Hybrid-organization: Silicon Valley and the Fashion Industry
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Hybrid-organization: Silicon Valley and the Fashion Industry Jenna Demchuk MFA Candidate, Design & Technology Parsons, The New School For Design New York, NY demcj563@newschool.edu ABSTRACT The intersection of technology and fashion is an impressive yet controversial territory that designers and technologists have been entering with both confidences and precautions. Author Keywords Fashionable tech; wearable markets; interactive; evolving; culture; style; collaboration; hyrbid-organization, revolution; fiber science; fashion integration; redefine; glamorize geek wear INTRODUCTION Figure 1: Mica by Intel and Opening Ceremony Ongoing discussions regarding the new and gradual integration of fashion into Silicon Valley are awakening Part of the success of these products must come from a major players in both fashion and tech industries. The range of reasons people want to incorporate them into their desperate call for injection of fashion into wearable technologies originated from the lack of visual appeal of wardrobes. Elements such as aesthetics, style, longevity, such products; “It [tech] wants to be a major player in the functionality, and invisible tech must be at the forefront of culture at large. It wants to lead not just how we these designs in order for consumers to want them for more communicate, but what we talk about, watch, read, and than just the tech. Considering this collaboration, what’s even wear, which is why companies like Apple and Intel most interesting is the evolving technology-consuming are building out entire teams dedicated to fashion and culture designers and technologists are creating for. We are style.” [6]. Figure 1 depicts Intel’s first fashion wearable a culture that seeks fashionable items that we can show off collaboration with Opening Ceremony: “MICA delivers and this is going to prove to be the driving force behind the discreet text messages, Gmail VIP notifications, tech industries’ design approach. Figure 2 depicts the Facebook calendar alerts, Yelp recommendations, and fashionable Altruis notification ring by Kovert Designs; it is even a "Time to Go" feature that sends smart first and foremost stylish. The collection is built using a appointment reminders based on location.” [2] modular system; there is an electronic circuit board inside the stone, which connects to iPhone via Bluetooth. Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Figure 2: Altruis notification Rings by Kovert Designs March 17, 2015, New York, New York, USA. Copyright 2015 Jenna Demchuk
FASHION SHOULDN’T BE AN AFTERTHOUGHT Simply put, the fashion industry dictates how people should The main objective of wearable tech is to enable look. It also has power over consumers’ spending habits interactivity around our bodies [5]. We live in our clothes; and can greatly influence what appeals to the consumers. they are part of our identity, style, and livelihood. The next Wearables face a fashion problem, proving to be a major step in wearable tech is gearing towards redefining the barrier to adoption: function over form. As shown in Figure purpose of clothing; we must put fashion first when 4, the Nike Fuelband with rose gold embellishments effectively accompanies and compliments non-tech considering clothing to be the interface of navigating, accessories, a proven success for Nike in injecting fashion communicating, and entertaining ourselves and our bodies. into their designs. Critical components such as pricing, battery life, and fashionable aesthetic are highly important for wearables to achieve mass-market adoption. As a natural step in our technology evolution, we are ready to integrate this very powerful computer, the smart phone, into ourselves rather than carrying it in our bags, hands and pockets. By closing this human-tech gap, technology will get to know us better through sensors, becoming faster and smarter for us. Bill Stewart argues, “As we’ve grown accustomed to having the computing power of our smart phones with us at all times, it’s only natural that we’d look for more convenient methods to carry them wherever we go.” [7]. Altruis by Kovert Designs is a successful example of this. Figure 3 shows the collection that allows you to decide when you want to be alerted through the accessory regarding your cell phone notifications. Figure 4: Nike Fuelband black and rose gold limited edition THE MOBILE Today, the smart phone acts as an extension of us. Our culture has become so dependant on this device that we rarely go anywhere or do anything without them. Scott Campbell explains that the mobile has become part of our personal and physical identity, “For some, the aesthetics of a mobile phone is regarded as a reflection of their sense of style. In addition, it can become an important part of the physical self by extending the body. In fact, many users speak about and treat their mobile phones in ways that humanize and make them organic, like body parts.” [3] Upon arguing what is viewed as fashionable and Figure 3: Altruis – Cleopatra Collection by Kovert appropriate, the future use of technology according to Designs analyst Saverio Romeo is that, “Too many technology-led companies see wearable devices as simply the next wave of Today’s market for wearables is beginning to take on new smart phones or accessories and pay lip service to aesthetics challenges and advances, though the category has yet to and style. Current market forecasts are based on a smart fully take off because lack of desirability and fitting in with phone-centric view of wearable technology. But while these personal style. In order for wearable tech to excel, fashion devices may have some smart phone functionality, they will companies must better integrate with the technology be much more than smart phones.” [4] industry. According to fashion technology analyst Clair Duke-Woolley, “There is a real difference between making WHO’S DOING WHAT technology wearable, versus making technology products that are desirable and genuinely engage with consumers Many designers are paving the way for fashionable through good design practice. It’s time for the fashion wearables. In the realm of clothing, products such as industry to embrace technology and for tech companies to Heksoskin, Smart Shirt by Ralph Lauren, and Solar Shirt by realize that they can’t do it on their own and need the Pauline van Dongen (Figure 5) have all been launched knowledge and influence of major fashion brands.” [4] within the last few years.
Figure 5: Solar Shirt by Pauline van Dongen Figure 8: The Final Frontier: Google Glass in Vogue September 2013 There are a group of fashion brands that have successfully collaborated with the tech industry, having injected tech Fashion technologist Amanda Parkes notes trailblazers of into their fashion accessories. Tory Burch took her wearable tech today: “Companies like MC10, which is signature ‘T’ branding and created elegant cases for FitBit making wearable “circuit tattoos,” and Modern Meadow, as seen in Figure 6. which is growing leather in a lab, as well as people like Suzanne Lee, the founder of Biocouture.” [5] The next step for wearables shall gradually shift from injecting fashion into tech to digitizing our clothing. WHAT’S NEXT: FIBRE SCIENCE Why are smart textiles and fiber science (but not gadgets) the future of wearable tech? How is the fashion industry going to capitalize in this realm? These are the questions Figure 6: Tory Burch for Fitbit being asked among major players in wearable tech industry. So far, fashionable tech mainly exists in the form of jewelry accessories, on our wrists, necks and fingers. It is our Similarly, Rebecca Minkoff has also taken on a high-end clothing and apparel that the focus is shifting towards. A tech accessory: Case Mate (Figure 7). Other collaborations popular belief among leading fashion technologists such as include Google Glass and Diane von Furstenburg, as well Amanda Parks and Nancy Tilbury, is that in order for as Google Glasses’ surprising 12-page spread in Vogue wearable’s to truly excel, the technology has to be deeply (Figure 8). embedded into our clothing, textiles and fabrics. The advances of fiber science have the ability to integrate fibers and electronics with research in material science and nanotech processes [5]. Parkes has a finite vision for this collaboration: “We can now construct textiles with fully integrated circuits as well as the material properties and functionality we associate with high-tech fabrics. Furthermore, the evolution of wearables towards smart textiles will allow us to explore the entire landscape of the body, moving beyond the wrist and head. It will also help to make the technology invisible, which will create an amazing perceptual shift.” [5]. In the interest of combining traditional fashion production methods with new technologies, Intel has launched “Intel Inside’ model, which aims at creating new components and materials such as flexible circuits, fiber batteries, soft connectors, and conductive textiles. By offering to promote Figure 7: Rebecca Minkoff for Case Mate upcoming technology and the Intel brand, their outcome is
that two brands collaborating prove to be stronger than one forming by fashion and tech industry leaders such as Intel, [1]. This model creates business opportunities in the Apple, MC10, Modern Meadow, Suzanne Lee. wearable’s market and continued development in the fashion industry [5]. The path to market virality begins by simply addressing the problem at hand: to spark interest within consumer culture Nancy Tilbury of Studio XO is a huge advocator of the for wearable’s, the device has to provide real functional digitization of clothing. Her vision of the future of value, or be perceived as so hip that it’s worth the wearables consists of decreasing the size of our wardrobes. investment. Considering the speed at which we are switching up our fashion and adopting new trends, Tilbury wants to reconstruct this continuous cycle of trend-changing with VIDEO: RESEARCH COLLAGE “Tumblr for the dress”, as shown in Figure 9. Fashion Future Tech Collage: Figure 9: Tumblr for the Dress by Studio XO https://vimeo.com/122441222 Making the surface of our clothes transformable, and wearing the surface of the computer on our bodies to both REFERENCES combat material wastes, transform the science behind everyday garments, and ultimately allow us to alter the 1. "Intel Inside Program." Inside Intel. appearance of our garments as much as we want without http://www.intel.com/content/www/us/en/company- increasing our wardrobes. In achieving this, Tilbury strides overview/intel-inside-program.html. towards a brave new world of fashion; “What we want as fashion technology companies, is to drive forward towards 2. "Opening Ceremony and Intel: Mica." Opening technology that feels like silk, technology that is as soft as Ceremony. wool, that is washable, and that has all the affordances that http://www.openingceremony.us/products.asp?menuid its had historically… And that’s going to be the hard part =2&designerid=2152&productid=120298. because we’re still dealing with silicon and hard components, and that’s the transformation.” [8]. 3. Campbell, Scott. "The Mediation of Ritual Interaction via the Mobile Telephone." In Handbook of Mobile Communication Studies, 166-178. Cambridge, It is extremely important to encourage fashion designers to Massachusetts: MIT Press, 2008. enter this transformative space as they have a finite understanding and mastery of bodily interactions with 4. Enanoria, Eva. "Wearable Tech Needs Fashion textiles, and above all, original aesthetic and style. Collaboration and Business Model Revamp." M2M World News. July 24, 2014. http://m2mworldnews.com/2014/07/24/61454- CONCLUSION wearable-tech-needs-fashion-collaboration-and- Will the tech industry be able to integrate style and fashion business-model-revamp/. into their products to appeal to the consumer culture at 5. Kansara, Vikram Alexei. "Amanda Parkes on Why large? As wearable tech matures, the future of clothing in Wearable Tech Is About More Than Gadgets." this tech-realm is going to permanently transform the way Business of Fashion. November 30, 2014. we dress. It is becoming common fact that normal rules http://www.businessoffashion.com/2014/11/amanda- don’t apply when fashion and tech industries collaborate parkes-wearable-tech-gadgets.html. and this is evident in the new design and market models
6. Losse, Kate. "Silicon Valley Has a Fashion Problem." Style.com. October 18, 2014. 7. Stewart, Bill. "It’s Time to Get Comfortable with Wearable Tech." Dealer Scope. June 1, 2014. 8. The Next Black. England: AEG, 2014. Film.
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