The Marianne North Gallery at Kew Gardens - Peter Emery
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Marianne North was a very Intrepid artist who travelled the World, mostly alone and who produced more than 800 paintings 10
But who was Marianne North? 11
Who was Marianne North? • Marianne was born October 24th 1830, to Frederick North the MP for Hastings and Janet North, the widow of Robert Shuttleworth of Gawthorpe Hall, Lancashire 12
Who was Marianne North? • Marianne was born October 24th 1830, to Frederick North the MP for Hastings and Janet North, the widow of Robert Shuttleworth of Gawthorpe Hall, Lancashire • Janet North already had a daughter, also Janet, from her first marriage and a son, Charles was born to the North’s in 1828 13
Who was Marianne North? • Marianne was born October 24th 1830, to Frederick North the MP for Hastings and Janet North, the widow of Robert Shuttleworth of Gawthorpe Hall, Lancashire • Janet North already had a daughter, also Janet, from her first marriage and a son, Charles was born to the North’s in 1828 • As she grew up Marianne divided her time between the North properties in Hastings and Rougham, Norfolk and Gawthorpe Hall in Lancashire 14
Who was Marianne North? • Marianne learned to Paint and to sing, correct pastimes for a Victorian girl of her social class 15
Marianne North a normal Victorian? • Marianne learned to Paint and to sing, correct pastimes for a Victorian girl of her social class • Marianne was trained as an artist by Miss Van Fowinkel and by Valentine Bartholomew, both Queen Victoria’s flower painters 16
Marianne North a normal Victorian? • Marianne learned to Paint and to sing, correct pastimes for a Victorian girl of her social class • Marianne was trained as an artist by Miss Van Fowinkel and by Valentine Bartholomew, both Queen Victoria’s flower painters • Marianne was devoted to her Father but her mother only accounts for one paragraph in Marianne’s three volume autobiography 17
When did she begin her travels? • In 1847 the North family undertook a three year tour of Europe ending with six months in Brussels 18
When did she begin her travels? • In 1847 the North family undertook a three year tour of Europe ending with six months in Brussels • Marianne’s mother Janet died in 1855 and Marianne became housekeeper to her Father in his London flat, as she had promised her Mother she would 19
When did she begin her travels? • In 1847 the North family undertook a three year tour of Europe ending with six months in Brussels • Marianne’s mother Janet died in 1855 and Marianne became housekeeper to her Father in his London flat, as she had promised her Mother she would • Marianne and her Father made a number of travels together as far afield as Turkey & Egypt 20
When did she begin her travels? • In 1847 the North family undertook a three year tour of Europe ending with six months in Brussels • Marianne’s mother Janet died in 1855 and Marianne became housekeeper to her Father in his London flat, as she had promised her Mother she would • Marianne and her Father made a number of travels together as far afield as Turkey & Egypt • These journeys came to an end with the death of her father in 1869 - Marianne was devastated 21
Travel alone • After grieving for two years Marianne began her solo journeys in 1871 at the age of 41 22
Travel alone • After grieving for two years Marianne began her solo journeys in 1871 at the age of 41 • Marianne sold Hastings Lodge to fund her travels and took the London flat, her half sister Janet continued to live at Gawthorpe Hall and Charles was given the Norfolk House 23
Travel alone • After grieving for two years Marianne began her solo journeys in 1871 at the age of 41 • Marianne sold Hastings Lodge to fund her travels and took the London flat, her half sister Janet continued to live at Gawthorpe Hall and Charles was given the Norfolk House • On her first journey Marianne took her maid along as company – this was not repeated and after this Marianne travelled alone 24
Where did she go? • 1871 to 1872 she visited Canada, North America, Jamaica and Brazil 25
Where did she go? • 1871 to 1872 she visited Canada, North America, Jamaica and Brazil • In 1833 to 1877 she visited California, then Japan, Borneo, Java, Ceylon 26
Where did she go? • 1871 to 1872 she visited Canada, North America, Jamaica and Brazil • In 1833 to 1877 she visited California, then Japan, Borneo, Java, Ceylon • 1878 to 1879 Marianne undertook an extensive tour of India 27
Where did she go? • 1871 to 1872 she visited Canada, North America, Jamaica and Brazil • In 1833 to 1877 she visited California, then Japan, Borneo, Java, Ceylon • 1878 to 1879 Marianne undertook an extensive tour of India • In 1880, after a meeting with Charles Darwin, Marianne visited Australia, New Zealand and Borneo returning in 1881 via California 28
Where did she go? • 1871 to 1872 she visited Canada, North America, Jamaica and Brazil • In 1833 to 1877 she visited California, then Japan, Borneo, Java, Ceylon • 1878 to 1879 Marianne undertook an extensive tour of India • In 1880, after a meeting with Charles Darwin, Marianne visited Australia, New Zealand and Borneo returning in 1881 via California • In 1882 to 1883 she visited South Africa and the Seychelles 29
Where did she go? • 1871 to 1872 she visited Canada, North America, Jamaica and Brazil • In 1833 to 1877 she visited California, then Japan, Borneo, Java, Ceylon • 1878 to 1879 an extensive tour of India • In 1880, after a meeting with Charles Darwin, Marianne visited Australia, New Zealand and Borneo returning in 1881 via California • In 1882 to 1883 she visited South Africa and the Seychelles • Finally in 1884 and 1885 Marianne was in Chile to paint the Monkey Puzzle tree 30
The Gallery Decision • After her trip to India Marianne began to find it tedious to give private viewings of her pictures from India to friends and dignitaries 31
The Gallery Decision • After her trip to India Marianne began to find it tedious to give private viewings of her pictures from India to friends and dignitaries • Marianne rented a gallery in Conduit Street, London for two months to exhibit her paintings publicly 32
The Gallery Decision • After her trip to India Marianne began to find it tedious to give private viewings of her pictures from India to friends and dignitaries • Marianne rented a gallery in Conduit Street, London for two months to exhibit her paintings publicly • The Pall Mall Gazette, reviewing the exhibition suggested that these, and the rest of her paintings, should reside at Kew gardens 33
The decision is made • Marianne decided that she would fund a gallery to house her paintings 34
Where and how? • Having made the decision to fund a gallery for her work Marianne began to use her circle of friends to make it happen 35
Where and how? • Having made the decision to fund a gallery for her work Marianne began to use her circle of friends to make it happen • Marianne wrote to Sir Joseph Hooker, Director of Kew in August 1879 suggesting that she build a gallery at Kew and donate her paintings to the country 36
Where and how? Marianne wrote to Sir Joseph Hooker, Director of Kew in August 1879 suggesting that she build a gallery at Kew and donate her paintings to the country 37
Where and how? • Having made the decision to fund a gallery for her work Marianne began to use her circle of friends to make it happen • Marianne wrote to Sir Joseph Hooker, Director of Kew in August 1879 suggesting that she build a gallery at Kew and donate her paintings to the country • After a short pause Sir Joseph agreed and selected a suitable site 38
Choosing an architect • Marianne asked a close family friend, James Fergusson FRS, to design and manage the build of her gallery 39
Choosing an architect • Marianne asked a close family friend, James Fergusson, to design and manage the build of her gallery • Fergusson was a self made man, rich from ten years as an Indigo planter in Bengal 40
Choosing an architect • Marianne asked a close family friend, James Fergusson, to design and manage the build of her gallery • Fergusson was a self made man, rich from ten years as an Indigo planter in Bengal • A specialist on Indian architecture, writer of standard works on architecture and winner of a Gold award from the Royal Society 41
The Gallery design • Despite using a famous architect Marianne was determined to have the gallery as she wanted it 42
The Gallery design • Despite using a famous architect Marianne was determined to have the gallery as she wanted it • She asked for and got an arcade around the side and a classical style 43
The Gallery design • Despite using a famous architect Marianne was determined to have the gallery as she wanted it • She asked for and got an arcade around the side and a classical style • Fergusson’s own ideas of lighting resulted in the clerestory design based on the lighting used in Greek Temples 44
The Gallery design • Despite using a famous architect Marianne was determined to have the gallery as she wanted it • She asked for and got an arcade around the side and a classical style • Fergusson’s own ideas of lighting resulted in the clerestory design based on the lighting used in Greek Temples • Marianne wanted refreshments for the ladies, Sir James refused 45
The Gallery design 46
The interior design • Marianne designed the hang of her paintings, taking almost a year to finalise it 47
The interior design • Marianne designed the hang of her paintings, taking almost a year to finalise it • Marianne painted the doorway surrounds showing plants from the different hemispheres 48
The interior design • Marianne designed the hang of her paintings, taking almost a year to finalise it • Marianne painted the doorway surrounds showing the plants from different hemispheres • Having been thwarted by Sir James Hooker on offering tea and coffee to visitors Marianne painted tea plants over one doorway, coffee plants over the other 49
The interior design • Marianne designed the hang of her paintings, taking almost a year to finalise it • Marianne painted the doorway surrounds showing the plants from different hemispheres • Having been thwarted by Sir James Hooker on offering tea and coffee to visitors Marianne painted tea plants over one doorway, coffee plants over the other • The lower walls were ‘planked’ with over 260 slices of trees, each identified, from her travels around the world. 50
The reception to the gallery • Opened in June 1882, the gallery had an excellent press with reports appearing as far away as New York (Times) and Chicago (Tribune) • The gallery was refurbished in 2008/2009 and the 833 paintings were restored and conserved, the hang remains almost exactly as Marianne had designed it • The gallery remains the only permanent solo exhibition by a female artist in Britain and one of the largest ‘one man’ (!) exhibitions in the world 51
The gallery today • The gallery remains the only permanent solo exhibition by a female artist in Britain and one of the largest ‘one man’ (!) exhibitions in the world 52
The gallery today 53
The gallery today 54
The gallery today 55
The gallery today 56
The gallery today 57
Botanical painting at Kew The Shirley Sherwood Gallery of Botanical Art is the first gallery in the world dedicated solely to botanical art. It is attached to the Marianne North gallery 58
The Marianne North Gallery at Kew Gardens Thank you for listening - Any Questions? Peter Emery 59
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