Television in Turkey - Springer
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Television in Turkey “Television in Turkey, as a well-researched book full of compelling ideas,appeals to any reader interested in the institutional, industrial, generic and narrative struc- tures of Turkish television. The chapters provide a deeper understanding of how national audiences, diasporic communities and expanding transnational societies use Turkish television output. A must-read book for anyone wishing to go histori- cally and theoretically further into the vast Turkish televisual landscape.” —Sevilay Çelenk, Academics for Peace scholar dismissed from Ankara University and the author of Televizyon, Temsil, Kültür (Television, Representation, Culture) “Despite various cybertarian prophets, television is becoming more and more powerful and international with each passing year. Old shibboleths about the imbalance of textual trade between Global North and Global South are compro- mised in the process. Yesim Kaptan and Ece Algan have produced a marvelous collection that places Turkey at the center of these developments. Their pathbreaking volume showcases television studies at its best, combing textual analysis, ethnog- raphy, and political economy in a powerful, arresting blend. Bravo!’” —Toby Miller, Stuart Hall Professor of Cultural Studies, Universidad Autónoma Metropolitana—Cuajimalpa “Television in Turkey is a brilliantly conceived book for this moment in the growth and expansion of national television into a powerful transnational force. Turkey, like Korea, is one of the latest powerful forces as television becomes increasingly transnational and global. Extremely well conceived and organized, the book covers the growth of Turkish television, its political and social impacts at home, in the Middle East, and increasingly throughout the globe, both through direct place- ment in schedules in places like Latin America but increasingly also in truly global actors like Netflix. The editors are very well versed in the issues and have selected an outstanding set of authors. Read it now only to better understand a major new force in transnational television, but also to see how our theories hold up as it is carefully examined.” —Joe Straubhaar, Professor, University of Texas, Austin, USA, Author of World Television
Yeşim Kaptan • Ece Algan Editors Television in Turkey Local Production, Transnational Expansion and Political Aspirations
Editors Yeşim Kaptan Ece Algan The School of Communication Studies Institute for Media & Creative Kent State University Industries Kent, OH, USA Loughborough University London, CA, UK ISBN 978-3-030-46050-1 ISBN 978-3-030-46051-8 (eBook) https://doi.org/10.1007/978-3-030-46051-8 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: KieselUndStein / gettyimages Cover design: eStudioCalamar This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Contents 1 Television in Turkey: Local Production, Transnational Expansion, and Political Aspirations 1 Yeşim Kaptan and Ece Algan Part I Turkish Television in Context: Political Economy, Policy Making, Production, and Reception 25 2 The Regulation of Television Content in Turkey: From State Monopoly to Commercial Broadcasting and Beyond 27 Burcu Sümer and Oğuzhan Taş 3 Televised Journalistic Documentaries of the 1990s: The Form, Content, and Historical Juncture 47 Burçe Çelik 4 Revisiting the Unplugged Margins: Rural Television Audiences and Mediatization 67 Nurçay Türkoğlu v
vi Contents Part II What’s on TV?: Debates over Identity Politics and Gender 83 5 Debating Women’s Issues on Turkish Television: Exploring the Role of Political Power in Women’s Talk 85 Esra Özcan 6 Women’s Fragile Trust: Safety, Familiarity, and Secrecy in the Marriage Show103 Feyza Akınerdem 7 Representing Female Detectives in Turkish Police Procedurals125 Ayşegül Kesirli Unur Part III On the Long Journey: The Transnationalization and Expansion of Turkish TV Industry 149 8 Continuities and Changes in the Transnational Broadcasts of TRT151 Gökçen Karanfil 9 Mediatisation and Hyper-commodification of Sport in Post-1980 Turkey173 Dağhan Irak 10 From TRT to Netflix: Implications of Convergence for Television Dramas in Turkey189 Eylem Yanardağoğlu and Neval Turhallı Part IV Diasporic and Transnational Audiences of Turkish Television 205 11 Mediatised Culturalisation Through Television: Second-Generation Alevi Kurds in London207 Kumru Berfin Emre Cetin
Contents vii 12 Turkish Drama Serials and Arab Audiences: Why Turkish Serials Are Successful in the Arab World223 Miriam Berg 13 Consuming Halal Turkish Television in Indonesia: A Closer Look at the Social Responses Towards Muhteşem Yüzyıl245 Inaya Rakhmani and Adinda Zakiah Index267
Notes on Contributors Feyza Akınerdem holds a PhD in Cultural Policy and Management from City, University of London. Her articles on television serials, reality televi- sion, and the politics of representation in Turkey have been published in various journals and edited volumes. She specializes in ethnographic media research and has developed empirical perspectives on mediated intimacies, hegemonic and resistive representations, truth-making, and post-truth. She teaches media and communication studies at Boğaziçi University. Ece Algan is a senior lecturer at the Institute for Media & Creative Industries at Loughborough University, London. She has conducted lon- gitudinal ethnographic fieldwork research for over a decade in Southeast Turkey and has published numerous journal articles and book chapters on global communication, local radio and television, ethnic broadcasting, media activism, new media use, media ethnography, and youth cultures. Miriam Berg is an assistant professor in the journalism and strategic communication program at Northwestern University in Qatar. Her research focuses on Arab, refugee, migrant, and diasporic audiences and their viewing habits, a field in which she has numerous journal publica- tions and media references citing her ongoing work. In addition, she also holds a strong interest in research pertaining to the popularity and influ- ence of Turkish cultural products in foreign markets. Prior to her transi- tion to academia, Berg worked extensively in broadcasting including stints at both Bloomberg (London) and Al Jazeera Media Network (Qatar) ix
x Notes on Contributors including directing news coverage during the Beijing Olympics, 2008 US elections, and the 2008 Gaza-Israel War. Burçe Çelik holds a PhD in Communication Studies from McGill University. She has taught in Istanbul for a number of years. She is a senior lecturer in the Institute for Media and Creative Industries, Loughborough University, London. Her articles have appeared in numerous journals, including European Journal of Communication, Cultural Studies, and Media History. She writes on politics and history of communications, gen- der, labor, social movements, and media. She is leading a project on “Women’s Media and Memory in Turkey” and is writing a book titled Communications in Turkey and the Ottoman Empire (University of Illinois Press). Kumru Berfin Emre Cetin is Senior Lecturer in the Communications and Media Programme at London College of Communication, University of the Arts London. Her articles have appeared in leading peer-review journals such as International Journal of Communication and Media, Culture & Society. She is the author of the book titled The Paramilitary Hero in Turkish Television. Her recent research on Alevi television and transnationalism has been awarded Newton International Fellowship by the British Academy. Berfin’s research interests are nationalism, gender, migration, and audience in the context of media. Dağhan Irak holds a PhD and is a lecturer-researcher and former sports journalist from Istanbul, Turkey. He is based in Yorkshire, UK. He received his undergraduate degree in journalism and master’s degree in modern Turkish history before completing his doctoral research in sports sociol- ogy at the University of Strasbourg in France. He has also worked at Eurosport TV channel for ten years as a live commentator. Between 2018 and 2020, he taught geopolitics, history, media, and popular culture at Aix-Marseille University while he was a research fellow at MédiaLab of Sciences Po Paris. Since 2020 he has been teaching journalism and screen production in the Department of Media, Journalism and Film at the University of Huddersfield, UK. He has authored three books on the sociopolitics of football and the political use of social media in Turkey, the latest of which is entitled Football Fandom, Protest and Democracy: Supporter Activism in Turkey (2019).
Notes on Contributors xi Yeşim Kaptan is an assistant professor at the School of Communication Studies at Kent State University, Ohio, USA. She holds a PhD in Communication and Culture and Folklore/Anthropology (double major) from Indiana University, Bloomington. She also holds an MA and a BA in Political Science from Middle East Technical University in Turkey. She was a visiting scholar at the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication, University of Pennsylvania, and at the School of Communication and Culture, Aarhus University, Denmark. Her research interests are transna- tional media, global communication, culture industries, identity politics, and consumer culture. She has published research in various English and Turkish media journals and books. Gökçen Karanfil holds a PhD in Cultural Studies from the Australian National University (2007). He is Associate Professor of Media Studies at the Faculty of Communication in Izmir University of Economics. He teaches courses on undergraduate and graduate levels at the Department of Media and Communication. Karanfil’s research interests revolve around issues such as media sociology, media globalization, media theory, trans- national media flows, and migration. Ayşegül Kesirli Unur studied advertising and film at Istanbul Bilgi University. She holds an MA degree from the Department of Cultural Studies, Istanbul Bilgi University. She completed her joint PhD at Bahçeşehir University and University of Antwerp. Her PhD dissertation concentrates on Turkish police procedural TV series and how police pro- cedural genre is formed in the Turkish context. She works as an assistant professor at the Department of Film and Television, Istanbul Bilgi University. Esra Özcan is a scholar in communication studies at the Department of Communication, Tulane University, New Orleans. She holds a PhD in Communication Science from Jacobs University Bremen in Germany. Her research focuses on the representations of gender in news media, feminist and anti-feminist women’s movements, and postcolonial feminism. She is interested in right-wing women’s movements and women’s role in carry- ing authoritarian men to power. She is the author of Mainstreaming the Headscarf: Islamist Politics and Women in the Turkish Media (2019).
xii Notes on Contributors Inaya Rakhmani is an assistant professor at the Department of Communication, Faculty of Social and Political Sciences, Universitas Indonesia, and the head of the International Undergraduate Programme. She is also communication director and member of the Indonesian Young Academy of Sciences (ALMI). Rakhmani has an interest in the cultural political economy of knowledge, information, and entertainment as well as the role of media in processes of democratization. She is the author of Mainstreaming Islam in Indonesia: Television, Identity and the Middle Class (Palgrave Macmillan, 2016). Burcu Sümer is an associate professor at the Faculty of Communication, Ankara University, Turkey. She holds an MA in Media Studies from the same university and an MSc in Gender and Women’s Studies from Middle East Technical University. She also holds a PhD from the University of Westminster, Communication and Media Research Institute (CAMRI), UK (2007). Sümer specializes in research on globalization and media reg- ulation, broadcast journalism, broadcasting law and policy in Turkey, Europeanization of audio-visual policy in the EU. Her published PhD The Impact of Europeanisation on Policy-Making in Turkey: Controversies, Uncertainties and Misfits in Broadcasting Policy, 1999–2009 looks into to what extent Europeanization had an effect on the areas of media owner- ship regulation, regulation of content, public service broadcasting, and minority language programming in Turkey. Oğuzhan Taş is an associate professor at the Faculty of Communication, Ankara University, Turkey. He is the author of Occupational Limits to Journalistic Ethics: Professionalism, Responsibility and the Market (2012) and Communication, Media and Culture: Key Concepts (2017), both pub- lished in Turkish. He has also published articles and book chapters widely on theories of media and various aspects of journalism. He has translated John Downing’s Radical Media: Rebellious Communication and Social Movements into Turkish with Ü. Doğanay and I.̇ Özdemir Taştan (2017) and has edited a special issue for Moment Journal on media and participa- tion (2019) with E. Canpolat. Neval Turhallı is a research assistant in the Media and Communication Department at Istanbul Bilgi University. She holds a BA in Psychology and in Film and Television Studies from Bahcesehir University, and an MA in the New Media Program from the School of Graduate Studies at Kadir Has University, Istanbul. Her research interests include convergence of television series, internet distributed television, and video-on-demand platforms in Turkey.
Notes on Contributors xiii ̇ Nurçay Türkoğlu is Professor of Media and Cultural Studies at Istanbul Arel University. Formerly she was a professor at Çukurova University (2012–2016) and Marmara University (1984–2012), as well as a visiting professor and researcher at CARISM-Université Paris 2 Panthéon-Assas (2014), European University of Lefke, Cyprus (2006), and University of Kent at Canterbury, UK (1992). She holds a PhD in Television and Social Change. She has organized ECC—European Communication ̇ Conference—Istanbul 2012, and other international conferences such as Media and Culture (2009) and Media Literacy (2005) in Turkey. Her research interests are social communications, television studies, audience studies, media literacy, critical media, and cultural studies. Eylem Yanardağoğlu is an associate professor and head of the New Media Department at Kadir Has University in Istanbul. She holds a PhD from City, University of London Sociology Department. She has taught courses on introduction to new media, new media theories, social media, sociology of news, international communication, and online journalism at various undergraduate and postgraduate levels. Having published exten- sively on the state of Turkish media, her research interests include digital citizenship, digital transformation of news consumption, digital media production and distribution, and transnational expansion of Turkish TV series. Adinda Zakiah is a professional researcher for a multinational market research agency. She has a keen interest in media studies, and has con- ducted academic research on Muslim fashion as a post-Islamist phenome- non, by studying magazine and social media. Her research interest is on audience and/or consumer perspective, pop culture, market insight, and the intersection between secularism and Islamism. She also regularly writes film reviews and is an active member of Jakarta’s film community.
List of Tables Table 5.1 Participants and their political positions 89 Table 5.2 Overall talk time of pro-AKP women and women critical of AKP 93 Table 5.3 Participants by intrusive interruptions and talk time 94 xv
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