TOM KEIFER CONTRACT RIDER 2016 - Paradise Artists

TOM KEIFER
                      CONTRACT RIDER 2016
Billing
As per contract.

Media
The purchaser will not commit the artist to any personal appearance, interview,
meet & greet, or other type of promotion or appearance without prior written
approval of artist or their representative. All requests should be put in writing with
all details and emailed to Artist’s representative.

Presentation, Content and Production
The Purchaser agrees and accepts the following terms and conditions regarding
the presentation of the Artist’s show. The Artist shall have exclusive control over
the presentation, production, nature and conduct of their show, including
production hired by the Purchaser in connection with the performance. (This
includes all lighting, sound reinforcement and monitor systems, backline
equipment and staging. In addition any or all equipment or apparatus or systems
in or adjacent to the venue of performance that may affect directly or indirectly
the Artist’s performance.)

Stage
Purchaser agrees to provide a solid stage on one level of a minimum size of 32’
wide by 24’ deep by 2’ high (not including sound wings), with a minimum stage to
ceiling clearance of 14’. Stage must be set up with backline equipment prior to
arrival of band/crew (minimum 4 hours before show time). Stage shall be
completely free of deflection, cracks, obstruction, nails, etc. which might impede
Artist’s movements.

Loaders / Stage Hands, Etc.
A minimum of 4 loaders on the in and out of Artist’s load in will be provided by
Purchaser, plus at least 3 stagehands for the changeover of show call will be
required for Artist’s performance.

P.A. System and Monitors
The P.A. System professional quality and must be adequate to cover the venue,
to the Artist’s FOH Engineer, and it must be set up prior to the arrival of the
band/crew. Note: Purchaser must provide qualified personnel to provide
assistance (see technical rider for details)

Stage Lighting
One high quality concert lighting rig capable of adequately lighting the stage and
venue. (Subject to production manager specs)
(see technical rider for details)

Spotlight
Purchaser will also supply to Artist for their performance (at no cost to Artist) a
working, high quality, professional spotlight and operator. (as per review by
production manager)

Sound Check
Time shall be provided for sound check, at least 2 hours, at the request of the
Artist. No patrons shall be allowed to be present in the venue during sound check
without expressed consent from Artist’s Tour Manager.

Hotel
Purchaser will provide eleven (11) hotel rooms (for (1) one night if needed and
agreed to). These rooms will consist of (10) king singles & (1) double. The hotel
should be a recognizable chain of decent quality (clean & safe...three star or
better). Also the hotel chosen should be the closest in proximity to the venue.
Rooms will be pre-paid in advance prior to Artist’s arrival with confirmation
number and hotel information provided no less than one full week prior to
show date.

Dressing Room Catering
Please see pages 6-7 for hospitality rider.

Security
The Purchaser guarantees proper and qualified security at all times to ensure the
safety of the Artist, the Artist’s road crew, their equipment and their personal
possessions, from the time of the stage call until the finish of the load-out. During
the course of the engagement, particular security must be provided in the area of
the dressing rooms, stage, remote mixing consoles and all the exits and
entrances to the venue as to provide for a safe and enjoyable event for both
band / crew and paying guests.
Furthermore, the Purchaser must adhere to security provisions demanded by the
venue authorities. In the event that any party of the Artist, the Artist’s road crew,
or employees is damaged or lost due to the failure of the security arrangements,
the Purchaser will be held solely responsible. Furthermore, the Purchaser agrees
and understands that he will bear full financial cost of replacement or repair of
the damaged or lost items of equipment.

Parking
Promoter will provide to Artist, at no expense to the Artist parking for 1- 45ft. Tour
Bus and 24 ft. box truck. This should be next to venue load in, and will be
secured Through out the entire engagement until load out is complete. Any
permits, fees, etc. that are needed for parking, will be the sole responsibility of
the promoter to pay.

Merchandising
Representatives of the artist will have the exclusive right to sell merchandising
within the venue. A suitable location with display facilities, as well as qualified
personnel to sell merchandise will be made available to Artist’s Tour Manager at
time of load in (unless otherwise agreed to in performance contract). No
commission or percentage will be paid to purchaser or venue on merchandise
sales (unless otherwise agreed to in performance contract).

Comp Tickets
Artist is to be granted up to 20 “comp” tickets per performance (unless otherwise
agreed to in performance contract).

MEALS:
(12) MEALS OR BUYOUT AT $25.00 EACH (Lunch/Dinner). PROVIDED MEALS
MUST BE HOT AND FRESH. IF MEAL IS TO BE FROM OUTSIDE FOOD SOURCE,
WILL ADVANCE Prior to D.O.S

BEVERAGES and FOOD items for Dressing Room:
< FULL SERVICE FOR COFFEE AND TEA
2 - CASES OF BOTTLED WATER (24 bottles – Fiji, Dasini, Aqua Fina – NO
NESTLE WATER, NO FLAVORED WATER)
1 - SMALL DELI TRAY TO INCLUDE- SLICED CHICKEN, TURKEY, ROAST
BEEF, CHEESE, LETTUCE, TOMATO, ONION, PICKLES AND OLIVES.
MAYONNAISE + MUSTARD.
1- LOAF OF FRESH BREAD – 100% WHOLE WHEAT
1 - PACK FRESH SANDWICH ROLLS (WHITE)
12 - BOTTLES OF GATORADE (Original Lemonade)
1 - LARGE BOWL OF FRESH FRUIT (BANANAS, APPLES, ORANGES &
GRAPES)
1 Small bag of baby carrots
12 - Beer (Stella, Corona, Red Stripe)
2 – Bags of ice
1 – Bottle Red Wine
12 - Assorted Sodas
1 - 4 PACK OF STARBUCKS FRAP BOTTLES
2 - Box of Starbucks (K cups – Verona)
1 - Bottle Coffee Mate (Vanilla )
1 - BAG OF TORTILLA CHIPS
1 Bag Blue Corn Chips (Gluten Free)
1 - JAR OF SALSA (Mild)
1 Sabra Family size Hummus (Roasted pine nut if available)
< – Assorted chocolate (M&M, Hershey Kisses, DARK CHOCOLATE)
6 - ENERGY BARS - CLIFF BARS/TIGER MILK
6 BALANCE Bars CARAMEL NUT BLAST (available at target)
2 - ROLLS OF PAPER TOWELS
2 - Cans of assorted deluxe Nuts (unsalted if available)
4 – Red Bull
1 - Quart of Milk (Organic)
4 – Greek Yogurt
1 – Small Jar of Peanut Butter and Jelly
1 - Bag of Twizzlers
10 - CLEAN BATH TOWELS (dark is preferred)
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* An ample selection of plastic cups, plates, forks, knives, etc.

AFTERSHOW FOOD – 3 Large Pizzas (1 Cheese, 1 Pepperoni, 1 Sausage)

Tom Keifer TECHNICAL RIDER 2016
F.O.H PA
A high quality, 3 or 4 way sound system in stereo to produce at the mix position
120db (A WEIGHTED) of distortion free sound and suitable amount of
subwoofers per production manager’s specifications. A knowledgeable SOUND
TECHNICIAN / MONITOR ENGINEER must be on duty for ARTIST’S load-in,
set-up and performance. All systems including custom systems must be
approved by the production manager in advance. FOH position no more then
80’ from Stage. Console placed at center.

      Preferred Systems
      a) DnB Audioteknik
      b) JBL Vertec 4888/4889
      c) L’Acoustic

F.O.H. CONSOLE
1 - 48 x 8 professional console with 4 band sweep eq., phantom power, phase
rev., pad, etc. All in good working order..
       Preferred F.O.H. Consoles
       a) AVID (Profile/SC48)
       b) Midas (Pro/Heritage/XL Series)
       c) Yamaha PM5d
       ABSOLUTELY NO:
       a) X32
       b) Presonus

(If analog console please include) 4 – High Quality Effects
8 - insertable noise gates (Drawmer, BSS).
12 - insertable compressors (Drawmer, BSS).
1 - CD player for playback (Sony, Tascam).
1 - 40 channel snake with a 40 channel monitor split including talk-back to stage.
*All necessary patching, crossovers, amplifiers and cabling.

MONITOR CONSOLE
1 - 48 x 10 professional monitor console (minimum 10 mixes).

      Preferred Monitor Consoles
      a) AVID (Profile/SC48)
      b) Yamaha PM5d
      c) Midas (Pro/Heritage/XL Series)

MONITOR WEDGES
      11 - High powered wedges preferably bi-amped (minimum 9 wedges).
      2 - High powered full range side fills with subs

MISC Stage Needs
8 - Tall Boom Stands
4 - Short Boom Stands
*All necessary patching, crossovers, amplifiers and cabling.
*All necessary AC stage power.
*All necessary mic clips, mic cables and stage input boxes.

LIGHTING (to be confirmed with production manager)
Artist will need one (1) English speaking and professional lighting director for
Artist’s performance. Lighting Operator will need to have knowledge and
experience with running lights for a Rock n Roll show, please have LD meet with
Artist’s Production Manager during Sound Check for notes.

- minimum of 72 - 1000 watt, par 64 fixtures.
-any automated lighting fixtures are to be advanced with production manager -
minimum of 48 channels of dimming.
- 2 professional lighting consoles.
1-Automated (Hog or Grand Ma)
1- Conventional (Jands or Lep) - varied assortment of gels. (to be advanced with
production manager)
1-High Quality Spotlight and Operator

ABSOLUTELY NO HAZE OR FOG

Staging (to be confirmed with production manager)
1- 8’x8’ Sturdy, High quality drum riser dedicated to artist’s performance
1-High Quality Spotlight and Operator
1-Pipe to hang artist’s backdrop

LABOR REQUIREMENTS
A minimum of SIX (6) loaders for band backline available for load-in, set-up, strike
and load-out to be supplied by buyer,

Tom Keifer
                      Flydate Backline 2015
    (All gear subject to approval by production manager Kyle O’Connor 615-
                                 587-1265)

DRUMS:

   Kit
   Gretsch or D.W kit (Gretsch Endorsee: Paul Simmons)
   (Gretsch Contact: Brent Barnett (805) 822-5308 brentb@dwdrums.com)
   24 x 16 inch Kick Drum / Emad Clear head
   16 x 16 inch Floor Tom / G2 Clear Head
   18 x 16 inch Floor Tom / G2 Clear Head
   13 x 9 inch Rack Tom / G2 Clear Head / Mounted on Kick w Double Tom
   Mount
   14 x 6.5 inch Chrome Snare / G2 Coated
   14 x 5 inch Brass Snare / G2 Coated

   Hardware
   Gibraltar or Pearl
   (2) Snare Stands
   (1) High Hat Stand
   (5) Boom Cymbal Stands
   (1) High quality drum throne
   (2) DW5000 Double Kick Pedal

   Cymbals
   Meinl or Zildjian (Meinel Endorsee: Paul Simmons)
   (Meinel Contact: Chris Brewer (615) 227-5090 cbrewer@meinlusa.com)
   (1) Set of 14 or 15 inch Hi Hats
   (1) Heavy Ride 21/22 inch
   (1) 17 inch Medium Crash
   (1) 18 inch Medium Crash
   (1) 19 inch Medium Crash
   (1) 16 inch Thin Crash

   Misc
   (1) 8x8 Drum Rug
   (1) Cowbell with mount
   (2) Handheld tambourines
   (4) Maracas Type Large Hand Shakers
   (1) Throne Mounted Buttkicker with suitable amplifier

BASS

   (Orange Endorsee: William Mercer)
   (Orange Contact: Alex Auxier alex@orangeamps.com, +44 (0) 208 905 2828)
   1st Choice: Orange AD200B Mk3
   2nd Choice: Ampeg SVT Classic Head

   Cabs
   1st Choice: Orange 8x10”
   2nd Choice: Ampeg 8x10”

   Misc
   (2) Appropriate speaker cables

KEYBOARDS

   (1) Yamaha Motif XF-7/8 (MUST BE XF Model)
   (1) Roland or Hammond Portable Organ (VK or XK)
   (1) 2 Tier stand with 4 arms
   (1) Volume pedal for organ
   (2) Sustain pedals for Yamaha Motif XF-7

TOM GUITAR
   Amps
   1st Choice: Marshall JCM 2000 DSL Head (BRITISH ONLY)
   2nd Choice: 100 Watt Marshall JCM 800 Head (NON REISSUE ONLY)

   Cabs
   (2) Marshall 4x12 Cabinets loaded with either 25 Watt Greenbacks or Vintage 30s

   Misc
   (3) 6ft ¼ inch to ¼ inch speaker cables

   Acoustic
   Gibson Endorsee: Tom Kiefer
   (Gibson Contact: David Bower (David.Bower@gibson.com)
   (1) Gibson J45 Acoustic Electric

TONY GUITAR
   Amps
   1st choice: (2) Bogner Shiva/Ectstasy Heads

2nd choice: (2) 100 Watt Marshall JCM 2000 DSL100 Heads (BRITISH ONLY)
   3rd choice: (2) Marshall 100 Watt JCM 800 Heads (NON REISSUE ONLY)

   Cabs
   1st choice: (2) Bogner 4x12 cabs with 25 Watt Greenbacks or Vintage 30s
   2nd choice: (2) Marshall 4x12 Straight Cabs with 25 watt Greenbacks or Vintage
   30s

   Acoustic
   Gibson Endorsee: Tony Higbee
   (1) Gibson J45 Acoustic Electric

   Misc
   (3) 3ft ¼ inch to ¼ inch speaker cables

   (1) Gracie acoustic guitar stand. see photo at:
   http://www.musicstandsalone.com/files/1561657/uploaded/gpsa.jpg

MISC NEEDS
   (2) 6 Slot Guitar Boat/Stand
   (6) Transformers to USA 110v
   (6) Adapters (USA 3 pin Edison to local)
   (6) 10 ft ¼ to ¼ inch instrument cables
   (6) 25ft ¼ inch to ¼ inch instrument cables
   (5) Height Barstools with no backs