BEBE MILLER ANNIE-B PARSON PAT STEIR - APRIL 26, 2021 DANSPACE PROJECT GALA 2021 REBEL ANGELS - Danspace ...
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DANSPACE PROJECT GALA 2021 REBEL ANGELS APRIL 26, 2021 AN EVENING HONORING BEBE MILLER ANNIE-B PARSON PAT STEIR FOR THEIR FIERCE COMMITMENT TO SINGULAR VISIONS AND TRANSFORMATIVE IMPACT ACROSS ARTISTIC DISCIPLINES. Danspace Project
Land Acknowledgment
Danspace Project pays respect to Lenape peoples. We acknowledge that
this work is situated on the Lenape island of Manhahtaan (Mannahatta)
in Lenapehoking, the Lenape homeland. We pay respect to Lenape land,
water, and ancestors past, present, and future.
Site Acknowledgment
“Before we begin, let’s take a moment to acknowledge that the construction
of this building, Saint Mark’s Church-in-the-Bowery, was completed in
1799. That same year, New York State enacted the Gradual Emancipation
Act 1, so it is reasonable to assume that this building where we are when we
stand, sit, dance, and some still worship, was built by enslaved individuals
on what was the homeland of the Lenape people.”
– Ishmael Houston-JonesWelcome and thank you for joining us this evening for what is our first ever virtual Gala. We are elated to finally be together to celebrate our Rebel Angels - Bebe Miller, Annie-B Parson, and Pat Steir - after the pandemic shut down the Gala in 2020. As this past year unfolded, Danspace Project’s Staff and Board spent a great deal of time looking inward at the organization to think about how we might begin to envision the future. This has been a devastating year for the dance community. We dedicate this Gala to dancers and to the audiences who bear witness to their work. While much is uncertain, we are recommitted to our mission to support dance artists and to follow the lead of visionary Rebel Angels like Bebe, Annie-B, and Pat. With love, Judy Hussie-Taylor Executive Director & Chief Curator Text REBELANGELS TO 44-321 to donate in honor of Rebel Angels Bebe Miller, Annie-B Parson, and Pat Steir! #RebelAngels #Gala2021 #HalfGown
PROGRAM OF EVENTS
6:15pm
Honoree Toast
7:00pm
Welcome & Main Event
David Thomson, Host
Remarks & Introductions
Judy Hussie-Taylor, Executive Director & Chief Curator
Helen Warwick, Board President
Introductory Remarks
Elizabeth Streb for Pat Steir
Maurine Knighton for Bebe Miller
Philip Bither for Annie-B Parson
With offerings from
Joan Jonas, Molly Davies, Anne Waldman, Ishmael Houston-Jones,
Ralph Lemon, Abby Zbikowski, Okwui Okpokwasili and David Thomson,
Jawole Willa Jo Zollar, Darrell Jones and Angie Hauser,
Paul Lazar and Black Eyed Susan, Young Jean Lee, Tendayi Kuumba,
Chris Giarmo, Meg Harper, David Neumann, Thomas F. DeFrantzABOUT THE ARTISTS
Bebe Miller’s (Honoree) vision of dance Over the last decade the Company has
and performance resides in her faith in produced a variety of digital archive
the moving body as a record of thought, projects that share the company’s
experience, and beauty. Her aesthetic creative practice with artists and
relies on the interplay of a work’s idea, audiences. Committed to keeping dance
its physicality, and the contributions available to a wide spectrum of people
of company members to fashion its and to further the conversation about the
singular voice. She has collaborated role of arts and creativity in our culture,
with artists, composers, writers and BMC is dedicated to providing access to
designers along with the dancers who the creative process and expression to
share her studio practice and from diverse communities.
whom she has learned what dancing can
reveal. Seeking to expand the language Named a Master of African American
of dance, Bebe Miller Company’s work Choreography by the Kennedy Center
encompasses choreography, writing, in 2005, Bebe has been a Movement
film, video and digital media. Research honoree, has received four
New York Dance and Performance
A native New Yorker, Bebe first “Bessie” awards, the David R. White
performed her choreography at NYC’s Award from New York Live Arts,
Dance Theater Workshop in 1978. She United States Artists and Guggenheim
formed Bebe Miller Company in 1985 to Fellowships, honorary doctorates from
pursue her interest in finding a physical Ursinus College and Franklin & Marshall
language for the human condition. College, and is one of the inaugural
Since then, Bebe has created more than class of Doris Duke Artist Award
50 dance works for the company that recipients. Bebe is a Distinguished
have been performed in nearly 400 Professor Emerita in The Ohio State
engagements worldwide. BMC has been University’s Department of Dance and
commissioned and presented by leading lives in Columbus, OH.
venues including 651 ARTS, BAM Next
Wave, DTW, Jacob’s Pillow, Joyce
Theater, PICA, REDCAT, Walker Art Annie-B Parson (Honoree) co-founded
Center and Wexner Center for the Arts. Big Dance Theater with Molly Hickok
Her choreography has been performed and Paul Lazar in 1991. She has
by Kyle Abraham’s A.I.M. (Abraham In choreographed and co-created over
Motion), Dayton Contemporary Dance 20 works for the company, ranging
Company, Oregon Ballet Theater, from pure dance pieces, to adaptations
Boston Ballet, Philadanco, Salt Lake of found text, plays, and literature,
City’s Repertory Dance Theater, the to original works combining wildly
UK’s Phoenix Dance Company, PACT disparate materials. Her work with
Dance Company of Johannesburg, Big Dance has been commissioned by
South Africa, and a host of colleges and The Old Vic/London, Sadlers Wells/
universities. London, Les Subsistances in Lyon,
The Brooklyn Academy of Music, TheNational Theater of Paris/Chaillot, Les work for the string quartet ETHEL, Salt
Subsistances/Lyon, The Kitchen, The n Pepa, Laurie Anderson, Nico Muhly
Japan Society, The Walker Art Center, and Esperanza Spalding. Annie-B also
DTW and many other theaters. choreographed one thousand amateur
singers for a work by David Lang at the
Outside of Big Dance, Ms. Parson has Mostly Mozart Festival. Her dances are
created choreography for opera, pop featured in the film Ride, Roar, Rise
musicians, television, movies, theater, about David Byrne, the Jonathan Demme
ballet, marching bands, symphony movie Ricki and the Flash, among
orchestras and augmented reality. Most others.
recently, Parson choreographed for St.
Vincent’s recent music video, and for Her awards include the first Jacob’s
David Byrne’s American Utopia for the Pillow Dance Award (2007). the
world tour, for Spike Lee’s documentary, Doris Duke Performing Artist Award
and for Broadway. Other work for David (2014), an Olivier Award nomination
Byrne includes his musical Here Lies in choreography (2015), Foundation
Love at the Public Theater and The for Contemporary Arts Grants to
National Theater in London; David Artists Award (2014), Franky Award
Byrne’s 2012 world tour with St. Vincent (2016), USA Artists Grant in theater
and a marching band; and for Byrne’s (2012), Guggenheim Fellowship in
2008 Brian Eno world tour. For Byrne Choreography (2007), two BESSIE
she also made dance for his appearances awards (2010, 2002), a Bessie 2020
on Colbert, SNL and Jimmy Kimmel. Honoree award, and three NYFA
She created the choreography for Choreography Fellowships (2013, 2006
St. Vincent’s 2014 world tour, as well and 2000). BDT received an OBIE
as her performances with the Dallas (2000) and Parson has received three
Symphony Orchestra; the solo iteration Lucille Lortel nominations (2014, 2012,
of St. Vincent’s Masseduction tour, The 2011). She was a YCC choreographer at
David Lynch Festival, and for St. Vincent The American Dance Festival (1994).
appearances on The Tonight Show Parson was honored by PS 122 in 2016.
with Jimmy Fallon and SNL. Parson
created two large scale works for The Since 1993 Parson has been an
Martha Graham Dance Company, and instructor of choreography at New York
she choreographed a solo for Wendy University’s Experimental Theater
Whelan commissioned by the Royal Wing. Additionally, she has taught
Ballet/Lynberry Theater. dance-making at countless universities
and internationally including Ballet
Her work for theater, opera and film Rambert and La Mama Umbria.
includes the David Bowie/Ivo Van Parson has written articles for Ballet
Hove’s Lazarus which played in London Review, Movement Research Journal,
and NYC. She has made dances for Theater Magazine, Dance Magazine,
playwrights including: Anne Carson, The Brooklyn Rail, and many other
Lucas Hnath, Sarah Ruhl, Suzan-Lori publications. Parson gave a talk on the
Parks, Enda Walsh, Gogol and Chekhov use of Poetics in the adaption of text at
to name a few. She has made dance for the Poetry Center. As an artist curator,
music artists including: a full evening she has curated shows including: MerceCunningham’s memorial We Give York; and Rijksmuseum Vincent Van
Ourselves Away at Every Moment, Gogh, Amsterdam, among others.
Dancer Crush, and Sourcing Stravinsky Her most recent solo exhibitions
at NYLA. Parson tours a lecture on include Considering Rothko at Lévy
abstraction called The Virtuosity of Gorvy Gallery in Palm Beach, and
Structure. Her recent book, Drawing The Color Wheel, currently on view at The
Surface of Dance was published this year Hirshhorn Museum, Washington, DC.
by Wesleyan Press. In 2015 her book In 2019 she was selected to design the
Dance by Letter, was published by 53rd backdrop for Merce Cunningham’s
State Press. She has an upcoming book centennial performance at Brooklyn
to be published by Verso Press in 2023. Academy of Music.
Big Dance is premiering a new work Select public collections include
entitled The Mood Room in 2021, co- Louvre, Paris; Tate Gallery, London;
commissioned by The Kitchen and the Metropolitan Museum of Art, New
BAM, with additional commissioning York; the Museum of Modern Art, New
support from Carolina Performing York; the Philadelphia Museum of Art;
Arts, FringeArts Philadelphia, and The the Whitney Museum of American Art,
Walker Art Center (Minneapolis, MN). New York; the Solomon R. Guggenheim
Museum, New York; Denver Art
Museum; the Brooklyn Museum,
Pat Steir (Honoree), studied art and Brooklyn; the Baltimore Museum of
philosophy at Boston University and Art, Baltimore; National Gallery of Art,
received her BFA from the Pratt Institute Washington, D.C. and the Hirshhorn
in 1962. In 1963, she was invited to Museum and Sculpture Garden,
participate in her first group show at the Washington, D.C.
High Museum in Atlanta. The next year,
her work appeared in group exhibitions Steir is the recipient of numerous
at the Philadelphia Museum of Art awards, including a Guggenheim
and the Museum of Modern Art, New Fellowship (1982), as well as grants from
York, making her a key figure among the National Endowment for the Arts
the first wave of women artists to gain (1976, 1973). In 1991, she was awarded an
prominence in the New York art world. Honorary Doctorate of Fine Arts from
the Pratt Institute, New York, and in
Over the past 50 years, she has exhibited 2001, she received the Boston University
extensively in America and Europe, with School for the Arts Distinguished
solo exhibitions at institutions such as Alumni Award. Steir received the
The Whitney Museum of American Art, Visionary Woman Award from the
New York; the Albright-Knox Gallery, Moore College of Art & Design in 2015
Buffalo, New York; Gemeentemuseum and in 2016 was elected a member of the
Den Haag, The Hague, The Netherlands; American Academy of Arts in Letters. In
P.S. 1 Contemporary Art Center, Long 2017, she was awarded the International
Island City, New York; The Irish Medal of Art by the United States
Museum of Modern Art, Dublin; Musee Department of State.
d’art Contemporain, Lyon, France;
the Brooklyn Museum of Art, New Steir is a founding board member ofPrinted Matter, HERESIES: A Feminist developing and overseeing grant-making
Publication on Art and Politics, and programs that fund contemporary
Semiotext(e). She is the subject of dance, theater, and jazz artists and the
Pat Steir: Artist, a documentary film organizations that present and support
directed by Veronica Gonzalez Peña, them.
streaming on all major platforms.
Prior to DDCF, Knighton was the senior
vice president for grantmaking at the
Philip Bither (Speaker) has served as Nathan Cummings Foundation. She
Senior Curator of Performing Arts also served as Senior Vice President
at Minneapolis’s Walker Art Center for Program and Nonprofit Investment
since April 1997, spearheading one of at the Upper Manhattan Empowerment
the country’s leading contemporary Zone. In the field of arts and culture, she
performing arts programs. During was executive producer and president
this time, he has overseen the building of 651 ARTS; program manager at the
of the McGuire Theater, a distinctive Nonprofit Finance Fund; managing
theatrical space and production director of Penumbra Theatre Company;
laboratory within the Walker expansion and executive producer of dance & be
(April 2005); establishing the Walker’s still arts. She is a former board member
first dedicated performing arts of the Association of Performing Arts
endowment; the commissioning of Professionals and of Grantmakers in
nearly 200 new dance, music and the Arts (GIA), where she chaired GIA’s
performance works; and the annual Racial Equity Committee. Knighton
residency and presentation support of has also served as panelist, speaker,
many contemporary performing arts and advisor to the National Endowment
creators. Prior to this, he served as for the Arts, Leveraging Investments
Artistic Director of the Flynn Center in Creativity (LINC), New England
in Burlington, VT and Associate Foundation for the Arts, the Association
Director/Music Curator for BAM’s Next of Performing Arts Professionals, South
Wave Festival. In 2011, he helped co- Carolina Arts Commission and many
found, along with Danspace Project’s others. She currently serves on the board
Judy Hussie-Taylor, the Institute for of the Upper Manhattan Empowerment
Curatorial Practice in Performance Zone Development Corporation,
(ICPP) graduate program at Wesleyan chairing its Cultural Investment Fund
University, envisioned and established Committee.
by Sam Miller. He regularly sits on
foundation arts panels and actively
travels globally to research new Jodi Melnick, choreographer/dancer/
performance and speak about trends in teacher/ has been part of the NYC
the contemporary performing arts. dance community since 1985. Melnick
designs intricate movement to explore
the exquisite nature and dynamic
Maurine Knighton (Speaker) is the relationships between human beings.
program director for the arts at the She uses the profound expression of
Doris Duke Charitable Foundation. the dancing body and lucid performing
In that capacity, she is responsible for instincts to drive the creative process.Since the early 90’s, Melnick has Company in 1979 and established SLAM
performed in this incomparable (STREB Lab for Action Mechanics) in
container of art, Danspace, with such Brooklyn, NY in 2003. Streb holds a
luminary artists as, Sara Rudner, Jon MA in Humanities and Social Thought
Kinzel, Vicky Shick, Susan Rethorst, from New York University, a BS in
Donna Uchizono, Sondra Loring, Dennis Modern Dance from SUNY Brockport,
O’connor, Beth Gill, Irene Hultman, and honorary doctorates from SUNY
Yoshiko Chuma, Rashaun Mitchell, Sara Brockport, Rhode Island College and
Mearns, Sally Silver, Yves Musard, and Otis College of Art and Design and has
Patricia Hoffbauer. received numerous honors including
the John D. and Catherine T. MacArthur
Other ventures in movement include Foundation ‘Genius’ Award, the
dancing in the Twyla Tharp dance Guggenheim Fellowship, a Doris Duke
company (1990-1994, 2009), performing Artist Award and a USA Fellowship
with Mikhail Baryshnikov (2005-2008), Award.
collaborating with Trisha Brown on a
solo, working with Charlie Atlas, John A board member of the Jerome
Jasperse, David Neuman, Liz Roche, and Foundation, Streb has been a featured
Sibyl Kempson. mainstage speaker at TED2018: The
Age of Amazement in Vancouver,
Melnick is honored with a Doris Duke BRAINWAVE at The Rubin Museum,
Impact Award (2014), a Guggenheim TEDxMET, the Institute for Technology
Fellow (2012), a Jerome Robbins New and Education, POPTECH, the Institute
Essential Works Grant (2010-2011), a of Contemporary Art, the Brooklyn
Foundation for Contemporary Arts Museum of Art, the Rochester Institute
Grant (2011), two Bessie Awards for of Technology, the Association of
sustained achievement in dance (2001 Performing Arts Presenters, the
and 2008), a Gibney DIP Residency Penny Stamps Speaker Series, Chorus
Grantee, a two year extended Life America, on NPR’s Science Friday,
grantee awarded from the Lower and she gave the 2019 Commencement
Manhattan Cultural Center (LMCC), Speech at Otis College for Art and
and a Center for Ballet Arts residency Design. Streb was profiled by Alec
fellow(2019). Wilkinson in an extended essay for the
New Yorker magazine, was featured in
Currently, Melnick is an adjunct the Smithsonian Magazine (“The New
professor of dance at Barnard College American Circus”), and in 2019 was
at Columbia University, Sarah Lawrence featured on the front page of the Wall
College. Street Journal. Streb is the subject of two
documentaries: Born to Fly, directed by
Catherine Gund (Aubin Pictures), which
Elizabeth Streb (Speaker), has dived premiered at the SXSW Festival and was
through glass, walked down London’s featured at the Film Forum in NYC and
City Hall, dumped a ton of dirt on her OXD, directed by Craig Lowy, which
head, and set herself on fire, among premiered at Doc NYC. In 20I0, Feminist
many other feats of extreme action. She Press published her book, STREB: How
founded the STREB Extreme Action to Become an Extreme Action Hero.DANSPACE PROJECT GRATEFULLY THANKS AND
ACKNOWLEDGES OUR 2021 GALA DONORS*
Golden Angels Renee Lemieux
Anne Delaney Melissa Levin
Hilary Easton Amy Lieberman
Frances Craig Guillemot Stanford Makishi
Agnes Gund Diane Max
Dorothy Lichtenstein Joseph V. Melillo
David Parker Franny Milberg
Helen and Peter Warwick Lisa Nelson
Tere O’Connor
Silver Angels Paul O’Neil
Yona Backer Wendy Perron
Barbara Bertozzi Castelli Stephen Petronio
Philip Bither Jana Reed
Suzanne Bocanegra & David Lang Judilee Reed
Anthony Calnek John C. Robinson
Terry Creach Michael Rohrer
David Fanger Shelley Senter
Allyson Green Stacey Spence
Bree Jeppson Laurie Uprichard
Sarah Needham Jane Weinstock
Carol LeWitt Cathy Weis
Cynthia Mayeda
Anne B. Miller All the Angels!
Virginia & Timothy Millhiser Anonymous
Linda Stein Linda Adams
Ken Tabachnick Elena Bajo
Nina Winthrop Caroline Beasley-Baker
Lydia Bell
Bronze Angels Emily Coates
Daniel Baldini Miriam Cooper
Mary Barone Nancy Duncan
Karen Bell Keller Easterling
William Bissell Erika Hansen
Barbara Bryan Pam Knight
Donna Burchfield Sarah Michelson
Amy Cassello Andrea Newman
Nikki Castro Carla Peterson
Peter Cramer Kelsey & José Picayo
Susan Dowling Melissa Riker
Douglas Dunn Heather Robles
Molissa Fenley Lucy Sexton
Christine Fleming Sara Silva
Laura Hoffman David Thompson and Ginger Chapman
Lila Hurwitz Gwen Welliver
Kathy Kaufmann Megan Williams
Marion Koltun Norah Zuniga
Phyllis Lamhut *as of April 23, 2021
Margaret LawrenceGALA CO-CHAIRS
Suzanne Bocanegra and David Lang
HONORARY CHAIRS
Joan Jonas, Glenn Ligon
BENEFIT COMMITTEE
As of April 23, 2021
Kyle Abraham, Marina Abramovic, Yona Backer*, Elise Bernhardt,
Barbara Bertozzi Castelli, Suzanne Bocanegra*, Carol Bryce-Buchanan,
Anthony Calnek*, Molly Davies and Polly Motley, Thomas F. DeFrantz,
Anne Delaney, Hilary Easton*, David L. Fanger*, Chris Giarmo,
Ain Gordon, Frances Craig Guillemot, Agnes Gund, Meg Harper,
Angie Hauser, Ishmael Houston-Jones, Bree Jeppson, Darrell Jones,
Kathy Kaufmann, Tendayi Kuumba, Thomas Lax*, Paul Lazar,
Young Jean Lee, Ralph Lemon, Melissa Levin*, Dorothy Lichtenstein,
Cynthia Mayeda, Jodi Melnick, Virginia and Timothy Milhiser,
Rashaun Mitchell*, Carol Mullins, Sarah Needham*, David Neumann,
Tere O’Connor, Okwui Okpokwasili and Peter Born, Eiko Otake*,
David Parker*, Craig Peterson, Yvonne Rainer, Judilee Reed*,
Ken Tabachnick, David Thomson, Laurie Uprichard, Anne Waldman,
Helen and Peter Warwick*, David R. White, Nina Winthrop*,
Jawole Willa Jo Zollar, Abby Zbikowski
*Board memberSPECIAL THANKS
On behalf of Danspace Project, I would like Many thanks to the entire Danspace
to share the following special thanks: Project staff - Benjamin Akio Kimitch, Jodi
Bender, Lily Cohen, Seta Morton; to our
Our utmost appreciation, respect and indomitable leader, Judy Hussie-Taylor;
gratitude to the 2021 Rebel Angels and extra special thanks to Yolanda Royster
honorees: Bebe Miller, Annie-B Parson, for being the wizard behind the curtain,
and Pat Steir. We echo the tributes offered and Nora Thompson and Severine Kaufman
this evening, toast you yet again, and who have brought this virtual event to life
continue to be inspired by your visions. beautifully, gracefully, and with astonishing
attention to detail.
To the artists and speakers who so
generously shared your words and offerings A special shout-out to the Danspace
- thank you from the bottom of our hearts Project family: Emma Rose Brown, Toni
for illuminating all the reasons we have Carlson, E G Condon, Jordan Morley, and
gathered here this evening to honor our Ella Wasserman-Smith who have spent
Rebel Angels. And to Jodi Melnick and countless hours and days when we’re
David Thomson - your grace and guidance “in-person” taking care of audiences, and
are immeasurably important to us. providing invaluable support to staff and
board; and hats off to Danspace Project
We are additionally honored to have resident lighting designers Kathy Kaufmann
received such a wonderful response and Carol Mullins for countless years of
from so many Gala honorees with their expertly transforming Danspace Project
recipe contributions to the Rebel Angels performances and events into whole new
Cookbook - looking forward to cooking worlds.
our way through the whole thing!
Lastly, we want to express our thanks
Thank you to Honorary Chairs, Joan Jonas for the many local businesses who have
and Glenn Ligon, and the Gala Co-chairs, partnered with Danspace Project for
Suzanne Bocanegra and David Lang, for successful events over the years: Canard,
lending your leadership to this evening and Inc., Elise Bernhardt / fleur elise bkln,
helping to make it a success. And to the Fresco, MUD, Insomnia Cookies, Ozone
Benefit Committee, table sponsors, and Design, Paddle8, Pangea Restaurant,
all those who gave a donation before and Porsena Restaurant, Sky Frame Inc., and
during this Gala to the Rebel Angels Fund - Veniero’s.
we are truly grateful for your generosity.
We hope you have all enjoyed the evening
To the Danspace Project Board of Directors and continue to find ways, little or big, to
who have stood up for, and stood behind, celebrate.
the organization’s staff and artists through
a challenging time for all - what has been
accomplished this year would not have In gratitude,
been possible without your leadership and Peggy Cheng
guidance. Director of DevelopmentMission & History Danspace Project’s mission is to present new work in dance, support a diverse range of artists in developing their work, encourage experimentation, and connect artists to audiences. Since its founding in 1974, Danspace Project has supported a vital community of contemporary dance artists in the historic landmark St. Mark’s Church in Manhattan’s East Village. Since the launch of its Platforms series in 2010, Danspace Project has used a responsive framework for programming. Danspace Project emphasizes flexibility in the support resources offered to artists, new and ongoing program partnerships in the cultural community and our local East Village neighborhood, and print and online publications that disseminate our work to a wide audience. Follow Us Instagram: @DanspaceProject Twitter: @DanspaceProject Facebook: Danspace Project danspaceproject.org Danspace Project’s Online Journal Issue #11: trembling archive is ongoing with new posts weekly! danspaceproject.org/journal
Danspace Project Staff & Consultants Board of Directors
Executive Director & Chief Curator President
Helen Warwick
Judy Hussie-Taylor
Vice President
Program Director & Associate Curator David Parker
Benjamin Akio Kimitch
Secretary
Melissa Levin
Director of Finance & Operations
Jodi Bender Treasurer
Sarah Needham
Director of Development Officer-at-Large
Peggy H. Cheng David Fanger
Communications Director Yona Backer
Lily Cohen Suzanne Bocanegra
Trisha Brown, In Memoriam, 2006-2017
Anthony Calnek
Development & Communcations Assistant Douglas Dunn, Emeritus
Séverine Kaufman Hilary Easton
Ishmael Houston-Jones, Emeritus
Associate Curator, Public Engagement Judy Hussie-Taylor
Seta Morton Thomas Lax
Ralph Lemon, Emeritus
Development Manager Bebe Miller, Emeritus
Nora Thompson Sam Miller, In Memoriam, 2013-2018
Rashaun Mitchell
Eiko Otake
Production Manager Judilee Reed
Yolanda Royster Nina Winthrop
Lighting Designers
Kathy Kaufmann Artists Advisory Board
Carol Mullins Chair
Ain Gordon
House Manager
Toni Carlson Jonah Bokaer, Wally Cardona, David Dorfman,
Jeanine Durning, Miguel Gutierrez, Trajal Harrell,
Crew Iréne Hultman Monti, John Jasperse, Heidi Latsky,
Ben Demarest Tere O’Connor, Risa Steinberg, Donna Uchizono,
Christopher Williams, Nami Yamamoto
DraftWork Curator
Ishmael Houston-Jones
Accountants
Lutz & Carr, C.P.A.
House Photographers Visit Us!
Tom Brazil
Ian Douglas Danspace Project is located inside the historic St. Mark’s
Church in-the-Bowery at 131 East 10th Street
Graphic Design (at 2nd Avenue) in New York City’s East Village.
Judith Walker
Phone: (212) 674-8112
Email: info@danspaceproject.org
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