GLORIA - Three River Theatre
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THREE RIVER THEATRE AND IO PERFORMANCE PRESENT GLORIA By Branden Jacobs-Jenkins WEDNESDAY 5th MAY to SATURDAY 8th MAY 7:30pm MATINEE SATURDAY 1:30pm Directed by Georgie Todman By arrangement with Music Theatre International (Australia), exclusive agent for Dramatist Play Service, Inc. Newstead College Auditorium, 30 Cypress Street, Newstead.
Welcome to Gloria... Three River Theatre welcomes you! On behalf of Three River Theatre, welcome to our first major production for 2021—and our first return to the theatre since the blank canvas that 2020 be- came, thanks to COVID-19. Gloria continues our tradition of giving the stage over to a sharply-written, witty and confronting contemporary drama. The characters of this play navigate to- wards, and then deal with consequences from, significant trauma, and Branden Jacobs-Jenkins delivers us all into fascinating moral territory when it comes to ownership of our stories and the right we have to benefit from them. We would like to thank our good friends at IO Performance for partnering with us in bringing this production to life. Their expertise, energy and commitment to ex- cellence in theatre is something that Launceston’s cultural community will only benefit from, and we have been thrilled to have worked with them again. We hope you enjoy Gloria—please stay tuned on our Facebook page for news of our next playreading on June 16th, featuring the debut work of an exciting local playwright, Oliver Johns. And then in November, former Three River Theatre pa- terfamilias Stan Gottschalk will bring the American classic Of Mice and Men to the stage at the Earl Arts Centre. Thank you again for your support. Cameron Hindrum President
Gloria About The Play Editorial assistant Dean stumbles into work, hungover from last night’s mortifying party at Gloria’s house. Surrounded by his ambitious co-workers in their Manhattan maga- zine office, the only thing that matters is how fast you can climb the journalistic ladder of success and get your name in print. Today is just another ordinary day, until suddenly it’s not and the stakes for who gets the story become higher than ever. Act One: Spring 2015 Act Two (Scene 1): Autumn 2015 Act Two (Scene 2): Spring 2017 Run Time: 105 Minutes - including interval Warning: This play contains confronting adult themes, simulated violence and is suitable for ages 15 plus. See front of house for additional warnings/information Cast Gloria/Nan: Renée Bakker Lorin: Travis Hennessy Miles/Devin: Mason Bennett Dean: Mitchell Langley Sasha/Callie: Delia Breen Shawn/Rashaad: Jasper Tabuyo Kendra: Georgia Heiniger Ani/Jenna: Sakura Walker Act 1 : Miles, Ani, Dean, Kendra, Nan (voice), Gloria, Lorin Act 2.1: Nan, Dean, Kendra, Shawn, Sasha Act 2.2: Lorin, Nan Callie, Rashaad, Jenna, Devin
IO is back collaborating with Three River Theatre on their latest production: Gloria. Gloria is an incredible story of human interaction, how we navigate the re- lentlessness of the daily grind and within that, lay our own plans for the future. Gloria examines what happens, within us, when all of that goes out the window in a crisis. After watching a run of Gloria, it was clear that the cast and director, Georgie Todman, had taken the time to make each of these people authentically real in a business that makes a profit from the superficial. We were brought on as designers for this production and want- ed to create this sense of mediocrity as well as hypocrisy through the set design’s stimulus blocking aesthetic. The use of grey with the uniformity of the space signifies the stereotypical office environment; a place where the everyday is changeless and eternal… until it’s not. We hope once seeing Gloria, you can analyse the human aspect of our ex- istence and be more aware of our differences and similarities as we navi- gate our, sometimes tumultuous, paths. You go away with the reminder of how we treat our circumstances and each other. Thank you for supporting Three River Theatre! With a proud 65-year history, Three River is dedicated to the best of community theatre: Excellent productions, energising social events and great company. The Three River Theatre Committee are as follows and the Gloria team thank them for their sup- port and tireless work in relation to producing this show: Cameron Hindrum (President) Ant Butchart Georgie Todman (Vice President) Johanna Breen Pauline Robson (Financial Officer) Delia Breen Debbie Parish (Secretary) Amanda Dawes Jonathan Pedler
From the Director... Three River Theatre in collaboration with IO Performance are invigorated to be presenting Branden Jacob- Jenkins multi award-winning play, Gloria. Originally slated for a season in 2020, we feel blessed to have relaxed Covid-19 restrictions and have retained most of our original team for the production you shall see tonight. Gloria is a contemporary text with something extraordinary to say about our fractured, ferociously ambi- tious, media-saturated world. The characters are beautifully nuanced and grossly dislikeable at times and it has been a challenge to unpack this whip-cracking and confronting script. The dialogue feels very au- thentic and often characters talk over the top of each other, not unlike many vibrant offices I have shared over the years. I have been awed and inspired by the exceptional skill of the acting team, who have been very generous in their delivery of Jacobs-Jenkins modern and scathing dialogue, and their commitment in developing the complex and flawed characters you will witness tonight, not to mention most actors play more than one role. I will warn you, Gloria can be assaulting as a play text. Gloria begins as a satire of 20-somethings in the office and suddenly becomes a dissection of ambition, misery and the desire to be heard. As an educator of young people and an avid consumer of media, I knew from the moment I sat down to watch a produc- tion of Gloria at MTC three years ago, that I would bring this play to Tasmanian audiences. I have found more recent debates over who should pay for journalistic content online fascinating and Gloria manages to offer a scathing insight into why we are in the place we are now (even though it starts in 2015). We are living in an increasingly user-created digital world and young people, in fact all people (through their socials such as Instagram and Tik Tok) seem to be vying for human connection and for their 15 minutes of fame and the question still remains, at what cost? GEORGIE TODMAN... Director Georgie completed a Bachelor of Contemporary Arts with a major in Theatre and English at UTAS and has had a long-standing relationship with theatre. Creative highlights include co-writing the musical Happy Me, which received funding to tour 13 locations in Tasmania, and publishing a co -written script One, Two Three, Home through Australians Plays. Other theatrical high points include performing in productions such as God of Carnage (Three River), The Last Five Years, When the Rain Stops Falling and Hayfever (Centrstage) and Les Mis- erables, Assassins, Little Shop of Horrors with Launceston Musical Society, Launceston Players and Encore. Georgie more recently loves to get behind the scenes and has directed Something Natural but very Childish (Centrstage), Dusty - The Original Pop Diva (LMS) and was assis- tant director for We Will Rock You (Encore). Her production of Killer Joe for Three River received the Best Production Award (Community) at the Tasmanian Theatre Awards in 2019 and she has been thrilled to return to directing for Three River with this production of Gloria. Georgie is a Drama and English teacher at Brooks High, is on the Three River Theatre committee, is the Creative Director of the Tamar Valley Writers Festival and is on the social committee for Friends of Theatre North.
About the playwright... Branden Jacobs-Jenkins, a self-described ‘bookish’ child, grew up in a community in Washington DC where theatre and perfor- mance were at the forefront of the social agenda. He read every copy of The New York- er he could find, handing over a dime at the public library for old issues as often as he could. Branden Jacobs-Jenkins received a BA (2006) from Princeton University and an MA (2007) from New York University, and he is a graduate of the Lila Acheson Wallace Ameri- can Playwrights Program at Juilliard (2014). His plays have been performed at such ven- ues as Lincoln Center Theater/LCT3, Soho Rep, the Public Theater, Yale Repertory Theater, Actors Theater of Louisville, and Center Theater Group, among many others. He is a playwright drawing from a range of contemporary and historical theatrical genres to engage frankly with complicated issues around identity, family, class and race. Many of Jacobs-Jenkins’s plays use an historical lens to satirise and comment on modern culture, particularly the ways in which class, ambition and race are negotiated in both private and public settings. Although the provocation of his audience is purposeful, Jacobs-Jenkins’s creation of unsettling, shocking, often confrontational moments is not gratuitous; these elements are of a piece with the world he has established on stage and in the service of the story he is telling. With Gloria (2015), Jacobs-Jenkins returns to the naturalistic play, using the biting satire of the comic drama to explore the stratified, competitive world of the modern workplace and its sometimes fatal consequences. In these and other works, Jacobs- Jenkins’s subversive, fearless and risky approach is challenging audiences to reconsid- er the integrated spaces we share and to reflect on opportunities for sympathetic con- nection.
Production Team... Director: Georgie Todman Stage Manager: Shawna Collins Lighting Design: Chris Jackson Set Design: Georgie Todman and Grace Roberts Set Construction: Grace Roberts, Chris Jackson, Shawna Collins Sound Design: Georgie Todman and Chris Jackson Original Composition: Travis Hennessy (Glitter Witch) Special Effects: Chris Jackson and Grace Roberts Vocal Coaching/Accents: Travis Hennessy Technical Operators: Chris Jackson, Grace Roberts, Shawna Collins Program: Debbie Parish Photos: Grace Roberts Publicity Manager: Georgie Todman and Pauline Robson Ticketing: Pauline Robson Front of House Manager: Cameron Hindrum and Three River Theatre Bar Manager: Cameron Hindrum and Three River Theatre Ushers: Cameron Hindrum, Sheryl Neasey, Nick Cummings, Joh Breen, Jonathan Peddler
GLOSSARY OF TERMS Gloria is set in the world of publishing a media and mentions some American places and abbreviations that might be unfamiliar. Below are some terms that might assist. Edit: department that prepares edition for Harper Collins: HarperCollins Publishers is publication, by correcting, revising, or one of the world's largest publishing compa- adapting. nies. Copy: written material, in contrast to photo- YA Crossover: YA is abbreviation for the graphs or other elements of layout. Copy Young Adult novel genre, novels are consid- Editor checks readability, fitness, facts. ered crossover when the publisher is hop- ing to reach not only teenage readers, but Sample Sale: where brands sell their trial- adult readers as well. run clothing to consumers for a very limited time, also includes overstock and past sea- Cortado: drink of espresso coffee with a son merchandise small amount of steamed milk. By-Line: a printed line of text accompanying Option: an option is an agreement where a an article, giving the author's name. writer (of a novel usually) gives a production company/network/screenwriter the exclu- Editor In chief: the editor-in- sive rights to try and produce/shop the chief determines the look and feel of the movie version publication, has the final say in what is pub- lished and leads the publication's team Packaging: tying multiple creative elements of editors, copy editors, and writers. to a film project to assist in gaining $$. Those elements can be actors, directors, Associate Editor: the next step af- producers etc. ter Assistant Editor. Associate Editors are usually responsible for writing and/or as- Profiling: a written portrait of a person. Of- signing stories to other writers, ten, a profile is published as a narrative non -fiction article in a magazine. The story is Ghost Writer/Ghost Editor: A ghost writer or based on facts discovered through research editor creates or edits written content that as well as interviews. is published in another person's name. FSG: abbreviation of Far- Pasadena: Pasadena is a city in Los Ange- rar, Straus and Giroux. An American les County, California, United States. book publishing company, . LSATs: initialism for Law School Admission Test. J School: abbreviation of Journalism School.
The Cast... RENEE BAKKER... Gloria/Nan Renée Bakker studied Performing Arts at the Water- front Theatre School in Cape Town, and then pursued a postgraduate degree at the Guildford Conserva- toire, UK. Her multicultural and multilingual upbring- ing allowed Renée to pursue numerous roles on stage, and in front of the cameras. Her stage credits include Oklahoma!, Sailor Beware, Canterbury Tales, and recently, the award-winning Anatomy of a Suicide with IO Performance. Alongside her acting career, Renée’s been teaching drama for fifteen years, and has directed numerous plays and musicals across three continents. Since moving to Tasmania, Renée has been the Jun- ior Company Director at LYTE, and founded Bakker Productions; a company that runs theatre programmes for children. Renée brings a breadth of experience in acting and directing children’s theatre and is passionate about the role theatre can play in the development of young people. MASON BENNETT... Miles/Devin Mason has just recently graduated from Scotch Oakburn College in 2020, studying dra- ma and theatre in his final two years. Whilst at Scotch Oakburn, Mason was a part of a number of shows such as A Midsummer Night’s Dream (2017), Avenue Q (2018) and Away (2019). During 2020 Mason was a ensemble member in Encore Theatre’s Mamma Mia, that was sadly postponed due to COVID-19. As a keen acting and film enthusiast, Mason hopes to pursue acting in the future. He is cur- rently working through 2021, in hopes to support himself through acting school, possibly in 2022 on the mainland.
The Cast... DELIA BREEN... Sasha/Callie Delia first fell in love with the theatre at the ripe old age of four thanks to Launceston Youth Thea- tre Ensemble. Since then, she has seldom missed an opportunity to be on or near the stage. She has appeared in 11 years’ worth of produc- tions with LYTE- including The Wizard of Oz, Around the World in 80 Days, and Animal Farm. Her other acting credits include Flashdance, Ar- gonautika (Launceston College), The Season at Sarsaparilla and Our Town (Three River Theatre). She has also appeared in various play readings for Three River and is a current board member. Delia has assistant-directed several works for the junior company of LYTE, most recently Twist! un- der Renée Bakker. She is set to appear in Grease as Miss Lynch (Launceston College) and Kill Climate Deniers (IO Performance) later this year. GEORGIA HEINIGER... Kendra Georgia Heiniger graduated from the University of Tasmania’s Tasmanian College of the Arts (TCoTA) in 2013 with a Bachelor of Contemporary Arts Theatre. Extending her act- ing training in Sydney, she graduated from Screenwise in 2016 with a Diploma of Screen Acting. Georgia’s experience spans multiple mediums from theatre festivals Short + Sweet Sydney (2017), Mudlark Theatre’s One Day (2013, 2019, 2020) to musical The Hard Boiled Egg (2014), stage Motel (2014), feature length film The Grey Areas (2015), short film Lies (2016) and voice over Janet King (2016). This is Geor- gia’s first time on stage with Three River Theatre and her second time working with IO Perfor- mance following 2019’s Very Still and Hard to See, directed by Caitlin McCarthy.
The Cast... TRAVIS HENNESSY... Lorin Travis is a graduate of the Victorian College of the Arts (PG Dip Voice) and has a BA and MA in Theatre (UTAS). He is the recipient of two Tasmanian Theatre Awards for acting in community theatre (Outstanding Supporting Actor - Killer Joe, 2018; Outstanding Lead Actor - 1984, 2019). Travis works as a freelance pro- fessional Actor, Musical Director, Musician, Compos- er, Voice Coach, Tutor and Arts Educator in Tasmania. Already in 2021, Travis has appeared in Caravan Boat Treehouse (Mudlark Theatre), and following Glo- ria, Travis will appear in Become The One (IO Perfor- mance). Travis is also one of the core creatives for Launceston College’s major musical Grease. Previous acting credits include: Angry Men (Three River, 2016), I am a Lake (Mudlark, 2016), Wicked (Encore, 2017), Killer Joe (Three River, 2018), 1984 (Launceston Players, 2019), It Happened One Day (Mudlark, 2019), The Gloaming (Stan Network, 2019). MITCHELL LANGLEY... Dean Mitchell has been involved in the local theatre scene for the last decade and credits his passion for performing to his degree, the Bachelor of Contemporary Arts, where he ma- jored in theatre. Since graduating, Mitchell has been an active member of the Launceston theatre community. Some of his past acting credits include Killer Joe (Three River/IO Performance), Disclosed (Three River) and Twelve Angry Men (Three River), Something Natural But Very Childish (CentrStage) and Bengal Tiger at The Baghdad Zoo (CentrStage). Mitchell has thoroughly enjoyed sinking his teeth into the role of Dean and hopes the audience en- joys this gritty piece of theatre.
The Cast... JASPER TABUYO... Shawn/Rashaad Jasper Tabuyo graduated Launceston College in 2019 where he started his acting career. Since then Jasper has been involved in numerous plays and musicals such as Launceston Colleges’ Pro- duction of Matilda the Musical, where he played Bruce Bogtrotter, and in the previous year’s Jesus Christ Superstar as a featured role. Jasper has also performed in the Australian Musical Theatre Festival and Festivale as a singer/songwriter for numerous years. Gloria is Jasper’s first play experience outside of school. He has had such an enjoyable time in the rehearsal process and is very excited to share this story with you. He hopes you have just as good a time watching tonight’s performance. SAKURA WALKER... Ani/Jenna Sakura is originally from Burnie, Tasmania and moved to Launceston three years ago to complete her UTAS Bachelor of Contemporary Arts Degree. She was a part of many shows with UTAS such as I
Technical Crew... SHAWNA COLLINS... Stage Manager Shawna grew up in and around the Launceston theatre community. This was fostered when she began studying and performing with LYTE, where she starred in shows such as The Lion, The Witch and The Wardrobe (White Witch) and Alice: Through the Looking Glass (Tweedledumb.) In 2015, she was awarded best actress at the Deloraine Theatre Festival and following her graduation from SOC, she performed in A Midsummer Nights Dream (Titania) and The Laramie Project (Various) under the guidance of Georgie Todman and Marcus Bower. Shawna went on to do work with the University of Tasmania, where she discovered her passion for technical theatre. Shawna has had a close working relationship with IO Performance and Three River Theatre for around 3 years now and cannot wait for you to see what they bring to the office, with this produc- tion of Gloria. CHRIS JACKSON... Technical Designer Chris holds a BCA Theatre, MCA performance-making and theatre, and MFA performance/theatre-making and actor training. He has worked in various capacities across the theatre and performance sector including: Directing, Writing, Acting, Performance Art, Production, Designer and Mu- sic. His work has seen local, state, national and international stages. He is co-founder and co-artistic director of IO Performance. His highlights include: Actor - Dancing Back Home (JUTE/Mudlark), Per- former - Borders (Ihos /Junction), Assistant Director - Barbarians (Ihos / MONAFOMA), Actor - Savages (Persona Collective/Junction); Performer - Artaud Defacteau (OzFrank), Vision Designer - Relax The Chimp (TasDance/JUNCTION), Actor - Islamophilia (NextStage/MTC); Performance Artist - PANOPTICON-Horizons (Dark MOFO), Actor - Blood Brothers (Encore). Chris has also been recognised by the Tasmanian Theatre Awards in 2017 for Best Design Professional Theatre - I Am A Lake (Mudlark), and in 2020 for Outstanding Direction - Anatomy of a Suicide (IO) and Out- standing Sound Design - Iron (IO). GRACE ROBERTS... Technical Designer Grace is a past graduate of the UTAS theatre course. She recently com- pleted her Masters of Fine Arts in post-dramatic theatrical design and scenography, focussing on audience placement within a design in 2017. Grace’s jobs in the industry include: Production Manager for Launceston Youth Theatre Ensemble, Lecturer at the University of Tasmania, Former Lecturer at Charles Sturt University and Co-Artistic Director/Producer of IO Performance. Grace has also been involved in many other theatrical productions in different capacities, from Lighting Designing for O; The Tragedy of Ophelia (2018), Set designing and acting for Killer Joe (2018), Projection Design, Stage Manager and Assistant Director for I Am a Lake (2016-2017), Acting for Wild (2018), Acting for Anatomy of a Suicide (2019) and for several productions worked as the makeup artist. Grace has worked with such theatre companies as Three River Theatre, Relevant Theatre, Launceston Players, Mudlark Theatre and Blue Cow Theatre.
Acknowledgements... Three River wishes to acknowledge the following individuals and organisa- tions for their invaluable assistance: Lyndon Riggall TasVillas Group Newstead College Gill and Fred Todman Examiner Newspaper Alicia Mueller Dana Andrews Tom Butler ABC Northern Tasmania Richard Cetti BJ King Launceston College Chilli FM Stuart Heiniger Dan Taylor Coopers Brewery Alarna Hingston Michael Mason Debra Scott Cafe Mondello Simone Rigby Original cast members: Rae Smith, Tansy Gorman, Troy Christine Gilmore Ridgway and Anne Riley Nelson Clay And all those unknown at the time of printing.
Keep up to date at www.facebook.com/threerivertheatre/ https://www.facebook.com/ioperformanceco CONTACT THREE RIVER THEATRE Three River Theatre Inc. PO Box 1377, Launceston, TAS, 7250 3rivertheatre@gmail.com www.threerivertheatre.com.au
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