Grade 8 April 13, 2020 - These and other resources are also available digitally on the HemetLearnsTogether.org website - Hemet Learns Together
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Grade 8 April 13, 2020 These and other resources are also available digitally on the HemetLearnsTogether.org website.
H.U.S.D. Secondary Suggested Daily Schedule Time Suggested Enrichment Activities & Resources (Modify as needed based on your family’s needs.) 8:00 - 9:00 a.m. ☀ Start your day: Wake up, stretch, make your bed, eat breakfast, clean up your dishes, and get ready for the day! 9:00 - 9:45 a.m. Math: Complete a M ath Enrichment Activity from the provided packet or from the H.U.S.D. math digital resources at HemetLearnsTogether.org. 9:45 - 10:00 a.m. Brain Break: Use the restroom, stretch, & eat a healthy snack! 10:00 - 10:45 a.m. English Language Arts: Complete an E LA Enrichment Activity from the provided packet or from the H.U.S.D. ELA digital resources at HemetLearnsTogether.org.. Then spend 20-30 minutes reading a book! 10:45 - 11:30 a.m. Exercise Break: Take a walk outside or try some workout programs on darebee.com. 11:30 - 12:30 p.m. Lunch & Free Time: Eat lunch, clean up your dishes, use the restroom, and do something you enjoy! (Check Hemetusd.org for updated lunch pick-up day, time, & locations.) 12:30 - 1:00 p.m. Creative Writing/Journaling: Spend some time writing about a topic of your choice! Write your own stories or poems or keep a journal of your thoughts. Here are some writing prompts to get you started: ● What are you excited or worried about? ● Write a letter to yourself 10 years in the future. What do you want to tell your future self? ● How do you think the world will be different after the coronavirus pandemic? Explore more journal topics here or create your own! 1:00 - 2:45 p.m. Science: Complete a S cience Enrichment Activity from the provided packet or from the H.U.S.D. science digital resources at HemetLearnsTogether.org.. 2:45 - 3:00 p.m. Brain Break: Use the restroom, stretch, & eat a healthy snack! 3:00 - 3:30 p.m. Social Studies: Complete a S ocial Studies Enrichment Activity from the provided packet or from the H.U.S.D. social studies digital resources at HemetLearnsTogether.org. Explore additional enrichment activities at HemetLearnsTogether.org #HemetLearnsTogether
Distrito Escolar Unificado de Hemet Tabla de Actividades Sugeridas Tiempo Actividades y Recursos de Enriquecimiento Sugeridos Aproximado (Modificar según sea necesario según las necesidades de su hijo /hija.) 8:00-9:00 a.m. ☀ Para empezar el día: D espierta, estirar, hacer la cama, desayunar, limpia tus platos y prepárate para el día! 9:00 - 9:45 am Matemáticas: Complete una a ctividad de enriquecimiento matemático del paquete provisto o de los recursos digitales matemáticos a HemetLearnsTogether.org. 9:45 - 10:00 am Rotura de Cerebro:: Use el baño, estirar y comer una merienda saludable! 10:00 - 10:45 am Artes del Lenguaje en Inglés: Complete una actividad de enriquecimiento de ELA del paquete provisto o de los recursos digitales de ELA a HemetLearnsTogether.org. ¡Entonces pasé 20-30 minutos leyendo un libro! 10:45 - 11:30 am Pausa Para Ejercicio: Salga a caminar o pruebe algunos programas de entrenamiento en darebee.com. 11:30 - 12:30 pm Almuerzo y Tiempo Libre: Almorzar y, limpie sus platos, use el baño y haga algo que disfrute! (Visite Hemetusd.org para conocer el día, la hora y los lugares de recogida del almuerzo actualizados.) 12:30 - 1:00 pm Escritura Creativa /Diario: Dedique algo de tiempo a escribir sobre un tema de su elección! Escribe tus propias historias o poemas o lleva un diario de tus pensamientos. Aquí hay algunos consejos de escritura para comenzar: ● ¿Por qué está emocionado o preocupado? ● Escribe una carta 10 años en el futuro. ¿Qué quieres decir a tu futuro yo? ● ¿Cómo crees que el mundo será diferente después de la pandemia de coronavirus? ¡Explore más temas de revistas aquí o cree el suyo propio! 1:00 - 2:45 pm Ciencia: Complete una actividad de enriquecimiento de la ciencia del paquete provisto o de los recursos digitales de cienci aa HemetLearnsTogether.org. 2:45 - 3:00 pm Rotura de Cerebro: Usa el baño, estira y come un bocadillo saludable! 3:00 - 3:30 pm studios Sociales: Complete una actividad de enriquecimiento de estudios sociales del paquete E provisto o de los recursos digitales de estudios sociales a HemetLearnsTogether.org. Explore actividades de enriquecimiento adicionales en HemetLearnsTogether.org #HemetLearnsTogether
THINKING ABOUT TEXTS Questions & Sentence Frames to use while reading Literature & Informational Texts Preface: When reading, we can improve our comprehension by periodically stopping to ask ourselves questions about the text. The questions we ask will vary depending on the type of text we’re reading. Below you’ll find text analysis questions divided into two categories: literary (fiction) and informational (expository). While you’re reading, or once you’ve finished, take some time to consider a few of these questions. Discuss your thoughts with someone in order to hear yourself speak your ideas aloud. In a writing journal, write a brief response to the question(s) of your choice. Cite evidence from your text to support your response. Sentence frames have been provided to support you in your thinking and writing. Literary (Fiction) Text Analysis Plot What is the story about? What are the main events in the story, and how are they related to each other? Are the main events of the story arranged chronologically or in some other way? Explain. Use evidence from the text. ● The story ___________is about ____________. ● The main event is ___________. The main event involves ___________. ● Another important event is _______________. ● These events are related (connected) because ____________. ● The events are arranged ___________. Evidence to support this includes ______. Setting Where does the action take place? How does the setting affect characters in the story? Describe social forces that shape the characters (political, social, economic, religious, educational, etc.) ● The action occurs __________________. ● _________is influenced by _______(aspect of the setting) because ___________. ● ________ is shaped by ______ forces. Evidence to support this includes _______. Character What are some of the chief characteristics (personality traits) of the main character? How are these characteristics revealed in the story? ● The main character __________seemed______________because_______________. Point of View From what point of view is the story told? How do you know? How does this affect the telling of the story? ● The author uses_______________ to tell the story. Evidence to support this includes__________. ● First-person point of view affects the story by____________________________. Imagery What scenes, moments, descriptive passages, phrases or words stand out in your reading of the story? ● I could visualize _______________ because of the author’s use of ____________. ● I felt ______________ when the author used _____________to describe ____________. Tone What is the author’s attitude toward actions/events in the story? Is the story tragic, humorous, frightening? How does the author want the reader to react? ● The story has a _________________ feeling because the author uses______________. ● As a reader, I feel __________________ because ___________________. Theme What theme(s) does this story reveal? Does the theme(s) support or oppose popular notions of life? Does it offer new insight about the human experience or support traditional ideas? ● One theme of the story is_____________________. ● The theme connects to life by_______________________________.
Informational (Expository) Text Analysis Main Idea What point is the author making in the text? ● The author’s first point is ______________. ● The author makes several points. To begin with,_____________. Additionally, _______. Supporting Details What evidence does the author use to support each point? ● The author supports the point that_______by stating _______. Claims What is the main claim the author makes in the text? ● The author’s main claim is ________________. Paraphrasing How would you paraphrase what the author is saying? ● Another way to say this would be_______. ● In other words, the author is saying____________. Summarizing How would you summarize what the author is saying? ● In summary,_______________ ● To summarize, the author’s main points are________________. Agree/Disagree Are the ideas in this passage correct or reasonable? Do you agree or disagree with them? Why? ● I agree/disagree with the author’s claim that_______________ because___________. Text Connections How does this passage relate to other texts you have read? (Compare/ Contrast) ● This passage is similar to ______________because________________. ● This passage differs from _____________because________________. After reading literary OR informational texts, use the sentence starters below in a journal to reflect on and/or form opinions about what you have read. Reflective Sentence Starters I wonder… I was reminded of… I was surprised that… I began to think of… I can’t believe… It is interesting that… I suppose that… If I had been… I don’t really understand… I don’t see how… It bothers me when… I agree with this because… I like the idea… Why did… I disagree with this because… I noticed that… How did… I think the author intends…
PENSANDO EN LOS TEXTOS Preguntas y marcos de oraciones para usar al leer literatura y textos informativos Prólogo: Al leer, podemos mejorar nuestra comprensión deteniéndonos periódicamente para hacernos preguntas sobre el texto. Las preguntas que hacemos variarán según el tipo de texto que leamos. A continuación, encontrarás preguntas de análisis del texto divididas en dos categorías: literarias (ficción) e informativas (expositivas). Mientras estás leyendo, o una vez que hayas terminado, tómate un tiempo para considerar algunas de estas preguntas. Habla con alguien de lo que piensas para poder escuchar tus ideas en voz alta. En un diario, escribe una breve respuesta a la(s) pregunta(s) de tu elección. Cita evidencia de tu texto para respaldar tu respuesta. Se han proporcionado marcos de oraciones para apoyarte en tus ideas y escritura. Análisis de Texto Literario (Ficción) Trama ¿Sobre qué es la historia? ¿Cuáles son los principales eventos de la historia y cómo se relacionan entre sí? ¿Los principales eventos de la historia están ordenados cronológicamente o de alguna otra manera? Explica. Usa evidencia del texto. ● La historia ___________ es sobre ____________. ● El evento principal es ___________. El evento principal involucra ___________. ● Otro evento importante es _______________. ● Estos eventos están relacionados (conectados) porque ____________. ● Los eventos se organizan ___________. La evidencia para apoyar esto incluye ______. Escenario ¿Dónde se lleva a cabo la acción? ¿Cómo afecta el escenario a los personajes de la historia? Describa las fuerzas sociales que dan forma a los personajes (políticos, sociales, económicos, religiosos, educativos, etc.) ● La acción ocurre __________________. ● _________ está influenciado por _______ (aspecto del entorno) porque ___________. ● ________ está formado por ______ fuerzas. La evidencia para apoyar esto incluye _______. Personaje ¿Cuáles son algunas de las principales características (rasgos de personalidad) del personaje principal? ¿Cómo se revelan estas características en la historia? ● El personaje principal __________parecía______________porque_______________. Punto de vista ¿Desde qué punto de vista se cuenta la historia? ¿Cómo lo sabes? ¿Cómo afecta esto a la narración de la historia? ● El autor usa _______________ para contar la historia. La evidencia para apoyar esto incluye ______. ● El punto de vista en primera persona afecta la historia por ____________________________. Imaginería ¿Qué escenas, momentos, pasajes descriptivos, frases o palabras se destacan en su lectura de la historia? ● I Pude visualizar _______________ debido al uso del autor de ____________. ● Me sentí ______________ cuando el autor usó _____________ para describir ____________. Tono ¿Cuál es la actitud del autor hacia las acciones/eventos en la historia? ¿Es la historia trágica, humorística, aterradora? ¿Cómo quiere el autor que reaccione el lector? ● La historia tiene un sentimiento de _________________ porque el autor usa______________. ● Como lector, me siento __________________ porque ___________________. Tema ¿Qué tema(s) revela esta historia? ¿El tema(s) apoya o se opone a las nociones populares de la vida? ¿Ofrece una nueva visión sobre la experiencia humana o apoya las ideas tradicionales? ● Un tema de la historia es _____________________. ● El tema se conecta a la vida por _______________________________.
Análisis de Texto Informativo (Expositivo) Idea principal ¿Qué punto quiere hacer el autor en el texto? ● El primer punto del autor es ______________. ● El autor hace varios puntos. Para empezar con,_____________. Además, _______. Detalles de apoyo Detalles de apoyo ● El autor apoya el punto que _______ indicando _______. Afirmaciones ¿Cuál es la afirmación principal que el autor hace en el texto? ● La afirmación principal del autor es ________________. Parafraseando ¿Cómo parafrasearías lo que dice el autor? ● Otra forma de decir esto sería _______. ● En otras palabras, el autor está diciendo ____________. Resumiendo ¿Cómo resumirías lo que dice el autor? ● En resumen,_______________ ● En resumen, los puntos principales del autor son ________________. De acuerdo/ ¿Son las ideas de este pasaje correctas o razonables? ¿Estás de acuerdo o en desacuerdo con ellos?¿Por qué? en desacuerdo ● Estoy de acuerdo/no estoy de acuerdo con la afirmación del autor que _______________ porque ___. Conexiones de ¿Cómo se relaciona este pasaje con otros textos que has leído? texto (Comparar/ Contraste) ● Este pasaje es similar a ______________ porque _________________. ● Este pasaje difiere de _____________ porque _________________. Después de leer textos literarios o informativos, utiliza los iniciadores de oraciones a continuación en un diario para reflexionar y/o formar opiniones sobre lo que has leído. Iniciadores de Oraciones Reflexivas Me pregunto Me recordó de… Me sorprendió que… Empence a pensar en… No puedo creer… Es interesante que… Supongo que… Si hubiera sido… Realmente no entiendo… No veo cómo… Me molesta cuando… Estoy de acuerdo con esto porque… Me gusta la idea… ¿Por qué… No estoy de acuerdo con esto porque… Me di cuenta de que… ¿Cómo fue… Creo que el autor tiene la intención de…
Pete’s Numbers This problem gives you the chance to: DO NOT WRITE HERE • solve and make up number problems I am thinking of two numbers. My two numbers add up to 24. The second number is twice the first number. Pete says DO NOT WRITE HERE 1. Which two numbers is Pete thinking of? Show your work. 2. Tina thinks of two numbers. She says, “My two numbers add up to 12. Three times my first number plus twice my second number is 29.” DO NOT WRITE HERE Which two numbers is she thinking of? Show your work. 3. Pete thinks of two different numbers. He says, “When I add my second number to twice my first number, the total is 10. When I add twice my second number to my first number, the total is 11.” DO NOT WRITE HERE Which two numbers is Pete thinking of? Show your work. 8 Published by CTB/McGraw-Hill LLC. Copyright © 2003 by Mathematics Assessment Resource Service. All rights reserved. Page 1 Pete’s Numbers Test 8: Form A
T-shirt Sale This problem gives you the chance to: • calculate total costs • calculate percentage savings T-shirt Sale Any 3 T-shirts for $14.50 $3.99 $6.99 $5.99 1. Tom bought these three T-shirts at the sale price of $14.50. How much money did he save compared to the original total price of the T-shirts? Show your calculations. $ _____________ 2. What percentage of the original total price did Tom save? ______________% Show your work. 3. Harry also paid $14.50 for three T-shirts at the sale. The sale price saved Harry 30% of the original price of the three T-shirts. What is the original total price of his three T-shirts? $ _____________ Show your calculations. 6 Copyright © 2005 by Mathematics Assessment Page 8 T-shirt Sale Test 8 Resource Service. All rights reserved.
3. Pete says that when you add two numbers that are multiples of 5 you get a number that is a Odd Numbers multiple of 10. This problem gives you the chance to: • sort numbers into sets and explain your choices (a) Give an example to show that this is sometimes true. • test statements about odd and even numbers The diagram below shows how Sue sorts some numbers. Odd Numbers in the numbers five times table (b) Give an example to show that this is not always true. 7 8 1 10 6 3 5 2 9 4 4. Jane says that when you add two odd numbers you always get an odd number. (a) Give an example to show that this is not true. 1. Explain why the number 5 is in the overlap region of the two circles. (b) Explain why two odd numbers always add to make an even number. 2. Write the numbers 11, 12, 13, 14 and 15 in the correct regions of the diagram. 8 Published by CTB/McGraw-Hill LLC. Copyright © 2004 Page 2 Odd Numbers Test 8 Published by CTB/McGraw-Hill LLC. Copyright © 2004 Page 3 Odd Numbers Test 8 by Mathematics Assessment Resource Service. All rights reserved. by Mathematics Assessment Resource Service. All rights reserved.
8th Grade English Language Arts f or the week of April 13th, 2020
STUDENT LESSON SUMMARY Word Choice and Diction ELA RL.8.4, ELD PI.8.8 Word choice and diction refer to a writer’s use of language to convey meaning. Writers who want to be serious will use formal language. Less serious writing will be informal and might use everyday language including idioms and slang. Use the following steps to analyze a writer’s word choice and diction. Step 1: Determine level of formality. Ask yourself: Is the word choice formal or informal? Formal language is grammatically correct and precise. Informal language is looser with rules and may use slang, idioms, or short forms of words. EXAMPLE Formal: The idiosyncrasies of my supervisor profoundly irritated me. Informal: My boss’s quirks got on my nerves. Step 2: Determine level of abstraction. Ask yourself: Is the word choice abstract or concrete? Concrete words show specific details and put a reader in a scene. Abstract, more general words make a reader step back and think. EXAMPLE Concrete: M ark stumbled into a walled garden bursting with coral tulips. Abstract: He found an area with many flowers. Step 3: Look for charged words. Neutral words carry no connotations, or emotional associations, for the reader. Charged words do. Look for charged words to find the connotations of a passage. EXAMPLE Charged: An exotic aroma permeated my home. Neutral: An unusual smell filled the house. Step 4: Look for positive and negative meanings. Effective moods or feelings can be created by words with strong connotations—positive or negative. Both sentences below describe one scene. The first seems attractive and impressive. The second suggests a sickly, unpleasant scene. EXAMPLE Positive: Her eyes shining, Candida admired the ring. Negative: Her eyes narrowed, Candida ogled the ring. Step 5: Evaluate the effectiveness of word choice. Ask yourself: • What is the author’s purpose or intent? • How well does the author’s word choice support that purpose? • What is the effect of substituting other words for the author’s? Copyright © by Houghton Mifflin Harcourt Publishing Company California Standards Support and Enrichment 1 Word Choice and Diction
model Word Choice and Diction Dennis “The Fist” Phister I’ll admit it—I’m afraid of Dennis “The Fist” Phister. Everyone in my class is too. In fact, Phister rules as the meanest kid of George Washington Junior High School. At recess yesterday, this thug approached my buddy Andrew Wright. A ring of bloodthirsty spectators from the eighth grade chattered their taunts and chirped their alliances. Many eagerly egged Dennis on—even if their cheers had a hollow ring—a ring of dread. Then Dennis made a stupid mistake. He called Doug Wright, Andrew’s younger brother, a “wimp on wheels.” Now keep in mind that he’d just called Andrew a string of other dumb insults. Well, that’s one thing; dissing Doug is another. This slur set off a tornado of fury in Andrew the likes of which none of us had ever seen. Copyright © by Houghton Mifflin Harcourt Publishing Company California Standards Support and Enrichment 2 Word Choice and Diction
PRACTICE WORKSHEET A Word Choice and Diction A. Practice and Apply Read the boxed passage. Then circle the answer to each question that follows. [The soldier spoke] in a querulous way like a man who has mislaid his hat. —Stephen Crane, The Red Badge of Courage 1. The word choice in this passage is a. concrete b. abstract 2. In the passage, the connotation of the word querulous is a. positive b. negative B. Practice and Apply Read the boxed passage. At each numbered blank choose a word from the Word Box that best conveys the “feeling” suggested. Word Box 3. placed / hung / put 4. cool / shiny / clammy 5. retched / fluttered / tingled 6. tired / sickly / drawn 7. challenging / trying / unbearable 8. gloomy / long / dull FEELING: a feeling of discomfort and unhappiness Alicia 3. her head over the 4. iron railing of the cruise ship. She stared into the green-gray waves far below. Her stomach 5. and her face looked 6. . This 7. vacation at sea was coming to a close. That fact shone as the sole bright spot in a 8. day. Copyright © by Houghton Mifflin Harcourt Publishing Company California Standards Support and Enrichment 3 Word Choice and Diction
PRACTICE WORKSHEET B Word Choice and Diction A. Practice and Apply Read the passage. At each numbered blank choose a word from the Word Box that best conveys the “feeling” suggested. Word Box 1. Laughing / Snickering / Tittering 2. scurried / sprinted / jogged 3. flashing / glowing / shimmering 4. smiling / smirking / beaming FEELING: A feeling of comfort and cheer 1. with anticipation, Paul 2. over the grassy dunes toward the 3. ocean. When he hit the surf, he dove in headfirst, his body knifing through the sea-green curl of the wave. After a minute, he emerged, 4. and shaking water from his hair like a dog after a bath. B. Practice and Apply Read each passage. Then answer the question. His dark, very old face was surrounded by a mass of curly white hair including facial hair that seemed to sever his head from the number of soiled garments he had put on his small body. His black, heavily wrinkled face was surrounded by a halo of crinkly white hair and whiskers that seemed to separate his head from the layers of dirty coats piled on his smallish frame. —Walter Dean Myers, “The Treasure of Lemon Brown” 5. Explain why the word choice in the second passage is more effective. Point out specific words that carry strong connotations or that add life to the description. Copyright © by Houghton Mifflin Harcourt Publishing Company California Standards Support and Enrichment 4 Word Choice and Diction
RETEACHING WORKSHEET Word Choice and Diction A. Practice and Apply Read the boxed passage. At each numbered blank choose a word from the Word Box that best conveys the “feeling” suggested. Word Box 1. gentle / little / bumpy 2. Good / Sweet / Sharp 3. slows / helps / soothes 4. plush / damp / long 5. touching / cradling / against 6. peace / feel / sound FEELING: a feeling of comfort and calm When I lay on the 1. hills of Cooper’s Meadow, my mind seems to sigh with relief. 2. smelling air, part cut grass and part fresh dirt, 3. my spirit. I feel the 4. grass 5. my head; only the wind and the meadowlarks speak. The 6. of Cooper’s Meadow works a magic on my soul. Copyright © by Houghton Mifflin Harcourt Publishing Company California Standards Support and Enrichment 5 Word Choice and Diction
8th Grade History for the week of April 13, 2020 HemetLearnsTogether.org
8th grade History - Enrichment Activities Week of April 13, 2020 Salem Witch Trials Lessons Central Historical Question: What caused the Salem Witch Crisis of 1692? Salem Witch Trials Materials: Students are often captivated by the story of the Salem • Salem Summary Information witch trials. But do you understand the deeper causes of • Salem Evidence A, B, C, D the crisis? And do you see what the crisis reveals about • Salem Graphic Organizer life in Massachusetts at the end of the 17th century? In this lesson, you will use four historical sources to build a more textured understanding of both the causes and historical context of these dramatic events. Instructions: 1. Introduction: Think about what you may already know about the Salem Witch trials. 2. Take out the Salem Summary information and read it through it. • Why do you think the people of Salem believed the girls’ accusations of witchcraft? • Even if the people of Salem truly believed in witchcraft, why would there be so many accusations all at once, all of a sudden? 3. We’re going to look at some pieces of evidence that might help us answer the question: What caused the Salem witch crisis of 1692? Take out Salem Evidence A, B, C, D, and Graphic Organizer. Complete ONLY THE TOP CHART FOR EVIDENCE A & B. 4. Reflect: • What type of document is Evidence A? • What type of document is Evidence B? • Based on these two documents, why did the people of Salem believe the girls’ testimony? 5. Introduce Evidence C & D: These two pieces of evidence tell us a little more about the HISTORICAL CONTEXT—in other words, what was happening in Salem at this time. Complete the graphic organizer. 6. Reflect: • Consider the Evidence C & D: Salem Witch Trials
o What else was happening in 1692? o Why might economic concerns have contributed to the witch crisis? • How does the information in Documents C & D change your view of what caused the Salem witchcraft crisis? Citations: Testimony of Abigail Hobbs, April 19, 1692, in Verbatim Transcripts of the Legal Documents of the Salem Witchcraft Outbreak of 1692, ed. Paul Boyer and Stephen Nissenbaum. http://testetext.lib.virginia.edu/etcbin/ot2www- salemname?specfile=/texts/english/salem/public/salem.o2w&act=text&offset=3207915&t extreg=div3&query=hobabi Cotton Mather, “Memorable Providences relating to Witchcrafts and Possessions,” from A Discourse on Witchcraft, (Boston, 1689), pp. 4-9. http://books.google.com/books?pg=RA2-PA2&lpg=RA2- PA2&dq=mather+%22discourse+on+witchcraft%22&sig=rwWdjDW94kUMgnTViV3JCV GZbjo&ei=dGV4SrDGHYWotgP0y9DwBA&ct=result&id=7l9hAAAAMAAJ&ots=4kzbg3H NPb&output=text Paul Boyer and Stephen Nissenbaum. Salem Possessed: The Social Origins of Witchcraft. Cambridge, Massachusetts: Harvard University Press,1974. © Copyright 2009, Avishag Reisman and Bradley Fogo. Salem Witch Trials
Salem Witch Crisis: Summary The Salem witchcraft crisis began during the winter of 1691- 1692, in Salem Village, Massachusetts, when Betty Parris, the nine- year-old daughter of the village’s minister, Samuel Parris, and his niece, Abigail Williams, fell strangely ill. The girls complained of pinching, prickling sensations, knifelike pains, and the feeling of being choked. In the weeks that followed, three more girls showed similar symptoms. Reverend Parris and several doctors began to suspect that witchcraft was responsible for the girls’ behavior. They pressed the girls to name the witches who were tormenting them. The girls named three women, who were then arrested. The third accused was Parris’s Indian slave, Tituba. Under examination, Tituba confessed to being a witch, and testified that four women and a man were causing the girls’ illness. The girls continued to accuse people of witchcraft, including some respectable church members. The new accused witches joined Tituba and the other two women in jail. The accused faced a difficult situation. If they confessed to witchcraft, they could escape death but would have to provide details of their crimes and the names of other participants. On the other hand, it was very difficult to prove one’s innocence. The Puritans believed that witches knew magic and could send spirits to torture people. However, the visions of torture could only be seen by the victims. The afflicted girls and women were often kept in the courtroom as evidence while the accused were examined. If they screamed and claimed that the accused witch was torturing them, the judge would have to believe their visions, even if the accused witch was not doing anything visible to the girls. Between June and October, twenty people were convicted of witchcraft and killed and more than a hundred suspected witches remained in jail. Salem Witch Trials
Salem Evidence A: “Discourse on Witchcraft” (Modified) In the speech below, Cotten Mather, an influential leader of the Puritans, argues for the existence of witchcraft: I will prove that Witchcraft exists. Those who deny it exists argue that they never saw any witches, therefore there are none. That would be as if you or I said: We never met any robbers, therefore there are none. I have two pieces of evidence that witchcraft exists: First, the Scripture mentions witchcraft. Secondly, many people have experienced the horrors of witchcraft. Source: Cotton Mather, “Memorable Providences relating to Witchcrafts and Possessions,” from A Discourse on Witchcraft, (Boston, 1689), pp. 4-9. Cotton Mather was one of the most influential religious leaders in America at the time. Salem Evidence B: Testimony of Abigail Hobbs (Modified) Below is the testimony of a teenager accused of witchcraft, Abigail Hobbs, on April 19, 1692. Judge: Abigail Hobbs, you are brought before Authority to answer to various acts of witchcraft. What say you? Are you guilty, or not? Speak the truth. Abigail Hobbs: I will speak the truth. I have seen sights and been scared. I have been very wicked. I hope I shall be better, if God will help me. Judge: What sights did you see? Abigail Hobbs: I have seen the Devil. Judge: How often, many times? Abigail Hobbs: But once. Judge: What would he have you do? Abigail Hobbs: Why, he would have me be a witch. Judge: Would he have you make a covenant with him? Abigail Hobbs: Yes. Salem Witch Trials
Salem Evidence C: Chart of Family Farms Average Size of Family Farms in Salem Village, 1640-1700 1692: Salem Witchcraft Trials Salem Evidence D: Map of Salem Village The map below depicts Salem Village (on the left/west) and Salem Town (on the right/east). Most people in Salem Village were farmers, whereas most people in Salem Town were merchants and townspeople. The residents of Salem Village had to pay taxes to Salem Town. The map shows that most of the people who made accusations were from Salem Village. Salem Witch Trials
Name____________ What caused the Salem Witch Crisis of 1692? What is it? According to this document, why did (Describe this the people of Salem believe the girls’ piece of accusations? evidence) Salem Evidence A Salem Evidence B What is it? According to this document, what was (Describe this happening economically in Salem in piece of evidence) 1692? Salem Evidence C Salem Evidence D Salem Witch Trials
Using information from all 4 pieces of evidence, write a paragraph in the space below that best answers the question: What caused the Salem Witch Trials of 1692? Salem Witch Trials
Salem Evidence A: “Discourse on Witchcraft” (ORIGINAL) In the speech below, Cotten Mather, an influential leader of the Puritans, argues for the existence of witchcraft (1688). It should next be proved THAT Witchcraft is. The being of such a thing is denied by many that place a great part of their small wit in deriding the stories that are told of it. Their chief argument is that they never saw any witches, therefore there are none. Just as if you or I should say, we never met with any robbers on the road, therefore there never was any padding there. . . . [T]here are especially two demonstrations that evince the being of that infernal mysterious thing. First. We have the testimony of scripture for it. Secondly. We have the testimony of experience for it. . . . Many witches have . . . confessed and shown their deeds. We see those things done that it is impossible any disease or any deceit should procure. Source: Cotton Mather, “Memorable Providences relating to Witchcrafts and Possessions,” from A Discourse on Witchcraft, (Boston, 1689), pp. 4-9. Cotton Mather was one of the most influential religious leaders in America at the time. Salem Witch Trials
Salem Evidence B: Testimony of Abigail Hobbs (ORIGINAL) Below is the testimony of a teenager accused of witchcraft, Abigail Hobbs, on April 19, 1692. The Examination of Abigail Hobbs , at Salem Village, 19 April, 1692, by John Hawthorn and Jonath. Corwin , Esqs., and Assistants. [Judge:] Abig. Hobbs, you are brought before Authority to answer to sundry acts of witchcraft, committed by you against and upon the bodies of many, of which several persons now accuse you. What say you? Are you guilty, or not? Speak the truth. [Abigail Hobbs:] I will speak the truth. I have seen sights and been scared. I have been very wicked. I hope I shall be better, if God will help me. [Judge:] What sights did you see? [Abigail Hobbs:] I have seen dogs and many creatures. [Judge:] What dogs do you mean, ordinary dogs? [Abigail Hobbs:] I mean the Devil. [Judge:] How often, many times? [Abigail Hobbs:] But once. .... [Judge:] What would he have you do? [Abigail Hobbs:] Why, he would have me be a witch. [Judge:] Would he have you make a covenant with him? [Abigail Hobbs:] Yes. Salem Witch Trials
8th Grade Integrated Science: Paper Boat Design Challenge Week 04/13/2020 Reading: ● Annotate the article: Density and buoyancy determine whether an object will float ○ Underline important ideas ○ Circle important words ○ Write a “?” next to something you want to know more about Activity: ● Building Challenge Guidelines ○ The boat must be able to float in water ○ It cannot be wider than 12cm (use the included ruler) ● Fold and Build 3 paper boats ○ Maritime Makers Paper Boat ○ Sailboat ○ Design your own boat ● Once floating which boat can hold the most pennies? Writing: ● Complete the STEM Challenge questions
Density and buoyancy determine whether an object will float By Gale, Cengage Learning on 02.18.20 Word Count 725 Level MAX Image 1. A ship floats in water because of the combined effects of density and buoyancy. Photo by George Desipris via Pexels What does it mean when it is said that one type of matter is more dense than another? What does density tell us about the nature and behavior of a substance? How does density affect the tendency of an object to float or sink in a liquid? The density of matter is determined by the mass of a given volume of that matter. Any object at a given temperature and pressure will have a fixed volume, determined by the quantity of space it occupies and measured in cubic inches, feet or yards. It also will have a fixed mass, determined by the quantity of matter contained in the substance. Mass is measured in pounds. Density equals mass divided by volume. The mass of different substances can vary greatly. The atoms that make up lead are tightly packed (at room temperature and pressure) and possess a large number of subatomic particles — protons, neutrons and electrons. In contrast, the atoms that make up hydrogen gas are very loosely packed at the same temperature and pressure and possess a very small number of subatomic particles. This article is available at 5 reading levels at https://newsela.com.
More atoms with more subatomic particles in a given volume means higher density. Fewer atoms with fewer subatomic particles in a given volume means lower density. Imagine a life-size sculpture of a goldfish molded in solid clay. Now imagine an identical statue cast in solid lead. Both sculptures occupy the same volume, but the lead has a greater mass and is therefore denser. A third identical sculpture, this time carved from balsa wood, also occupies the same volume but contains less mass than either the clay or the lead. Balsa wood is less dense than both clay and lead. Density Is Measured On A Relative Scale Notice that in comparing the densities of lead, clay and balsa wood, we have not used any units of measurement. We simply stated that balsa wood is less dense and lead is more dense compared to clay. This is called relative density. To measure density, scientists often use a relative scale. Water is assigned a value of 1.0, and other materials are assigned numerical values greater or less than 1.0 based on their density relative to water. For example, lead has a relative density of 11.3 and balsa wood has a relative density of 0.2. Relative density compared to water is also called specific gravity. Relative Density Can Be Observed The relative density of certain materials is easy to determine by observing the behavior of the materials when gravity acts upon them in a liquid. Substances of greater density will sink in liquids of lesser density due to the greater gravitational pull on the mass they contain. Conversely, substances of lesser density will rise. Thus, the lead goldfish will sink in water, while the balsa wood goldfish will float. What about the clay goldfish? To predict its behavior, we would need to know its relative density. When two immiscible liquids, such as oil and vinegar, are poured into a container, the less-dense liquid will float on top of the more-dense liquid. If a third liquid whose density falls between the first and second is poured into the container, it will form a layer between the other two liquids. A solid dropped into the container will sink through the liquids of lesser density than itself, but it will float on the layer of the liquid whose density is greater than the solid's density. Look! It Floats! The relationship between density and buoyancy was studied in the third century B.C. by Archimedes, a Greek philosopher and inventor. The Archimedes Principle states that the lifting effect of a liquid on an object is equal to the weight of the liquid displaced by the object. Thus, if the object contains less mass than the mass of the displaced liquid, the object will float. The Archimedes Principle is what makes steel ships float. If the mass of the displaced water — that is, the mass of the volume of water pushed aside by the hollow hull of the ship below the waterline — is greater than the mass of the entire ship, then the ship will float, even though steel has a relative density greater than 1. This article is available at 5 reading levels at https://newsela.com.
Paper Boat Folding Directions
STEM Challenge Name: ____________________________________ Date: __________________________ Name of Today’s Challenge: ____________________________________________ Explain today’s challenge: CHALLENGE ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________ Record information needed to understand and complete today’s challenge? RESEARCH ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________ What ideas do you have for completing this challenge? © Rebecca Rojas @ CreateTeachShare IMAGINE ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________
Explain what you did to design and create your piece for this challenge. DESIGN & CREATE ___________________________________ Diagram: ___________________________________ ___________________________________ ___________________________________ ___________________________________ ___________________________________ ___________________________________ ___________________________________ What was the outcome of this challenge? ________________________________________________________ OUTCOME ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________ What worked well during this challenge? What challenges did you face? In the future, how would you improve your design? EVALUATE © Rebecca Rojas @ CreateTeachShare ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________ ________________________________________________________
Art Connects 2020 Virtual Student Arts Competition RIVERSIDE COUNTY OFFICE OF EDUCATION The Riverside County Office of Education is launching a virtual student arts competition to help students channel their creativity during the COVID-19 school closures. Despite the closure of schools, students in Riverside County are continuing to create, dream, and express their ideas through their own unique talents and abilities. Artistic expression is a healthy way for students to process their feelings, exercise their creative abilities, and expand their understanding of a changing world. These expressions have the power to uplift others and bring meaning to their life and the lives of others during challenging times. Rules and Eligibility Requirements • Open to all Riverside County students in grades TK–12 attending public, charter, private, parochial, or home-school programs. • One entry per student per art form per week. • Individual entries only; no group entries. • Grade level categories include TK–2, 3–5, 6–8, and 9–12. Awards • 1st, 2nd, and 3rd place awards will be selected in each art form. • 1st place award: $75 gift card, plaque, and certificate of participation • 2nd place award: $50 gift card and certificate of participation • 3rd place award: $25 gift card and certificate of participation • Honorable mention: Certificate of participation • Awards will be announced weekly via www.rcoe.us/art-connects, on RCOE’s social media pages, and by email to the winners. • The work of awardees may be shared on the website and RCOE social media pages. Awards provided by the Riverside County Office of Education Foundation. Judging Criteria • Judges will include Riverside County artists, poets, choreographers, actors, writers, educators, filmmakers, and musicians. • Judges will score entries based on the following categories: • Creativity and originality • Artistic composition • Connection to weekly theme • Overall impression • Judges will take into account the constraints that come with the nature of a virtual competition. • Example: Video submissions will be based on the content of the film, not the production value. • Example: Photo submissions will be judged on the artistic quality of the image, not the resolution of the JPG. For additional information, please visit www.rcoe.us/art-connects or contact Louisa Higgins, RCOE Arts Administrator, lhiggins@rcoe.us.
Art Connects 2020 Virtual Student Arts Competition RIVERSIDE COUNTY OFFICE OF EDUCATION Guidelines and Submission Information Week One: Poetry Week Two: Visual Arts Week Three: Dance Theme: Expressions of Change (2D, 3D, Photography) Theme: Expressions of Kindness Submission: 100 word maximum, Theme: Expressions of Possibility Submission: Two-minute video typed or handwritten Submission: JPEG photo of Submit entries 4/8 through 4/14 Submit entries 3/25 through 3/31 finished work Winners announced on 4/21 Winners announced on 4/7 Submit entries 4/1 through 4/7 Winners announced on 4/14 Week Four: Theater Week Five: Media Arts Week Six: Music Theme: Expressions of Persistence Theme: Expressions of Connections Theme: Expressions of Hope Submission: Original writing Submission: Two-minute podcast Submission: Two-minute video; of an excerpt enacted into or short film compositions encouraged, two-minute video Submit entries 4/22 through 4/28 however can be performances Submit entries 4/15 through 4/21 Winners announced on 5/5 of hope-themed music Winners announced on 4/28 Submit entries 4/29 through 5/5 Winners announced on 5/12 How to Submit Entries • Go to www.rcoe.us/art-connects and follow the directions to upload your submissions. • Students will be asked to provide their name, school or district affiliation, and contact information in order to verify winners for any awards. • After you submit your entry, you are encouraged to share your submission on social media with the hashtag #ArtConnectsRivCo. For additional information, please visit www.rcoe.us/art-connects or contact Louisa Higgins, RCOE Arts Administrator, lhiggins@rcoe.us.
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