WE'RE BACK! - MAY 23, 2021 - CANTON SYMPHONY RETURNS - Canton Symphony Orchestra
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
WE’RE BACK! CANTON SYMPHONY RETURNS MAY 23, 2021
We are back! Sunday, May 23, 2021 - 7:30pm
We are thrilled to welcome you back to Umstattd Hall! Whether you are Gerhardt Zimmermann, Conductor
here with us in person or joining us virtually, we are excited to share live
classical music with you.
Octet for Strings …………………………………….Felix Mendelssohn
Thank you to all of you who have supported us this year. We received so 1825 1809-1847
many kind messages from our patrons that kept the staff smiling through
it all. The financial support was very much appreciated. You have enabled Allegro moderato ma con fuoco
us to be returning stronger than ever. Andante
Scherzo:
We look forward to seeing you over the summer as we are performing out Allegro leggierissimo
in the community and we hope to see you in the hall on Opening Night,
October 10, 2021! Symphony No. 29 in A Major, K. 201 …..Wolfgang Amadeus Mozart
1774 1756-1791
Allegro moderato
Andante
President & CEO Menuetto: Allegretto - Trio
Allegro con spirito
This concert will be presented without intermission.
This concert is made possible by: Gerhardt Zimmermann’s Car:
For the safety of all of our musicians and patrons:
Masks must be worn the entire time while in the facility.
No exceptions. Please practice social distancing.
Additional Thanks:
To ensure the enjoyment of all of our patrons, please silence all cell
phones, pagers, and watch alarms. The use of cameras or recording Live Stream: Pre-Concert Lecture:
devices without the express written permission of the management is A. J. Stokes M. J. Albacete
strictly prohibited.
Umstattd Performing Arts Hall:
Canton City School District
Canton Symphony Orchestra Membe r Listing Annual Fund
Gerhardt Zimmermann, Music Director Ma�hew Jenkins Jaroszewicz,
Renkert Family Chair Associate Conductor Symphony Society, the Annual Fund of the Canton Symphony, is one of
William P. Blair III Chair the most significant ways for each of us to participate in this exciting
community of music. The annual financial support of generous individuals
FIRST VIOLINS CELLOS FLUTE and businesses is an important reason why the concerts and educational
Emily Cornelius, Brian Klickman, Principal Paul F. And Grace G. programs of this fine orchestra are able to reach, teach and inspire so
Ac�ng Concertmaster Amelia S. and Donald Vandervort Chair many people each year.
Fred F. Silk Chair J. Renkert Chair
Pablo Sánchez Michael G. Koscso PICCOLO The benefits of participation in the Symphony Society include listing in
Daniel M. and Symphony League of Rose and Lee de Graaf the MasterWorks Series program and invitations to a variety of open
Maureen O. Gunn Canton Chair Chair rehearsals and special events at all levels of giving.
Founda�on Chair Mingyao Zhao
Julian Maddox Benjamin Rogers ENGLISH HORN With deep appreciation the Canton Symphony Orchestra wishes to thank
Joseph & Arlene Joan and Kennard the following individuals, families and businesses for their commitment,
Gimigliano Chair BASSES Voyles Chair their generosity, their love of music, and their belief in the importance of
Shreya Sachdev Thomas White, Principal the Canton Symphony Orchestra as a valued arts organization in
Northeast Ohio.
Alexander Lee Richard S. and Helen CLARINET
Sara Rule Scha� M. Hoover Chair The T. K. and Faye A.
Emera Gurath Joseph Hernandez Heston Chair Symphony Socie ty
Amber Dimoff
OBOES TRUMPET Golden Baton $10,000+ The Herbert & Janet Fisher Philanthropic
SECOND VIOLINS Terry Orcu�, Principal Mark A. Raisner Chair William P. Blair III Fund
Gregory Industries Dennis & Cheryl Fulmer*
Margaret M. Matuska, Robert L. and Donna KeyBank Pat Gillespie*
Ac�ng Principal C. Leibensperger Chair TIMPANI Bob Leibensperger* Lynn & Cheryl Hamilton*
The Schneider Chair Cynthia Warren Margaret B. Shipley, Larry & Nancy Hoover* Tanya Harroff
Saki Kurose MD Chair W. Henry Hoover Foundation Mr. Joseph Jadick Designated Fund*
Ryan Kearns FRENCH HORNS Mary K. Renkert Wendling Foundation Johnson-Kazar Charitable Foundation
Erin Reidhead Meghan Guegold, PERCUSSION A Former Board Member* Anonymous
Alexander He�nga Principal Cur�s G. and Mal�lda Fred Silk Foundation Victor C. Laughlin MD Memorial
Foundation Trust
Chris�ne Black Joseph F. Jadick Chair A. Kaltenbaugh Chair Maestro’s Circle $2,500-$9,999 Bill & Nancy Maddox*
Benjamin Reidhead Sandra Frerichs Roger & Jan Baker* Joe & Gail Martino*
VIOLAS Kramer Chair Leo & Linda Casey* Phyllis & John Milligan*
Laura Kuennen-Poper, Brad & Sue Goris* Scott & Elsie Oeslager
Ac�ng Principal HARP Fisher-Renkert Foundation Mr. & Mrs. James S. Ripple*
Charlo�e E. and Murray MacCallum Jeff & Suzanne Halm* Kenneth E. Shafer Charitable Gift
Howard B. Weaver Be�, MD Chair Rita Incristi: In Honor of Michelle Charles Account
Ted & Anne Jaroszewicz Linda & Gary Sirak
Chair Dr. & Mrs. Stephen & Wendy Johnson* Sam & Sandy Smith
Ma�hew Ross KEYBOARD David Jones Mr. & Mrs. Joe Smithberger
Thomas G. Pleban Chelsea L. and James & Cynthia Rudick Tim & Jenny Smucker
Maia Hoffman DIRECTOR OF OPERATIONS Courtney S. MacNealy Sangree Family Foundation Chris & Linda Snyder*
Wiilliam Greenfield Chair Darwin Steele Tracy Stadelman
Michael G. Koscso Ervin & Marie Wilkof Foundation
Virtuoso Circle $1,000-$2,499
LIBRARIAN Dorothea Anderson Charitable
Thomas G. Pleban Foundation Concerto Circle $250-$999
Beaver Excavating M. J. & Pat Albacete*
STAGE MANAGER Buckingham Doolittle James P. Barnett*
Michael Workman Jim & Elaine Fidler* Mr. & Mrs. William H. Belden
Keith & Barbara Bennett Carol Groh Roger F. Deam D.D.S. Dr. & Mrs. Harry J. D’Agostino, Jr.
Dr. & Mrs. Norman Kent Berg* Henry Gulich Rosemary Rubin Surendra & Nandita Dash
Candee & Dave Bishop Michael Harris Michael & Helen Savage* Nancy Davenport
Laura B. Bitonte David & Novella Hartung* Astri Seidenfeld Woody & Linda Davis
Richard Bohmer Bill & Arlene Hazlett Carolyn J. Sihler Ronald Davis
Bob & Sharon Bortz* Robert H. Hecht The David W. & M. Lynn Smith Family Carl & Janet Dazey
Susan E. Bowling* Paul & Lavera Helmuth* Philanthropic Fund Patricia Deems
Richard & Susanne Campbell* Chuck & Rosemarie Hoover* Anonymous* Lucy Downs
Cathy Cowgill Flowers William Hoppes Mary Lou Swan* Mia Louise Draper
Janice Carlson The Reverand David Houdeschell & Mrs. Len & Barbara Terlizzi* Samuel Dudich
Kathleen & Gerry Chapman Anne Houdeschell* Beth Toalston* Anne Dugger*
Dr. Daniel & Dayna Charlick Carolyn Howes Ralph Toalston Diane Dukat
Anonymous H-P Products Inc. Leroy & Rosemary Vandegrift Barbara Eaton
Angelo Demis Alison Jacob Eugene L. & Eleanore Wallace* Cindy Eberhardt
Kathleen Diakoff Dr. Michael & Mrs. Judi Krew* Ronald Widner Eisenbrei Optical
Thomas L. Douce Christine Kruman Dan West & Company Roger & Charlane Ellis
Ron Dougherty* Ralph & Joan Leidy Rich & Candy Ziegler* Jon & Cindy Elsasser
George Downs, Jr.* Fred & Nancy Linxweiler* Peter Zimmermann John & Marcella Emmons
Judith Edwards* Sally & Gene Little Richard Evans
William Fayen Steve & Cyndy Lucas Prelude Circle $50-$249 James T. Fanno DMD
Peggy Fitzmaurice* Ron Manse John & Sandy Adland Robert Fay
Dennis & Joanne Fox Helen McInnes Advised Charitable Fund Mr. & Mrs. Richard Aeling Kimberly Fellows
Donald W. & Evelyn Frease Advised Dr. Roy & Ruby Miller* Emil & Kris Alecusan John Ferris
Charitable Fund Richard Moore Wilbur & Joyce Amacher Lynn Fete
David & Terri Gehr, a Donor Advised Fund Joe & Carol Orin* Amalie Angel Gloria Fettman
of The Charitable Gift Trust Chris & Cheryle Paxos Gene E. Apple Frank Fleischer
Gervasi Vineyards Leslie Peine* Thomas Arnold Joe & Valerie Fleming
Jennifer George John Pigman James Beall Annette & Larry Foster
Judy & Fred Gibbs Richard & Nancy Pryce John Becherer Holly G. Fox
Mary Ann Beck Joseph French
Shining a
Sebastian Birch Thenice Gall
Estelle Blau* Mary Ann Gallucci
Leslie Bolgrin Kathryn & Bryan Gerber
Anonymous Diane Giua
spotlight on
Anonymous Michael Giustino
Suzanne Bourquin Tim Graham
Loretta Bower Wendy & Roger Gray
Carolyn Burley* David & Joyce Greek
creativity.
In Honor of Matthew Jaroszewicz Ken & Janice Gui*
Cynthia Carlin Charles Haag
Donna Carter Christina Hagemeier
Anonymous Paul Hagemeier
Kathleen & Gerry Chapman Diane Haidet
JC & Michelle Charles John Haines
Nancy Cindric Allen Haines
The arts enrich all our lives and are an integral part of our culture and Rebecca Cole A Friend of the CSO
heritage. It’s why we support arts organizations within our community. They Carolyn Collins Stephen & Ethel Halas
Renie Connor Marielies Hanacek*
inspire, entertain, move, and inform us in so many ways. Without the arts Britt & Heather Cooper Mary Hansen
our community would not be the vibrant and diverse place we enjoy today. Marilyn Cooper John & Elaine Harris
Sladjana Courson Donald & Rhoda Hart
KeyBank thanks the Canton Symphony Orchestra for making a difference. Kathleen Cowgill David Hartung Jr.
Richard & Marilyn Croasdaile Dorothy & Melvin Hathaway
Patricia Croskey Richard Heakin
Dr. Sarah Crow Anonymous
Key.com is a federally registered service mark of KeyCorp. ©2021 KeyCorp. KeyBank Joseph Collum June Henderson
is Member FDIC. 190104-521095-1203402024 key.com
Robert Herbst Neil B. Marks, Ph. D.* Denise Seachrist
Evelynn R. Hewett Patricia Marquardt Robert Shaffer
Earl & Sonja Hickman* Victor & Patricia Marsh Rosemary Shaheen
Robert Higbie Eileen & Chuck Martinez Joe & Carol Shipman
Anonymous Margaret & Jeff Maurer Marcia Short
Sally Hoce Katherine & Stephen McCarthy Phillip Smith*
Eloise Hochwalt Kathleen McClure Dr. Charles & Dr. Hannelore Smith
Amy Hosking In Honor of Matthew Jaroszewicz Mary Ann & Jon A. Snyder
Anonymous Colleen McGarry Anonymous
Joyce Hudnell Irene & Bryan McGhee* Drs. Frederick & Elizabeth Specht
Judy Hudson Christine McMasters Kathy & John Spitale
Herbert Hurley David & Dolores Meier Ted Swaldo
Mike & Sherry Huth Frank & Molly Meister Jennifer Tessanne
Dr. Nathan & Vera Ida Karen Phillips Miller The Thielens Family
Elizabeth Indriolo Johanna Miller Avis Thrash
Edwin Irving Mary L. Milligan Ralph E. Toalston
Todd, supporting CSO’s “The Music of” Bernie & Sandy Miner The John Trapani Big Band
rock bands Glen & Sandy Minner* Rick & Leta Urycki
Tom Jackson Rick & Cathy Monter Carol Krider Vaughn
Martin & Lois Jacobson Rebecca & Steven Moore Mary Verdi-Fletcher
JP Morgan Chase Foundation Paul Moos George & Jill Vogelgesang
Clark & Linda Kandel In Memory of my father Rev. Donald R. Peter Voss
Anonymous Rice who loved music Tom Wachunas
In Memory of Christopher J. Kenney Ray Morgenstern Scott & Karen Wade
Charlie & MaryAnn Kiesling Denny & Karen Moriarty Ann Waters
Sally Kindsvatter Merrill Mossbarger Nick Walton
Marilyn King Paul & Lavera Mucha Judith L. Weber*
Donald Koch Belinda Musat Rebecca Weiford
Becky Kocsis Virginia R. Neutzling Terrence Weiler
Ms. Gloria A. Kohl Linda & Jerry Norton Craig & Karen Wilde
Khalil Korkor Henry & Linda Osborne Judge James & Margaret Williams
Ed & Donna Kort Jolyn & Fred Parshall Mr. & Mrs. Richard K. Williams Jr.
Shirlee Krane* Dana Patterson & Dave Parsons John & Tory Willoughby
Rev. William B. Kraynak Dr. Tom & Christy Paumier Molly Winters
Barbara Kroft Tony & Heidi Pavlosky Stephen Wogaman
Ronald E. Kurzen Beth Phillips William L. Woodard
Bill Lambert Roger & Donise Pick Anonymous
Jane Lanning Anonymous Alyzon Yost
Robert & Syliva Leddon Sarah Pinhard Ronad & Eleanor Young
Steve Lederer Richard Plant David Yuncker
Judith Libbey* Emil & Kathy Poporad Julie & Terri Zimmerman
Jack Liberator Jane Portman Anna Zotta
Robert C. Lichtey & Rosemary Rubin Dave Puterbaugh
Joseph Lieberth Donna J. Reidhead *Members in the Loyalty Society have
Bruce & Maira Liliestedt Emmanuel Reinoehl given every year for at least five years.
Rick G. Lindeberger Larry & Jean Richards
Mr. & Mrs. David Little Ryan D. Richards This list contains donors who have given
Leann Lower Paul & Betty Richardson to the Symphony Society between
Karen Loy Dean & Susan Rodgers February 17, 2020 and May 14, 2021.
David J. & Cheryl L. Lundgren* Lynn Roth
Gary Lustig Tim & Monica Rozmajzl
Martha Maclachlan Terrence Ruip
Joanne Malene Susan Sander
Edward & Sue Mali Nancy A. Saulnier
Susan Mandator Nancy Schoenbaum
Salley Markley Bruce & Marcia Schorsten
Rhapsody Remembrance Fund
CANTON
Rhapsody Remembrance Fund donations to the Canton Symphony Orchestra,
on behalf of someone or in remembrance of a special occasion, are an open
expression of your thoughtfulness and generosity. Tax-deductible Rhapsody
donations can be made at any time and will be recognized in the upcoming
program insert.
In Honor of Bob & Donna Chuck & Rosemarie Hoover
Leibensperger’s 60th Anniversary
JC & Michelle Charles
Judith Doebereincer
Larry & Nancy Hoover
Thomas & Katherine Kirkpatrick
Mary Jo Kintz
SYMPHONY ORCHESTRA
Karen Dominik
Larry & Nancy Hoover
Judy Hudson
Gloria Kohl
Bill & Nancy Maddox
Richard & Nancy Pryce
Nancy Schwitzgable
Gerald & Martha Krisher
Bill & Nancy Maddox
Robert & Marian Manns
Mary Manzella
Gail & Joe Martino
John Milligan
John Pigman
RETURNS
Emil & Kathy Poporad
In Memory of Joan Werren Richard & Nancy Pryce
Larry & Nancy Hoover Lynne Roth We return this fall with a full
Bill & Nancy Maddox Cindy & Mark Samolczyk calendar of events.
Michael & Marilee Sand
In Memory of Tom Friedman Carol & Ted Savastano
William P. Blair III Debrah Schaub
Rachel Schneider
In Memory of Donna Leibensperger Denise Seachrist SAVE THE DATES
Emil Alecusan Mr. & Mrs. Carl Sorenson
Amalie Angel Mary Lou Swan October 10th, 2021
Thomas Arnold Ward J. & Joy A. Timken
Michael & Amy Ayers Brian Walters November 14th, 2021
Roger & Jan Baker John Werren
William P. Blair, III Chuck & Ginny West
Estelle Blau Ron & Alida Widner December 12th, 2021
The Bowling Family Karen Zotta
Sal & Reva Butera January 22nd, 2022
Karen & Brian Cave In Memory of Pete Keplinger
JC & Michelle Charles Jonathan & Dorene Ash
Richard Davis & Danielle Halachoff Frye William P. Blair III February 13th, 2022
Dempsey Family Estelle Blau
Judith Doebereiner Edward & Janet Diamond March 5th, 2022
Patty & Ken Dorney Robert Fay
Charlane & Roger Ellis David Hartung March 26th, 2022
Michael Flood Paul & Lavera Helmuth
Fred S. Silk Foundation Larry & Nancy Hoover
Fred & Judy Gibbs Diane Keller April 9th, 2022
Teresa & Ted Good Bill & Nancy Maddox
Mr. & Mrs. Bradley Goris David & Dolores Meier April 30th, 2022
Tim Graham John R. Milligan
Carol Groh Mark & Cindy Samolczyk
Allen Haines Stark Community Foundation
Lynn & Cheryl Hamilton Joseph & Marlene Toot
Donald & Rhoda Hart Whitacre-Greer Company Inc. Subscriptions on sale July 1st, 2021
David & Polly Hartung John Ziegler
Program Notes Program Notes
vised work was given at the Leipzig likely came from Mendelssohn’s per- Mozart’s development as a com-
Gewandhaus in January, 1836. sonal acquaintance with German poser, though constantly increasing in
dramatist and poet, Johann Wolfgang depth, did not necessarily follow a
Mendelssohn’s string octet was von Goethe, and the first part of straight line. As the distinguished
something of a new genre in the con- Goethe's lyric poem, Faust: Wisps of Mozart scholar Alfred Einstein noted
Octet in E-flat major for Strings, Op. 20 text of chamber music. It’s been specu- cloud and mist / Are lit from above / in his book Mozart - His Character,
By Felix Mendelssohn lated that he was partially inspired by Breeze in the foliage and wind in the His Work, “it included sudden spurts
Louis Spohr's Double Quartet in d mi- reeds / And all is scattered. and equally sudden reversals.” This
Born February 3, 1809, in Hamburg, nor, from 1823. In Spohr's double was especially true of the symphonies
Germany quartet, though, the two string quartets Mendelssohn’s sister, Fanny, re- that Mozart composed during the first
Died November 4, 1847, in Leipzig, work mostly as separate entities. In called that her brother explained his half of the 1770s. Some are regres-
Germany Mendelssohn's octet, all the players vision of the Scherzo movement to sions to the older style of Johann
work more as partners in an ensemble. her this way: "The whole piece is to Christian Bach and the lesser-known
Between 1821 and 1823, the preco- Spohr himself commented, with some be played staccato and pianissimo... “Mannheim” composers, while others
cious Felix Mendelssohn had already awe, that Mendelssohn had achieved a the trills passing away with the quick- are startling leaps ahead into what
composed 13 string symphonies as well remarkable collaborative blending of all ness of lightning... one feels so near Joseph Haydn was then doing. The
as his first full symphony. Many of these eight instruments, giving the work a to the world of spirits, carried away in years 1773 and 1774 witnessed the
adolescent works demonstrated an as- much larger, “symphonic” scope that the air, half inclined to snatch up a creation of three symphonies which
tonishing musical acumen. explores the full range of expressive broomstick and follow the aerial pro- are decidedly in this latter category:
texturing and harmonic complexity that cession... and at the end, ...all has No. 25 in G Minor, K. 183; No. 28 in C
In 1825, between his sixteenth and the instruments can produce. Indeed, vanished." Major, K. 200; and No. 29 in A Major,
seventeenth birthdays, the teenage Mendelssohn had written specifically K. 201. All were written in Salzburg
prodigy was in Berlin when he com- that the Octet “…be played by all the in- Some parts of the Scherzo return within months of each other after
posed his Octet for Strings. Written for struments in a symphonic orchestral during the Presto finale. Overall, this Mozart had returned from Vienna,
four violins, two violas, and two cellos, style. Pianos and fortes must be strictly vigorous movement is an ebullient where he, accompanied by his father,
the work was a birthday gift to Eduard observed and more strongly empha- romp that lunges forward, seemingly had gone in search of more lucrative
Rietz, his violin teacher and friend. It sized than is usual in pieces of this without taking a breath into a truly ro- employment at the Imperial Court.
was Rietz’s consummate musical abili- genre.” bust, symphonic conclusion. Though the trip was essentially unpro-
ties that Mendelssohn had in mind ductive, Mozart at least was able to
when he wrote the radiant first violin The long and sprawling first move- -Tom Wachunas experience firsthand what was going
part. At the end of 1825, Medelssohn ment is riveting in its youthful panache, on musically in the Austrian capital
premiered the work during a private replete with contrasting themes and and bring back some new and fresh
concert in his home. By all accounts variations, soaring arpeggios and a ideas with him to provincial Salzburg.
from those who heard the Octet on that thoroughly vivacious coda. The follow-
and subsequent occasions, the audi- ing Andante movement is compara- The pieces written by Mozart in
ence was dazzled – a response still tively serene and lyrical – a gentle, the key of A Major tend to have a
evoked to this day. dreamy respite from the fast-paced en- characteristic luminosity and trans-
ergy that characterizes much of the rest Symphony No. 29 in A Major, K. 201
By Wolfgang Amadeus Mozart parency that seem to defy any acous-
After a period of making some sig- of the Octet. tical explanation. Symphony No. 29 is
nificant revisions in structure and part- Born January 27, 1756, in Salzburg, no exception. Though it is scored for a
writing, the score was published in Often regarded as the most known smaller-scale orchestra consisting
Austria
1832. And after still more changes, the and beloved movement of the Octet, Died December 5, 1791, in Vienna, only of pairs of oboes and horns plus
first fully public performance of the re- the enthralling Scherzo evokes a palpa- Austria the usual strings, it possesses a rich-
ble sort of magic – a realm where ethe- ness in texture and a variety of tone
real creatures cavort. The inspirationProgram Notes
Returning this July!
color that indicate the hand of a mas- themes more graceful. After a trun-
ter, no matter how youthful a one he cated return of the main section, the
SUMMER
may be. As the distinguished musicol- minuet ends seemingly in mid-air with
ogist John N. Burk once noted, Mozart the oboes and horns honking out in
“seemed to favor the wind color, gave unison the dotted rhythm that has
the pairs echoing parts, made his dominated the movement.
SERENADES string parts more independent, and
exacted separate fast scale passages
from the basses.”
Marked Allegro con spirito, the fi-
nale is a rousing sonata-form romp in
spirited 6/8 time. It is music written in
in the PARK
Like most Viennese symphonies of Mozart’s best opera buffa manner. Its
that period, Symphony No. 29 is cast vigorous, athletic quality is heightened
in the four-movement pattern that was by an upward-surging motive that oc-
then becoming the norm. Written in curs at prominent points throughout
standard sonata form, the opening the movement to mark the progress of
movement, Allegro moderato, pro- its sections. It also returns to cap off
ceeds at a leisurely pace and makes the coda and add weight to the deci-
use of four principal themes, the last sive two-note cadence which brings
of which makes its first appearance in this marvelous and masterful score to
the development section. The opening a close.
theme, with its unexpected octave
drop and playful leaps, is particularly
effective as an attention-getter. -Kenneth C. Viant
With the second movement, a
poignant Andante in duple meter, the
tonality moves to the key of D Major.
July 1 at Exploration Gateway: Sippo Lake The first and second violins play
muted until the final five measures of
July 8 at Fry Family Park the movement. One gracious melody
follows another. Though liberally sprin-
July 15 at Cook’s Lagoon kled throughout with a variety of eigh-
teenth-century clichés, the music
July 22 at Deer Creek Reservoir never seems hackneyed or derivative.
The third movement is the tradi-
July 29 at Tam O’Shanter Park Clubhouse tional Minuet. This minuet, however, is
vigorous and somewhat martial
August 12 at Quail Hollow Park sounding, a quality largely contributed
to by the dotted rhythms of its the-
August 19 at Devonshire Park & Trail matic materials. Einstein draws atten-
tion to the “contrast of grace and al-
All concerts at 6:30. Weather permitting. most Beethoven-like violence” in the
music. In the trio section, the mood is
substantially more relaxed and theCanton Youth Symphony
Advanced Orchestra
Scheherazade
Wednesday, June 2 - 7:00 pm
Canton Youth Strings and
Canton Youth Symphony
Tuesday, June 1 - 7:00 pm
Tickets and info at cantonsymphony.org/cys-concerts-and-ticketsYou can also read
