How can young musicians be trained to be professional orchestral players? - Friday 26 and Saturday 27th March 2021
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P H I L H A R M O N I E D E PA R I S
SEASON 2020-21
SYMPOSIUM
How can young
musicians be trained
to be professional
orchestral players?
Friday 26 and Saturday 27th March 2021
From 9:30am (GMT+1)
CONFERENCE HELD ON LINE – MANDATORY REGISTRATIONPRO G R A M M E
Sensitive intelligence, shared creativity, sound accuracy and collective discipline are some
of the skills used by musicians when playing in an orchestra. In the last few years, French
and international orchestras – among them the Orchestre de Paris – have developed several
orchestra academies, conceived on the model of sessions or curriculum. The comparison
with existing models worldwide opens new perspectives to adapt the content of those
programmes.
Organised in partnership with the Conservatoire National Supérieur de Musique et de Danse
de Paris.
The conference will be held online. Please register here to attend the meeting.
FRIDAY 26 MARCH 2021 – 9:30AM-6:15PM
9:30AM GREETINGS: Laurent Bayle (General Director, Cité de la musique-
Philharmonie de Paris)
9:45AM INTRODUCTION: ‘’What makes a good orchestral player nowadays?’’ by
Deborah Borda (President and CEO, New York Philharmonic Orchestra).
Interview made by Charlotte Gardner (Journalist).
SESSION 1 (10:15AM-12:30PM)
THE EXPERIENCE OF ORCHESTRAL PLAYING: COURSES AND PROGRAMMES
Moderator: Emmanuel Hondré (Director of the concerts department, Cité de la musique-
Philharmonie de Paris)
10:15AM ‘’Panorama of the orchestral academies in the world: history, types and
modes of organisation.’’ by Vincent Agrech (Journalist)
10:45AM ‘’Youth orchestras in France and worldwide: the question of the
complementarity with orchestra academies.’’ (provisional title) by Renate
Böch (General Manager, European Federation of National Youth Orchestras)
and Pierre Barrois (Director, Orchestre français des Jeunes)
11:15AM pause
211:30AM PANEL DISCUSSION 1 ‘’Expectations and feedbacks on the existing
formations.’’ (full list to be announced)
Emilie Delorme (Director, Conservatoire National Supérieur de musique et de
danse de Paris)
Jeanne Bonnet (Double bass player, Orchestre de Paris)
Delphine Blanc (Violist, Associate reseacher at the centre Georg Simmel
EHESS, Teacher at Sciences Po Paris)
SESSION 2 (2:00PM-4:15PM)
CURRICULUM AND ORCHESTRAL PROGRAMMES: THE ACQUISITION OF THE
ARTISTIC SKILLS TO PLAY WITHIN A COLLECTIVE
Moderator: Emmanuel Hondré (Director of the concerts department, Cité de la musique-
Philharmonie de Paris)
2:00PM ‘’History and goals of the Karajan Akademie: the central role of mentoring
sessions to build the sound of the orchestra’’ by Peter Riegelbauer (Manager
of the Karajan Akademie, Berliner Philharmoniker) (provisional title)
2:15PM ‘’The Academy as Platform for Opening Minds and Doors’’ by Stephen
McHolm (Academy Director, Verbier Festival) and Roberto González-
Monjas (Violinist and Conductor; Verbier Festival Orchestra alumnus; Chief
Conductor, Dalasinfoniettan)
2:30PM ‘’Improvisation sessions and the involvement of orchestra members in
designing the Academy Programme.’’ by Gonneke De Jong (Academy
Coordinator, Concertgebouworkest)
2:45PM «The example of an immersive academy: the academy of the Orchestre de
Paris» (provisional title) - speaker to be announced
3:00PM «The first masters in France to become an orchestra musician.»
Aline Sam-Giao (Executive director, Auditorium-Orchestre national de Lyon)
and Mathieu Ferey (Director, Conservatoire national supérieur de musique et
de danse de Lyon)
3:15PM Discussion
33:30PM PANEL DISCUSSION 2 ‘’Recruitment auditions in Europe.’’
(full list to be announced)
Anne-Sophie Brandalise (Director, Orchestre de Paris)
Fabienne Voisin (Director, Orchestre National d’Ile-de-France)
Emmanuel Laville (Solo oboe, Swedish Radio Symphony Orchestra)
Steve Roger (General Director, Orchestre de la Suisse Romande)
Pause
SESSION 3 (4:30PM-6:30PM)
SPECIALISED REPERTOIRE AND EXPECTED SKILLS
Moderator: Emmanuel Hondré (Director of the concerts department, Cité de la musique-
Philharmonie de Paris)
4:30PM ‘‘Classical contemporary music playing techniques.’’ by Felix Heri (Director,
Lucerne Festival Academy)
4:45PM ‘‘Teaching the symphonical and lyrical repertoires to the future
professionals’’ by Myriam Mazouzi (Director of the Academy, Opéra de
Paris)
5:00PM “Lost in translation: Are orchestras and conservatoires speaking the same
language when discussing orchestral training?” by Jonathan Vaughan
(Deputy Director and Music Director, Guildhall School of Music and Drama)
5:15PM ‘’Why does the orchestra from the 21st century should evolve?’’ by Philippe
Manoury (Composer)
5:30PM Discussion
5:45PM PANEL DISCUSSION 3 ‘’Specialised repertoire and formation to period
instruments’’ (full list to be announced)
Paul Agnew (Musical codirector, Les Arts Florissants)
Olivier Leymarie (General Manager, Ensemble Intercontemporain)
Raimar Orlovsky (Managing Director, Berliner Barock Solisten)
Emmanuelle Haïm (Director, Le Concert d’Astrée)
4SATURDAY 27 MARCH 2021 – 9:30AM-6:00PM
9:30AM INTRODUCTION : ‘’Roles and missions of a future orchestra player.’’ by
Klaus Mäkelä (Musical Director, Orchestre de Paris)
SESSION 4 (10:00AM-1:00PM)
THE FORMATION TO THE LIFE OF AN ORCHESTRA AND TO HUMANITIES
Moderator: Anne-Sophie Brandalise (Director, Orchestre de Paris)
10:00AM ‘’Should the musicians think? Philosophy in the music academy.’’ by
Michael Barenboim (Dean, Chamber Music and Violin Professor, Barenboim-
Said Akademie) and Roni Mann (Director of Humanities, Barenboim-
Said Akademie)
10:30AM ‘’The Shanghai Orchestra Academy: the example of a novel academy
in China for a global training of the musicians.’’ by HE Doug (Executive
Director, Shanghai Orchestra Academy) (provisional title)
11:00AM PANEL DISCUSSION 4 ‘’The formation and awareness of the future
musicians to the governance of the orchestra.’’ (full list to be announced)
Carjez Gerretsen (Solo clarinet, Paris Mozart Orchestra)
David Alberman (Violinist and LSO Board Member and Orchestra
Committee Member)
Pause
12:00PM ‘’Leadership and construction of the group within the orchestra.’’ by Donald
Glowinski (Researcher in neuropsychology, University of Geneva)
12:30PM ‘’The organisation of the time-off and the formation to the administrative
tasks of the orchestra.’’ by Michael Nock (Associate Director, Tanglewood
Music Center) (provisional title)
Pause
5SESSION 5 (2:30PM-6:00PM)
CULTURAL MEDIATION AND HEALTHCARE
Moderator: Emilie Delorme (Director, Conservatoire National de Musique et de Danse de
Paris)
2:30PM ‘’ The academists’ formation to musical mediation’’ (provisional title) by
Andra East (Director, LSO Discovery)
3:00PM ‘’Musician health and wellness programme’’ by Barbara Smith (CEO,
Orchestre des Jeunes du Canada)
3:30PM ‘’Mental projections and coaching’’ by Katharina Kühl (Musician of the
orchestra; Member of the board, Akademie NDR Elbphilharmonie Orchester)
4:00PM ‘’Stress management.’’ – (speaker to be announced)
Pause
4:45PM PANEL DISCUSSION 5 ‘’Raising awareness on health issues for musicians’’
(full list to be announced)
With: Philippe Fanjas (Director, AFO)
Nicolas Droin (General Director, Orchestre de chambre de Paris)
Barbara Smith (CEO, Orchestre des Jeunes du Canada)
Katharina Kühl (Musician of the orchestra; Member of the board, Akademie
NDR Elbphilharmonie Orchester)
5:30PM CONCLUSIONS by Donald Glowinski (Researcher in neuropsychology,
University of Geneva)
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