Art for Art - White Rhino Artspace
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Art for Art
Deanne Palmer
I like when a place gives me a good
sense of connection to the world and
my current work is a response to the
unique and intriguing energies and
rhythms of the ocean. My goal is to see
beyond the obvious beauty and
become immersed in the view of the
deeper details, the ever-changing
characteristics of the sea, it’s surface
and surroundings.
I work with encaustic for its
translucency, fluidity and immediacy
and it seems the perfect medium to
explore the layers of conscious
connection to sense of place.
‘I n y a d d a’
‘Golfcourse Reef‘
Encaustic, pigment & shellac
Encaustic, pigment & shellac on cradled wood panel
on cradled wood panel 23x 30.5 cm
23 x 30.5 cm $250
$250
Kristyn Taylor
• Kristyn Taylor Photography Bio Kristyn grew up in NZ and settled in Australia in 1977. Kristyn has a • 2019 Recipient of Cheesemans Ecological Safaris Instagram prize of trip to Antartica
BScHons in Zoology, however she has had a life-long career in the arts, primarily as a ceramic sculptor and
educator. In 2013 she picked up her first DSLR, and over the subsequent years has self-taught and • 2018 World Nomads
developed her style of People and Culture related Travel photography. During COVID-19 she has been
honing her skills in studio photography. • 2018 Travel Photography Scholarship shortlisted
• Achievements • 2018 Australian Photography Awards
• 2021 Finalist in The Pink Lady FOOD Photographer of the Year, in the category Food for the Family and • 2018 Shortlist Portrait and Wildlife
short listed in 2 other categories.
• 2018 International Photography Awards Honourable Mention People, Portrait
• 2021 Capture Magazine Top 20, Highly Commended and Commended in Portrait and Wildlife
• 2018 The Portrait Conference
• 2021 Facebook Banner for Last Minute Models/Photographers/Makeup Artists
• 2018 Silver Award and 3 Bronze awards 2018 Capture Magazine Australian Emerging Photographer
• 2020 Published in Urban Photo Awards, Italy. RUNNERUP Travel
• 2020 Monochrome Awards Honourable Mention in Amateur Portrait category • 2018 and Highly Commended for Portrait, Documentary/ Photojournalism
• 2020 spa Honourable Mention in People, Traditions and Culture • 2018 National Geographic Daily Dozen
• 2020 Capture Magazine RUNNER-UP of TRAVEL Australia’s Top Emerging Photographers • 2018 National Geographic published in ‘Pop of Colour’ Assignment
• 2020 2019 The Independent Photographer [Judged by Jimmy Nelson] Editor’s Picks • 2018 @gettyreportagespotlight image reposted
• 2019 Capture Magazine WINNER of TRAVEL Australia’s Top Emerging Photographers 2019 • 2018 Australian Photography Magazine WINNER Travel Photographer of the Year 2018 and Highly
Commended for Wildlife, Top 20 Photo of the Year and Black and White
• 2019 National Geographic Travel Photo Contest Editors Favourite
• 2017 Cover photo of the inaugural edition of Travel Photographer Society
• 2019 National Geographic Travel Photo Contest in running for People’s Choice 2019
• 2017 Australian Photography Magazine Top 20 Portrait 2017 and Highly Commended Photo of the Year
• 2019 National Geographic Daily Dozen 2017 Capture Magazine Commended for Portrait and Travel
• 2019 @gettyreportagespotlight image reposted
•
Fiona Johnson
Tenacious Pea – Sturt's Desert Pea
Ink & Charcoal on paper
76cm h x 47cm w
Price : $ 715.00
This drawing celebrates the survival of the Sturts
Desert Pea in the harsh Australian Desert.
The intense colours and beautiful shape we were what
attracted me to this flower.
Fully Framed in tassie oak
• Navigating the Storm
Mixed Media on Canvas
60cm x 60cm
Price : $700
This work was created during the storm of Covid 19.
It explores the freedom of flight even in the stormiest
of conditions.
I think I channeled my wish for more freedom into this
work as I moved through my mixed media process of
laying down transparent layers.
Holly Mahoney About The Artist: Holly Mahoney is a Sydney-based visual artist known for figurative and landscape works on paper and canvas. Holly holds a BA in Visual Art (Painting & Drawing) from the University of Ballarat and is a Finalist this year in the prestigious Gallipoli Art Prize. Her work often creates an emotive response to the movement, colour and light captured in her gestural marks that take the viewer on a journey as to how she interprets the world. Holly strives to imbue each mark with a sense of optimism and honesty. The series of paintings for Art for Air are based on the exploration of the coast, shoreline and rockpools of the Northern Beaches - a vast source of natural inspiration on Sydney's door stop. Holly's art playfully uses colour and light to encourage the viewer to reflect and immerse oneself. Follow Holly's creative work on instagram @hollymahoney.artist Enquiries: hollymahoney.artist@gmail.com https://holly-mahoney.mailchimpsites.com/
Lisa Shaw I enjoy an artistic approach to Landscape Photography and use an impressionistic style to capture the emotion and colours of our coastline. Inspired by the rich sense of place found amongst Sydney’s Northern Beaches, I explore the moods of the sea and our emotional connection to it. Looking through the camera's lens, the boundary between what is normally seen dissolves into a painted world of light, feeling and colour. My photography process is kept as natural as possible with all images created in-camera using the beauty of natural light and minimal post-production. To compliment the painterly-style, images are printed on 320gsm archival cotton paper and framed with a solid timber frame, conservation matboard and anti-reflective, UV protective glass
Susan Patrick Artist Statement: As an abstract artist my paintings are influenced by the natural environment And its transformation through the seasons. These abstract landscapes were inspired by the recent devastating bushfires. Glow of the new growth - NFS Morning Light $590 Midday Light $590
Jemima Carroll I would love to take credit for this work, but I am nothing but the scribe. A lot of poets will describe the 'catching' of inspiration and putting it down on the page before it vanishes, and I can relate. My process is entirely intuitive, and much like life, lived forwards and understood backwards. I’ve doodled for as long as I can remember and in the last 18 months sketchbook studies have been developing. During our 2020 Covid lockdown I fell into a snail mail frenzy and included my own doodles encouraging my pen friends to try on some mindful colouring. It wasn’t long before Rachel, my artist sister, challenged me to doodle bigger. I protested, as stockpiling large works doesn't suit my rolling stone lifestyle. That said, I thoroughly enjoyed my time in the studio creating 'Still and All' and 'Stock and Scion', my first ever BIG doodles. ‘Big Doodles’ may have to be the title of my first solo exhibition. There’s a playfulness to calling the work I do 'doodles' and that’s very intentional, sometimes we have to trick ourselves into taking creative risks - I know I do. Still and All - Because even when we're still, we're so much more than that. Our neurons, cells, bacteria and thoughts are always firing and sometimes things get a little complicated and, well, dirty.
Tania Murphy Artist Statement My research expands historical human markings to contemporary sculptural form. Exploring a material, such as Clay, and its possibilities to finished form allows me to overlap the historical with the present. Clay represents nature, mother earth, primitive culture, domestic life, and endless presentation of human existence. Bodies of clay connect one to a region on this earth, a place of matter, a dig or a deposit. My ceramic art works are collective symbols of life that respond to the environment from where they transpired. unomi_design unomi.com.au
Working with acrylic and mixed media, Cass’s art process is free, fluid and intuitive.
Inspired by cloudscapes, movement, the ocean and spiritual teachings, Cass enjoys
creating large scale works that
encourage feelings of expansiveness and freedom and energy. She leans into her
intuition to create unplanned,
expressionistic works which act as a mirror to the beautiful chaos of life. She lets
her unconscious and the behaviour of the paint guide her in the present moment
to create unexpected resolutions on the canvas. Any ‘mistakes’ during her
process are worked into the piece, to create something perfectly imperfect.
Satya (Truth) 36x36inch, $850
Shraddha (Faith) 36x36inch, $850
OR $1500 for both
Shakti (Divine Feminine) – 48x48inch, $1100
Cass SofiaMarta Madison About the piece: One of the skills I mastered during my career as a fashion illustrator, is shading the human form with dark and light colours. Pastel offers endless ways to combine colours and show form through shading. This was a wonderful exercise for my mind, pushing me to see what isn't there by using the blue background to bring out the hat and skin of the model. I enjoy the interaction between sunlight and shadow, employing the complementary colours blue/purple and yellow/orange to give the sunny feel of this picture. This simple palette creates striking contrasts. Artist: Marta Madison Artwork title: Venetian Princess Medium: Chalk pastel and pencil crayon Size: A2 Price: $450.00 Artist: Marta Madison (on the right)Artwork title: Sunseeker Medium: Chalk pastel and pencil crayon Size: A2 $450.00
BORN
EDUCATION
1984, Sydney, NSW, Australia Peta Dzubiel
College of Fine Art, UNSW, Bachelor of Fine Arts Honours (painting) 2003-2006
The University of Sydney, Masters of Teaching Visual Arts 2009-2010
SOLO EXHIBITIONS
2017 Remote (with Jane Guthleben), Incinerator Art Space, Sydney
2017 Lost (with Cade Turner), Eramboo Artist Environment, Sydney
2015 Arcadia, Sheffer Gallery, Sydney
2013 Across Time and Place, Depot II Gallery, Sydney
2010 Time is Then (with Chelsea Lehmann), Adelaide Central Gallery, SA
SELECTED GROUP EXHIBITIONS
2019 Home Affairs, Manly Art Gallery & Museum, NSW
2018 Destination Sydney/Great Wall of Manly, Manly Art Gallery & Museum, NSW
AWARDS/ GRANTS/ RESIDENCIES
2013 Winner, Fisher’s Ghost Art Award, Traditional Award, NSW
2013 Gunyah Artist in Residence, NSW
2012 Bundanon Trust Artist in Residence, Nowra NSW
My artworks explore quintessentially Australian environments and experiences using figure/ field relationships as a conduit for
expressing the visible and psychological aspects of landscape. Oil paint on canvas and board is the medium employed to render
2011 Highly Commended, Calleen Art Award emotive and evocative images. Broad brushstrokes are laid down with an immediacy of observation to capture the subject matter
before me. These paintings are inspired by Narrabeen Lake and the Shoalhaven River. Two places I have spent time painting and
2010 Finalist, William Fletcher Travelling Fellowship and Rome Residency
responding to the transience of light and weather within the landscape. I like to work ‘en plein air, sketching outdoors with paint and
2008 Finalist, Brett Whiteley Travelling Art Scholarship blocking in the fleeting and changing colour and light. My practice is a race with time and with the changeability of nature and the
elements. These smaller paintings offer the information and lived experience I find necessary to impart into larger works in the studio.
2007 Finalist, Brett Whiteley Travelling Art Scholarship
Peta Dzubiel currently lives and works in Avalon
2005 William Fletcher Trust GrantPenny Polkinghorne Travelling & photographing from sunrise, colours and formations of cliffs and rocks changed as the light became brighter . Majestic, towering rocks with leaching black streaks from fires Series: Sunrise Boat Trip $2000 (6 Artworks) Light Breaking -50 x 40cm - $400 Old Man’s Hat - 50 x 40cm -$400 Fallen Rocks - 50 x 40cm - $400 Pyramidal Cliff - 50 x 40cm - $400 Regrowth Headland - 50 x 40cm - $400 Flagstaff – Sun full blast - 50 x 40cm - $400
Frances Dawe Trained in Industrial Design (Bach. Ind.Design UTS) and honoured early in her career as an award-winning designer in the SMH Young Designer of the Year ‘Bright Ideas’ Competition. Frances Dawe developed her discipline in painting alongside other mediums until the lure of a full-time art practice overwhelmed all other interests. Between 2001 and the present Dawe has exhibited nationally at Falls Gallery, Oxford Falls, the Neale Joseph Fine Art Gallery a well as being honoured with; The Adobe People’s Choice Award at the 2004 Propeller Art Prize, Darlinghurst; as well as Runner Up People’s Choice Award in the Great Southland Art Prize 2003. Her work is held in private collections including, Andrew and Nicol Forrests, Fortescue Metals Group and Minderoo Foundation, Belle Property Mosman, Riskflo Technology. Dawe uses the term the art of the open spaces to describe the dual role of landscape in her work. The first is an open terrain without physical boundaries, the second is the genre itself ever unfolding within Australian contemporary art. Geology, social history, primal scenery, natural pigment, texture and the shifting qualities of light have all been engaged in Dawe’s work.
Helen Stark Helen Stark is an emerging artist. Watercolour is her preferred medium. This series was inspired by her love of nature, particularly the Australian bush. This is Helen’s first exhibition. Eucalypt 1 $250 Eucalypt 2 $250 Gum leaves 1 $250 Gum leaves 2 $250
Pam Booth I always find inspiration in nature, the landscape here and around the world fascinates me and I can see a painting everywhere I look. Colours and beautiful shadows, light on water, rock formations and shapes draw me in, and I take hundreds of photographs wherever I am. I have a lifetime of reference!
Phillippa Thomas Art Awards: 2012....1st Prize, Australian Rural Landscape, 2012.....1st Prize, Sydney Royal Easter Show 2012...PYRMONT Art Show, Peoples Choice, 2012....1st Prize, Australian Rural Landscape, Sydney Royal Easter Show 2012.....1st Prize, PYRMONT Art Show, Peoples Choice, Sydney Exhibitions: 2012-2015 various art shows in City of Sydney 2016 - 7 Exhibitions in Italy 2012-2019....various showings in New York (Times Square), Dallas, Texas, California and other parts of USA, Japan, New Zealand
Rachel Buxton Rachel came to art later in life. She has always had a love of colour and the outdoors. Born in NZ, raised in London and now based at Manly beach her artworks are inspired by the landscape in an abstract way. Artworks 50 x 60 cm each Price $300 each or the set for $800 Morning Mist 1 Morning Mist 11 Morning Mist 111
As a new - comer to painting, the learning curve is steep – yet rewarding. Being a country girl initially I am drawn to painting landscapes of the country, sheep , gates, roads -trees, they tend to evoke a sense of peace in me…mostly! My teacher inspires me in a gentle way “OK you have done that painting -now extend and do two more in a different way –“ That’s fine with me Susan Ogilvie susan.ogilvie@bigpond .com 0412188650 Susan Ogilvie
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