, respecting the inner voice his monochrome paintings. Now more than ever, Parra’s greatest desire is that decides without doubting it, the aim is to empower the natural to make truthful art. If this is indeed the case then his desire is fulfilled, as creative instinct. With everything ready Parra stands in front of the canvas Upheaval is the greatest portrait of truth one could wish for. and a multitude of feelings start to affect him, anguish, pleasure, fear, Santiago Parra is in the collections of the Perez Art Museum Miami confidence... Here the objective is to decant one’s mind and calm down, (PAMM), Miami, USA, Jorge Pérez Collection, USA, Jean et Colette Cherqui breathing is important in the way that each breath has its own tune and Collection, France, Tanya C. Brillembourg Collection, USA, Solita Mishaan one has to find the one that attunes with the canvas. As Parra explains Collection, Spain, Cesar Gaviria Collection, Colombia, Kehinde Wiley ‘The concentration is beyond intense, every nerve on my body crisps, my Collection, USA, and Collection Lazaro, Spain. muscles vibrate with tension and I begin to roar in an attempt to conquer 4 the canvas, this can last for hours...’ 5
Santiago Parra Untitled, 2020 Acrylic on canvas 170 x 117 cm 20 21
Santiago Parra Untitled, 2020 Acrylic on canvas 170 x 117 cm 22 23
Santiago Parra Untitled, 2020 Acrylic on canvas 170 x 110 cm 24 25
Santiago Parra Untitled, 2020 Acrylic on canvas 170 x 110 cm 26 27
Santiago Parra Untitled, 2020 Acrylic on canvas 110 x 170 cm 28 29
Santiago Parra Untitled, 2020 Acrylic on Canvas 163 x 109 cm 30 31
Santiago Parra Untitled, 2020 Acrylic on canvas 170 x 117 cm 32 33
Santiago Parra CV 2016 ART LONDON, Lamb Arts, London, 2016 ARCO, Galería Filomena Soares, b. 1986- Bogotá, Colombia UK Madrid, Spain 2015 PINTA MIAMI, Galería 2016 ARTBO, Galería Filomena Selected Solo Exhibitions Sextante, Miami FL, USA Soares, Galería Sextante, Bogotá, Colombia 2016 ARTLIMA, Galería Isabel Aninat, 2016 ARCO, Galería Filomena Soares, 2018 Rising Action, JD Malat Gallery, 2018 Monumental, Galería Sextante Lima, Peru Madrid, Spain London, UK Bogotá, Colombia 2017 Galería ArteConsult, Ciudad de 2014 Galería Filomena Soares, Lisbon, Panama, Panama Portugal 2014 ARTBO, Galería Sextante, Bogotá, 2014 ESTART, Galería Filomena Soares, 2014 Galería Isabel Aninat, Santiago de 2014 Galería Sextante, Bogotá, Colombia Colombia Estoril, Portugal Chile, Chile 2011 The Warehouse Art, Bogotá, 2010 Galería Sextante, Bogotá, 2014 PINTA, Galería Filomena Soares, 2014 ARTEBA, Galería Isabel Aninat, Colombia Colombia London, UK Buenos Aires, Argentina Selected Group Exhibitions 2014 ART BRUSSELS, Galería Filomena 2014 SP-ARTE, Galería Filomena Soares, Soares, Brussels, Belgium Såo Paulo, Brazil 2020 Abstraction & The Natural World, JD 2019 Summer Exhibition 2019, JD Malat Malat Gallery, London, UK Gallery, London, UK 2014 THE ARMORY SHOW, Galería 2014 ARCO, Galería Filomena Soares, 2018 MAC GALA, Museo de Arte 2015 En el Mismo Idioma, Galería Filomena Soares, NY, USA Madrid, Spain Contemporáneo de la Ciudad de Isabel Aninat, Santiago de Chile, Panama, Panama Chile 2014 ZONA MACO, Galería Filomena 2014 ARTBO, Galería Sextante, Colombia 2014 Línea Blanda, curated by Oscar 2013 6 ̊ Salón de Arte Bidimensional, Soares, Mexico City, México Roldán Alzate, Galería Sextante, Fundación Gilberto Alzate Bogotá, Colombia Avendaño FUGA, Bogotá, Colombia 2012 ARTBO, Galería Sextante, Colombia 2012 ART MIAMI, Galería Sextante, Miami FL, USA 2011 VOID AND FEELINGS, Arevalo Gallery, Miami FL, USA 2011 ARTEBA, Galería Sextante, Buenos 2011 CHACO, Galería Sextante, Santiago Aires, Argentina de Chile Selected International Art Fairs 2011 ARTBO, Galería Sextante, Colombia 2010 ART MIAMI, Galería Sextante, Miami FL, USA 2020 Temple, ZONA MACO, JD Malat 2019 Contemporary Istanbul, JD Malat 2010 ARTE BA, Galería Sextante, 2010 CHACO, Galería Sextante, Santiago Gallery, CDMX, Mexico City, Gallery, Istanbul, Turkey Buenos Aires, Argentina de Chile, Chile Mexico 2010 ARTBO, Galería Sextante, Colombia 2010 PINTA, Galería Sextante, NY, USA 2019 Seattle Art Fair, JD Malat Gallery, 2019 ZONA MACO, JD Malat Gallery, Seattle WA, US CDMX, Mexico City, Mexico 2009 ARTBO, Galería Sextante, Colombia 2017 ARTBO, Galería Sextante, Bogotá, 2017 ART LIMA, Galería Isabel Aninat, Colombia Lima, Peru Selected Collections 2017 ARTEBA, Galería Isabel Aninat, 2017 ARCO, Galería Filomena Soares, Perez Art Museum Miami (PAMM), Tanya C. Brillembourg Collection, Buenos Aires, Argentina Madrid, Spain Miami, USA USA 2016 PINTA MIAMI, Galería Sextante, Solita Mishaan Collection, Spain Miami FL, USA Jorge Pérez Collection, USA Jean et Colette Cherqui Collection, France Cesar Gaviria Collection, Colombia JD Malat Gallery JD Malat Gallery 30 Davies St, Mayfair, Kehinde Wiley Collection, USA30 Davies St, Mayfair, Collection Lazaro, Spain London W1K 4NB London W1K 4NB +44 20 3746 6830 +44 20 3746 6830 34 35
Special Thanks: Victoria Aboucaya Rafael Barros Jean-David Malat Richard Morrissey Santiago Parra Annie Pereira info@jdmalat.com 30 Davies Street, London W1K 4NB + 44 203 746 68 30 www.jdmalat.com Copyright © 2020 JD Malat Gallery 36 37
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