Visual Arts New Books Catalogue - January-March 2022 - Bloomsbury Publishing
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EBooks Contents ePub and ePDF availability is listed under each book entry. Review Copies Architecture�������������������������������������������������������������������� 3 Email academicreviewus@bloomsbury.com (Americas) / academicreviews@bloomsbury.com (UK / Rest of World). Art and Visual Culture���������������������������������������������������� 4 Design���������������������������������������������������������������������������� 7 Standing Orders Fashion & Textiles���������������������������������������������������������� 9 Many series are available on standing order. Please contact our trade ordering departments Interior Design - Fairchild Books / Textiles ������������������ 11 (see pages 12 and 13). Representatives, Agents & Distributors������������������������ 12 Translation Rights Available unless otherwise indicated. Key to Symbols Available on inspection / as exam copies: order online at www.bloomsbury.com. To request any other PB or eBook, email askacademic@bloomsbury.com (Americas) / inspectioncopies@bloomsbury.com (UK / Rest of World). Companion website or online resources available. Available for institutions to purchase on www.bloomsburycollections.com. Bloomsbury Open Access Selected research publications are available on open access. For our policy or to publish OA, see www.bloomsbury.com/openaccess. Proposals See www.bloomsbury.com/discover/bloomsbury-academic/authors Pricing and Availability Whilst we try to ensure that prices, publication dates and other details are correct on going to press, they are subject to change without further notice. Your data For information on how we process your personal data please read our Privacy Policy located at www.bloomsbury.com/privacy-policy. You can unsubscribe or manage your preference at any time via www.bloomsbury.com/newsletter or by emailing us at academic@bloomsbury.com Bloomsbury Academic is a division of Bloomsbury Publishing Plc. Registered in England No. 01984336.
FAIRCHILD BOOKS publishes some of the most thoroughly FA I R C H I L D researched and cutting-edge textbooks. BOOKS With a history stretching back more than 100 years, Fairchild Books is a world-leading publisher in the fields of Fashion and Interior Design. In addition, STUDIOs complement our best-selling textbooks with rich media ancillaries that students can adapt to their visual learning styles. To view our collection of books and for adoption/examination copy information, visit www.FairchildBooks.com.
V I S U A L A R T S – Architecture The Color of Modernism Colonial Margins Paints, Pigments, and the Transformation Spatial Cultures of Provincial Governance of Modern Architecture in 1920s in Eastern India Germany Tania Sengupta, UCL, UK Deborah Ascher Barnstone, University of Though much has been written about large Technology Sydney, Australia urban centres of governance in India, such as This book examines the different scientific and Calcutta, Madras and New Delhi, it was the artistic color theories which were advanced by provincial towns that actually represented the members of the German avant-garde, from Bruno Taut to Walter colonial establishment’s larger territorial grip over the vast interior Gropius to Hans Scharoun, challenging one of the most enduring landscape and that provided a vital scaffold for the more central and pervasive myths about modernist architecture—that it was white. sites of governance. Colonial Margins explores the buildings and Supported by introductions to the development of color theory in townscapes of these administrative towns during the period of British philosophy, science and the arts, the book explores the new ways in rule, showing how the architecture and urban form of these provincial which color was used in architecture and urban design, addressing towns are archives of the complex historical processes that informed an important yet overlooked aspect of the period. A scholarly yet colonial urbanisation. accessible work which will fundamentally change the way the early UK May 2022 • US May 2022 • 336 pages • 250 colour and bw illus modernist period is seen and discussed. HB 9781350159396 • £85.00 / $115.00 ePub 9781350159419 • £76.50 / $100.32 UK January 2022 • US January 2022 • 240 pages • 41 color and 69 bw illus ePdf 9781350159402 • £76.50 / $100.32 PB 9781350251335 • £24.99 / $34.95 • HB 9781350251342 • £75.00 / $100.00 Bloomsbury Visual Arts ePub 9781350251366 • £22.49 / $29.96 ePdf 9781350251359 • £22.49 / $29.96 Bloomsbury Visual Arts Karl Langer Following Norberg-Schulz Modern Architect and Migrant in the An Architectural History Through the Australian Tropics Essay Film Edited by Deborah van der Plaat, University Anna Ulrikke Andersen, University of Oxford, UK of Queensland, Australia & John MacArthur, This book examines the life and work of the seminal University of Queensland, Australia architectural thinker Christian Norberg-Schulz. It Despite a European training and an early career draws new attention to his modern and postmodern working with Peter Behrens, a migration from architectural designs and re-examines his acclaimed Vienna to Queensland, Australia positioned the architect Karl Langer theoretical work on the phenomenology of architecture and place (1903-1969) at the very edge of both European and Australian within the context of a biography of his life. Combining archival modernism. Confronted by tropical heat and glare, the economics research with artistic exploration, the book also includes a short of affordable housing, and regional architectural practices, Langer documentary fim with each chapter as an innovative new approach to moulded the European language of international modernism to producing architectural history, providing a highly innovative example Australia’s unique climatic and social conditions. This book tells of an academic monograph which bridges the text-film gap. Langer’s story through distinct essays focused on key themes and projects, offering both an examination of the architect’s work and UK January 2022 • US January 2022 • 240 pages • 65 bw illus legacy, and a case study in the trans-global dissemination of design HB 9781350248366 • £90.00 / $120.00 ePub 9781350248380 • £81.00 / $106.83 ideas. ePdf 9781350248373 • £81.00 / $106.83 Bloomsbury Visual Arts UK January 2022 • US January 2022 • 304 pages • 142 bw illus HB 9781350068100 • £75.00 / $100.00 ePub 9781350068124 • £67.50 / $88.59 ePdf 9781350068117 • £67.50 / $88.59 Series: Bloomsbury Studies in Modern Architecture • Bloomsbury Visual Arts Reconstruction Architecture, the Built Environment and The New Urban Aesthetic the Aftermath of the First World War Digital Experiences of Urban Change Edited by Neal Shasore & Jessica Kelly Mónica Montserrat Degen, Brunel University London, UK & Gillian Rose, The University of Reconstruction explores the immediate and Oxford, UK longer term aftermath of the First World War on the architecture of Britain and the British Empire A New Urban Aesthetic brings an important new during the interwar years. Written by leading angle to our understanding of digital technology in and emerging scholars, this collection of essays considers the the urban domain – examining how our experiences complex effects of reconstruction on design, discourse, practice, are altered through interaction with digital devices and screens. The and professionalism, and deals with the full spectrum of architectural book presents three major new case studies – Milton Keynes, UK; styles and approaches, privileging neither Modernism nor traditional Doha, Qatar; and London, UK – exploring how the visual, sensory, styles like the neo-Georgian. It brings to the fore social and political temporal and spatial aesthetics of everyday urban life are changing as histories of the built environment, and makes important postcolonial a result of the digital. This is essential reading for anyone interested interventions into the architectural history of British Imperialism at in the power of digital culture and technology to transform urban home and in its far reaches. spaces and communities around the world. UK February 2022 • US February 2022 • 288 pages • 42 bw illus UK January 2022 • US January 2022 • 208 pages • 27 bw illus HB 9781350152946 • £85.00 / $115.00 HB 9781350070837 • £70.00 / $95.00 ePub 9781350152960 • £76.50 / $100.32 ePub 9781350070851 • £63.00 / $83.38 ePdf 9781350152953 • £76.50 / $100.32 ePdf 9781350070844 • £63.00 / $83.38 Bloomsbury Visual Arts Bloomsbury Visual Arts www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 3
V I S U A L A R T S – Architecture / Art & Visual Culture Writing Architectures Touring and Publicizing Ficto-Critical Approaches England's Country Houses in the Edited by Hélène Frichot, KTH School of Long Eighteenth Century Architecture, Sweden & Naomi Stead, Monash Jocelyn Anderson, Courtauld Institute of Art, UK University, Australia This book repositions the importance of country Architects and fiction writers share the same houses in 18th-century Britain and explores what it ambition: to imagine new worlds into being. took to turn them into tourist attractions. Drawing Every architectural proposition is a kind of fiction on travel books, guidebooks, and dozens of before it becomes a built fact; likewise, every written fiction relies tourists’ diaries and letters, Jocelyn Anderson explores what it meant on the construction of a context in which a story can take place. to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Writing Architectures demonstrates how ficto-critical writing can be Kedleston, and Burghley in the tumultuous 1700s. It also questions a powerful vehicle for creative architectural practice, providing new the legacies of these early tourists: both as a critical cultural practice opportunities to explore modes of writing about architecture both in the 18th century and an extraordinary and controversial influence within and beyond the discipline. in British culture today, country-house tourism is a phenomenon that demands investigation. UK January 2022 • US January 2022 • 264 pages • 35 bw illus PB 9781350236776 • £24.99 / $34.95 Previously published in HB 9781350137905 UK March 2022 • US March 2022 • 236 pages • 8 colour and 40 bw illus ePub 9781350137929 • £76.50 / $100.32 PB 9781501384615 • £24.99 / $34.95 ePdf 9781350137912 • £76.50 / $100.32 Previously published in HB 9781501334979 Bloomsbury Visual Arts ePub 9781501334986 • £93.57 / $121.50 ePdf 9781501334993 • £93.57 / $121.50 Bloomsbury Visual Arts Visual Cultures and German Contexts Berlin Contemporary Material Modernity Architecture and Politics After 1990 Innovations in Art, Design, and Julia Walker, Binghamton University, USA Architecture in the Weimar Republic The first book-length treatment of the official Edited by Deborah Ascher Barnstone, University government architecture of the so-called “New of Technology Sydney, Australia & Maria Makela, Berlin”, Berlin Contemporary explores buildings California College of the Arts, USA and plans for the city in the years following German Material Modernity explores creative innovation reunification, tracing their relationship to the work in the art, design, and architecture of the Weimar of modernist architect-luminaries such as Bruno Taut and Louis Kahn Republic, charting the rise of new media and re-fashioning of while situating their iconic forms and influential designers within the old. It describes how material shortages precipitated by the First world of global contemporary architecture. Project studies, including World War, devastation to industrial infrastructure, and disruption Norman Foster’s redesigned Reichstag and Rem Koolhaas’s Embassy of trade routes affected art, as did a spirit of experimentation that of the Netherlands, reveal that the “New Berlin” is a complex and permeated interwar German culture. Experiments with old media ongoing negotiation of the demands and procedures of statecraft in new techniques and inventive work in new media made Weimar and the techniques of globalized contemporary architectural practice. famous for artistic ingenuity; this book considers the cause for such innovation and how conventions were challenged in traditional UK November 2021 • US November 2021 • 320 pages • 112 bw illus HB 9781501367526 • £90.00 / $120.00 modes like painting, sculpture, drawing, textiles, and print-making. ePub 9781501367540 • £83.60 / $108.00 ePdf 9781501367533 • £83.60 / $108.00 UK January 2022 • US January 2022 • 240 pages • 8 colour and 54 bw illus Series: Visual Cultures and German Contexts • Bloomsbury Visual Arts HB 9781350228733 • £85.00 / $115.00 ePub 9781350228764 • £76.50 / $100.32 ePdf 9781350228757 • £76.50 / $100.32 Series: Visual Cultures and German Contexts • Bloomsbury Visual Arts How to Make the Body Difference, Identity, and Embodiment Edited by Jennifer L. Creech, University of Rochester, USA & Thomas O. Haakenson, California College of the Arts, USA This book explores established and emerging theories of difference, identity, and embodiment in a variety of German contexts. By utilizing cutting- edge approaches to scholarship, and putting these approaches in direct conversation with canonical texts and objects, or lesser- known yet provocative emerging forms, “the body” is investigated through detailed studies that span a variety of disciplines and modes of expression. From advertising, aesthetics, and pornography, to social media, scientific experimentation, and transnational cultural forms, this volume demonstrates how the human form continues to undergo constant—and potentially disruptive—diversification and transformation. UK March 2022 • US March 2022 • 288 pages • 32 colour and 8 bw illus HB 9781350194045 • £90.00 / $120.00 ePub 9781350194069 • £81.00 / $106.83 ePdf 9781350194052 • £81.00 / $106.83 Series: Visual Cultures and German Contexts • Bloomsbury Visual Arts 4 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk
V I S U A L A R T S – Art & Visual Culture The Machine Anxieties of The Medicine of Art Steampunk Disease and the Aesthetic Object in Contemporary Philosophy, Victorian Gilded Age America Aesthetics, and the Future Elizabeth Lee, Dickinson College, USA Kathe Hicks Albrecht, Institute for Doctoral The Medicine of Art considers the role of health and Studies in the Visual Arts, USA illness in the way art was produced and consumed. It is the first study to address the place of organic What is steampunk and why are people across the disease—cancer, tuberculosis, syphilis—in the globe eagerly embracing its neo-Victorian aesthetic? Old-fashioned life and work of Gilded-Age artists. Demonstrating how well-known eye goggles, lace corsets, leather vests, brass gears and gadgets, works of art were marked by disease, the book argues that art itself mechanical clocks, the look appears across popular culture, in functioned in medicinal terms for artists and viewers in the late movies, art, fashion, and literature. Steampunk expresses optimism nineteenth century. for the future but it also delivers a note of caution about our human role in light of the ubiquitous machine. Thus, despite adopting an UK January 2022 • US January 2022 • 240 pages • 80 bw illus aesthetic and lifestyle straight out of the Victorian scientific romance, HB 9781501346873 • £85.00 / $115.00 steampunk addresses significant twenty-first century concerns about ePub 9781501346880 • £79.76 / $103.50 ePdf 9781501346897 • £79.76 / $103.50 what lies ahead for humankind. Bloomsbury Visual Arts UK November 2021 • US November 2021 • 240 pages • 18 color and 17 bw illus PB 9781501384271 • £28.99 / $39.95 • HB 9781501349324 • £85.00 / $115.00 ePub 9781501349331 • £79.76 / $103.50 ePdf 9781501349348 • £79.76 / $103.50 Bloomsbury Visual Arts Malevich and Interwar Mixed Forms of Visual Culture Modernism From the Cabinet of Curiosities to Digital Russian Art and the International of the Diversity Square Mary Anne Francis, University of Brighton, UK Éva Forgács, Art Center College of Design, USA Notions of consistency, unity and harmony have long been ideals in Western culture. With the The square, a central motif in the legacy of emergence of Western empires and industrialisation international interwar modernism, was the most however, cultural practices emerge that are emblematic and widely known form of the international avant-garde informed by a very different value: the traditionally dismissed in the interwar years. It originated from the Russian artist Kazimir heterogeneous. This book looks at instances of this structure Malevich who painted The Black Square on White Ground in 1915 throughout visual culture and coins the term ‘mixed-form’. Presenting and was then picked up by artists El Lissitzky and Theo van Doesburg. a history of its key term that starts with the inception of commodity This book focuses on the square and its journey across borders to culture in the sixteenth century, the book proposes that, as working follow its significance, artistic use, and how its meaning became life becomes increasingly defined by qualities such as singularity and modified in Western Europe. uniformity, the need for the opposite finds expression in cultural form. UK January 2022 • US January 2022 • 320 pages • 24 bw illus HB 9781350204171 • £90.00 / $120.00 UK December 2021 • US December 2021 • 208 pages • 80 colour illus ePub 9781350204195 • £81.00 / $106.83 HB 9781350211377 • £80.00 / $110.00 ePdf 9781350204188 • £81.00 / $106.83 ePub 9781350211391 • £72.00 / $95.11 Bloomsbury Visual Arts ePdf 9781350211384 • £72.00 / $95.11 Bloomsbury Visual Arts In and Out of View Jean Dubuffet, Bricoleur Art and the Dynamics of Circulation, Portraits, Pastiche, Performativity Suppression, and Censorship Stephanie Chadwick, Lamar University, USA Edited by Catha Paquette, California State One of the most prolific and influential artists of University-Long Beach, USA, Karen Kleinfelder, the 20th century, Jean Dubuffet has featured in California State University-Long Beach, USA & a multitude of exhibitions and catalogues. Yet he Christopher Miles, California State University- remains one of the most misunderstood—and least Long Beach, USA interrogated—postwar French artists. This book In In and Out of View, artists and scholars in art history, museum reexamines Dubuffet’s art through the lens of his portraits (a veritable and cultural studies, queer history, and sociocultural anthropology who’s who of the Parisian art and intellectual scene) in tandem undertake historical reflection and contemporary critique. At issue are with his writings and the art and writings of his Surrealist sitters. governmental restrictions and discursive effects, such as erasure and Investigating Dubuffet’s painting as bricolage, this book explores the distortion resulting from institutional policies, interpretive methods, themes of multivalence, performativity, and multifaceted identity in and canonical processes. The text models a shift in how censorship is his portraits. discursively framed, pointing to the complexities involved in assessing UK January 2022 • US January 2022 • 272 pages • 8 color and 60 bw illus determinants and consequences. HB 9781501349454 • £85.00 / $115.00 ePub 9781501349461 • £79.76 / $103.50 UK October 2021 • US October 2021 • 368 pages • 28 colour and 43 bw illus ePdf 9781501349478 • £79.76 / $103.50 HB 9781501358715 • £95.00 / $130.00 Bloomsbury Visual Arts ePub 9781501358692 • £90.50 / $117.00 ePdf 9781501358708 • £90.50 / $117.00 Bloomsbury Visual Arts www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 5
V I S U A L A R T S – Art & Visual Culture Laugh Lines Bioart Kitchen Caricature and Painting in Nineteenth- Art, Feminism and Technoscience Century France Lindsay Kelley, School of Art & Design, Julia Langbein, Trinity College Dublin, Ireland University of New South Wales, Australia Laugh Lines is the first book-length study of a What do new technologies taste like? A growing practice known as “Salon caricature,” which number of contemporary artists are working with flourished in the Parisian illustrated press in the food, live materials and scientific processes in second half of the nineteenth century. Salon order to explore the ways in which manipulation caricaturists, art critics who used both picture and text, published of biological materials informs our cooking and eating. 'Bioart' comic, graphic versions of the canvases concurrently on display uses biotech methods to manipulate living systems, from tissues to at the Paris Salon. Laugh Lines draws back the curtain on a robust ecologies. While most critiques of bioart emphasise the influences culture of comedy around fine art and its reception in nineteenth- of new media, digital media and genetics, this book takes a new century France, one in which artists of every stripe, including the most approach. Exploring seemingly unconnected subjects – home sentimental or conservative, were ripe to be made hilarious. economics, 1970s feminist art, tissue culture methodologies, domestic computing – it offers a more inclusive, expansive history of UK March 2022 • US March 2022 • 272 pages bioart. HB 9781350186859 • £90.00 / $120.00 ePub 9781350186873 • £81.00 / $106.83 UK March 2022 • US March 2022 • 256 pages • 19 bw illus ePdf 9781350186866 • £81.00 / $106.83 PB 9781350270947 • £24.99 / $34.95 Bloomsbury Visual Arts Previously published in HB 9781784534134 ePub 9781786720009 • £90.00 / $118.56 ePdf 9781786730008 • £90.00 / $118.56 Bloomsbury Visual Arts Art as Organism Eighteenth-Century Art Worlds Biology and the Evolution of the Digital Global and Local Geographies of Art Image Edited by Michael Yonan, University of California Charissa N. Terranova, University of Texas at at Davis, USA & Stacey Sloboda, University of Dallas, USA Massachusetts Boston, USA In this groundbreaking book, Charissa Terranova Transnational artistic networks are a familiar part of unearths a forgotten narrative of modernism—one the contemporary global art world. This collection which charts the influence biology, General Systems shows that they also existed in the 18th century Theory, and cybernetics had on modern art—and highlights complex and offers a new framework for studying them. It proposes an connections between science, technology and visual culture. From alternative to a simple progression of artistic styles and charts a new kinetic and interactive art to early computer art and installations way of understanding the period’s art based in relationships among spanning an entire city, Art as Organism shows the digital image was objects, spaces, and knowledge. Eighteenth-century art exemplifies an expansive artistic medium of modernism. It also counteracts the how the local and global intersected and how matters of geography, assumption that bioart and digital are the products of contemporary from interactions across vast distances to across a single street, lent practice and offers insights into major movements like the Bauhaus. meaning to the world. UK December 2021 • US December 2021 • 336 pages • 82 bw illus UK January 2022 • US January 2022 • 312 pages • 88 colour illus PB 9781350270978 • £24.99 / $34.95 PB 9781501384608 • £24.99 / $34.95 Previously published in HB 9781784534301 Previously published in HB 9781501335488 ePub 9780857728944 • £90.00 / $118.56 ePub 9781501335495 • £104.30 / $135.00 ePdf 9780857728074 • £90.00 / $118.56 ePdf 9781501335501 • £104.30 / $135.00 Bloomsbury Visual Arts Bloomsbury Visual Arts Feminism and Art History Now Sabotage Art Radical Critiques of Theory and Practice Politics and Iconoclasm in Contemporary Edited by Victoria Horne, Northumbria Latin America University, UK & Lara Perry, University of Edited by Sophie Halart, University College Brighton, UK London, UK & Mara Polgovsky Ezcurra, To what extent have developments in global Birkbeck, University of London, UK politics, artworld institutions and local cultures Sabotage is the deliberate disruption of a dominant reshaped feminist art criticism? The research in system, be it political, military or economic. Yet in Feminism and Art History Now engages with the rich inheritance recent decades, sabotage has also become an artistic strategy most of feminist historiography since around 1970 and considers notably in Latin America. Sabotage Art reveals how contemporary how to maintain the forcefulness of its critique while addressing Latin American artists have resorted to sabotage strategies as a contemporary political struggles. Addressing political movements means to bridge the gap between aesthetics and politics. The in Italy, urban gentrification in New York, community art projects in global status of and market for Latin American art is growing rapidly. Scotland and Canada's contemporary indigenous culture, through the This book is essential reading for those who want to understand art of Lee Krasner, The Emily Davison Lodge and Zoe Leonard among this new, dissident work, as well as its mystification, co-option and others, this book analyses the past and future of feminist art histories. commercialization within current academic historiographies and art- world curatorial initiatives. UK March 2022 • US March 2022 • 320 pages • 35 bw illus PB 9781350270930 • £24.99 / $34.95 UK March 2022 • US March 2022 • 256 pages • 56 bw illus Previously published in HB 9781784533250 PB 9781350276611 • £24.99 / $34.95 ePub 9781786722355 • £85.50 / $112.04 Previously published in HB 9781784532253 ePdf 9781786732354 • £85.50 / $112.04 ePub 9780857729132 • £85.50 / $112.04 Bloomsbury Visual Arts ePdf 9780857727084 • £85.50 / $112.04 Bloomsbury Visual Arts 6 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk
V I S U A L A R T S – Art & Visual Culture / Design Socially Engaged Art after Modernist Magazines and the Socialism Social Ideal Art and Civil Society in Central and Tim Satterthwaite, University of Brighton, UK Eastern Europe Modernist Magazines and the Social Ideal is the first major study of photo-illustrated magazines of Izabel Galliera, Susquehanna University, USA the 1920s, focusing on two of the leading European The post-1989 period has seen artists in Central titles: the German monthly UHU and the French and Eastern Europe embrace socially engaged news journal VU. It explores, in particular, the practices. Reclaiming public life from the ideologies of both striking use of regularity and repetition in photographs of modernity, communist regimes and neoliberalism, their projects have harnessed reading these repetitious images as symbolic of modernist ideals of the politically subversive potential of social relations based on trust, social order in the aftermath of the First World War. The book’s novel reciprocity and solidarity. Focusing on the relationships between art, methodology, called pattern theory, represents a cautious, empirical social capital and civil society, Izabel Galliera employs sociological attempt to apply the science of perceptual organisation to critical and political theories to reveal that, while social capital is generally practice. considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means UK March 2022 • US March 2022 • 312 pages • 102 bw illus of communication and action. PB 9781501387746 • £28.99 / $39.95 Previously published in HB 9781501341601 ePub 9781501341618 • £90.50 / $117.00 UK March 2022 • US March 2022 • 304 pages • 30 bw illus ePdf 9781501341625 • £90.50 / $117.00 PB 9781350276680 • £24.99 / $34.95 Bloomsbury Visual Arts Previously published in HB 9781784537135 ePub 9781786722225 • £85.50 / $112.04 ePdf 9781786732224 • £85.50 / $112.04 Bloomsbury Visual Arts The Sensing Body in the Visual Domestic Space in France and Arts Belgium Making and Experiencing Sculpture Art, Literature and Design, 1850-1920 Rosalyn Driscoll Edited by Claire Moran, Queen’s University Rosalyn Driscoll presents experiential and Belfast, UK theoretical grounds for integrating the bodily, Focused on late 19th and early 20th-century France somatic senses into our understanding of how we and Belgium, this volume addresses an overlooked make and engage with visual art. Driscoll, a visual artist who has spent area of modernity: the domestic sphere and its conception and years making tactile, haptic sculpture, shows how using touch can representation in art, literature and material culture. Scholars from the deepen what we know through seeing, and even serve as a genuine US, UK, France, Italy, Canada and Belgium offer fresh and exciting alternative to sight. She proposes that tactile, somatic memory and interpretations of artworks, texts and modern homes. Comparative experience is embedded in visual perception of art, and awareness and interdisciplinary, it shows through a series of case-studies in of the somatic senses offers rich aesthetic and perceptual possibilities literature, art and architecture, how modernity was expressed through for art making and appreciation. This will be of use for students of domestic life at the turn of the century in France and Belgium. museum studies, fine art, art history and sensory studies. UK January 2022 • US January 2022 • 352 pages • 18 color and 50 bw illus UK March 2022 • US March 2022 • 232 pages • 28 bw illus HB 9781501341694 • £90.00 / $120.00 PB 9781350282148 • £28.99 / $39.95 ePub 9781501341700 • £83.60 / $108.00 Previously published in HB 9781350122222 ePdf 9781501341717 • £83.60 / $108.00 ePub 9781350122246 • £76.50 / $100.32 Series: Material Culture of Art and Design • Bloomsbury Visual Arts ePdf 9781350122239 • £76.50 / $100.32 Bloomsbury Visual Arts International Design Jugendstil Women and the Organisations Making of Modern Design Histories, Legacies, Values Sabine Wieber, University of Glasgow, UK Edited by Jeremy Aynsley, University of Jugendstil, that is Germany’s distinct engagement Brighton, UK, Alison J. Clarke, University of with the international Art Nouveau movement, is Applied Arts Vienna, Austria & Tania Messell, now firmly engrained in histories of modern art, University of Applied Sciences and Arts architecture and design. Recent exhibitions and Northwestern Switzerland (FHNW) publications across the world explored Jugendstil’s key protagonists and artistic centres to firmly anchor their activities This innovative volume addresses the history and present-day within the trajectories of German modernism. Women, however, status of international design organisations working across design continue to be largely absent from these revisionist accounts. This disciplines and in countries including Argentina, Turkey, Estonia, book offers a new interpretation of this vibrant period, advocating Switzerland, Italy, China and the USA. During the late 20th-century, women as an integral part of the emergence, dissemination and many non-governmental organisations were created to address reception of Jugendstil and questioning the deeply gendered urgent cultural, economic and welfare issues. Design organisations histories of this key period in modern art, architecture and design. set out to create an international consensus for the future direction of design, which included enhancing communication between UK November 2021 • US November 2021 • 224 pages • 73 bw and colour illus professionals, educators and practitioners, raising standards for HB 9781350088528 • £85.00 / $115.00 design, and creating communities of designers across linguistic, ePub 9781350088535 • £76.50 / $100.32 ePdf 9781350088542 • £76.50 / $100.32 national and political borders. Drawing on original research, this Series: Cultural Histories of Design • Bloomsbury Visual Arts volume questions the aims and achievements of these organisations. UK February 2022 • US February 2022 • 304 pages • 65 bw illus HB 9781350112513 • £85.00 / $115.00 ePub 9781350112520 • £76.50 / $100.32 ePdf 9781350112537 • £76.50 / $100.32 Bloomsbury Visual Arts www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 7
V I S U A L A R T S – Design The Design Process Making Trouble Bundle Book + Studio Access Card Design and Material Activism Karl Aspelund Otto von Busch, Parsons School of Design, USA In The Design Process, Fourth Edition author Drawing on the political philosophy of William Karl Aspelund takes readers on a guided tour Morris, Mohandas Gandhi and the Zapatistas, through the seven stages of design: Inspiration, von Busch traces crafting's radical potential to Identification, Conceptualization, Exploration/ disrupt the apparatus of market and state. Case Refinement, Definition/Modeling, Communication, studies include radical, controversial craft practices and Production. This book focuses on developing a foundation in around the world such as moonshining, lock-picking, shoplifting, and design critical thinking, no matter the discipline. The author highlights smuggling, leading to further discussion on how craft can disseminate sustainability, teamwork, and practices for communication with client civic skills and autonomy instead of violence. The book concludes on or manufacturer. Each chapter is followed by an exercise that allows a hopeful note on how designers can help materialize political “thing- you to work on one full cross-disciplinary project continuously from power” as part of a strategic progress towards more democratic brainstorm to physical product. The appendices provide references to incarnations of the civic realm, and ultimately use “socially valid” further readings, artist profiles, design elements and principles, trend design and craft to work towards justice and peace. analysis, and history of modern design. UK March 2022 • US March 2022 • 224 pages • 42 bw illus UK March 2022 • US February 2022 • 304 pages • 128 colour illus PB 9781350162549 • £17.99 / $24.95 • HB 9781350162556 • £55.00 / $75.00 PB Pack 9781501356056 • £64.99 / $89.95 ePub 9781350162563 • £16.19 / $22.14 ePub 9781501355974 • £62.12 / $80.95 ePdf 9781350162570 • £16.19 / $22.14 ePdf 9781501355967 • £62.12 / $80.95 Series: Designing in Dark Times • Bloomsbury Visual Arts Fairchild Books Design and Modernity in Asia Critical Visualization National Identity and Transnational Rethinking the Representation of Data Exchange 1945-1990 Peter A. Hall, Central Saint Martins, University Edited by Yunah Lee, University of Brighton, UK of the Arts London, UK & Patricio Dávila, York & Megha Rajguru, University of Brighton, UK University, Canada Addressing histories of modernism and contributing Our decisions about the data we choose to to the fast-growing body of literature on represent and how we represent it are never postcolonialism and Western global design history, neutral. This insightful history traces how data this book examines different designs for and meanings of ‘modern visualization accompanied modern technologies of war, colonialism living' across 20th-century Asia. The book provides methodological and the management of social issues of poverty, health and crime. approaches to studying Asian modern design history, expanding the Discussion is based around seventy examples of visualization, discourse of modernism to include areas such as Bangladesh, Iran, from Florence Nightingale's diagrams of causes of mortality in the Korea and Turkey, and exploring how marginalised individuals and Crimean War to projects that show the cost of coal and the fate of groups encountered modernity. Developed from extensive research our rubbish, taking a participatory approach to visualizing cities. This and a variety of case studies, each chapter illuminates commonalities analysis provides a critical framework for understanding the history of and particularities of the trajectories of modernism and their information design with directions for contemporary practice. translation and manifestation in Asian living. UK February 2022 • US February 2022 • 208 pages • 60 colour illus PB 9781350077249 • £21.99 / $29.95 • HB 9781350077232 • £65.00 / $90.00 UK March 2022 • US March 2022 • 240 pages • 50 bw illus ePub 9781350077256 • £19.79 / $26.05 HB 9781350091481 • £85.00 / $115.00 ePdf 9781350077263 • £19.79 / $26.05 ePub 9781350091467 • £76.50 / $100.32 Bloomsbury Visual Arts ePdf 9781350091474 • £76.50 / $100.32 Bloomsbury Visual Arts Making Data Materialising Digital Information Edited by Ian Gwilt, University of South Australia, Australia Delivering on the importance and likely future prevalence of physical representations of data, Making Data is an innovative and engaging study. For many outside of the scientific community, big data and the forms it takes, such as statistical lists, spreadsheets and graphs, often seem abstract and unintelligible. This book explores the creative methods, processes, theories and cultural histories of making physical representations of information and proposes that the making of data into physical objects is the next important development in the data visualization phenomenon. UK April 2022 • US April 2022 • 320 pages • 30 bw illus HB 9781350133235 • £85.00 / $115.00 ePub 9781350133242 • £76.50 / $100.32 ePdf 9781350133259 • £76.50 / $100.32 Bloomsbury Visual Arts 8 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk
V I S U A L A R T S – Fashion & Textiles Unfolding the Past A Cultural History of Western Elizabeth Wilson, Independent Scholar, UK Fashion In this memoir, Elizabeth Wilson traces the From Haute Couture to Virtual Couture relationship between personal experience and her writing, revisiting pivotal moments from childhood, Bonnie English, Late of Griffith University, adolescence and adult life to explore her belief Australia & Nazanin Hedayat Munroe, New York that research, by its nature, is always a form of City College of Technology, USA autobiography. She unfolds the garment of her life Exploring fashion’s interdisciplinary nature, in a wide-ranging exploration of scenes from her past: her difficult Bonnie English and Nazanin Hedayat Munroe highlight the relationship with her mother, fashion in the 60s and gay liberation. In similarities clothing design shares with other visual arts practices this journey through time she shows how experiences are inseparable over the last 150 years. They guide you through the relationships from the way we seek to explain and understand them, offering a between designer fashions, popular culture, big business, high- unique and deeply personal account of her – and our – cultural world. tech production, as well as traditional and social media. Updated throughout, this third edition also includes a new chapter on 'Smart UK March 2022 • US March 2022 • 288 pages • 20 bw illus Textiles and Technology in Fashion', expanded coverage of the role HB 9781350232594 • £20.00 / $27.00 of sustainability in the fashion industry, new chapter introductions and ePub 9781350232617 • £18.00 / $24.74 ePdf 9781350232600 • £18.00 / $24.74 summaries and a glossary. Bloomsbury Visual Arts UK February 2022 • US February 2022 • 320 pages • 100 bw illus PB 9781350150898 • £24.99 / $34.95 • HB 9781350150881 • £75.00 / $100.00 ePub 9781350150911 • £22.49 / $29.96 ePdf 9781350150904 • £22.49 / $29.96 Bloomsbury Visual Arts Prêt-à-Porter, Paris and Women Cinematic Style A Cultural Study of French Readymade Fashion, Architecture and Interior Design Fashion, 1945-68 on Film Alexis Romano, Independent Scholar, USA Jess Berry, Monash University, Australia Through a close study of fashion magazines, From cinema’s silent beginnings, fashion and including Vogue and Elle, Alexis Romano reveals interior design have been vital to character how the French ready-made and the genre of development and narrative structure. This book fashion photography in France developed in is the first to consider the significant interplay tandem. Analyses of representations of space, women and prêt- between fashion and interiors and their combined contribution to à-porter in such magazines – alongside other cultural ephemera cinematic style from early film to the digital age. Shedding light on such as contemporary film, documentary photography and family consumer culture, social history and gender politics as well as on photographs – demonstrate that popular conceptions of fashion and fashion, film and interior design theory, Cinematic Style considers the modernity shifted in the period 1945-68. By connecting national leading roles domestic spaces, quaint cafes, little black dresses and and personal histories, Prêt-à-Porter, Paris and Women reveals the sharp suits have played in 20th and 21st-century film. importance of the ready-made to broader narratives of postwar reconstruction, national identity, gender and international dialogue. UK February 2022 • US February 2022 • 224 pages • 48 bw illus PB 9781350137622 • £23.99 / $32.95 • HB 9781350137615 • £75.00 / $100.00 ePub 9781350137639 • £21.59 / $28.65 UK April 2022 • US April 2022 • 272 pages • 16 colour and 38 bw illus ePdf 9781350137608 • £21.59 / $28.65 PB 9781350215931 • £23.99 / $32.95 • HB 9781350126190 • £75.00 / $100.00 Bloomsbury Visual Arts ePub 9781350126213 • £21.59 / $28.65 ePdf 9781350126206 • £21.59 / $28.65 Series: Fashion: Visual & Material Interconnections • Bloomsbury Visual Arts Busks, Basques and Brush-Braid Fashion Stylists British dressmaking in the 18th and 19th History, Meaning and Practice centuries Edited by Ane Lynge-Jorlen, Lund University, Pam Inder, Independent Scholar, UK Sweden The dressmaking trade developed rapidly in Stylists have become increasingly influential 18th- and 19th-century Britain, changing the lives in shaping fashion imagery, moving from of thousands of workers. This book explores the unrecognised background players to fashion trade and the people within it, covering their celebrities lauded for their work and personal style. working conditions, earnings, training, services and relationships with This book is the first to explore the history and meaning of styling customers. Using previously unpublished sources, Inder reveals the through original interviews with leading professionals and examples roles mechanization and the dawn of the department store played from advertising, catwalks and magazines. Revealing the most in the evolution of the trade, and the growing monopolization of the significant trends in contemporary practice, Lynge-Jorlén shows that industry by female dressmakers. Exploring fictional representations stylists have become creative consultants who push the boundaries and harsh daily realities, this book brings dressmakers into focus as of image making and survive in a fashion system increasingly under real people, delivering new insights into working class life in 18th and commercial pressure. 19th century Britain. UK February 2022 • US February 2022 • 288 pages • 48 color and 25 bw illus PB 9781350242937 • £28.99 / $39.95 UK January 2022 • US January 2022 • 340 pages • 13 color and 75 bw illus Previously published in HB 9781350115057 PB 9781350242838 • £28.99 / $39.95 ePub 9781350115071 • £76.50 / $100.32 Previously published in HB 9781350060890 ePdf 9781350115064 • £76.50 / $100.32 ePub 9781350060913 • £76.50 / $100.32 Bloomsbury Visual Arts ePdf 9781350060906 • £76.50 / $100.32 Bloomsbury Visual Arts www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 9
V I S U A L A R T S – Fashion & Textiles Tartan The Changing Face of Burberry Revised and Updated Britishness, Heritage, Labour and Jonathan Faiers, Winchester School of Art, Consumption University of Southampton, UK Sian Weston, University for the Creative Arts, UK Featuring new insights from over the past 12 years, Global fashion markets, particularly those aimed and including a new chapter on masculinities, at prosperous millennial consumers in Asia, are this updated edition of Tartan – Jonathan Faiers’ in thrall to Burberry, and connect the company’s revered study – revitalises discussions of the fabric’s output in the 21st century to a quintessential notion traditional, sentimental Highland origins through also examining of British tradition. The Changing Face of Burberry examines how it as a radical, provocative inspiration to contemporary designers the company successfully built this sense of tradition and how it has throughout the world today, including Vivienne Westwood and retained and capitalised on it within contemporary consumer culture, Alexander McQueen. Beautifully illustrated and weaving together providing an authoritative account of shifting forms of British identity, a story out of history, art, music, film and fashion, this book consumer culture and fashion production over two centuries. demonstrates that tartan is no longer a Scots' textile and positions it within broader philosophical, political and cultural contexts, assessing UK March 2022 • US March 2022 • 256 pages • 51 bw illus its extraordinarily versatile and pervasive influence. HB 9781350179608 • £85.00 / $115.00 ePub 9781350179622 • £76.50 / $100.32 ePdf 9781350179615 • £76.50 / $100.32 UK November 2021 • US November 2021 • 360 pages • 163 colour illus Bloomsbury Visual Arts PB 9781350193772 • £24.99 / $34.95 Series: Textiles that Changed the World • Bloomsbury Visual Arts Dress Cultures Reina Lewis, London College of Fashion, UK and Elizabeth Wilson Fashion Before Plus-Size Fashion in Altermodern China Bodies, Beauty and the Birth of an Industry Feng Jie, Southwest University of China, China Lauren Downing Peters, Columbia College Fashion in Altermodern China examines key Chicago, USA features and particularities of women’s fashion within the cultural and political context of In this historical survey, Lauren Downing Peters contemporary China. While demonstrating that explores the long, fraught relationship between global brands and styles heavily influence Chinese fashion and fat spanning the 20th century. Drawing consumer trends, it equally argues that the Chinese upon a wealth of new archival materials, Fashion fashion ‘system’ is formed of its own internal logics and emergent Before Plus-Size traces the origins of the plus-size fashion industry trends. For women in contemporary China, the flux of available and reveals the conscious and unconscious biases that undergird fashions is experienced in a more open neutral manner than is fashion design discourse. By situating the stoutwear industry at typically described in current scholarship; and through incorporating the confluence of mass manufacturing, standardized sizing, and both Western and Asian philosophies, this book reveals new ways to America’s ever-evolving relationship with health and weight, the understand how women engage in fashion in China today. book exposes how the earliest large-sized fashions reveal a deeply entrenched “slenderness imperative” that persists in the design and UK March 2022 • US March 2022 • 256 pages • 30 bw illus merchandizing of plus-size fashion to this day. HB 9781350200067 • £85.00 / $115.00 ePub 9781350200098 • £76.50 / $100.32 UK March 2022 • US March 2022 • 240 pages • 30 bw illus ePdf 9781350200081 • £76.50 / $100.32 HB 9781350172548 • £85.00 / $115.00 Series: Dress Cultures • Bloomsbury Visual Arts ePub 9781350172562 • £76.50 / $100.32 ePdf 9781350172555 • £76.50 / $100.32 Series: Dress Cultures • Bloomsbury Visual Arts Revisiting the Gaze The Fashioned Body and the Politics of Looking Edited by Morna Laing, Chelsea College of Arts, UAL, UK & Jacki Willson, University of Leeds, UK In 1975, Laura Mulvey published her seminal essay on the male gaze and introduced a new era in the politics of looking at the female body. Since then, feminist thinking has expanded upon Mulvey’s theory and the Western world has seen events such as a resurgence in feminist activism, the rise of neoliberalism and shifts in digital culture and self- representation. For the first time, this book addresses the meaning of looking at the fashioned female body in this radical new landscape, situating the debate in contexts such as queerness, veiling, blackness, pregnancy, fatness and criminality. UK February 2022 • US February 2022 • 280 pages • 14 bw illus PB 9781350243033 • £28.99 / $39.95 Previously published in HB 9781350154216 ePub 9781350154230 • £76.50 / $100.32 ePdf 9781350154223 • £76.50 / $100.32 Series: Dress Cultures • Bloomsbury Visual Arts 10 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk
V I S U A L A R T S – Fashion & Textiles / Interior Design - Fairchild Books Apparel Design through Beyond Design Patternmaking The Synergy of Apparel Product Bundle Book + Studio Access Card Development - Bundle Book + Studio Injoo Kim, University of Cincinnati, USA, Access Card Myoungok Kim, University of Cincinnati, USA & Sandra Keiser, Mount Mary University, USA, Zachary Hoh, University of Cincinnati, USA Deborah Vandermar, Formerly of International Apparel Design Through Patternmaking gives Academy of Design and Technology, USA & fashion students the patternmaking knowledge needed to develop Myrna B. Garner, Illinois State University, USA contemporary women’s, men’s, and children’s wear. The authors cover Beyond Design: The Synergy of Apparel Product Development, Fifth a range of flat pattern drafting concepts, such as fit, style, and design Edition maps the processes that bring apparel products from concept development, and their modular approach allows for flexible design to consumer, on a global scale. This full-color text takes students options across age, gender, and size. 130 detailed principles address step-by-step through the decision-making involved in product proper measurements; body shapes; dart manipulation; neckline, development including business, creative, technical, and production collar, and sleeve variations; fit issues and corrections; garment planning. It demonstrates how these processes must be coordinated details; and more, with hundreds of line drawings and photos. to get the right product to market, when consumers want it, and at Reference size charts and a decimal conversion chart in the Appendix a price they are willing to pay in an increasingly digital environment. make this text user-friendly for international students. The book helps students anticipate the chaotic pace of change not only in fashion trends, but also in the fashion system itself. UK March 2022 • US February 2022 • 640 pages • 1400 colour illus PB Pack 9781501360237 • £80.00 / $110.00 UK March 2022 • US February 2022 • 496 pages • 500 colour illus ePub 9781501360268 • £76.69 / $99.00 PB Pack 9781501366642 • £90.00 / $120.00 ePdf 9781501360275 • £76.69 / $99.00 ePub 9781501366598 • £83.60 / $108.00 Fairchild Books ePdf 9781501366604 • £83.60 / $108.00 Fairchild Books Classic Tailoring Techniques for Menswear Textiles A Construction Guide - Bundle Book + Concepts and Principles - Bundle Book + Studio Access Card Studio Access Card Denis Antoine, Savannah College of Art and Virginia Hencken Elsasser & Julia Sharp Design, USA & Roberto Cabrera, Formerly of Textiles: Concepts and Principles, Fourth Edition Fashion Institute of Technology, USA provides a thorough approach to the fundamentals Classic Tailoring Techniques for Menswear is the authoritative of textiles in a readable, non-technical style. resource for custom hand tailoring production. Providing in-depth, The focus is on the interrelationship of textile step-by-step instructions for the processes required by bespoke and components to help students understand and predict textile couture-level manufacturing, this book retains its value and relevance properties and performance to ultimately choose the best textile for for young and established tailors alike. Continuing this great tradition, their final product. This book covers the global textile industry and the third edition introduces new discussions of traditional tailoring components of textile products, summarizes laws and regulations processes in the industry and highlights the value of hand-crafted affecting the textile industry, and looks into career possibilities, construction in the context of environmentally-sustainable design. properties, care instructions, end uses of natural and manufactured New features include Learning Objectives in each chapter, boxes fibers, yarns, fabrics, coloration and finishes, and the overall impact of highlighting Tricks of the Trade, end of chapter discussion questions, textiles in the environment. and a renewed focus on essential vocabulary, including an extended UK March 2022 • US February 2022 • 352 pages glossary. PB Pack 9781501366550 • £69.99 / $94.95 ePub 9781501366505 • £65.95 / $85.45 UK January 2022 • US December 2021 • 296 pages • 760 colour illus ePdf 9781501366512 • £65.95 / $85.45 PB Pack 9781501372100 • £64.99 / $89.95 Fairchild Books ePub 9781501372063 • £62.12 / $80.95 ePdf 9781501372070 • £62.12 / $80.95 Fairchild Books Sustainable Building Systems and Construction for Designers Revit Architecture 2022 for Bundle Book + Studio Access Card Designers Lisa M. Tucker, Virginia Polytechnic Institute and Douglas R. Seidler, Marymount University, USA State University, USA Revit is rapidly replacing AutoCAD as the digital Lisa Tucker’s holistic approach, from the structural drawing tool of choice for architects and interior (site consideration and foundations) to the designers. This book aims to help design students experiential (indoor air, acoustics, and safety), makes a clear case for master Revit as a tool in the design studio and in interior design professionals to understand moral responsibilities to practice. people and the environment, and follow sustainable practices. Now in its third edition, the award-winning Sustainable Building Systems Revit Architecture 2022 for Designers provides both a thorough and Construction for Designers has been updated to reflect current primer for new learners and expanded conceptual discussion for CIDA accreditation standards and include industry trends for interior design professionals. The progressive introduction of concepts construction, like security and well-being. Additionally, it includes (chapters build on previous chapters), digital exercises, and a set of new case studies. Line drawings, color photography, and professional examples make this book easy to follow for learners new sample student work also support student learning on this essential, to Revit. Packed with visual examples, this book is written specifically timely topic. for architecture students and interior design students. UK January 2022 • US December 2021 • 368 pages • 400 bw illus UK January 2022 • US December 2021 • 312 pages • 430 colour illus PB Pack 9781501364778 • £59.99 / $79.95 PB 9781501385568 • £59.99 / $79.95 ePub 9781501364679 • £55.22 / $71.95 ePub 9781501385544 • £55.22 / $71.95 ePdf 9781501364686 • £55.22 / $71.95 ePdf 9781501385551 • £55.22 / $71.95 Fairchild Books Fairchild Books www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 11
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