Portfolio 2019 Badino Luisa - zolforosso
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Portfolio 2019 Badino Luisa
My glance is focuse on the narrative tissue of the surface, which absorbs memories both real and ar- And, how can we explain a node if someone asks us? A tificial. Fragments of everyday objects are de-structured forming a new playful identity through the common and simple movement so difficult to explain.1 medium of painting, just to be redefined into a new existence in a constant search for angles imbued with new narratives. 1 Munari’s question during a lecture at IUAV, Venice 1996
Detail of Come mandar via le nuvole, site specific installation, at DISCONTIN- UO, an open studio 2; Barcellona Pozzo di G.,ME;
Come mandar via le nuvole Detail of Come mandar via le nuvole, site specific in- stallation view, at DISCONTINUO, an open studio 2; Bar- cellona Pozzo di G.,ME; fabric, acrylic and oil; 2019
Detail of Come mandar via le nuvole, site specific installation, at DISCONTIN- UO, an open studio 2; Barcellona Pozzo di G.,ME; fabric, acrylic and oil; 2019
Cromia privata della polvere
Before Cromia privata della polvere, 2019;
detail from Cromia privata della polvere, 26,5x36cm, latex and pigments;
1.
detail from Cromia privata della polvere, 26,5x36cm, latex and pigments;
1.
Täglichen kammer The daily cabinets Täglichen kammer wants to be a silent theather performance where household objects like actors present to the visitors them tales. The daily cabinets is a different kind of German Wunderkammer (won- der´s room) where each manufacts shows their own usher to hide their usual functions. Cast and roles: Hen´s hearts soup--- will tell us its depth and each ingredients; Dry fruits of golden shower tree--- will show his worship hidden function; Wood waste from Ken´s factory--- will become a some sacred orange segments; Children drawings--- will be the “propercies”of sugar refinery. The show plays on fiction and brittle naturals elements, two rooms of the sugar refinery dorms will be the stage of the daily cabinets ironic drama, where each household manufacts lets us imagine all its hidden sides. 1.2. Täglichen kammer-The daily cabinets site specific installation view, curated by Sinpi Chang, Kio-a-Thau Sugar Refinery, Taiwan, 2018;
1. detail from Täglichen kammer-The daily cabinets, installations view:
details from Täglichen kammer-The daily cabinets site specific installation view: canvas, oil, damar varnish,
Cassia Fistula carved dry fruit, clay, 2018
wire strings, ceramic, 2018detail from Täglichen kammer-The daily cabinets, installations view: ceramic, carved wood, plastic, 2018;
detail from Täglichen kammer-The daily cabinets, in- stallations view: 1. carved plaster, paper, acrylic, 2018
Plastic skin, installation view from Täglichen kammer-The daily cabinets, 2018
Plastic Skin
Plastic skin is made up of 4 fragments of skin
with different pigmentation. The shreds ex-
tracted from their usual fake skin function,
now act as fragile testimonies. A reflection on
the tactile presupposed surface of narration.
Through the weave of each shred we see a dif-
ferent texture that narrates the exterior, the
gloss, or the opaque of the plastics we were
leaning on.
from Plastic skin, from the left 37,5x23,6cm; 31,2x24cm
acrylic 2018Porifera domestica
“Poriferae”, or sponges, are multicellu-
lar organisms composed of permeable tis-
sues, superimposed in various layers in
order to allow any liquid to circulate
and be absorbed for nourishment purposes.
The Georgette, used above all for wedding
dresses, is made up of a set of threads
made from textile fibers of various ori-
gins.
Porifera domestica develops a reflection
on the unconscious veils that cover the
changing substance of our identity.
The image is defined through overlapping
and interweaving of shapes and chromatic
punctuations, progressively absorbed by a
translucent surface, undulating like the
fibrous back of a sponge
Installation view from 100 collective exhibition,
Bevilacqua La Masa, Galleria di Piazza San Marco,
Venezia;
Porifera domestica, 2016, acrylic, markers, acryl-
ic resin on synthetic georgette and wooden board,
124x221 cm1 2 1.2. details from Porifera domestica, 2016, acrylic, markers, acrylic resin on synthetic georgette and wooden board, 124x221 cm
L’halbrane galleggia ancora, 170x150cm, oil and acrylic on canvas, 2019
Mappature, 30x24 cm, velvet, collage, spray on tarlatan, 2017 Venus, 169,5x130cm, oil acrylic and collage on canvas, 2017
from left Georgette’s Ice cream, 2018, markers and oil on georgette, 32x26,5 cm; Lotta tra due lumache, 40x30cm, 2018
Bite on paper An artefact rediscovered under the sand. Bite on paper is the result of removing the visible surface of paper allowing that which was underneath to reemerge. Bite on paper, 2017, paper collage and mixed media on canvas, 151x124cm
Playing cards distributions, 201,5x151,5 cm, acrylic and collage on canvas, 2017
Steps, 21x29,5 cm each, mixed media on paper, 2016-2018
detail from Steps, 21x29,5 cm each, mixed media on paper, 2016-2018
Site specific installation view from Back front at Zolforosso, variable dimension, Venezia, 2017;
Back front The series, composed of around 30 drawings on paper, sprouted from a reflection on all that in ourselves is hidden from the eye, on what’s hiding underneath. Paper absorbs paint, showing what was intended to be viewed on its ‘right’ side, while on the back a different, equally complex image takes shape into some- thing new. Dyptic details of polyptic Back-Front,2017 ,mixed media on paper, 20x17cm, 15x10cm;
Studies, 2017, mixed media on paer, 17x13cm Umbrella, 2017, markers on paper, 17x12cm Studies, 2017, mixed media on paer, 17x13cm
Curriculum vitae
2016
Badino Luisa was born in Pisa on 21/09/1990. 100ma Collettiva Giovani Artisti, collective exhibition by Fondazione Bevilacqua La Masa curated by Stefano Coletto, San Marco square
She received a bachelor’s Degree and MA (2016) at Academy of Fine Arts in Venice with Painting specialization; Gallery, Venice;
in 2015 she attended a semester at Angewandte Kunst in Vienna in Judith Eisler’s class of Painting and Animated Film. Fondazione Malutta, curated by Justine Luce and Fondazione Malutta, Radošo darbu galerija, Riga, Radošo darbu galerija, Riga
In 2014 she takes part of the artistic collective Fondazione Malutta https://cargocollective.com/fondazionemalutta 2015
She co-found the Art Cultural Association ZolfoRosso in 2017 https://zolforosso.weebly.com/ inst: zolforosso The Essence 15, collective exhibitions, Jahresaustellung der Universität für angewandte Kunst, Wien.
Lives and works in Venice. Robb Pruitt Flea Markt, Finding Goran Gogic, curated by Aurora Fonda and Fondazione Malutta, galleria A plus A, Venice;
mail: luisabdino@gmail.com 2014
phone-number: 0039 3474810581 Maschere d’artista , collective exhibition curated by Fondazione Malutta, Ca’ Soranzo, Venice
Solo exhibition: 2013
2018 97ma Collettiva Giovani Artisti, collective exhibitions curated by Fondazione Bevilacqua La Masa, San Marco square Gallery, Venice;
TäglichenKammer; solo exhibition curated by Sinpi Chang; Kio-a-Thau Sugar refinery, Artist village, Kaohsiung, Taiwan ; Art Night, collective exhibition curated by Carlo di Raco, Martino Scavezzon,Miriam Pertegato, Academy of Fine Arts in Venice;
2016
Personalini, solo exhibition curated by Fondazione Malutta at Finestra Illuminata, Venezia. Workshop, prizes, seminary and talks :
2017
Artist residency : La costruzione di un errore, seminary curated by Cescot Veneto, Teatrino di Palazzo Grassi, Venice;
2019 Frase Contemporay Art Prize, curated by Frase collective,web exhibition;
DISCONTINUO, an open studio 2, artist residency curated by Collettivo Flock, Barcellona Pozzo di Gotto, ME; Painting and Drawings open national Workshop, (12June - 20 October) curated by Carlo Di Raco, Martino Scavezzon, Miriam Pertegato
2018 Capannone n°35 Forte Marghera, Venice;
Kio-a-Thau Sugar refinery, AIR program, Kaohsiung, Taiwan ; Trigger Party, talks, curated by Siliqoon and promoted by Marsèlleria Permanent Exhibition, Milan
Seleceted collective exhibitions: 2016
Fondazione Malutta Meets the Albanian Pavilion, project by Fondazione Malutta, Padiglione Albania, 15. Biennale di Architettura, Arse-
2019 nale, Venice
DISCONTINUO, an open studio 2, collective exhibiton curated by Collettivo Flock, Barcellona Pozzo di Gotto,ME; Workshot ,Stop motion workshop (18 - 20 march) curated by Miloš Tomić, Stop Trick Festival, Maribor
S C O R E S, happening- audio visual exhibition curated by Zolforosso, Zolforosso, Venezia; Painting and Drawings open national Workshop (1July - 12 October) curated by Carlo Di Raco, Martino Scavezzon, Miriam Pertegato
Replica, artist book archive, curated by Ass.Casa Gialla, Villa Vertua Masolo, Nova Milanese,MI; Capannone n°35 Forte Marghera, Venice;
Etna - Paricutin, collective exhibition curated by Fondazione Malutta, Fábrica de San Pedro, Uruapan, Messico;
2015
2018 Painting and Drawings open national Workshop (15July - 3 September) curated by Carlo Di Raco, Martino Scavezzon, Miriam Pertega-
Il Gemello Cattivo, project by Fondazione Malutta, Museo Santa Maria della Scala, Siena to Capannone n°35 Forte Marghera, Venice;
La Torre Maluttona / Mercato babelico,curated by Fondazione Malutta and Paola Capata, Galleria Monitor, Rome;
94092500274, collective exhibition curated by Zolforosso, Zolforosso, Venice; 2014
National chalcography prize in Gorlago, 1° prize, curated by 23ima edition, Gorlago,(BG);
2017 Painting and Drawings open national Workshop (6 July - 24 September) curated by Carlo Di Raco, Martino Scavezzon, Miriam Pertega-
Maluttaklaus, curated by Paola Capata, Delfo Durante and Saverio Verini, Pereto, AQ; to Capannone n°35 Forte Marghera, Venice;
1°Collettiva sulfurea, collective exhibition curated by zolforosso, Zolforosso, Venice;
Brišit de bardò bardó/aiai caramba , collective exhibition curated by Fondazione Malutta, Spaziobuonasera, Turin; 2013
Ombre, Art Night, collective exhibition curated by ZolfoRosso, Ass.Cult.Zolforosso, Venice; 8° Prize Engraving Biennal Monsummano Terme, curated by Paola Cassinelli, Marco Giori e Domenico Viggiano, Monsummano Terme,
Perpendicular by Fondazione Malutta at Parallel Vienna 2017, collective exhibition curated by Fondazione Malutta, Sigmund Freud Uni- Pistoia;
versitat, Wien; Innesti(DormiVeglia), Painting workshop and collective exhibition edited by Paolo Dolzan, Associazione CasadiTutti, Stenico,Trento;
Fondazione Malutta/ Passengers that come and go, collective exhibition curated by Fondazione Malutta at Tulla - Culture Center, Tirana;
Guardatemi il più possibile, collective engraving exhibition curated by Elisabetta Barisoni and Alessia Del Bianco at Ca’ Pesaro – Inter-
national Gallery of modern Art, Venice;
Fondazione Malutta | Collezione Malutta & Black Market, collective exhibition curated by Paola Capata e Fondazione Malutta, Monitor
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