Film Studies Offer-Holder Visit Day 2018 Dr Debra Ramsay
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Film Studies Staff • Dr Ranita Chatterjee • Dr Danielle Hipkins • Professor Sally Faulkner • Professor Joe Kember • Dr Angus Finney • Dr James Lyons • Dr Felicity Gee • Dr Benedict Morrison • Dr Fiona Handyside • Dr Debra Ramsay • Dr Helen Hanson • Dr Lisa Stead • Professor William Higbee • Professor Linda Ruth Williams • www.exeter.ac.uk/humanities/film
How will I study? 10 hours/week tutor time in Year One All of our staff teach • Lectures (20-220 students) • Seminars (8-16 students) • Workshops (12-20 students) • Study Groups (6-9 students) • Tutorials (1 to 1 sessions) • Film screenings (typically 2 per week, per module) • www.exeter.ac.uk/humanities/film
Depth and Breadth • Film as culture, as industry and as global phenomenon • Early cinema to digital film • Hollywood, British, European, and World Cinemas • Research-based teaching • Study skills training • Excellent library & IT resources • The Bill Douglas Cinema Museum and archival resources • www.exeter.ac.uk/humanities/film
Single Honours Film Studies: Year One Term 1 Term 2 Introduction to Film Major Debates in Film Analysis Theory Introduction to Film Transnational Cinemas History • www.exeter.ac.uk/humanities/film
Film Studies: Year One Introduction to Film Analysis Week 1: Cinematography Week 2: Mise-en-scene Week 3: Editing Week 4: Sound Week 5: Narrative (Week 6: Opportunities week) Week 7: Acting, Performance and Stardom Week 8: Auteur Week 9: Genre Indicative Viewing: Week 10: Spectatorship and Audience Moonlight (Barry Jenkins, US, 2016), Volver (Pedro Almodova, Spain, 2006), The Big Sleep (Howard Hawks, US, Week 11: Representation and Realism 1946), Man with a Movie Camera (Dziga Vertov, USSR, Week 12: Psychoanalysis 1929), Gravity (Alfonso Cuaron, UK, 2013), Gentlemen Prefer Blondes (Howard Hawkes, US, 1953), Jules et Jim (Francois Turffaut, Frances, 1962) • www.exeter.ac.uk/humanities/film
Film Studies: Year One Major Debates in Film Theory 1. Introduction: Film and theory 2. Film language - Semiotics 3. Representation and Realism - Ontology 4. Ideology 5. Affect 6. Psychoanalysis and cinema 7. Gender and Sexuality 8. Digital Cinema Part 1 Indicative Viewing: 9. Digital Cinema Part 2 – transmedia and Citizen Kane (Orson Welles, 1941), The Player (Robert convergence Altman, 1985); North by Northwest (Alfred Hitchcock, 1959); American Beauty (Sam Mendes, 1999), Rogue One: A 10. Historiography Star Wars Story (Gareth Edwards, 2016), Cloverfield (Matt 11. Paratexts Reeves, 2008), American Sniper (Clint Eastwood 2014), The Matrix (Wachowski Bros, 1999); Lord of the Rings (Peter Jackson, 2001) • www.exeter.ac.uk/humanities/film
Single Honours Film Studies: Year Two CORE modules: • Shots in the Dark • Cinescapes: Time, Space and Identity OPTION modules: • Adaptation: Text, Image, Culture • European Film Noir • Your choice of modules in English, other film modules, or modules outside the programme • www.exeter.ac.uk/humanities/film
Film Studies: Final Year (BA Film Studies and Modern Languages – 3rd Year is spent studying and/or working abroad) CORE modules: • Dissertation OR • Creative Film Dissertation OPTION modules: • American Independent Film • Surrealism and its Legacies • India Uncovered • Something to See: War and Visual Media • Writing the Short Film • Beyond Sex and the City: Becoming a Woman in Western Cinema • Cityscapes • Your choice of modules outside of the programme • www.exeter.ac.uk/humanities/film
Exeter film culture: on campus and in the city • Campus Cinema • XTV (NASTA TV awards) • Film Studies Society (Guild) • Cinemas including Vue, Odeon, Studio 74 at Exeter Phoenix and Exeter Picture House • Picturehouse Screen Talks series • The Bill Douglas Cinema Museum • Vibrant programme of events, including writers, filmmakers and others from creative industries • Previous speakers include: Mark Kermode, Mike Leigh, Mike Figgis, Nicolas Roeg, Tom Sayers (sound editor), Don Boyd (producer/director), Narinda Minhas (TV producer), Angus Finney (producer) • www.exeter.ac.uk/humanities/film
The Bill Douglas Cinema Museum • Home to one of the largest collections of material relating to the moving image in the UK • Collection of over 75,000 items • Invaluable and exciting resources for students • http://www.bdcmuseum.org.uk/
Study Abroad In your third year, you will have the option of studying at one of over 25 partner institutions across the world Choose to study abroad when you apply or after you have arrived You’ll need to achieve a minimum 2:1 during your first year at Exeter Reduced fees for the Year Abroad. No fees are paid to the host institution. Study at universities across Asia, Australia, North America and Europe, including: University of Sydney Akita International University, Tokyo University of Amsterdam University of Ottawa University of Hong Kong University of South Florida • www.exeter.ac.uk/undergraduate
New employment experience opportunities in the UK or Abroad • Employment Experience and Employment Experience Abroad programmes • Transfer in your second year • Spend up to a year carrying out a graduate-level work placement or placements as part of your degree* • Develop employability and interpersonal skills that relate to your degree and future career • Reduced fees * Please note the student is responsible for finding their placement with support and approval from the University. • www.exeter.ac.uk/undergraduate
Film Studies Careers • University of Exeter Film students have an excellent reputation with employers across a range of sectors • We are currently 3rd in the Russell Group for Film Graduate Prospects • 6 months after graduation 100% were in work or further study • The Bill Douglas Cinema Museum offers a unique opportunity to engage with their collection. Our students can apply for internships, gaining valuable experience of curation. Some have curated their own exhibitions. www.exeter.ac.uk/humanities/film/undergraduate/careers
Film Studies Careers • www.exeter.ac.uk/humanities/film/undergraduate/careers
Film Studies Graduate Destinations Our graduates progress to a broad range of job roles as well as postgraduate study. Here are just a few ideas of what our recent graduates are doing now: Employment Further study • Post-production Assistant • MA International Film Business • Digital Media Assistant • MA History • Editor / Film Maker • MA English • Central Operations Assistant • MA Film Studies (Banking) • MA Arts and Cinema Studies • Production Runner • MRes in Sexuality and Gender • Junior Researcher Studies • PR Consultant • MA Theology • Innovations Coordinator • Professional Acting • Market Researcher • MA Film and Cinema • Marketing Executive • MA Creative Writing • Innovations Coordinator www.exeter.ac.uk/humanities/film/undergraduate/careers/destinations
Foreign Language Centre • Study a language as part of your degree • Graduate ‘with proficiency in’….. • British Sign Language, French, German, Italian, Japanese, Arabic, Mandarin Chinese or Spanish. • www.humanities.exeter.ac.uk/flc
YourExeter • YourExeter is for you! • An exclusive insider’s guide website for students studying Humanities subjects • Useful advice on what to do before and after you arrive • Meet your department, find out about life in Exeter, and discover great opportunities • Login using your date of birth and UCAS number or your email address • www.humanities.exeter.ac.uk/yourexeter
Student handover… • Your chance to hear directly from one of our students about their experience studying Film Studies. • Feel free to ask any questions! @ExeterFilm @exeterenglishandfilm
Questions? www.exeter.ac.uk/undergraduate Phone: 01392 723044 Email: ug-ad@Exeter.ac.uk
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