Pan-African Creative Exchange - Vrystaat Kunstefees
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Pan-African Creative Exchange An Interdisciplinary (Performing) Arts Provocation MARCH ISSUE Preliminary programme (subject to change)
Welcome to the second Pan-African Creative Exchange For this exchange, over 50 productions and presentations have been curated and selected from countries such as Australia, Belgium, Canada, Chad, The Gambia, Kenya, Malawi, Morocco, Nigeria, The Netherlands, Senegal, South Africa, Tanzania, United Kingdom, United States of America and Zimbabwe (amongst others). During PACE you will be treated to some of the most exciting new work that Africa and its diaspora has to offer, alongside a packed programme of networking opportunities and discussions. Over the next four days you’ll see presentations by 50+ artists and companies addressing issues from the public (mobility, social change and global culture) to the personal (love, identity, mental health and disability). The PACE team welcomes you with open arms Many employ innovative digital approaches to provide to Bloemfontein, South Africa for the second modern twists on age-old theatre, puppetry, dance, Pan-African Creative Exchange (PACE), Africa’s music and spoken word. meeting point for interdisciplinary (performing arts showcasing, networking and critical discourse. PACE is not just about the shows though – it is a vibrant forum to meet imaginative and talented We’re delighted to be hosted by some of artists and arts professionals. We are delighted to Bloemfontein’s most prestigious venues based on welcome delegates from all over the world who bring the campus of the University of the Free State. their unique international perspectives, and we made To help you get around we’ve clustered performances sure we’ve curated an exciting programme of events together by venue, by artform and by day, with the for you to get to know each other better. majority of the shows being presented in the wide array of venues that the University of the Free State PACE, will give you the opportunity also to meet and has to offer. talk with a wider range of artists and companies in the sector, in addition to the popular morning breakfast meetings. PACE founding partners Finally we would like to extend our thanks to everyone who has made PACE possible, whether behind the scenes or in the stalls. We look forward to hearing more about your own stories of diversity and ideas for creative excellence throughout the week. Nike Jonah Executive Director PACE Erwin Maas, PACE principal funder Ricardo Peach and Founding Directors, PACE 2
Essential PACE information PACE delivery team contacts Nike Jonah Executive Director PACE Nike. njonah@mac.com Mark Antony Dobson Programme Manager PACE mark.dobson@volksblad.com pan.africancreativeexchange@gmail.com Disability access services We aim to make the PACE an inclusive event within an accessible environment and will do all we can to support your requirements. If you have mobility access requirements a member of the PACE team will be able to help you plan your journeys between the performance venues. If you have any queries or difficulties with access during PACE, please let our staff at the registration desk know. Complementary activity PACE isn’t just a week of amazing performances – it’s a place to share ideas and best practice, to build partnerships and to foster collaboration. It’s a time to make new connections and to renew old ones. To this end we’ve planned a whole host of complementary activities around the shows to make sure that you get the most out of your time in Bloemfontein. During PACE Keep in touch with fellow delegates, artists and the PACE team via Social Media: @Pacebloem For PACE related links to videos, • photos discussion and news. Post your own news, photos, • videos and thoughts using #PACE2020 Cover Images: Nsovo Nukeri Photographed by Vukallective 2
Countries Represented this Year Diaspora Australia Belgium Canada Kingdom of the Netherlands United States of America United Kingdom PACE supporting partners
Index & Key Day Programme 4 Non-Performance Events 9 Tour Ready Showcases 11 Work in Progress Showcases 31 Pitching Sessions 53 Speed Dating 71 Tour Ready Pitching Sessions Up op 60-minutes extracts or complete In these sessions artists pitch ideas and professional works by artists and concepts that are in an early stage of companies. development as well as some tour ready works. Work in Progress Speed Dating Original work at a critical stage in its Artists present their work to various development. Delegates in a round table format with the goal of getting them interested in their practise and forging new connections. Non-Performance Event Events for delegates that are non-performance based. 4
PACE Thursday 25 June 2020 Time Description Title of the show Venue 07:00 - 12:00 Registration Soetdoring Foyer 09:00 - 10:00 First Nations Welcome kykNET Scaena Theatre 10:00 - 11:00 Panel Connecting Africa: new networks accross kykNET Scaena Theatre the continent 11:00 – 11:30 Morning tea/ Networking / kykNET Scaena Foyer 11:30 -12:30 Pitching 1. Yard Sale - Pawstudios p63 kykNET Scaena Theatre 2. Abomhlaba (thi) p59 - Mayasi Productions 3. Pakana Kanaplila - Salamanca Art p61 Centre 4. Please forgive me - Studio 180 p65 13:00 - 14:00 Lunch Dutch Embassy VIP Area 14:30 - 16:30 Work in Progress 1. Shhhh - Company Chabarwa p37 Albert Wessels Coffee Break Auditorium 2. Lest we Forget - Lola Oduwole p41 17:00 - 18:00 Dinner Dutch Embassy VIP Area 18:30 - 19:30 Full Length The Encounter - Lulu Mlangeni kykNet Scaena Theatre Theatre Tickets must be Purchased p25 20:00 - 21:00 Tour Ready ...and the Bass is Queen - p23 Dutch Embassy VIP Area Lindsey Abudei 21:00 - 00:00 PACE Lounge Networking Dutch Embassy VIP Area 5
PACE Friday 26 June 2020 Time Description Title of the show Venue 07:00 - 12:00 Registration Soetdoring Foyer 07:00 - 09:00 Breakfast Dutch Embassy VIP Area 09:00 - 10:00 Panel Theatre for young audiences Dutch Embassy VIP Area 10:30 - 12:30 Work in Progress 1. Night Light - Blank Canvas Kollectiv p33 Soetdoring Gazellie Coffee Break 2. Ndiboleke ingubo - Bokang Lefoko p35 Theatre 13:00 - 14:00 Lunch Dutch Embassy VIP Area 14:30 - 15:30 Pitching 1. Orfeus - Third World Bunfight p69 Albert Wessels 2. Samson - Third World Bunfight p72 Auditorium 3. Shadows - Instinct Consult p57 4. Race to Futurity - Decolonizing p55 the Archive 5. Kamphoer - Theatrerocket p67 16:00 -18:00 Work in Progress 1. Mrisi Live - Who’s Got Game p53 kykNET Rep Theatre Coffee Break 2. Mof-Tof - Kirvan Fortuin Foundation p39 18:30 - 19:30 Dinner Dutch Embassy VIP Area 20:00 - 21:00 Panel International touring: getting your work Dutch Embassy VIP Area out there 20:00 - 21:00 Tour Ready Afronauts - Circus Zambia p17 TBC 21:30 - 22:30 Full Length SoliiDad - Association Noa Cie p11 kykNET Scaena Theatre Theatre Vincent Mantsoe Tickets must be Purchased 22:30 - 00:00 PACE Lounge Networking Dutch Embassy VIP Area 6
PACE Saturday 27 June 2020 Time Description Title of the show Venue 07:00 - 12:00 Registration Soetdoring Foyer 07:00 - 09:00 Breakfast Dutch Embassy VIP Area 09:00 - 10:00 Panel Xenophobia: intra-African dialogue Dutch Embassy VIP Area 10:30 - 11:30 Speed Dating 1. The Island - Jane Mpholo p87 Dutch Embassy VIP Area 2. Xhanti - Xolisa Kapakati p85 3. Live and Die in Africa - Riverside p81 Productions 4. Portals Open - My Soul Speaks p79 Collective 11:30- 12:00 Coffee Break Dutch Embassy VIP Area 12:00 - 13:00 Speed Dating 1. Bridezilla- Woman in the Arts p83 Dutch Embassy VIP Area 2. Water - Cie Kaddu p73 3. Ruth - Leanetse Seekoe p77 4. On Mars - IMA p75 13:00 - 14:00 Lunch Dutch Embassy VIP Area 14:30 - 16:30 Work in Progress 1. 54 Silhouettes- Theatre Emissary p51 kykNET Rep Theatre Coffee Break 2. A toute épreuve - Stev'N-T p47 17:00 - 18:00 Full Length Rouh - Col’jam kykNET Scaena Theatre Theatre Tickets must be Purchased p17 18:30 - 19:30 Dinner Dutch Embassy VIP Area 20:00 - 21:00 Full Length Currently Gold - Kwasha! Albert Wessels Theatre Tickets must be Purchased p21 Auditorium 21:15 - 22:00 Panel Multi-lingual performance: crossing the Dutch Embassy VIP Area boundaries of language 21:15 - 22:00 Work in Progress 1. Lentswe La Setjhaba - Theatre Emissary kykNET Rep Theatre (Voice of the Nation) p43 22:00 - 00:00 PACE Lounge Networking Dutch Embassy VIP Area 7
PACE Sunday 28 June 2020 Time Description Title of the show Venue 07:00 - 12:00 Registration Soetdoring Foyer 07:00 - 09:00 Breakfast Dutch Embassy VIP Area 09:00 - 10:00 Tour Ready Dans Mandela Dans - Nobonke p27 Albert Wessels van Tonder Auditorium 10:30 - 12:30 Work in Progress 1. I’d had enough so I killed him p45 Albert Wessels - Rightaboutnow inc Auditorium Coffee Break 2. Simon - Thami Tshabalala p49 13:00 - 14:00 Lunch Dutch Embassy VIP Area 14:30 - 15:30 Tour Ready Road Runner - Ayanna Witter Johnson p21 kykNET Rep Theatre 16:00 - 17:00 Full Length Eclipsed - Market Lab kykNET Scaena Theatre Theatre Tickets must be purchased p31 16:00 - 17:00 Tour Ready Bât-toi la - Cie New Style p15 Soetdoring Gazellie 18:00 - 21:00 First Nations Oliewenhuis Art Gallery Homecoming Ceremony 21:00 - 22:00 Tour Ready We are Together - Sotact Entertainment p29 Dutch Embassy VIP Area 22:00 - 00:00 PACE Lounge Networking Dutch Embassy VIP Area 8
Networking opportunities Meet people working towards the same goals as you, and others with a completely fresh perspective, at our speed-dating networking sessions. Join in, don’t be shy, and get even more out of PACE. Just don’t forget your business cards! Breakfast meetings Catch up on the previous day’s activities, plan the PACE workshops day ahead and welcome any newcomers on day passes. A chance for first time delegates to meet fellow initiates, say hello and forge new connections. Themed informal sessions will offer you a chance to get to know each other better and find out about a range of strategic organisations. Tell the room Monday 29 June 2020 about your ideas or projects (an Itch) and ask the Venue: 10:00 - 13:00 PACE team any questions before performances Venue: TBC commence. Viewpoints workshop hosted by Erwin Maas PACE Dutch Embassy VIP Lounge PACE discourses Relax after the day’s activities in the Dutch Embassy VIP Lounge where you’ll have a chance to catch-up with other delegates and wind-down and grab a bite to eat. Enjoy some down time to network, eat and We have assembled a programme of inspiring drink together. and engaging speakers to share some original and personal perspectives on touring arts in, with and from Africa. Take a fresh look at the subject and PACE Jet-Lag Lounge find out how these ideas can inform your work. Wednesday evening 24 June 2020 VIP welcome to PACE with a chance to meet 1. Connecting Africa: new networks accross representatives from a wide range of the continent organisations and artists while enjoying affordable food and drinks. 2. International touring: getting your work out Lunch & Dinner there Lunch and dinner will be available at affordable prices at the Dutch Embassy VIP lounge everyday. 3. Theatre for young audiences Take a break to grab some food and drinks with other delegates between performances. 4. Xenophobia: intra-African engagement PACE online You can find all of the 5. Multi-lingual performance: crossing the information in this book online at: boundaries of language panafricancreativeexchange.co.za 9
Association Noa Cie Vincent Mantsoe Contact information Contact: Vincent Sekwati Mantsoe Position: Artistic Director, Choreographer Address: 114542 Iyamazane Street, Vosloorus, Ext 14 Marimba, Gardens, Rosloo, Gauteng, 1475 Country: France/South Africa Mobile: +33 6 26 43 24 63 Email: sekwaman@mac.com Facebook: @CieVincentMantsoe Production information Title of piece: SoliiDaD Artform: Dance Age suitability: All ages Use of text: No text Use of music: Recorded Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Artistic Director: Vincent Sekwati Mantsoe Lighting Desiger: Wesley Maherry Technical Manager: Wesley Maherry Secretary: Nicolas Mayrand Manager: Cecile Mantsoe Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Two Number of performers on stage: One Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: N/A 11
“ a deeply poetic, introspective, metaphysical, polyrhythmic soliloquy steeped in eternity, triggering primordial memory ” - Adrienne Sichel , The Ar(t)chive SoliiDaD Association Noa Cie Vincent Mantsoe France | South Africa Dance Tour - Ready 26 June 2020 Delegates Notes: 21:30 kykNET Scaena Theatre Soliidad is a solo dance performance, an abstract journey of a traveler, the quest of an Emperor’s elegant path to oblivion, a slavish imitation of a great monk’s journey, conversing the narratives on the path to a roaring, hissing torrent of oblivion. Vincent Mantsoe is a South African born dancer, choreographer, performer and teacher. He is a well-known international artist. He trained in Johannesburg in 1990, under the leadership of Sylvia Glasser, founder and artistic director of Moving into Dance. Mr. Mantsoe is now based in France where he created his company Association Noa, which tours across the globe. Mr. Mantsoe's work is very much rooted in South African culture, traditional movements based on the Sangomas’ ritualistic process. Mr. Mantsoe has won international and national awards, and was honored in the Elysèe French Government by president Français Holland, for a project with local schools in France. 12
Ayanna Witter-Johnson Contact information Contact: Paulette Long Position: Manager Address: 303 The Pill Box, 115 Coventry Road London, E2 6GH Country: United Kingdom Mobile: +07957204524 Email: paulette@longtermmusic.co.uk Web: ayannamusic.com Twitter: @AyannaWJ Instagram: @AyannaWJ Facebook: @AyannaWJ Production information Title of piece: Road Runner Artform: Music Age suitability: All ages Use of text: No text Use of music: Live Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Artistic: Ayanna Witter-Johnson Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Two Number of performers on stage: One Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Yes 13
“ … a huge talent … like a young Cassandra Wilson would have sounded if she also happened to be a fine cellist.” - Jazzwise Road Runner Ayanna Witter-Johnson United Kingdom Music Tour - Ready 28 June 2020 Delegates Notes: 14:30 kykNET Rep Theatre Singer, songwriter and cellist Ayanna Witter-Johnson is a rare exception to the rule that classical and contemporary music cannot successfully co-exist. Her striking vocals and unique cello playing style are both enchanting and mesmerising Graduating with a first from Trinity Laban School of Music and the Manhattan School of Music, she has toured with Anoushka Shankar, Courtney Pine, recorded with Akala and composed for the London Symphony Orchestra. Winning the acclaimed amateur night at the Apollo in Harlem, gaining a MOBO award nomination and getting airplay on BBC Radio 1 & BBC 1Xtra show a clear twist to her classical arm. Able to straddle both worlds effortlessly because of her musical prowess, non-compromising lyrics and ability to deftly reinterpret songs on the cello, Ayanna is the definition of eclectic soul. 14
Cie new style Contact information Contact: Alexandre Garcia Position: Président Address: Dakar cité comico 4, BP14125 Dakar- Peytavin, Dakar, Sénégalais, BP14125 Dakar- Peytavin Country: Sénégal Mobile: +221775473802 Telephone: +221773728459 Email: ag3728459@gmail.com Web: New style Crew Sénégal Instagram: @Cienewstyle Twitter: @Cienewstyle Facebook: @NewstyleCrew Production information Title of piece: Bât-toi la Artform: Dance Age suitability: All ages Use of text: No text Use of music: Recorded Requires a clear understanding of English or another language: Yes, French Available with BSL interpretation, audio description or captioning: Yes, audio description Key personnel Artistic Director & Dancer: Alexandre Garcia Dancer: Babacar Mané Dancer: Mapaté Sakho Administrator: Elhadji Malick Diedhiou Touring information Scale of show: Medium Scale (400 - 800 seats) Appropriate setting: Indoor Number of people on tour: Four Number of performers on stage: Three Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: N/A 15
Bât-toi la Cie new style Sénégal Dance Tour - Ready Sunday 28 June 2020 Delegates Notes: 16:00 Soetdoring Gazellie “Bât-toi la refers to the dull rumor that creates the loss of consciousness of the black man. The piece is a creation which requires us to visualize our trajectory, to determine ourselves to create this objective of wanting to persevere a culture and a conscience, to prove our determination to excel. We want to pass on power to the African people through dance, which we believe is literature in motion, but also a means of denunciation and commitment.” Cie new style is a multidisciplinary dance company residing in the suburbs of Dakar. It was founded in April 2010 and its ambition is to showcase African culture and present a diversity of work ranging from contemporary dance to urban dance. For the company dance is a means of liberation and revelation. The Cie is made up of 3 dancers with different styles, each having professional careers. They include Clara Bajodo, Romuald Brozolier and Patrick Acogny. 16
Circus Zambia, Barefoot Theatre & Wake the Beast Contact information Contact: Gift Chansa Position: Artistic Director Address: Stand 720 OFF Kudu Rd , Kabulonga Lusaka, Lusaka, 01011 Country: Zambia Mobile: +260968885507 Telephone: 0976256324 Email: gift@circuszambia.org Web: circuszambia.org Instagram: @circusZambia Twitter: @CircusZambia1 Facebook: @Circuszambia Production information Title of piece: Afronauts Artform: Circus, Theatre, Gig & Protest Age suitability: All ages Use of text: Yes Use of music: Recorded Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Artist: Bergus Siatubout Artist: Charles Malama Artist: Patrick Chikoloma Artist: Arthur Chileshe Artist: Belinda Kaputula Artist: Charlotte Groen Touring information Scale of show: Medium Scale (400 seats) Appropriate setting: Indoor Number of people on tour: Four Number of performers on stage: Three Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: N/A 17
Afronauts Circus Zambia, Barefoot Theatre & Wake the Beast Zambia Circus, Theatre, Gig & Protest Tour - Ready Friday 26 June 2020 Delegates Notes: 20:00 TBC “This performance is inspired by Edward Nkoloso, the guy that wanted to go to the moon from Zambia. The show is inspired because though he was from a place that didn't have resources, he dreamt and pushed through with his ideas, only to be charged by the president of Zambia, at the time Dr Kenneth Kaunda, because of his popularity.” Circus Zambia does social circus and educational programs on HIV/AIDS and social inclusion. Both workshops are ready to share with audiences. Circus Zambia is a contemporary circus- a first of its kind in Zambia. Circus Zambia equips young people with circus, social-life skills, educational and job opportunities. Circus Zambia was founded in 2015 by young people who wanted to create a movement to make change in their society. Circus Zambia now owns a three hundred seater theatre and reaches over 5000 people through interventions and performances in Zambia. 18
Col'jam Contact information Instagram: @misslind_sea Contact: Ahlam El Morsli Position: Artistic Director Address: Oulfa, Casablanca, Alia 1, Street 28, N 98, Casablanca, Grand Casablanca, 20230 Country: Morocco Mobile: +21265657761 Email: col_jam@ymail.com Web: coljam.ma Facebook: @Coljam Production information Title of piece: Rouh (Soul) Artform: Dance Age suitability: All ages Use of text: No Use of music: Recorded Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Choreographer & Dancer: Ahlam El Morsli Choreographer & Dancer: Wajdi Gagui Touring information Scale of show: Medium Scale (400 seats) Appropriate setting: Indoor & Outdoor Number of people on tour: Two Number of performers on stage: Two Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Outreach 19
“A performance where the soul binds to being, lights up on its trajectory towards the essence of life, divine, immortal and suffering in the body”- Today Morocco, 2019 Rouh Col’jam Morocco Dance Tour - Ready Saturday 27 June 2020 Delegates Notes: 17:00 kykNET Scaena Theatre Rouh is a gestural interpretation of the liberating energy source of creation. It ties and unties the real and the unreal of spiritual space. A desire rooting to anchor the adventure of life on a new spiritual horizon through the dance of the Whirling Dervish. Rouh (literally in depth), plunges us into the essence of life, both divine and immortal. Col'jam wants to promote cultural diversity and make it a permanent necessity in Morocco, allowing greater accessibility for all. It also seeks to highlight different artistic trends, particularly contemporary dance associated with street art, graphic art, visual art and music. Col'jam promotes creation, dissemination and training. Its aim is to leada professional team who explores the development of experimental practice. 20
Kwasha! Theatre Company Contact information Contact: Aalliyah Zama Matintela Position: Director Address: 138 Lilian Ngoyi Street , Newtown, Johannesburg , Gauteng, 2197 Country: South Africa Mobile: +27 787547804 Telephone: +27 731319899 Email: tcnduvane@gmail.com Web: marketlab.co.za Instagram: @kwashagram Facebook: @Kwasha Theatre Company Production information Title of piece: Currently (G)old Artform: Theatre & Drama Age suitability: 13+ Use of text: Medium Use of music: None Requires a clear understanding of English or another language: Yes Available with BSL interpretation, audio description or captioning: No Key personnel Co-Director: Sinenhlanhla Mgeyi Co-Director: Aalliyah Zama Matintela Cast member: Thuli Nduvane Cast member: Sibahle Mangena Cast member: Molatelo Maffa Cast member: Vusi Nkwenkwezi Stage manager: Aalliyah Zama Matintela Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Six Number of performers on stage: Four Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Educational work 21
Winners of the: The Standard Bank Bronze Ovation Award and the Best Ensemble Award - National Arts Festival Currently (G)old The Market Lab South Africa Theatre & Drama Tour - Ready work to a global artistic network through collaboration 20:00 and conversation. 'Kwasha!' is an isiZulu interjection Saturday 27 June 2020 which, loosely translated means, 'it's on fire!' Albert Wessels Auditorium Currently (G)Old is a powerful, gripping and playful Delegates Notes: rehashing of South African history depicted through physical storytelling. The dynamic cast juxtaposes historical events with contemporary issues the youth in South Africa are currently faced with. This energetic show puts a fresh take on politics and the contemporary state of South Africa Kwasha! Theatre Company, a collaborative project between the Market Theatre Laboratory and The Windybrow Arts Centre, was launched in 2018. Each year, six of South Africa’s most exciting emerging theatre makers are identified as members of the company and work together to create an exciting programme of new and dynamic theatre pieces. Some successful works to date include The Little Prince (2018), Currently (G)old (2019) and Rhinoceros (2019). Kwasha! thrives on making work that is bold and confronts our current socio- economic environment. Work that dares black South Africans, in particular, to dream past their current realities. As recently graduated professional artists, not only does Kwasha! want to grapple with South African issues, but also aims to expose South African 22
Lindsey Abudei Contact information Contact: Lindsey Abudei Position: Artist Address: 6 Badaru Street, Lekki II. Lagos , 101245 Country: Nigeria Mobile: +234 703 849 5095 Email: abudei.lindsey@gmail.com Web: lindseyabudei.com Instagram: @misslind_sea Twitter: @misslind_sea Facebook: @lindseyabudeimusic Production information Title of piece: ...And the Bass Is Queen. Artform: Music Age suitability: All ages Use of text: Light Use of music: Live & Recorded Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Guitarist & Vocal: Lindsey Abudei Touring information Scale of show: Medium Scale (400 seats) Appropriate setting: Indoor & Outdoor Number of people on tour: Four Number of performers on stage: One Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Outreach 23
“ Her music is an earthy mix of jazz, soul and alternative, creating an elegant contemporary sound.” - Beth Achitsa, MAPAS music Conference ...And the Bass Is Queen. Lindsey Abudei Nigeria Music Tour - Ready 25 June 2020 Delegates Notes: 20:00 Dutch Embassy VIP Area In...And the Bass Is Queen, Lindsey Abudei brings a showcase of stripped-down, acoustic live sessions of songs from her latest album. The acoustic set-up is small scale, 3-person set— vocals, two guitars and a double bass. After obtaining a degree in Law, she went into music full-time. She worked as a backup-singer for South African artist Sonti Mndebele during her Nigerian tour and also featured in MI Abaga's Talk About It album, Illegal Music . Jesse Jagz Jag Of All Trades album and has worked with Kahli Abdu amongst others. In 2013, she released her first EP Brown, which made her an award winner of the Radio France Internationale (RFI) Prix Découvertes.” 24
Lulu Mlangeni Contact information Contact: Nonkululeko Thabede Position: Production Manager Address: 489 A, Isigwe Street, Zone 6 Meadowlands, Johannesburg, South Africa, 1852 Country: South Africa Mobile: +27 722383392 Email: nonkuthabede@gmail.com Instagram: @lulumlangeni Facebook: @LuluMlangeni Production information Title of piece: The Encounter Artform: Dance Age suitability: All ages Use of text: Light Use of music: Recorded Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Lighting and set designer: Oliver Hauser Dance Language Advisor: Gladys Agulhas Dramaturgy: Andile Nebulane Sound designer: Bonginkosi Motha Techical director: Oliver Hauser Dancer: Bafikile Sedibe Dancer & Choreographer: Lulu Mlangeni Costume designer: Mapule Sesedinyane Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Four Number of performers on stage: Two Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Outreach 25
The Encounter Lulu Mlangeni South Africa Dance Tour - Ready In 2014 she became the first recipient of the Thursday 25 June 2020 Sophie Mgcina Best Emerging Voice Award supported 18:30 by the Market Theatre. In 2018, with support from the kykNET Scaena Theatre DAC Incubator programme, she choreographed and presented Confined at the Market Theatre. “The Encounter is a duet in a dialogue that explores subtleties that undermine the potential for a smooth Delegates Notes: flow of relationships between genders. In The Encounter the duo is bent on trampling the tenuous line that stealthily continues to set creatures of co-existence apart as if they are an accident of nature and the universe. Human anatomy and physiology are attributes that are meant to swing the pendulum in a manner that should dispel gender stereotypes. The platform of harmony derives its stability from the magic of equal attraction between the weak and the strong.The Encounter creates social awareness of the power we each exude, which may be used to build or destroy ourselves”. Lulu Mlangeni was an award winner for the most outstanding female dancer 2007 in contemporary style for Dance Umbrella Festival. In 2011 she was commissioned by Dance Umbrella to choreograph Questioned Mark that premiered at the Wits Downstairs Theatre. She is the 2010 winner of So You Think You Can Dance Season 2 South Africa and choreographed Season 3 for the show. 26
Nobonke van Tonder Contact information Contact: Nobonke van Tonder Position: Performer Address: 24 Beach Rd, Muizenberg, Cape Town, Western Cape, 7945 Country: South Africa Mobile: +27 832544669 Telephone: +27 832544669 Email: nobonke@mweb.co.za Web: theimageofyourperfection.com Production information Title of piece: Dans, Mandela Dans! Artform: Dance Age suitability: All ages Use of text: Medium Use of music: Recorded Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Artistic Director: Nobonke Van Tonder Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Three Number of performers on stage: One Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Real-time authentic movement for students of post-dramatic performance capabilities 27
Dans, Mandela Dans! Nobonke van Tonder South Africa Dance Tour - Ready 28 June 2020 Delegates Notes: 09:00 Albert Wessels Auditorium Dans, Mandela Dans! is a one-woman performance danced to the significant speeches of Nelson Mandela over decades of his prominence as a proponent of democracy in South Africa. The work displays the multifaceted interpretations of his words within the context of national liberation and, as performed by a White Female Body. However, it is also performed as the undergirding of the liberation of humanity within the richly nuanced interpretation of this term. Dancer-psychologist, writer, mentor, specialist in the field of dynamic transformation giving opportunities to unleash what is invisible and intelligible in the human being, group and organisation. Immersion is experience at the leading edge of thought — the furthest extension of that thought. It is the best tool with which we help ourselves away from limited ways of seeing. You cannot bring the same stale self to the world and expect the world to be new for you. Philosophy and tools of creativity and wisdom evoke new desires, a particular life force. This work is ancient and yet, not been born, except at the moment of rapture. 28
Sotact Entertainment Contact information Contact: Seun Olota Position: Coordinator Address: 32, Lanre Awolokun Street, Gbagada Phase-2, Lagos, +2341 Country: Nigeria Mobile: +2348063029359 Email: olotaseun@yahoo.com Web: seunolota.com Instagram: @seun_olota Twitter: @SeunOlota Facebook: @olotaseun Production information Title of piece: We Are Together Artform: Music Age suitability: All ages Use of text: No text Use of music: Live Requires a clear understanding of English or another language: Yes Available with BSL interpretation, audio description or captioning: Yoruba and Pidgin English Key personnel Drum: Samuel Adegbite Bass Guitar: Tolulope Adeniyi Saxophone and Vocals: Seun Olota Rhythm Guitar: Jonathan Edeipo Saxophone: Akinyanmi Akinhinmola Percussion: Alfred Trumpet & Bandleader: Andrew Ahunsimere Touring information Scale of show: Large Scale (850 + seats) Appropriate setting: Indoor & Outdoor Number of people on tour: 8 Number of performers on stage: 7 Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Yes 29
We Are Together Sotact Entertainment Nigeria Music Tour - Ready representation, bookings, self organized music tours, Sunday 28 June 2020 partnership projects, showcases, festival appearances 21:00 and weekly live performances. Olota is currently Dutch Embassy VIP Area shortlisted on the official selection of the 2020 Sauti za Busara Festival Tanzania and he is a current We Are Together is a music project that questions Laureat of the Institute Francais. humanity’s gradual aloofness towards empathy and kindred spirit. We rather say Umuntu for the sake of Delegates Notes: the fashion than acting it by sharing with, caring for and protecting the vulnerable around us. This project is initiated on the ideology of communal-living in the traditional African setting as a prototype to interrogate values of modern times and reminds us all as we keep quiet or look away from the mishaps of others, that we also ignore our own peace. We exist, because they exist too. This project employs the West African music styles of Afrobeat, Highlife and Dundun music as a driving force with horn section arrangements and riffs from the Bebop era with percussive equilibrium that carries the African identity. Its songs’ messages interrogate political gimmicks, social band-wagonism and the new-culture assumptions. Sotact Entertainment began operation in 2004 but was registered under the Nigerian Companies and Allied Matters Act (CAMA) in 2008 and has over the years managed the projects of Seun Olota, among which are: 30
The Market Theatre Laboratory Contact information Contact: Clara Vaughan Position: Head: Market Theatre Laboratory Address: 138 Lilian Ngoyi Street , Newtown, Johannesburg , Gauteng, 2197 Country: South Africa Mobile: +27 724334311 Telephone: 011 838 7498 Email: clara@marketlab.co.za Web: marketlab.co.za Instagram: @The Market Lab Twitter: @The Market Lab Facebook: @The Market Theatre Laboratory Production information Title of piece: Eclipsed: Phifalo ya ngwedi Artform: Theatre & Drama Age suitability: 16+ Use of text: Medium Use of music: None Requires a clear understanding of English or another language: Yes Available with BSL interpretation, audio description or captioning: No Key personnel Playwright: Gina Shmukler in collaboration with Market Lab first year students 2019 Director: Sylvaine Strike Choreographer: Phumlani Mndebele Costume designer: Andrea van der Kuil Stage manager: Sibusiso Ndumndum Cast members: Chaunees Bokaba, Kgomotso Moshia, Kgothatso Makwala, Khanyisile Zwane, Melusi Molefe, Moagi Kai, Nicola Niehaus, Philangezwi Nxumalo, Pretty-Boy Sekhoto, Rethabile Headbush, Scout Fynn, Siphesihle Fakude, Sydney Ndlovu, Tebogo Malapane, Tshepo Matlala Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Sixteen Number of performers on stage: Fifteen Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Educational work 31
Eclipsed: Phifalo ya ngwedi The Market Lab South Africa Theatre & Drama Tour - Ready recognised on multiple platforms for creating excellent Sunday 28 June 2020 theatre that engages with human rights issues, and has 16:00 created numerous acclaimed and award-winning plays. kykNET Scaena Theatre Deeply embedded in the ethos of the Market Lab is its commitment to providing opportunities to talented Sylvaine Strike directs the Market Theatre Laboratory youth from disadvantaged backgrounds who would not students in collaboration with Gina Shmukler and otherwise be able to pursue their passion for the arts. Phumlani Mndebele, offering an electrifying journey The Market Lab aims to provide skills, knowledge and into the heart of Life Esidimeni. Can meaning be found in opportunity for these emerging creatives to tell chaos? The company have drawn on testimonies, articles, important South African stories that might otherwise documentaries, news bulletins, and the commission go untold. The intensive and comprehensive training it statements that cross-examined the government offers develops its students into young professionals officials responsible for this unspeakable tragedy, who have the capacity, experience and knowledge to to devise a powerful physical interpretaion of this event build careers in a highly competitive industry. and its aftermath. Delegates Notes: The Market Theatre Laboratory aims to create an inspiring, and safe environment for students, theatre practitioners, collaborators, and audiences to flourish and grow through learning, exchange, experimentation, research and making, with an emphasis on creating space for subaltern experiences, voices and identities. Founded by Barney Simon and Dr John Kani in 1988, it is the education and development arm of the world famous Market Theatre, and has developed into one of the premiere facilities of its kind in Southern Africa. It has trained exceptional performers and theatre-makers, the Lab has been 32
Blank Canvas Kollective Contact information Contact: Danieyella Rodin Position: Project Manager Address: 17 Glasgow Road, Westdene, Johannesburg, Gauteng, 2092 Country: South Africa Mobile: +27 737966466 Telephone: +27 737966466 Email: blankcanvaskollective@gmail.com Web: theatre4youth.co.za/production/night-light Instagram: @blankcanvaskollective Facebook: @@blankcanvaskollective Production information Title of piece: Night/Light Artform: Multi-disciplinary Age suitability: All ages Use of text: Light Use of music: Recorded & Live Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: Yes Key personnel Performer/Project Manager: Danieyella Rodin Director/Designer: Tamara Guhrs Musician: David Cornwell Touring information Scale of show: Small scale up to 100 seats Appropriate setting: Indoor (outdoor only at night and with at least two electricity sources) Number of people on tour: Four Number of performers on stage: Two Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Yes 33
“Dear Night Light! We all loved the show and the activities, but I think I enjoyed it the most. Thank You!" ” - Sacred Heart Learner, 2019 Night/Light Blank Canvas Kollective South Africa Multi-disciplinary Work in Progress Friday 26 June 2020 Delegates Notes: 10:30 Soetdoring Gazellie Night/Light uses live music, video projection, shadows, light-play and live performance to explore a night in the life of a young girl trying to deal with racing thoughts. It evokes moments when we feel alone: afraid of the dark, experiencing changes and challenges – unable to express ourselves. For 9-11 year olds caught at a delicate time – between the expectations of growing up and still haunted by childhood fears – this magical, mysterious piece encourages children to listen to their inner voice Night/Light is Blank Canvas Kollective’s debut offering for children and marks their move to being focused on creating high quality work for young audiences. The idea for Night/Light was born in an Assitej workshop around creating work for Primary School Children. 34
Bokang Lefoko Theatre Contact information Contact: Sizakele Mdi Position: Choreographer Address: 29 Krygs, Fleurdal, Bloemfontein, Free State, 9301 Country: South Africa Mobile: +27 795741619 Telephone: +27 795741619 Email: sizakelemdi@ymail.com Facebook: @Sizakele Nontuthuzelo Mdi Production information Title of piece: Ndiboleke ingubo Artform: Work in Progress Age suitability: 13+ Use of text: Medium Use of music: Live Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Choreographer: Sizakele Mdi Stage manager: Jojo Mokirisi Dancer: Motlatsi Khotle Dancer: Kgotsofalang Moshe Dancer: Thabo Moroe Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Eight Number of performers on stage: Eight Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Outreach 35
Ndiboleke ingubo Bokang Lefoko Theatre South Africa Dance Work in Progress Friday 26 June 2020 Delegates Notes: 11:30 Soetdoring Gazellie Ndiboleke ingubo is a dance piece on femicide. It looks into the psyche of men who have killed and embodies them into one. It takes place in a prison where the dead father tries to convince the murderer to atone before his death. This production was created to address the fear of #AMINEXT?! Bokang Lefoko Theatre, established in 2019 is led by Sizakele Mdi an award winning choreographer. The company was created to meet a need for community and educational skills development and to produce compelling cutting edge contemporary theatre works that can represent the Free State at large. 36
Company Chabarwa Contact information Contact: Tatenda Chabarwa Position: Co-founder/Dancer Address: 25 Hombasha Mbare National Avenue , 29 Hombasha Mbare National Avenue, Harare, +263 Country: Zimbabwe Mobile: +263772980185 Telephone: +263772980185 Email: companychabarwa@gmail.com Instagram: @Company_Chabarwa Facebook: @Tatenda Chabarwa-Company Chabarwa Production information Title of piece: Shhhh Artform: Dance Age suitability: All ages Use of text: No text Use of music: Recorded & Live Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Dancer & Choreographer: Tatenda Chabarwa Poet: Kimberly Silibaziso Chuka Poet: Conelious Makuvachuma Dancer: Dexter Mushore Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Four Number of performers on stage: Four Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Yes 37
“ Politically & socially charged. Defiantly awesome” - Mafuwe International Dance Festival Shhhh Company Chabarwa Zimbabwe Dance Work in Progress Thursday 25 June 2020 Delegates Notes: 14:30 Albert Wessels Auditorium Shhh is a duet that was developed from a solo work created and performed by Tatenda Chabarwa. Shhh is inspired and created by the questions that the choreographer ask themselves day-to-day. Shhh is a contemporary dance theatre piece that tells the story with emotional movements and poems being the music that brings movements it’s true purpose. This choreographic work is a duet with four bodies on stage.This is a very emotional work and it relates to people very easily, and allows the audience to create their own story. Company Chabarwa is a unique structured dance company established by Tatenda Chabarwa to develop the knowledge and skills in contemporary dance, to fuse this knowledge with the richness of Zimbabwean culture and build the efforts already in place mainly in the Zimbabwean society. Company Chabarwa has performed in Namibia, Zimbabwe and Japan collaborating with Jerahuni Movement Factory. Currently the company is working on projects, including dance classes at the College Of The Arts in Namibia. 38
Kirvan Fortuin Foundation Contact information Contact: Kirvan Fortuin Position: Artistic Director Address: 7064 Sheikh Yusuf Avenue, Macassar, Cape Town Cape Town, Western Cape, 7134 Country: South Africa Mobile: +27 720470310 Email: houseoflecap@gmail.com Instagram: @House of le Cap Facebook: @Kiki House of le cap Production information Title of piece: Mof-Tof Artform: Dance Age suitability: All ages Use of text: Dense Use of music: Recorded & Live Requires a clear understanding of English or another language: Yes, Gayle Available with BSL interpretation, audio description or captioning: No Key personnel Choreographer: Kirvan Fortuin Dancers: Fortuin Dance Theatre & House of le Cap Director: Prof Emeritus Elizabeth Triegaardt Costume Designer: Gert-Johan Coetzee DJ: DJ Maramza Production Manager: Nadine Lagger Touring information Scale of show: Large scale up to 800 seats Appropriate setting: Indoor Number of people on tour: Twelve Number of performers on stage: Twelve Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Yes 39
Mof-Tof Kirvan Fortuin Foundation South Africa Dance Work in Progress Wits Theatre, Artscape Theatre, Baxter Theatre, Friday 26 June 2020 Suidoosterfees, Vrystaat Kunstefees, US Woordfees 17:00 (flagship production), and Oude Libertas Amphitheatre. kykNET Rep Theatre House of le Cap is the first ballroom house in Africa and since it was established in 2017 the ballroom Mof-Tof is a new two part ballet choreographed by community has grown significantly in Cape Town. Kirvan Fortuin in collaboration with House of le Cap. House of le Cap has had balls across South Africa Set to the score of Franz Schubert’s String Quartet No.14 including Mthatha, Mdantsane, and Bloemfontein in D Minor otherwise known as Death and the Maiden. closing the Vrystaat Arts Festival in 2019. A new composition by an industry professional DJ from House of le Cap looks into what it means to be queer. Mof-Tof is a celebration of identity, culture, Delegates Notes: music and dance looking particularly into the LGBTIQ+ community, focusing on the transgender and the ballroom scene. The production is a multicultural, interdisciplinary dance works that seamlessly blends dance, fashion, music and text. Rooted in a very classical structure, the choreography fuses vogue dance elements with urban dances, whilst deconstructing the classical ballet structure. Fortuin Dance Theatre is a professional, neo-classical dance company based in Cape Town. The company was started in 2016 when it had its first South African and Dutch tour. Since then the company has performed across the world, with tours to the Netherlands, Switzerland, US, and Belgium and at several festivals and theatres in South Africa including Dance Umbrella Johannesburg, 40
Lola Oduwole Contact information Contact: Lola Oduwole Position: Performer Address: Rijkeklarenstraat 24, Ledeberg, 9050 Country: Belgium Mobile: +32474990631 Telephone: +32474990631 Email: ademilola1@telenet.be Facebook: @Lola Oduwole Production information Title of piece: Lest we Forget Artform: Theatre & Drama Age suitability: 13+ Use of text: Dense Use of music: Recorded & Live Requires a clear understanding of English or another language: Yes Available with BSL interpretation, audio description or captioning: No Key personnel Performer: Lola Oduwole Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Three Number of performers on stage: One Availability for touring: From July 2020 onward Suitable for rural touring: No Outreach and educational work: Educational 41
Lest we Forget Lola Oduwole Belgium Theatre & Drama Work in Progress Thursday 25 June 2020 Delegates Notes: 15:30 Albert Wessels Auditorium Lest we forget... traces the paths of three characters: a Nigerian man, a Jamaican man and a Ghanaian grandmother and their involvement in WW1. Both men volunteer and the grandmother watches as her grandson is coerced into joining a war which they only have a tenuous connection. The piece interlaces text and song, image and sound and explores the soldiers' experiences during WWI. Poignant is the way these protagonists had no true understanding of what they were letting themselves into. However their solid allegiance is to the 'crown' and the colonial lie that they were considered British subjects and part of the 'Motherland'. To volunteer fuels their personal ambition to discover the world and also to escape from their own domesticities. The piece is performed by a woman who enacts their journeys. Oduwole trained at the Guildhall School of Music and Drama as a classical singer, and worked in opera in key opera houses in the UK and in music theatre projects in Belgium. She acted as a workshop voice coach for socially- considerate projects in Flanders and Belgium. 42
Mafa Dance Village Contact information Contact: Mafa Makhubalo Position: Founder/Artistic Dorector Address: 2912-2699 Battleford Road, Mississauga, Ontario, L5N 3R9 Country: Canada Mobile: +16477612512 Telephone: +16477612512 Email: mafa_stoma@yahoo.co.uk Web: mafadancevillage.dance Instagram: @yebo_yes_mafa_ Twitter: @mafa_stoma Facebook: @mafa dance village Production information Title of piece: Lentswe La Setjhaba "Voice of the Nation" Artform: Dance Age suitability: All ages Use of text: No text Use of music: Recorded & Live Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Artistic Director: Mafa Makhubalo Manager: Yumiko Kiuchi Dancer: Tamla Matthews Dancer: Emilie Jabouin Dancer: Aisha Nicholson Musician: Teddy Masuko Musician: Brain Moyo Musician: Walter Maclean Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor & Outdoor Number of people on tour: Eight Number of performers on stage: Seven Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Yes 43
Lentswe La Setjhaba Mafa Dance Village Canada Dance Work in Progress Montreal. Mafa Dance Village, has presented at various Saturday 27 June 2020 festivals, Dance Immersion (Celebrating Our Men in 21:15 Dance and Footsteps Across Canada), the International kykNET Rep Theatre Association of Blacks in Dance (IABD) in Toronto, Body Percussion Festival, Dance Ontario Dance Weekend and Lentswe la Setjhaba (Voice of the Nation) is a Contemporaneity Series 1.0. 45 minute, multi-disciplinary choreography that hybridises African traditional aesthetic with African contemporary culture, specifically the urban dance form Delegates Notes: Panstula, Afro-House, African Traditional dance and Gumboots in relation to the rhythm of our everyday life memories. “What counts in life is not the mere fact that we have lived. It is what difference we have made to the lives of others that will determine the significance of the life we lead,” said Nelson Mandela. The work is inspired by the legacy of Nelson Mandela - the idea of a “Rainbow Nation”, his passion to move forward from the past to the future as one nation. After moving to Toronto, Canada, Mafa Mafa Dance continued to seek professional development from senior artists, Milton Myers (Alvin Alley American Theatre senior instructor), Danny Grossman (Danny Grossman Dance Company), Debbie Wilson (OMO Dance Theatre), Gabby Kamino (Senior contemporary teacher), and has collaborated with Collective Of Black Artist, Ballet Creole Company, OMO Dance Theatre, and Nyata-nyata in 44
Rightaboutnow Inc Contact information Contact: Rola Nassar Position: Artists coordination/International relations Address: Ben van Meerendonkstraat 57, Amsterdam, Noord Holland, 1087 LB Country: The Netherlands Mobile: +31203417027 Telephone: +31611808465 Email: rola@rightaboutnowinc.com Web: rightaboutnowinc.com Instagram: @rightaboutnowinc Facebook: @rightaboutnowinc Production information Title of piece: I'd had enough so I Killed him Artform: Dance Age suitability: 16+ Use of text: Light Use of music: Recorded Requires a clear understanding of English or another language: No Available with BSL interpretation, audio description or captioning: No Key personnel Choreographer: Sherise Strang Artistic coordinator: Maarten van Hinte Touring information Scale of show: Medium scale up to 400 seats Appropriate setting: Indoor Number of people on tour: Four Number of performers on stage: One Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Yes 45
I'd had enough so I killed him Rightaboutnow Inc. The Netherlands Dance Work in Progress Sunday 28 June 2020 Delegates Notes: 10:30 Albert Wessels Auditorium I'd had enough so I killed him is about Maya Angelou, a woman who fought her whole life as an activist for black women in America and is now mainly known as a writer and poet. The piece is about a search for being, seeing and wanting to be seen. A search for identity, security and strength. A search for conviction and being judged. In I'd had enough so I killed him Sherise washes off all the dirt to get to her core - to make it visible. Powerful and vulnerable. Condemnation and wanting to be judged. Rightaboutnow Inc. is an interdisciplinary urban performing arts centre and production house based in Amsterdam. For the company diversity is the most powerful force for artisticsocial change and innovation. They bring artists from different cultures, disciplines and subcultures together and channel their diversity into artistic expressions by being a platform for new voices in an old city like Amsterdam. They produce performing art work by young artists, festivals, events and visual art exhibits and focus on coaching young creatives. 46
Stev'N-T Contact information Contact: Tarpade Mianmarde Stephane Position: Artist Address: District Moursal/ Street 5031/House 744, N'Djamena, N'Djamena, 11 Country: Chad Mobile: +0023598747232 Telephone: +0023566453344 Email: tarpade@hotmail.fr Instagram: @stevntofficiel Twitter: @stevntarpade Facebook: @steventarpade Production information Title of piece: A toute épreuve Artform: Music Age suitability: All ages Use of text: Dense Use of music: Recorded & Live Requires a clear understanding of English or another language: Yes, French Available with BSL interpretation, audio description or captioning: No Key personnel Lead vocal: Stev'N-T Artistic director: Moussa Aimé Drummer: Rickbell Guitarist: Body Solo Touring information Scale of show: Large scale up to 850 seats Appropriate setting: Indoor & Outdoor Number of people on tour: Seven Number of performers on stage: Five Availability for touring: From July 2020 onward Suitable for rural touring: Yes Outreach and educational work: Yes 47
A toute épreuve Stev'N-T Chad Music Work in Progress Saturday 27 June 2020 Delegates Notes: 15:30 kykNET Rep Theatre The album entitled Foolproof was launched in March 2019 in N'Djamena, Chad and has had 250 legal downloads to date. It's an album that speaks of hope and realizing dreams. It is tinged with diverse musical genres including a mixture of Chad rhythms such as Sai, Bayan, the Ndo and Fanani associated with the ‘colors’ of the rap style of the artist. Various social and political topics are covered in the lyrics and songs. Stev'NT (Tarpade Mianmarde) also known as Tonton Le Blanc because of the success of one of his songs, is a young rapper artist who made his name as an actor representing the Association Jeunesse Anti-Cleavage (AJAC). In 2002 he began the rap groups Intifadah and Djaraa-B and by 2018, he was one of 19 finalists for the AfriMusic Song Contest, and won the distinction of Annex Francophonie Awards, subsequently awarded for the best French musical contribution. 48
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