Film and Media New Books Catalogue - October-December 2021
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Film and Media New Books Catalogue October-December 2021
BLOOMSBURY AND RED GLOBE PRESS
In June 2021 Bloomsbury acquired Red Globe Press from Macmillan Education Limited,
strengthening Bloomsbury’s commitment to provide quality textbooks and resources to students
worldwide. Red Globe Press specialises in publishing for Higher Education students globally in
Humanities and Social Sciences, Business and Management, and Study Skills.
Here are just a few highlights:
9781137610874 9781352005059 9781352005455 9781137550507
9781352004229 9781352005134 9781137606013 9781352010275
9781137029966 9781137504036 9781352012262 9781137380449
Distribution of Red Globe Press books will be managed from the MDL warehouse (UK/ROW)
from 1st July 2021, and the MPS (US) warehouse later in 2021. Books will join bloomsbury.com
in the second half of 2021. Booksellers please speak to your local agent (see p.143-144)
Contents
EBooks
British Film Institute ������������������������������������������������������ 2 ePub and ePdf availability is listed under each book entry. See the
website for details of vendors, or to purchase individual ebooks direct.
British Film Institute / Horror������������������������������������������ 4
Film Directors / Screenwriting���������������������������������������� 5 Review Copies
Email academicreviewus@bloomsbury.com (Americas)
Film History & Theory���������������������������������������������������� 6
/ academicreviews@bloomsbury.com (outside Americas).
Experimental Film / World & European Cinema������������ 7
Animation Studies���������������������������������������������������������� 8
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Many series are available on standing order.
Television / Media Theory���������������������������������������������� 9 Please contact our trade ordering departments
(see pages 13 and 14).
Journalism / Game Studies������������������������������������������ 10
Major Reference Works ���������������������������������������������� 12 Translation Rights
Representatives, Agents & Distributors ���������������������� 13 Available unless otherwise indicated.
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BFI FILM CLASSICS
“An indispensable part of every cineaste’s bookcase”
- Total Film
NEW TO THE SERIES
The Silence of the Lambs Blue Velvet The Thing Trouble in Paradise Duck Soup
9781839023675 9781839023712 9781839023590 9781839022036 9781839022258
7th Oct 2021 7th Oct 2021 7th Oct 2021 7th Oct 2021 7th Oct 2021
F I L M & M E D I A – BFI AD
Trainspotting Jeanne Dielman, 23, quai du I Know Where I'm Going! A Matter of Life and Death
9781839022166 commerce, 1080 Bruxelles 9781839023811 9781839023897
18th Nov 2021 9781839022821 18th Nov 2021 18th Nov 2021
18th Nov 2021
Explore the entire series at www.bloomsbury.com/BFIFilmClassics
BFI Film Classics
F I L M & M E D I A – British Film Institute
A Matter of Life and Death I Know Where I'm Going!
Ian Christie, Birkbeck, University of London, UK Pam Cook, University of Southampton, UK
Michael Powell and Emeric Pressburger's A Matter I Know Where I'm Going! (1945) is widely regarded
of Life and Death (1946) stars David Niven as an as one of Michael Powell and Emeric Pressburger's
RAF pilot poised between life and death, his love most remarkable achievements and a cinematic
for the American radio operator June (Kim Hunter) tour de force. The film follows the journey of a
threatened by medical, political and ultimately headstrong young woman forced by her encounter
celestial forces. The film is a magical, profound with the magical, mythic world of the Scottish
fantasy and a moving evocation of English history and the wartime Highlands to revise her materialistic priorities. Pam Cook traces
experience, with virtuoso Technicolor special effects. the film's production history, exploring its place in Powell and
Pressburger's canon and showing how it wove into its narrative the
Ian Christie's study of the film shows how its creators drew upon many
memories and aspirations of an international group of film-makers
sources and traditions to create a unique form of modern masque,
working in 1940s Britain.
treating contemporary issues with witty allegory and enormous visual
imagination.
UK November 2021 • US November 2021 • 104 pages • 58 bw illus
PB 9781839023811 • £11.99 / $15.95
UK November 2021 US November 2021 112 pages 60 colour illus
• • • ePub 9781839023828 • £10.79 / $14.32
PB 9781839023897 • £11.99 / $15.95 ePdf 9781839023798 • £10.79 / $14.32
ePub 9781839023903 • £10.79 / $14.32 Series: BFI Film Classics • British Film Institute
ePdf 9781839023873 • £10.79 / $14.32
Series: BFI Film Classics • British Film Institute
Trouble in Paradise Trainspotting
David Weir, The Cooper Union, New York, USA Murray Smith, University of Kent, UK
In his study of Ernst Lubitsch’s Trouble in Paradise, In 1996 Trainspotting was the biggest thing in
regarded by some as ushering in The Golden Age British culture. Brilliantly and aggressively marketed,
of Hollywood, author David Weir details the cultural it crossed into the mainstream despite being a
impact of this iconic film. To achieve this, Weir black comedy set against the backdrop of heroin
provides an in-depth analysis of the film. He also addiction in Edinburgh. The film is crucial for
explores the other films in Lubitsch’s career that led understanding British culture in the context of
to the making of Trouble in Paradise, the larger context in which he devolution and the rise of ‘Cool Britannia’. In his afterword to this new
was directing, the development of his technique and the emergence edition, Murray Smith reflects on the original film 25 years after its
of the 'Classic Hollywood Style'. release, and its 2017 sequel T2: Trainspotting also directed by Danny
Boyle. Smith also considers Boyle's subsequent directorial career, with
UK October 2021 • US October 2021 • 112 pages • 55 bw illus highlights including Slumdog Millionaire (2008) and the 2012 London
PB 9781839022036 • £11.99 / $15.95
ePub 9781839022043 • £10.79 / $14.32
Olympics opening ceremony.
ePdf 9781839022050 • £10.79 / $14.32
Series: BFI Film Classics • British Film Institute UK November 2021 • US November 2021 • 104 pages • 60 colour illus
PB 9781839022166 • £11.99 / $15.95
ePub 9781839022173 • £10.79 / $14.32
ePdf 9781839022180 • £10.79 / $14.32
Series: BFI Film Classics • British Film Institute
Jeanne Dielman, 23, quai du Duck Soup
commerce, 1080 Bruxelles J. Hoberman, film critic, journalist and author,
Catherine Fowler, University of Otago, New New York, USA
Zealand J. Hoberman's study of Duck Soup (1933) traces the
film's reputation, from the initial disappointment
Drawing on original footage, interviews and
of its release, to its rise to cult status in the 1960s
documents, Catherine Fowler explores the making
when the Marx’s anarchic, anti-establishment humor
of Chantal Akerman's 1975 film Jeanne Dielman.
seemed again timely. Hoberman places Duck
Analysing the performance of Delphine Seyrig in
Soup in its cinematic context, alongside analogous comedies—Dr.
the title role, the film's unique representation of domestic space and
Strangelove (1964), the Beatles films, Morgan! (1966), The President’s
the materiality of women's time, Fowler illuminates why the film is
Analyst (1967) and The Producers (1968). It attained canonical stature
seen as a significant precursor for what came to be known as 'Slow
as a touchstone for Woody Allen and would be recognized by the
Cinema' and why it continues to be seen as a landmark of feminist
Library of Congress in the 1990s.
film-making.
UK October 2021 • US October 2021 • 104 pages • 40 bw illus
UK November 2021 • US November 2021 • 96 pages • 60 colour illus
PB 9781839022258 • £11.99 / $15.95
PB 9781839022821 • £11.99 / $15.95
ePub 9781839022265 • £10.79 / $14.32
ePub 9781839022838 • £10.79 / $14.32
ePdf 9781839022272 • £10.79 / $14.32
ePdf 9781839022845 • £10.79 / $14.32
Series: BFI Film Classics • British Film Institute
Series: BFI Film Classics • British Film Institute
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 3
F I L M & M E D I A – British Film Institute / Horror BFI Film Classics
Blue Velvet The Silence of the Lambs
Michael Atkinson, Long Island University, USA Yvonne Tasker, University of Leeds, UK
Michael Atkinson’s intricate and layered reading With its pairing of a perverse, invasive anti-hero
of David Lynch's 1986 Blue Velvet shows how it and a questing, self-searching heroine, Jonathan
crystallises many of Lynch’s chief preoccupations: Demme's The Silence of the Lambs (1990) is a
the evil and violence underlying the surface of narrative of pursuit at several levels. Yvonne Tasker
suburbia, the seedy by-ways of sexuality, the explores the way the film weaves together gothic,
frightening appearance of the adult world to horror and thriller conventions to generate both a
a child's eyes, presenting it as the definitive expression of the distinctive variation on the cinematic portrayal of insanity and crime,
traumatized innocence which characterizes Lynch's work. and a fascinating intervention in the sexual politics of genre. She
identifies the film as a key reference-point for tracking the 1990s
UK October 2021 • US October 2021 • 88 pages • 60 colour illus obsession with police procedure and serial killing, analysing its
PB 9781839023712 • £11.99 / $15.95
ePub 9781839023729 • £10.79 / $14.32
themes of reason and madness, identity and belonging, aspiration
ePdf 9781839023736 • £10.79 / $14.32 and transformation.
Series: BFI Film Classics • British Film Institute
UK October 2021 • US October 2021 • 104 pages
PB 9781839023675 • £11.99 / $15.95
ePub 9781839023682 • £10.79 / $14.32
ePdf 9781839023699 • £10.79 / $14.32
Series: BFI Film Classics • British Film Institute
The Thing 100 American Horror Films
Anne Billson, writer, photographer, and film Barry Keith Grant, Brock University, Canada
critic, Belgium In 100 American Horror Films, Barry Keith Grant
In her elegant and trenchant study of John presents illustrated entries on 100 films from one
Carpenter's 1982 cult horror movie The Thing, of American cinema's longest-standing, most
in which an alien lifeform attacks an isolated diverse and most popular genres, representing its rich history from
scientific research station in the Antarctic, Anne the silent era - D.W. Griffith's The Avenging Conscience of 1915 - to
Billson argues that the film brilliantly refines the contemporary productions - Jordan Peele's 2017 Get Out. The films
conventions of classic horror and science fiction, combining them covered are drawn from every decade of American film-making, from
with humour, Lewis Carroll logic, strong characterisation and prescient major and minor studios and range across all the different types or
insight. The idea of an alien species mutating and inhabiting humans subgenres of horror.
resonates all too chillingly with the Covid-19 pandemic and other
zoonotic diseases caused by human encroachment on natural UK December 2021 • US December 2021 • 256 pages • 70 colour illus
PB 9781839021466 • £19.99 / $26.95 • HB 9781839021459 • £65.00 / $90.00
habitats. ePub 9781839021442 • £17.99 / $23.44
ePdf 9781839021435 • £17.99 / $23.44
UK October 2021 • US October 2021 • 112 pages • 60 colour illus Series: BFI Screen Guides • British Film Institute
PB 9781839023590 • £11.99 / $15.95
ePub 9781839023606 • £10.79 / $14.32
ePdf 9781839023613 • £10.79 / $14.32
Series: BFI Film Classics • British Film Institute
Japanese Horror Cinema and Horror Films for Children
Deleuze Fear and Pleasure in American Cinema
Interrogating and Reconceptualizing Catherine Lester, University of Birmingham, UK
Dominant Modes of Thought Horror Films for Children examines the history,
Rachel Elizabeth Barraclough, University of aesthetics and generic characteristics of children’s
Lincoln, Bishop Grosseteste University, UK horror films, and identifies the ‘horrific child’ as one
of the defining features of the genre, where it is as
Japanese Horror Cinema analyses three Japanese much a staple as it is in adult horror but with vastly
horror films—Ju-On: The Grudge (2002), Audition (1999) and Kairo different representational, interpretative and affective possibilities.
(2001)—from the horror “boom” period of the late 1990s and Through analysis of case studies including blockbuster hits (Gremlins),
early 2000s using a Deleuzian perspective. In the past, Japanese cult favourites (The Monster Squad) and indie darlings (Coraline),
horror films have been understood through theories of national, Catherine Lester asks, what happens to the horror genre, and the
transnational and world cinema and through genre theories and horrific children it represents, when children are the target audience?
psychoanalysis. Whilst proving very fruitful, this text argues that these
understandings of Japanese horror cinema can be developed and UK October 2021 • US October 2021 • 256 pages • 26 bw illus
extended in new ways through the philosophy of Deleuze. HB 9781350135260 • £85.00 / $115.00
ePub 9781350135284 • £76.50 / $100.32
ePdf 9781350135277 • £76.50 / $100.32
UK December 2021 • US December 2021 • 304 pages
Bloomsbury Academic
HB 9781501368295 • £95.00 / $130.00
ePub 9781501368301 • £90.50 / $117.00
ePdf 9781501368318 • £90.50 / $117.00
Bloomsbury Academic
4 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk
F I L M & M E D I A – Film Directors / Screenwriting
Dark Matter After Kubrick
Independent Filmmaking in the 21st A Filmmaker’s Legacy
Century Edited by Jeremi Szaniawski, University of
Michael Winterbottom, film director, UK Massachusetts Amherst, USA
Writing as the director of award-winning feature Taking at its starting point the idea that Kubrick’s
films including Welcome to Sarajevo, 24 Hour cinema has constituted an intellectual, cerebral, and
Party People and The Road to Guantanamo philosophical maze in which many filmmakers, but
as well as the hugely popular The Trip series, also thinkers, and a substantial fringe of the general
Michael Winterbottom provides an insider's view of the workings of public, have gotten lost at one point or another, this collection looks
international film funding and distribution, revealing how the studios at the legacy of Kubrick’s films in the 21st century. The contributions
that fund film production and control distribution networks also work coalesce around the concept of a Kubrickian substrate, rich and
against a sustainable independent film culture and limit innovation in complex, which permeates our Western cultural landscape very much
filmmaking style and content. Winterbottom also interviews leading to this day, informing and sometimes announcing/reflecting it in
contemporary filmmakers including Lynne Ramsay, Mike Leigh, twisted ways, 20 years after the director’s death.
Ken Loach, Asif Kapadia and Joanna Hogg about their filmmaking
practice. UK August 2021 • US August 2021 • 320 pages • 42 bw illus
PB 9781501383557 • £28.99 / $39.95
Previously published in HB 9781501347641
UK October 2021 • US October 2021 • 224 pages ePub 9781501347658 • £90.50 / $117.00
PB 9781839023392 • £16.99 / $22.95 ePdf 9781501347665 • £90.50 / $117.00
ePub 9781839023408 • £15.29 / $20.83 Bloomsbury Academic
ePdf 9781839023415 • £15.29 / $20.83
British Film Institute
Satyajit Ray: The Inner Eye Esfir Shub
The Biography of a Master Film-Maker Pioneer of Documentary Filmmaking
Andrew Robinson, writer, UK Ilana Leah Shub-Sharp, Independent Scholar,
Andrew Robinson's definitive biography of the Australia
great Bengali director Satyajit Ray traces Ray's early Esfir Shub was the only prominent female director
life and provides a rich context for his film-making of nonfiction film present at the dawning of the
career. Robinson provides a film-by-film analysis of Soviet film industry. She was, in fact, the first
Ray's oeuvre, which spanned almost every genre, woman both to write critical texts on cinema
from drama and documentaries to comedies, musicals and detective and then practically apply these theorisations in her own films. Her
films, with chapters on films including The 'Apu' Trilogy, The Music syncretism of cinema theory and praxis inspired her to ask questions
Room, Charulata, Days and Nights in the Forest, The Chess Players regarding both the nature of nonfiction film, such as the problem of
and The Stranger. In a career spanning over thirty years, from the authenticity and reality, and the function of the artist in society. This
classic Pather Panchali in 1955 until his death in 1992, Ray won book demonstrates Shub’s position not only as a significant filmmaker
almost every major prize in cinema, including an Academy Award for and recognised member of the early Soviet avant-garde but also as a
lifetime achievement just before his death in 1992. key figure in global cinema history and as a pioneer of the theory and
practice of documentary filmmaking.
UK December 2021 • US December 2021 • 464 pages • 50 bw illus
PB 9781350258495 • £24.99 / $34.95 • HB 9781350258501 • £75.00 / $100.00 UK November 2021 • US November 2021 • 320 pages • 46 bw illus
ePub 9781350258518 • £22.49 / $29.96 HB 9781501376511 • £95.00 / $130.00
ePdf 9781350258525 • £22.49 / $29.96 ePub 9781501376504 • £90.50 / $117.00
Bloomsbury Academic ePdf 9781501376498 • £90.50 / $117.00
Bloomsbury Academic
SceneWriting
The Missing Manual for Screenwriters
Chris Perry, Hampshire College, USA & Eric
Henry Sanders, Hampshire College, USA
This thorough and effective guide will help
master the most critical and overlooked part of
the screenwriting process: the art and craft of
writing scenes. With step-by-step instruction, and
numerous exercises, you will learn how to transform an outline into
a fully-developed script. Learn how to prepare scenes for writing,
construct sparkling, naturalistic dialogue, utilize scene description and
the unique structure of the screenplay format to maximum advantage,
and polish your scenes so that your idea becomes the script you
always imagined it could be.
UK June 2022 • US June 2022 • 208 pages
PB 9781501352126 • £17.99 / $24.95 • HB 9781501352133 • £60.00 / $80.00
ePub 9781501352140 • £17.63 / $22.45
ePdf 9781501352157 • £17.63 / $22.45
Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 5
F I L M & M E D I A – Film History & Theory
Post-war Adaptations New Wave, New Hollywood
1946-59 Reassessment, Recovery, and Legacy
Imelda Whelehan, De Montfort University, UK Edited by Gregory Frame, Bangor University, UK
Post-war Adaptations: 1946-59 discusses Hollywood & Nathan Abrams, Bangor University, UK
in the latter stages of its golden age, releasing This collection seeks to reinvigorate debate around
masterpiece adaptations such as It's A Wonderful this fascinating period of film history - the American
Life (1946), The Treasure of the Sierra Madre (1948), New Wave. It also looks in part to demonstrate the
The Third Man (1949), All About Eve (1950), Rear legacy of aesthetic experimentation and political
Window (1954), The Night of the Hunter (1955) and Vertigo (1958). radicalism after 1980 as part of the ‘legacy’ of the New Wave. Thanks
Noted scholar Imelda Whelehan examines key adaptations of this to important new work that questions received scholarly wisdom,
period and considers the impact of social change, film consumption the book reveals previously marginalised filmmakers, considers
and film tastes, as well as noting the most popular genres at this time, new genres, personnel, and films under the banner of ‘New Wave,
as issues of identity, family life and social cohesion, relations between New Hollywood’, and reevaluates the traditional approaches and
the sexes and the hidden dangers of Cold War politics came to the perspectives on the films that have enjoyed most critical attention.
fore.
UK October 2021 • US October 2021 • 240 pages • 15 bw illus
UK December 2021 • US December 2021 • 240 pages • 20 bw illus HB 9781501360404 • £90.00 / $120.00
PB 9781628924756 • £19.99 / $29.95 • HB 9781628923902 • £74.00 / $110.00 ePub 9781501360398 • £83.60 / $108.00
ePub 9781628925708 • £20.70 / $26.95 ePdf 9781501360381 • £83.60 / $108.00
ePdf 9781628922844 • £20.70 / $26.95 Bloomsbury Academic
Series: Bloomsbury Adaptation Histories • Bloomsbury Academic
The Cinema of Discomfort Fashioning James Bond
Disquieting, Awkward and Uncomfortable Costume, Gender and Identity in the
Experiences in Contemporary Art and World of 007
Indie Film Llewella Chapman, University of East Anglia, UK
Geoff King, Brunel University London, UK The first book to study the costumes and fashions
How do we understand types of cinema that of the James Bond movie franchise, from Sean
offer experiences of discomfort, awkwardness or Connery in 1962's Dr No to Daniel Craig in Spectre
disquieting uncertainty? This book examines a (2015), addressing Bond girls, femmes fatales,
number of examples of such work in contemporary art and indie villains and M16 colleagues as well as changing incarnations of Bond
film. Cinema of this kind confronts us with material such as distinctly himself. Llewella Chapman draws on original archival research, close
uncomfortable sexual encounters and uncertain relationships with analysis of the costumes and fashion brands featured in the Bond
awkward and sometimes unlikable characters. It often refuses films, interviews with families of tailors and shirt-makers who assisted
information on which to base judgments or – more uncomfortably – in creating the ‘look’ of James Bond, and considers marketing
emotional responses. Case studies examined included films from the strategies for the films and tie-in merchandise that promoted the idea
US, UK, Austria, Greece, Sweden and Germany, with such cinema of an aspirational ‘James Bond lifestyle’.
understood as a product of both its socio-cultural and industrial/
UK October 2021 • US October 2021 • 368 pages • 8 colour and 46 bw illus
institutional contexts.
PB 9781350258488 • £19.99 / $26.95 • HB 9781350145481 • £65.00 / $90.00
ePub 9781350164666 • £17.99 / $23.44
UK November 2021 • US November 2021 • 304 pages • 30 bw illus ePdf 9781350164659 • £17.99 / $23.44
HB 9781501359309 • £95.00 / $130.00 Bloomsbury Academic
ePub 9781501359293 • £90.50 / $117.00
ePdf 9781501359286 • £90.50 / $117.00
Bloomsbury Academic
6 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk
F I L M & M E D I A – Experimental Film / World & European Cinema
Experimental Filmmaking and Contemporary Chinese Cinema
Punk and Visual Culture
Feminist Audio Visual Culture in the Envisioning the Nation
1970s and '80s Sheldon Lu, University of California, Davis, USA
Rachel Garfield, University of Reading, UK Sheldon Lu's wide-ranging study explores the
In this book, Rachel Garfield breaks new ground representation of the modern Chinese nation in the
in exploring the rebellious, feminist Punk audio- contemporary cinema and visual arts of mainland
visual culture of the 1970s, tracing its roots and its legacies. In their China, Hong Kong and Taiwan. He considers how filmmakers and
filmmaking and their performed personae, film and video artists such artists have addressed questions of class, gender, sexual and national
as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, identity as well as materialism and consumerism in China's transition
Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson from a socialist to a capitalist, globalized state that also maintains
offered a powerful, deliberately awkward alternative to hegemonic rigid controls over artistic expression.
conformist femininity, creating a new "Punk audio visual aesthetic".
UK August 2021 • US August 2021 • 256 pages • 40 bw illus
HB 9781350234185 • £85.00 / $115.00
UK November 2021 • US November 2021 • 272 pages • 40 bw illus ePub 9781350234192 • £76.50 / $100.32
HB 9781788313995 • £85.00 / $115.00 ePdf 9781350234208 • £76.50 / $100.32
ePub 9781350197657 • £76.50 / $100.32 Series: Global East Asian Screen Cultures • Bloomsbury Academic
ePdf 9781350197640 • £76.50 / $100.32
Bloomsbury Academic
Fertile Visions Screen Industries in East-Central
The Uterus as a Narrative Space in Europe
Cinema from the Americas Petr Szczepanik, Charles University, Prague
Anne Carruthers, Newcastle University, UK This book is available as open access through the
Fertile Visions conceptualises the uterus as a Bloomsbury Open programme and is available on
narrative space so that the female reproductive www.bloomsburycollections.com.
body can be understood beyond the constraints of Petr Szczepanik provides an in-depth study into the
a gendered analysis. Unravelling pregnancy from audiovisual media industries of the Czech Republic,
notions of maternity and mothering demands that we think differently Slovakia, Poland and Hungary, offering broad insights into the ways
about narratives of reproduction, which is crucial in the current the screen industries of Eastern and Central Europe are positioned in
global political climate wherein the gender-specificity of pregnancy and are responding to globalization and digitalization.
contributes to how bodies that reproduce are marginalised,
controlled, and criminalised. Anne Carruthers demonstrates UK October 2021 • US October 2021 • 256 pages • 15 bw illus
fascinating and insightful close analyses of films such as Juno, Birth, HB 9781839022739 • £85.00 / $115.00
ePub 9781839022746 • £76.50 / $100.32
and Arrival as examples of uterus as a narrative space. ePdf 9781839022753 • £76.50 / $100.32
Series: International Screen Industries • British Film Institute
UK August 2021 • US August 2021 • 240 pages • 73 bw illus
HB 9781501358579 • £90.00 / $120.00
ePub 9781501358562 • £83.60 / $108.00
ePdf 9781501358555 • £83.60 / $108.00
Series: Thinking Cinema • Bloomsbury Academic
Popular Cinemas in East Central
Jews, Nazis and the Cinema of Europe
Hungary Film Cultures and Histories
The Tragedy of Success, 1929-1944 Edited by Dorota Ostrowska, Birkbeck College,
David Frey University of London, UK, Francesco Pitassio,
University of Udine, Italy & Zsuzsanna Varga,
This original cultural and political history examines University of Glasgow, UK
the birth, unexpected ascendance, and wartime
collapse of Hungary's early sound cinema by This important book provides both a history and a contemporary
placing it within a complex international nexus. Detailing the interplay account of East Central European cinema in the pre-WW2, socialist,
of Hungarian cultural and political elites, Jewish film professionals and post-socialist periods. By looking closely at genre, stardom,
and financiers, Nazi officials, and global film moguls, David Frey cinema exhibition, production strategies and the relationship
demonstrates how the transnational process of forging an industry between the popular and the national, it charts the remarkable
designed to define a national culture proved particularly contentious evolution and transformation of popular cinema in Hungary, the
and surprisingly contradictory in the heyday of racial nationalism and Czech Republic/Czechoslovakia and Poland, from the award-winning
antisemitism. Cosy Dens to cult favourite Lemonade Joe, and from 1960s Polish
Westerns to Hollywood-influenced Hungarian movies.
UK November 2021 • US November 2021 • 480 pages • 30 integrated bw, 1 map
PB 9781350248069 • £28.99 / $39.95 UK November 2021 • US November 2021 • 384 pages • 6 bw illus
Previously published in HB 9781780764511 PB 9781350244269 • £28.99 / $39.95
ePub 9781786720610 • £85.50 / $112.04 Previously published in HB 9781784533977
ePdf 9781786730619 • £85.50 / $112.04 ePub 9781786722393 • £85.50 / $112.04
Bloomsbury Academic ePdf 9781786732392 • £85.50 / $112.04
Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 7
F I L M & M E D I A – World & European Cinema / Animation Studies World Cinema
Lúcia Nagib, University of Reading, UK and Julian Ross, Programmer at International Film Festival Rotterdam, Netherlands
The Cinema of Cuba Latin American Women
Contemporary Film and the Legacy of Filmmakers
Revolution Production, Politics, Poetics
Edited by Ann Marie Stock, College of William & Edited by Deborah Martin, University College
Mary, USA, Guy Baron, Aberystwyth University, London, UK & Deborah Shaw, University of
UK & Antonio Álvarez Pitaluga, Universidad Portsmouth, UK
Nacional de Costa Rica, Costa Rica
Bringing together distinguished scholars in the field
This vibrant collection of essays embraces the - and prefaced by B. Ruby Rich - Latin American Women Filmmakers
enthusiastic spirit of new Cuban cinema, detailing the history behind is a much-needed account and analysis of the rise of female-led film
its rapidly changing practices and moving beyond this to examine in Latin America. Through close attention to the particular features
key case studies as well as 'snapshots' of individuals working within of national film cultures, from women's documentary filmmaking in
the industry today. Chapters celebrate the shared creativity as well as Chile to comedic critique in Brazil, and from US Latina screen culture
diversity of Cuban cinema, including both productions of the Cuban to the burgeoning popularity of Peruvian film, this timely study
Film Institute's (ICAIC) as well as those from the industry margins. demonstrates the remarkable possibilities for film in the region.
UK November 2021 • US November 2021 • 336 pages • 25 bw illus UK November 2021 • US November 2021 • 288 pages • 18 bw illus
PB 9781350246119 • £28.99 / $39.95 PB 9781350244252 • £28.99 / $39.95
Previously published in HB 9781784538149 Previously published in HB 9781784537111
ePub 9781786722539 • £85.50 / $112.04 ePub 9781786721723 • £90.00 / $118.56
ePdf 9781786732538 • £85.50 / $112.04 ePdf 9781786731722 • £90.00 / $118.56
Series: World Cinema • Bloomsbury Academic Series: World Cinema • Bloomsbury Academic
Portugal's Global Cinema The New Generation in Chinese
Industry, History and Culture Animation
Edited by Mariana Liz, University of Lisbon, Shaopeng Chen, University of Southampton, UK
Portugal In 1995 Chinese animated filmmaking ceased to
Exploring themes typical of Portuguese be a state-run enterprise and was plunged into the
visual culture - including social exclusion and free market. Using key animated films as his case
unemployment, issues of realism and authenticity, studies, Shaopeng Chen examines new generation
and addressing Portugal's postcolonial status - this Chinese animation in its aesthetic and industrial
book is a valuable study of interest to the ever-growing number of contexts. He argues that, unlike its predecessors, this new generation
scholars looking outside the usual canons of European cinema, and does not have a distinctive national identity, but represents an
those researching the ongoing implications of national cinema's important stage of diversity and exploration in the history of Chinese
global networks. animation.
UK November 2021 • US November 2021 • 304 pages • 25 bw illus UK October 2021 • US October 2021 • 288 pages • 50 bw illus
PB 9781350248090 • £28.99 / $39.95 HB 9781350118959 • £85.00 / $115.00
Previously published in HB 9781784531980 ePub 9781350118973 • £76.50 / $100.32
ePub 9781786722751 • £85.50 / $112.04 ePdf 9781350118966 • £76.50 / $100.32
ePdf 9781786732750 • £85.50 / $112.04 Series: World Cinema • Bloomsbury Academic
Series: World Cinema • Bloomsbury Academic
Genndy Tartakovsky
Sincerity in Animation
Kwasu David Tembo, Independent Scholar,
Zimbabwe
Genndy Tartakovsky is widely regarded as a
pioneer in contemporary Western animation of the
20th and 21st centuries. His groundbreaking and
prolific output, ranging from Dexter's Laboratory
to Samurai Jack and Sym-Bionic Titan has become a mainstay
of contemporary animated programming, and collectively, the
cornerstone of both titans of the industry such as Cartoon Network
and Adult Swim. This book draws attention to the comparatively
mysterious figure creator, while simultaneously celebrating his
singular vision, mastery of formal technique, genre sensitivity,
personal stylistic flair, and how these aesthetic and narrative elements
combine to produce what the author calls an 'animation of sincerity'
in all his works.
UK December 2021 • US December 2021 • 256 pages • 40 bw illus
HB 9781501356292 • £90.00 / $120.00
ePub 9781501356285 • £83.60 / $108.00
ePdf 9781501356278 • £83.60 / $108.00
Series: Animation: Key Films/Filmmakers • Bloomsbury Academic
8 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.ukF I L M & M E D I A – Television / Media Theory
The Persistence of Television Art Vs. TV
People, Programmes and Practices that A Brief History of Contemporary Artists'
Endure Responses to Television
Jason Jacobs, University of Queensland, Francesco Spampinato, University of Bologna,
Australia & Frances Bonner, University of Italy
Queensland, Australia While highlighting the prevailing role of television in
The Persistence of Television examines more than Western societies, Art vs. TV maps and condenses
60 years of television - including popular shows a comprehensive history of the relationships
such as Doctor Who, Twin Peaks, and NYPD Blue - to identify the of art and television. With a particular focus on the link between
elements that have entertained and informed viewers from the reality and representation, Francesco Spampinato analyzes video
beginning of mass broadcasting to the present day. On-screen faces, art works, installations, performances, interventions and television
programmes and genres, and production practices drawn from programs made by contemporary artists as forms of resistance to and
British, American and Australian television services are examined to appropriation and parody of mainstream television. These works and
demonstrate how continuity persists in the face of change. There's no phenomena elicit a tension between art and television, exposing an
denying the excitement or the value of the new, but the contributors incongruence; an impossibility not only to converge but at the very
to this book argue that it runs in tandem with enduring aspects of least to open up a dialogical exchange.
past television hits.
UK December 2021 • US December 2021 • 304 pages • 70 bw illus
UK December 2021 • US December 2021 • 240 pages HB 9781501370571 • £95.00 / $130.00
HB 9781350089693 • £90.00 / $120.00 ePub 9781501370564 • £90.50 / $117.00
ePub 9781501347344 • £83.60 / $108.00 ePdf 9781501370557 • £90.50 / $117.00
ePdf 9781501347351 • £83.60 / $108.00 Bloomsbury Academic
Bloomsbury Academic
Hipster Culture Imperfections
Transnational and Intersectional Studies in Mistakes, Flaws, and Failures
Perspectives Edited by Caleb Kelly, University of New South
Edited by Heike Steinhoff, Ruhr-University Wales, Australia, Jakko Kemper, University
Bochum, Germany of Amsterdam, Netherlands & Ellen Rutten,
University of Amsterdam, the Netherlands
This is the first comprehensive collection of original
studies that address the hipster and hipster culture This book is available as open access through the
from a range of cultural studies perspectives. Bloomsbury Open programme and is available on
Contributers discuss the cultural, economic, and political meanings www.bloomsburycollections.com.
and implications of a wide range of cultural phenomena prominently Imperfections synthesizes the swiftly growing but fragmented critical
associated with hipster culture. These include the gentrification of scholarship on mistakes, glitches, and other aesthetics and logics of
urban areas, alternative food styles and nutrition choices, vintage imperfection into the first transdisciplinary, transnational framework of
fashion styles and eclectic body adornments and practices, the imperfection studies. With this framework, the editors offer scholars
nostalgic use of retro technologies, and the production and and students across various disciplines tools to craft more historically
consumption of literature, art and music with a characteristic aesthetic grounded and critically informed conceptualizations of the imperfect.
and style marked by self-reflexivity, irony, and a simultaneous longing
for an earnest authenticity. UK June 2022 • US June 2022 • 320 pages • 30 bw illus
HB 9781501380341 • £95.00 / $130.00
UK August 2021 • US August 2021 • 424 pages • 7 bw illus ePub 9781501380334 • £90.50 / $117.00
PB 9781501370410 • £28.99 / $39.95 • HB 9781501370427 • £95.00 / $130.00 ePdf 9781501380327 • £90.50 / $117.00
ePub 9781501370403 • £27.60 / $35.95 Series: Thinking Media • Bloomsbury Academic
ePdf 9781501370397 • £27.60 / $35.95
Bloomsbury Academic
How We Use Stories and Why
That Matters
Cultural Science in Action
John Hartley, Curtin University, Australia
How We Use Stories and Why That Matters argues
that media and networked systems perform and
bind group identities, creating bordered fictions
within which economic and political activities are made meaningful.
Using striking examples and compelling analysis, the book shows
what the New York Shakespeare Riots tell us about class struggle,
what Death Cab for Cutie tells us about media, and what Kate Moss’s
wedding dress tells us about authorship. Together, these knowledge
stories tell us about how intimate human communication is organised
and used to stage organised conflict, to test the ‘fighting fitness’ of
contending groups, unwittingly creating new stories, identities and
classes along the way.
UK July 2021 • US July 2021 • 312 pages • 34 bw illus
PB 9781501383298 • £28.99 / $39.95
Previously published in HB 9781501351631
ePub 9781501351648 • £90.50 / $117.00
ePdf 9781501351655 • £90.50 / $117.00
Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 9F I L M & M E D I A – Media Theory / Journalism / Game Studies
Video Theories Fan Identities in the Furry
A Transdisciplinary Reader Fandom
Edited by Dieter Daniels, Academy of Fine Arts, Jessica Ruth Austin, Anglia Ruskin University, UK
Leipzig, Germany & Jan Thoben, Academy of Jessica Ruth Austin investigates how Furries, or
Fine Arts, Leipzig, Germany people who identify with an animal as part of
Breaking new ground as the first transdisciplinary their personality, use the online space to create a
reader on video theory, Video Theories is a resource ‘Furry identity’. This book argues that the Furries
that will form the basis for further research and are not a homogenous group and with varying
teaching. Consisting of a selection of annotated source texts and levels of identification within the fandom, and in doing so shows that
chapter introductions written by the editors, this book takes into negative media representations of the Furry Fandom have wrongly
account fifty years of scholarly and artistic reflections on the topic, pathologized the Furries as deviants as opposed to fans.
representing an intergenerational and international set of voices.
Theorists and artists old and new, like Jacques Derrida, Marshall UK September 2021 • US September 2021 • 184 pages
HB 9781501375439 • £80.00 / $110.00
Mcluhan, Jean-Luc Godard and Paul Virilio, are joined together in this ePub 9781501375422 • £76.69 / $99.00
unique collection with almost half the work translated into English for ePdf 9781501375415 • £76.69 / $99.00
the first time. Bloomsbury Academic
UK December 2021 • US December 2021 • 432 pages • 60 bw illus.
PB 9781501354083 • £28.99 / $39.95 • HB 9781501354090 • £95.00 / $130.00
ePub 9781501354106 • £27.60 / $35.95
ePdf 9781501354113 • £27.60 / $35.95
Series: International Texts in Critical Media Aesthetics • Bloomsbury Academic
World All Languages (except German)
Trumpled Reporting Genocide
The Making of Trump and the Media, Mass Violence and Human Rights
Demonization of the Press David Patrick, University of the Free State, South
Robert E. Gutsche, Jr., Lancaster University, UK Africa
Award-winning journalist Robert Gutsche, Jr. Utilizing a wide-ranging quantitative analysis of
highlights the main elements of journalism’s media reporting across the globe, David Patrick
struggle not only with the direct challenges of the argues that an over-reliance on the Holocaust as
Trump administration, but the underlying social and the framing device we use to come to terms with
cultural turns and positions of power that have led to the alarming tragedies can lead to slow responses, misinterpretation and category
uprising in Washington, D.C. He emphasizes that this is not just a errors. He argues that in both Rwanda and Bosnia, too much energy
response to the current political climate, but a call to conceptualize was misspent in trying to ascertain whether these regions qualified
the actions of the press – and the possible legitimate concerns of for 'genocide' status. Reporting Genocide demonstrates how such
press critiques – that creates a narrative of one of the biggest threats tragedies are reduced to stereotypes in the media - framed in terms
to normalized news understandings the world over even in our new, of innocent victims and brutal oppressors - which can over-simplify
post-Trump era. the situation on the ground, leading to inadequate and mixed
responses.
UK December 2021 • US December 2021 • 208 pages
PB 9781501340680 • £19.99 / $24.95 • HB 9781501340697 • £64.00 / $80.00 UK November 2021 • US November 2021 • 304 pages
ePub 9781501340703 • £17.63 / $22.45 PB 9781350248151 • £28.99 / $39.95
ePdf 9781501340710 • £17.63 / $22.45 Previously published in HB 9781784537227
Bloomsbury Academic ePub 9781786722935 • £85.50 / $112.04
ePdf 9781786732934 • £85.50 / $112.04
Bloomsbury Academic
War Games The History and Allure of
Memory, Militarism and the Subject of Interactive Visual Novels
Play Mark Kretzschmar, University of Wyoming &
Edited by Philip Hammond, London South Bank Sara Raffel, University of Central Florida
University, UK & Holger Pötzsch, UiT Tromsø, Visual novels, a ludic video game genre that pairs
Norway textual fiction stories with anime-like images and
While many of today's most commercially successful varying degrees of interactivity, have increased in
video games, such as Call of Duty or Heroes, are popularity among Western audiences in recent
marketed as authentic representations of war, they often provide years. Arranged in three segments, this book identifies how and
a selective form of realism that eschews problematic, yet salient why this modest mode of storytelling penetrated the wider gaming
aspects of war. In addition, changes in the way Western states wage industry and even inspired blockbuster series like Metal Gear Solid.
and frame actual wars seem to imply that contemporary conflicts Whether a long-standing fan of the genre or a newcomer looking for
increasingly resemble videogames when perceived from the vantage a fresh experience, the book provides an accessible and critically-
point of western audiences. This interdisciplinary volume examines engaging overview of a genre that’s rich in storytelling yet often
the complex relationships between military-themed videogames and overlooked by Western audiences.
real-world conflict, and considers how videogames might deal with
UK December 2021 • US December 2021 • 240 pages
history, memory, and conflict in alternative ways. HB 9781501368646 • £90.00 / $120.00
ePub 9781501368639 • £83.60 / $108.00
UK June 2021 • US June 2021 • 288 pages • 19 bw illus ePdf 9781501368622 • £83.60 / $108.00
PB 9781501382529 • £28.99 / $39.95 Series: Approaches to Digital Game Studies • Bloomsbury Academic
Previously published in HB 9781501351150
ePub 9781501351167 • £90.50 / $117.00
ePdf 9781501351174 • £90.50 / $117.00
Bloomsbury Academic
10 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.ukWinner of the Best Interface
award from The Charleston
Advisor
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his award-winning digital library has been created
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Available via subscription or perpetual access to institutions worldwide
www.dramaonlinelibrary.comCritical & Primary Sources Series
– MAJOR REFERENCE WORKS
This series comprises multi-volume reference works which bring together the most important and interesting writings from a range of subjects in
the Visual Arts, Humanities and Social Sciences. The contents of each set are selected and introduced by a leading scholar in the field. Subjects
covered include Fashion, Interior Design and Architecture, Food History, Arts and Cultural Management, and Gender History.
Adaptations
Critical and Primary Sources
3-Volume Set
Edited by Deborah Cartmell & Imelda Whelehan, both De Montfort University, UK
Adaptations: Critical and Primary Sources is a reference resource bringing together over 80
landmark texts in adaptation studies. Volume One covers the history of adaptation studies, by
plotting the ‘prehistory’ of the field, beginning with Vachel Lindsay’s classic Art of the Moving
Picture (1915), to some of the most important critical and theoretical interventions up until the
1990s. Volume Two collects essays from the last 25 years, charting the process of critical and
theoretical maturation. Volume Three covers key case studies, such as Christine Geraghty’s
take on adapting Westerns and Ian Inglis’ understanding of the transformation of music into
movies.
Special introductory offer (valid up to three months after publication): £445.00 / $600.00
UK November 2021 • US November 2021 • 3 vols • c. 1,248 pages
HB Pack 9781501315404 • £495.00 / $669.00
Series: Critical and Primary Sources • Bloomsbury Academic
FILM & MEDIA
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