Contact Info: Mark Kondrat (Band Manager): Jose "Sapo" Gonzalez (Production Manager)
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Contact Info: Mark Kondrat (Band Manager): markkondrat@hotmail.com Jose “Sapo” Gonzalez (Production Manager): sapo@sapomusic.net
The following information is for the purpose of presenting a successful, efficient and smooth running event. Please read and review this technical rider carefully and in case of any questions, impossibilities, objections or concerns please contact Mark Kondrat or Jose Sapo Gonzalez. Full cooperation from audio engineers, techs, stage manager, LD, etc. is expected in order to fulfill contractual obligations. Audio Overview: The sound system must be a professional quality system (3 or 4 way). It must provide even coverage through the entire venue with high intelligibility and low distortion. Must be able to generate 110 dbSPL A weighted in all guest areas. The system should not have any polarity issues. A system tech should be present at all times during set up, soundcheck and show and carry his own SMAART Live analyzing system. Additional front fills and/or lateral reinforcements should be included whenever required for even coverage through out guest areas. AC power (120V Edison US) should be provided where necessary across the stage. Processor for PA must be factory recommended model.
Mix Boards: Yamaha CL5 or Yamaha M7-CL ES Front-fills: If needed, additional speakers must be provided for coverage on the center for the dance floor. Speakers must be of same brand and compatible with the PA and Processor. Monitor, Side-fills & Drum-fill: 2 full-range speakers with subs must be placed on each side of the stage. 1 Sub cabinet must be placed behind drummer (on a sepparate aux mix). At least 6 monitor wedges are required, they must be at least 12” with 1.75” drivers. Wireless Requirements & Misc. Accessories: • (2) Two Shure UR Handheld Transmitter with SM58 or Beta 58 Capsules • (5) Five Power drops as specified on stage plot (AC Quad Boxes) • Drummer and percussionist require their monitor mixes to be sent via XLR cable to their IEM mixer (provided by artist) • All required antennas, power cables, inter connect, etc.
Important Note: All equipment, including wireless systems, must be set up and ready to be used before sound check starts. New batteries should be installed 15 minutes before show starts. All monitor side-fills, monitor subs, wedges etc. must be “ring out” in advance before band steps on stage for soundcheck. Stage plot: Stage plot will be submited once exact stage dimentions are provided. Lights & Visuals: Production team must have access to and control of all house equipment during set up and performance. Full cooperation from house technicians is expected. Please submit DMX plot including address, possition of fixtures, brand, model & ch mode.
Input List: Ch. Input Source Mic/DI (recommended) Stand Type 1 Kick Shure Beta 52 Short Boom 2 Snare Top Shure SM 57 Short Boom 3 Snare Bot Shure SM 57 Short Boom 4 Side Snare Shure SM 57 Short Boom 5 Hi-Hat Shure SM 81 Boom 6 Tom 1 (10”) Shure Beta 98 Clamp 7 Tom 2 (12”) Shure Beta 98 Clamp 8 Tom 3 (16”) Shure Beta 98 Clamp 9 Overhead L Shure SM 81 Boom 10 Overhead R Shure SM 81 Boom 11 Conga Hi Shure Beta 57 Clamp 12 Conga Low Shure Beta 57 Clamp 13 Djembe Shure Beta 57 Short Boom 14 Timbal OVHD L Shure SM 81 Boom 15 Timbal OVHD R Shure SM 81 Boom 16 Bass DI NA 17 Guitar Shure Beta 57 Short Boom 18 Trombone Shure Beta 57 Boom 19 Sax Shure Beta 57 Boom 20 Vox (Bass) Shure SM 58 Boom 21 Vox (Lead) Wireless Shure SM 58 Straight 22 Vox (Guest 1) Wireless Shure SM 58 Straight 23 Vox (Bass) Shure SM 58 Boom 24 SPARE CH SPARE CH SPARE CH 25 Main Track L DI/XLR (Mac @ Drums) 26 Main Track R DI/XLR (Mac @ Drums) 27 Vox Track L DI/XLR (Mac @ Drums) 28 Vox Track R DI/XLR (Mac @ Drums) 29 Horn Track L DI/XLR (Mac @ Drums) 30 Horn Track R DI/XLR (Mac @ Drums) 31 SPARE CH SPARE CH SPARE CH
Monitor Mixes & Aux Sends: 1 Guitar (Mark) 1 Wedge 2 Lead Vox (Ita) 2 Wedges 3 Bass (Dave) 1 Wedge 4 Horns 2 Wedges 5 Drums (Javier) XLR Line to Mixer 6 Drum Sub Sub Cabinet 7 Percussion XLR Line to Mixer 8 Side-Fill L Full Range Speaker & Sub 9 Side-Fill R Full Range Speaker & Sub
Backline: Drum Kit: DW Collector’s Series or Yamaha Maple Custom Kick: 22” x 18” Evans Emad Clear Beater Head Rack Toms: 10” x 8” 12” x 9” Floor Toms w/Legs : 16” x 16” Evans G2 Clear Heads For all Toms. Snares: 14” x 6” (DW wood) 12” x 5” (Pork Pie Little Squealer) Side Snare Evans G2 Coated Heads for all Snares Cymbals: 10" AAX Splash (Sabian) 14" AAX Stage Hats (Sabian) 16" HHX Evolution O-Zone Crash (Sabian) 17" HHX X- Treme Crash (Sabian) 18" HHX Evolution O-Zone Crash (Sabian) 18" HHX X- Treme Crash (Sabian) 21" AAX Raw Bell Dry Ride (Sabian) 16" AAX Stage Crash (for Timbal) (Sabian) (cont...)
Cymbals For Percussionist: 15” Azuka Latin Multi-crash Hand & Stick Cymbal (Zildjan) 17” El Sonido Multi-crash (Zildjan) Hardware: (1) DW 9000 Kick Pedal (1) DW 9000 Hi Hat Stand (1) DW Round Throne (not airlift hydraulic) (2) DW 9000 Snare Stands (8) DW 9000 Boom Cymbal Stands (1) Cymbal Arm w/ Clamp (for splash) Accessories & Misc: (1) Clamp Style Small Percussion Table (1) Drum Rug (Same color as stage floor) (1) Tuning key for drums Spare: HH Clutch, Kick Pedal, Heads, etc. Percussion: LP Giovanni Galaxy Conga set (1 conga, 1 tumba) (With high quality cradle stands) (1) Djembe 14” (with stand) (1) LP Tito Puente Timbales 14” & 15” Bronze (with all hardware) LP Salsa ES- 7 Bell LP Red Jam Block LP ES-5 Cha Cha Bell (1) LP 760A Percussion Tables with Rack & Toy Posts (cont...)
(1) LP 72 Bar Double Row Chimes (with boom stand) (2) LP One Shot Shakers (2) Rhythm Tech Live shakers (blue) (3) LP Twist Shakers (1) LP Mountable Sambago Bells (1) Cabasa (1) Tambourine (hand held) (1) Tambourine (w/ mounting bracket) (1) Cowbells (hand held w stick) (1) LP Rock Ridge Cowbell (w/ mounting bracket) (1) LP ES-2 Cha Cha Bell Tuning Keys For All Instruments (congas, timbales, etc) Bass Amp, Cabinet & Accessories: (1) Aguilar DB 751 amp (1) Aguilar DB 810 cabinet (1) Rackmounted tuner (1) Ultimate or Hercules Bass Stand (2) High Quality 25’ TRS (1⁄4” to 1⁄4”) Cables All required cables & accesories for amp Guitar Amp, Cabinet & Accessories: (1) Fender Twin Reverb (1) Ultimate or Hercules Guitar Stand Misc: 12 TRS cables (1⁄4” to 1⁄4”) (3’ to 6’ lengths)
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