AANWINSTEN JUNI 2018 KU LEUVEN BIBLIOTHEKEN, BIJZONDERE COLLECTIES TJAMKE SNIJDERS
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AANWINSTEN JUNI 2018 KU LEUVEN BIBLIOTHEKEN, BIJZONDERE COLLECTIES TJAMKE SNIJDERS
1 BOEKGESCHIEDENIS • Handschriften • Oude drukken • Boekbanden
HANDSCHRIFTEN
Golden Fleece, the artistic ties between the northern and
southern Netherlands, pilgrim badges, and the transition
from manuscripts to printed books.
The book contains twenty-four chapters, each one
consisting of an introduction to the art-historical and
cultural-historical context, followed by discussions of
individual manuscripts. These chapters were written by
fifteen international specialists in the field of medieval
manuscripts and book illumination of the southern
A s - V i j v e r s , A n n e M a r g r e e t W, e n A n n e S . Netherlands. In addition, the book contains an introduction
Korteweg. Splendour of the Burgundian Netherlands: on the ways in which these manuscripts ended up in the
Southern Netherlandish illuminated manuscripts in Dutch Netherlands, a technical analysis of a number of
collections. Zwolle: Wbooks, 2018. manuscripts, and a map accompanied by an account of
the rise and unification of the southern Netherlands. At the
Plaatskenmerk: 091 (493:492) ILLUM back of the book, readers will find detailed descriptions of
the manuscripts. The entire publication is lavishly
Negentig verluchte handschriften uit de
i l l u s t r a t e d , w i t h s o m e 2 5 0 m a g n i fic e n t c o l o u r
Bourgondische Nederlanden, met speciale aandacht
reproductions."
voor de rol van het boek in de maatschappij. "This
book presents a survey of ninety of the finest and most
interesting medieval manuscripts produced in the southern
Netherlands – present-day Belgium – which ended up in
Dutch public collections at various points in time.
This largely unknown cultural heritage is displayed here in a
vast panoramic context ranging from the tenth to the
mid-sixteenth century. The painted scenes in these
handwritten books are not only of a high artistic quality, but
also present a richly-textured picture of medieval life. The
emphasis is on the role of books in the society of the
Middle Ages: they served as expressions of
sumptuousness on the part of the aristocracy, as
richly-decorated books for church services, and as
cherished objects used by affluent burghers for their
private devotion. The authors also devote attention to the Bartoszewicz, A. Urban Literacy in Late Medieval
large-size, superbly-illustrated works of history and Poland (Utrecht studies in medieval literacy 39). Turnhout:
literature that were produced under the patronage of the Brepols, 2017.
dukes of Burgundy. Other subjects include the Order of the
Plaatskenmerk: 091: 028 (438)
2
Geletterdheid en stedelijke cultuur in • 6. Other Professionals of the Written Word in Polish
laatmiddeleeuws Polen. Studies naar geletterdheid en Towns
leesgedrag -- horen die in de geschiedenisbibliotheek, of
bij boekgeschiedenis? Marco Mostert's serie Utrecht • 7. The Written Word in the Life of Polish Town Dwellers
Studies in Medieval Literarcy is verspreid tussen de twee
• Conclusion
bibliotheken. Dit specifieke deel over Poolse geletterdheid
is in Bijzondere Collecties beland. "From the end of the • Appendix: Chronology of the locatio of the More
thirteenth century onwards, European towns exhibited a Important Towns in the Kingdom of Poland
significant increase in the use of writing as a tool for
administrative and economic purposes, as well as for
social communication. The medieval towns of Poland are
no exception to this pattern.
This book surveys the development of the literacy of Polish
burghers in the fourteenth and fifteenth centuries, revealing
socio-economic and cultural processes that changed the
life of Polish urban society. Polish urban literacy is
examined according to the reception of Western European
urban culture more generally. Town networks in medieval
Poland are explained, and the literacy skills of the
producers and users of the written word are discussed. Cavallo, G., & Giovanna Nicolaj. Chartae latinae
Literacy skills differed greatly from one social group to antiquiores: Facsimile-edition of the Latin charters. 2: Ninth
another, it is shown, due to the variety of town dwellers century. Vol XCIX: Italy LXXI: Brescia, Cremona, Udine,
(clerics and lay people, professionals of the written word, Venezia. Dietikon: Urs-Graf, 2018.
occasional users of writing, and illiterates). Other issues
Plaatskenmerk: 091 diplomatiek GROOT FORM.
that are discussed include the cooperation between
agents of lay and church literacy, the relationship between Facsimile van 9e-eeuwse Latijnse oorkonden uit
literacy and orality, and the difference between developing Italië (vol. 99: Brescia, Cremona, Udine en Venetië).
literacies in Latin and in the vernacular languages. "The Chartae Latinae Antiquiores are meant to provide
scholars of various branches of learning concerning Late
Inhoudsopgave:
Antiquity and the Middle Ages - diplomatics scholars,
• Introduction: Urban Literacy in Late Medieval Poland: historians, paleographers, jurists, linguists, topographers,
The Main Research Problems 1 anthropologists - with an abstract, an edition, a description
of external and internal features, a bibliography and a
• 1. The Urban Network in Late Medieval Poland facsimile real size reproduction of all the surviving
documents among those produced until the end of the 9th
• 2. The Topography of Urban Literacy century. [This series] aims at publishing all the documents
of the 9th century, beginning from those conserved in
• 3. The Polish Municipal Chanceries and Their Heritage
Italian archives and libraries and then extending to other
• 4. From Vernacular Memory to Written Record: Literate countries in Europe and in the U.S.A."
Behaviour and Legal Procedures
• 5. Municipal Clerks
3
Cavallo, G., & Giovanna Nicolaj. Chartae latinae
antiquiores: Facsimile-edition of the Latin charters. 2: Ninth
century. Vol XCVII: Italy LXIX: Milano IV, Monza, Bolzano,
Padova. Dietikon: Urs-Graf, 2017.
Plaatskenmerk: 091 diplomatiek GROOT FORM.
C o l l a rd , F. , F r é d é r i q u e L a c h a u d , e n Ly d w i n e
Facsimile van 9e-eeuwse Latijnse oorkonden uit Scordia. Images, pouvoirs et normes: Exégèse visuelle de
Italië (vol. 97: Milaan, Monza, Bolzano, Padua). Zie la fin du Moyen Âge (XIIIe-XVe siècle) (POLEN : pouvoirs,
hierboven... of deze alternatieve introductie: "Under the lettres, normes 8). Paris: Classiques Garnier, 2017.
editorship of Albert Bruckner and Robert Marichal
publication of the Chartae Latinae Antiquiores by Urs Graf Plaatskenmerk: 091: 75 icon prof.
Verlag in Dietikon, Switzerland, began in 1954. Intended as
De relatie tussen macht en beeld tussen de 13e en
supplement the Codices Latini Antiquiores of E.A. Lowe,
de 15e eeuw. "Le développement des images politiques a
the CLA constitutes a photographic catalogue of all Latin
accompagné au Moyen Âge les progrès de l’écrit comme
'literary' manuscripts rather than codices, written on
ceux de la réflexion sur les pouvoirs. Leurs significations
papyrus or parchment, which antedate 800 CE. It was
appellent une véritable exégèse visuelle. Le volume explore
necessary to provide a codicological description of each
150 manuscrits et présente un nouvel éclairage sur le
one of them and a photograph of some lines each. The
rapport entre pouvoir et image."
49th and last volume in this series appeared in 1997.
The second series (ChLA2), founded by Guglielmo Cavallo Inhoudsopgave:
and Giovanna Nicolaj, and beginning with volume 50,
intends to publish all the documents surviving from 800 to • Introduction: Exégèse visuelle du pouvoir - Lachaud
900 CE preserved in European archives and libraries. The (Frédérique), Scordia (Lydwine)
first phase of the project dedicated to Italy reached Volume
• La mise en scène du pouvoir par les arts: Commandes
75. Including the Appendix it will be completed with
artistiques et grands programmes édilitaires des
Volume 99. Volume 100 marks the beginning of the series
conseillers des derniers Capétiens autour de
dedicated to St. Gall, with 13 volumes the largest
1300 - Berger (Sabine)
collection of charters besides Italy. The publication of the
charters should eventually be extended to the other
• Reines et princesses dans un miroir enluminé du milieu
European countries. The Chartae Latinae du xive siècle : l’Avis aux roys (New York, Pierpont
A n t i q u i o re s d a t a b a s e c a n b e s e a rc h e d o n l i n e Morgan Library, ms. M. 456) - Lepot (Julien)
at: http://www.urs-graf-verlag.com/index.php?funktion=chl
a_suche." • Les statues royales de Compiègne et leurs pancartes
(xiiie-xviiie siècle) - Beaune (Colette)
4
• Des idées politiques aux images du
pouvoir: L’iconographie de la royauté dans le manuscrit
des Vigiles de la mort de Charles VII de Martial
d’Auvergne offert à Charles VIII - Collard (Franck)
• Color rhetoricus: Réflexions sur l’articulation entre culture
v i s u e l l e e t r h é t o r i q u e m é d i é v a l e ( fin x i e –
fin xvie siècle) - Grévin (Benoît)
• Images de la compétition royale à la fin du Moyen Âge -
Lecuppre (Gilles)
• Philosophie du pouvoir et pouvoir de la
philosophie: Double lecture du livre VII du Policraticus,
texte et images - Brucker (Charles)
Davenport, K. The Bar books: Manuscripts illuminated for
• Les images de la folie et de la musique au miroir du
Renaud de Bar, Bishop of Metz (1303-1316) (Manuscripta
pouvoir royal dans les manuscrits enluminés
Illuminata 2). Turnhout: Brepols, 2017.
(1350-1480) - Clouzot (Martine)
Plaatskenmerk: 091 (44) ILLUM.
• The Castle of Castile: An image of power, or the power
of an image? - Grant (Lindy) De handschriften van Renaud de Bar (d. 1316),
bisschop van Metz. "Renaud de Bar (d. 1316) was the
• Le pouvoir des images saintes dans lesGrandes
sixty-ninth bishop of Metz, and the fourth son of the
Chroniques de France: Le cas de Saint
powerful count of Bar. The house of Bar had a
Louis - Hedeman (Anne D.)
distinguished lineage intertwined with most of the
important European houses, and Renaud’s eldest brother
• La représentation du pouvoir royal dans les manuscrits
consacrés à l’histoire de l’Angleterre du milieu married the eldest daughter of the king of England. In the
du xiiie siècle au milieu du xive siècle - Laborderie (Olivier last century, as manuscripts were identified and attributed,
de) realisation has gradually dawned that he commissioned six
de luxe manuscripts for his particular use in the course of
• Le connétable, la guerre et la paix: La geste de Bertrand his rapid rise to the episcopacy. The heraldry of his
du Guesclin dans les miniatures du manuscrit BnF, Breviary in two volumes is unique, astonishing in a church
Arsenal, 3141- Lassabatère (Thierry) book, as it contains about 180 non-Bar shields of arms in
two-line initials, in addition to about 225 shields of Bar and
• La statue funéraire de Louis XI: Les trois corps du roi - Toucy, belonging to his immediate family, and his own
Scordia (Lydwine) personal shield which in the course of the book is
scrupulously modified to reflect his elevation to the chair at
• Pouvoir, mémoire et imprimerie: Maximilien Ier forge son
Metz. This detailed study gives a novel overview of the
image - Naegle (Gisela)
man and his books, paying special attention to the
• Conclusions: L’histoire des pouvoirs au défi des heraldry, the calendars, and the marginalia in three
images - Collard (Franck) appendices.
Inhoudsopgave
• Introduction
5• Chapter I: Renaud de Bar
• Chapter II: The Books
• VBI (Verdun Breviary, winter volume, BL. Yates
Thompson MS 8)
• VBII (Verdun Breviary, summer volume, Verdun Frunzeanu, E., Régis Robineau, Régis, en Anne-Marie
B.m. MS 107) Turcan-Verkerk. Biblissima: Innover pour redécouvrir le
patrimoine écrit : Campus Condorcet, 15 mars 2018. La
• M. (Verdun Missal revised for Metz, Verdun B.m. Plaine Saint-Denis: [Equipex Biblissima], 2018.
MS 98)
Plaatskenmerk: 091: 025.31
• R (Metz Ritual, Metz B.m. MS 43, destroyed)
Brochure bij een studiedag rond Biblissima en
• PI (Metz Pontifical, first volume, Fitzwilliam MS 298) IIIF. Voor wie (nog) niet bekend is met de afkorting "IIIF":
IIIF staat voor International Image Interoperability
• PII (Metz Pontifical, second volume, Prague MS Framework. Dat is een set afspraken tussen een
XXIII.c.20)
wereldwijde groep bibliotheken, erfgoedinstellingen
enz. die voor digitale beelden wil doen wat .txt en .pdf voor
• Chapter III: The Artists
tekstbestanden hebben gedaan: zorgen dat het materiaal
• Artists I and II over de hele wereld op een uniforme manier toegankelijk
wordt, zorgen dat het gemakkelijk mogelijk wordt om
• Heraldic Borders beelden uit twee instellingen met elkaar te vergelijken, en
er voor zorgen dat het materiaal gemakkelijk te bekijken,
• Artist III
bewerken, en annoteren is. Wie wel eens wil zien hoe IIIF
• Artist IV and the Unfinished Quire 8 er uitziet en werkt, kan terecht bij dit
korte youtube-filmpje van de Universiteit Leiden. Voor
• Artists V and VI technische details surf je naar de IIIF homepage.
• Chapter IV: The Heraldry of the Breviary Op 15 maart 2018 organiseerde Biblissima een studiedag
over enerzijds over Biblissima (als toegangsportaal tot
• Bibliography wetenschappelijke projecten, met hulpmiddelen voor het
maken van digitale edities, de lopende
• Appendices
digitaliseringsprojecten, en de summerschool) en
• Appendix I: Heraldric Shield Initials anderzijds over de rol van IIIF binnen Europeana, Gallica,
Polonsky, het IRHT-CNRS, Fragmentarium, C2RMF, en
• Appendix II: Bar Book Calendars, Metz/Verdun Crotos. Je kan de brochure van de studiedag
Calendars ook downloaden.
• Appendix III: Marginal Figures Gift van An Smets.
6De productie van volkstalige handschriften tussen
1000-1500. "This volume presents six essays devoted to
the practices, habits, and preferences of scribes making
manuscripts in their native tongue. Despite the dominance
of Latin in medieval written culture, vernacular traditions
started to develop in Europe in the eleventh century.
Focusing on French, Frisian, Icelandic, Italian, Middle High
German, and Old English examples, these essays discuss
the connectivity of books originating in the same linguistic
space.
Given that authors, translators, and readers advanced
vernacular written culture through the production and
consumption of texts, how did the scribes who copied
* Květ, J. Miniaturen in Tsjecho-Slowakije (Unesco them fit into this development? Did they have a specific
Kunstpockets U12). Amsterdam: J.M. Meulenhoff, 1964. approach to copying texts in their native language? Can
we observe patterns in how manuscripts in the same
Plaatskenmerk: 091 (437.1) ILLUM vernacular presented their contents? To address such
questions the essays taken material features of
Kort overzicht van miniatuurkunst in Tsjechië en manuscripts, both palaeographical and codicological, as a
Slowakije. Het boekje bestaat uit een inleiding (pp. 5-24) point of departure."
over Tsjecho-Slowaakse miniaturen, en wordt gevolgd
door 28 kleurenreproducties. Inhoudsopgave:
Gift van Steppe • Erik Kwakkel, 'Ver nacular Manuscript Culture
1000-1500: An Introduction'
• Katheryn A. Lowe, 'Worcester and Wales: Copies of
the Regula pastoralis in the Early Middle Ages'
• Nigel F. Palmer, 'Manuscripts of the Earliest Middle High
German Prayers, c. 1150-1250'
• Godfried Croenen, 'Rubricating History in Late Medieval
France'
• Rolf H. Bremmer Jr, 'Codifying the Law: Frisian Legal
Manuscripts Around 1300'
• Sheryl McDonald Werronen, 'Late Medieval and Early
Modern Icelandic Saga Manuscripts'
K w a k k e l , E . Ve r n a c u l a r m a n u s c r i p t c u l t u r e • J.P. Gumbert (✝), 'Thick Quires in Italy'
1000-1500 (Studies in medieval and Renaissance book
culture). Leiden: Leiden University Press, 2018.
Plaatskenmerk: 091 hss "2018"
7* López Serrano, M. Libro de Horas de Isabel la Católica:
Estudio preliminar. Madrid: Ed. Patrimonio nacional, 1969. Mantovani, G., en Silvia Rizzi. I manoscritti datati di
Ferrara (Manoscritti datati d'Italia 28). Firenze: SISMEL
Plaatskenmerk: 091: 75 horae
Edizioni del Galluzzo, 2017.
Het getijdenboek van Isabella de Katholieke. Koningin
Plaatskenmerk: 091 (45) DATUM
Isabella I van Castilië (1451-1504) bezat maar liefst 20
getijdenboeken. Het meest bekende is wel het handschrift Gedateerde handschriften uit Ferrara. "Il volume
Londen BL Add. 18851, dat bekend staat als 'Het contiene la descrizione di 63 manoscritti datati conservati a
breviarium van Isabella de Katholieke' - een in Ferrara presso la Biblioteca Comunale Ariostea, i Musei
vijftiende-eeuws Vlaanderen vervaardigd handschrift dat Civici di Arte Antica e il Museo della Cattedrale. Il catalogo
aan Isabella werd geschonken ter gelegenheid van het è introdotto dalla storia delle biblioteche e dei fondi ed è
dubbelhuwelijk van haar kinderen met de kinderen van corredato dagli indici, dalla bibliografia e da 64 tavole in
Maximiliaan van Oostenrijk. Isabella bezat echter nog bianco e nero."
minimaal 19 andere getijdenboeken. Dit boek uit 1969 -
dat overigens stinkt op de manier waarop alleen oude,
vochtig opgeborgen boeken en hondenbekken kunnen
stinken - geeft een 'estudio preliminar' van haar collectie.
Gift van Steppe.
* Nordenfalk, C. Early medieval book illumination. Geneva:
Skira, 1988.
Plaatskenmerk: 091: 75 chronologie VOOR-GOTISCH
8E e n g e s c h i e d e n i s v a n v ro e g m i d d e l e e u w s e indispensable supplement to Marcel Richard's Répertoire
miniatuurkunst. "Books in the Middle Ages, written by des bibliothèques et des catalogues de manuscrits
hand on parchment or vellum, were decorated with loving grecs (Brepols, 1995, still available), this book analyzes
care by the monks who made them in the monastic and lists publications on Greek manuscripts over the last
scriptoria. It was in this period that the illuminated 20 years and points to some earlier publications that had
manuscript had its finest flowering. It provides the richest, escaped the author in 1995. This Supplément also
most rewarding field of art available to the student of contains references to the numerous publications reported
medievla painting. This art was practiced all over Western in the 1995 publication which have been made available to
Europe in the great monasteries like Lindisfarne, readers on the Internet and offers numerous corrections to
Canterbury and Winchester in England, Reichenau on the the 1995 Répertoire.
Lake of Constance, Reims and Tours in France, and the
Palace School of Charlemagne. The works illustrated here,
often beautifully preserved, as fresh as when they were
written and painted, range from the fourth to the elevneth
century, and include all the great schools and styles of
book illumination, from Late Roman, Irish and English to
Merovingian, Carolingian, Mozarabic, Anglo-Saxon and
Ottonian."
Gift van Jacques Peeters.
* Polak, E. Medieval and Renaissance letter treatises and
form letters: A census of manuscripts found in part of
Western Europe, Japan and the United States of
America (Davis medieval texts and studies 9). Leiden: Brill,
1994.
Plaatskenmerk: 091: 82-6
Census van handschriften met modelbrieven en
traktaten over epistolografie. "In the High Middle Ages
Olivier, J. Supplément au Répertoire des bibliothèques et
and Renaissance letter-writing flourished as a major form
d e s c a t a l o g u e s d e m a n u s c r i t s g re c s ( C o r p u s
of discourse and branch of rhetoric. Hundreds of treatises
christianorum). Turnhout: Brepols, 2018.
and manuals on epistolary composition, formularies, and
Plaatskenmerk: 091 (4/9) GRIEKS model letter collections were written. This census is the
first systematic survey of the extant manuscripts containing
Analyse en opsomming van publicaties over Griekse these works found in part of Western Europe, Japan, and
hansdchriften uit de laatste twintig jaar. "As an the U.S.A. The few manuscripts with model speeches are
9also included. They are of a related genre, secular oratory, Lambert of Saint-Omer has given rise to numerous
which developed in the High Middle Ages. Over 1,200 publications culminating in The Making and Meaning of the
Latin manuscript references have been compiled from Liber Floridus (2015). His tireless effort has carried to
visits to over 250 libraries and archives. completion the seven volumes of Corpus Catalogorum
The survey is alphabetically arranged by country, city, Belgii, an indispensable reference for all who study the
library or archive and collection and gives standard details history of libraries. To mark the sixtieth year of this rich
— folios, incipits, explicits, and colophons of the texts. career, thirteen scholars from eight countries have
Editions, studies, and catalogue references are provided as produced a volume of essays honouring the man who was
are lists of libraries and archives without relevant to some of them a teacher, to others a collaborator, to all a
manuscripts. Four indexes of manuscripts, incipits, friend and model. The subjects covered are those that
Medieval and Renaissance authors, and select anonymous have most interested Prof. Derolez and have earned him
works are included. The work is a research tool for those worldwide renown."
interested in Medieval and Renaissance rhetoric, oratory,
diplomatics, learning, and the Classical tradition." Inhoudsopgave
• Benjamin Victor, The Scholarly Career of Albert Derolez
• Lucien Reynhout, The Writings of Albert Derolez
• Robert G. Babcock, The Valenciennes Manuscript of
Ratherius’ Praeloquia: The Codicological Peculiarities
and Annotations of the Codex Unicus
• Wouter Bracke, Pierre Diacre auteur d’un traité sur les
pierres: Témoignage du MS Or. 202 de la Biblioteca
Corsiniana à Rome
• Thomas Falmagne, Les livres de Marie de Hongrie restés
dans les Pays-Bas méridionaux: Du legs de Marguerite
Reynhout, Lucien, en Benjamin Victor. Librorum Studiosus: d’Autriche (1530) à la "bibliothèque royale" de 1559
Miscellanea palaeographica et codicologica Alberto
Derolez dicata (Bibliologia: elementa ad librorum studia • Nataša Golob, The Size of the Book Collection in the
pertinentia 46). Turnhout: Brepols, 2018. Žiče Charterhouse in the late Fifteenth Century: the
Evidence of Paolo Santonino
Plaatskenmerk: 09 (082) DEROLEZ
• J. P. Gumbert †, Manuscript Editions: Manuel
Liber amicorum voor Albert Derolez. "From his first Tzycandyles, Scribe, and John Cantacuzene, Author
article, published in 1958, Albert Derolez’s scholarly
interests have evolved and expanded so as to embrace all • Jan Willem Klein, The Gothic (Manu)script: The How and
aspects of the medieval book: script, with his the Why
magisterial Palaeography of Gothic Manuscript
Books (2003); form, whose understanding his Codicologie • James H. Marrow, The Wilmerding Book of Hours: A
Reconstructed Manuscript Illuminated by the Masters of
d e s m a n u s c r i t s e n é c r i t u re h u m a n i s t i q u e s u r
the Feathery Clouds (Meesters van de Vederwolken)
parchemin (1984) did much to advance; and content, too,
for he has brought out scholarly editions of works by
Guibert of Gembloux (1989) and Hildegard of Bingen
(1996). His doctoral research on the encyclopediaof
10• Donatella Nebbiai, Les livres et les relations d’un project that preserved Beowulf as one of a collective, if
théologien italien en France: Adinolfo d’Anagni (m. en error-strewn, endeavour and arguing for a date in Cnut’s
1290) reign. He presents evidence for the use of more than three
exemplars and at least two artists as well as two scribes,
• Lucien Reynhout, La bibliothèque de making this an intentional and creative re-presentation
S a i n t s - P i e r re - e t - E x u p è re d e G e m b l o u x d a n s uniting literature religious and heroic, in poetry and in
le Registrum de Rouge-Cloître prose. He goes on to set it in the broader context of
manuscript production in late Anglo-Saxon England as one
• Richard and Mary Rouse, Bridging the Gutenberg Gap:
example among many of communities using old literature
The Parisian Booktrade shifting from Manuscript to Print
in new ways, and of scribes working together, making
• Benjamin Victor, The Dutifully Incompetent Autographs mistakes, and learning."
of Daniel de Blochem, Canon of Saint Paul in Liège
Inhoudsopgave:
• Stefano Zamponi, Struttura, esecuzione, stile:
• Introduction
Ripensando il protocollo Mallon
• (Re)Introducing the Texts of the Nowell Codex
• Index of Manuscripts, Incunabula, and Papyri
• Reconstructing the Nowell Codex
• The Images in The Wonders of the East
• Scribe A’s Performance
• Scribe B’s Performance
• Communal Manuscript Production in Late Anglo-Saxon
England
Thomson, S. Communal Creativity in the Making of the
Beowulf' Manuscript: Towards a history of reception for the
Nowell codex (Library of the Written Word. The Manuscript
World 67). Leiden: Brill, 2018.
Plaatskenmerk: 091 =20 anglo
Samenwerkende scribenten in het vervaardigen van
het Beowulf handschrift. "In Communal Creativity in the
Making of the ‘Beowulf’ Manuscript, Simon Thomson
analyses details of scribal activity to tell a story about the
11OUDE DRUKKEN
* Of, in de meer neutrale bewoordingen van Wikipedia:
"Elsevier publishes more than 430,000 articles annually in
2,500 journals. Its archives contain over 13 million
documents and 30,000 e-books. Total yearly downloads
amount to more than 900 million. Elsevier's high profit
margins (37% in 2017) and its copyright practices have
subjected it to criticism by researchers." Recentelijk heeft
Zweden bijvoorbeeld het contract met Elsevier opgezegd,
en hoopt de academische gemeenschap dat Open Access
het einde van het rijk der rijke uitgeverijen zal betekenen
(zie bijvoorbeeld dit interview met Demmy Verbeke).
Gift van Jacques Peeters.
* Davies, D. The world of the Elseviers 1580-1712 (Repr.
ed.). Westport: Greenwood Press, 1971.
Plaatskenmerk: 094.1 (492) leiden ELSEVIER
De vroegmoderne geschiedenis van een van de
meest gehate* wetenschappelijke uitgeverijen van
vandaag. "Printing and publishing history is sometimes
written as personal reminiscence, as aesthetic or technical
criticism, or as a guide for book collectors. There is
something to be said for treating it as a phase of economic
* De Bodt, S. Children of Holland: The image of the
or social history, and this treatment has been attempted
Netherlands in American children's books. Zwolle: D'jonge
here. There are difficulties inherent in the task which are
Hond, 2010.
not at first apparent. Printers are in touch on the one hand
with the world of manufacturing and commerce, and on Plaatskenmerk: 094.3: 82-93 ILLUS (73)
the other hand with the world of literature and scholarship -
with not merely one phase of literature and learning but Het beeld van Nederland in Amerikaanse
with a great many. As a result the innocent enthusiast who kinderboeken. "Sinds 1850 verschenen er in Amerika
attempts to follow the activities of a publisher as he moves kinder- en jeugdboeken, waarin het schilderachtige,
in the various milieux will constant ly find himself in strange democratische 'Holland' een rol speelde, vanwege de
regions he knows nothing about. He will probably wish he roots van veel Nederlandse kolonisten. De Amerikaanse
had never entered them, and his learned readers will verzamelaar van deze boeken Hendrik Edelman (van
probably wish so, too." Nederlandse afkomst) schonk in 2004 zijn collectie aan de
12Koninklijke Bibliotheek. Het materiaal in de collectie vormt menés par des historiens connaissant bien les situations
de basis van dit Engelstalige boek met een verkenning locales ou régionales. Le tome V est l’oeuvre de Nathalie
naar het beeld van Nederland in Amerikaanse Alzas, Roland Andréani, Cyril Belmonte, Gérard Bonet,
kinderboeken. Naast het stereotiepe beeld van klompen, Gilles Candela, Gilles Feyel, René Moulinas, Christine
molens, tulpen, kaas en klederdrachten, zijn er ook Peyrard et Pascale Rieu-Feybesse."
illustraties van grachtenhuizen, bruggetjes,
schaatsenrijders en de Tweede Wereldoorlog. De vijf
hoofdstukken met een historisch overzicht zijn geillustreerd
met ca. 70 afbeeldingen". (A.E.M. van de Sande)
Gift van Jelle Haemers.
Sebastiani, V. Johann Froben, printer of Basel: A
biographical profile and catalogue of his editions (Library of
the written word 65). Leiden: Brill, 2018.
Plaatskenmerk: 094.1 (494) basel FROBEN
Feyel, G. Dictionnaire de la presse française pendant la
Révolution, 1789 - 1799: La presse départementale, vol.
Een biografie en bibliografie van de Baselse drukker
V (Publications du Centre international d'etude du XVIIIe
Johan Froben (1460-1527), nauwe vriend van
siècle 15, 26-27, 29, 31). Ferney-Voltaire: Centre
Erasmus en Hans Holbein jr. "In Johann Froben, Printer
international d'étude du XVIIIe siècle, 2016.
of Basel, Valentina Sebastiani offers a comprehensive
Plaatskenmerk: 094.3: 054 (44) "17" account of the life and printing production of Froben, a
major representative of early modern Europe’s most refined
De Franse pers tussen 1789 en 1799. ""Pendant la printing traditions. Some five centuries after they first
période révolutionnaire, le nombre des journaux explosa à appeared in print, Sebastiani provides a bibliography of the
Paris, mais aussi dans les départements. Quelle a été 329 Froben editions published in Basel between 1491 and
l’ampleur du phénomène et dans l’espace et dans le 1527 (including an analysis of some 2,500 copies held in
temps ? Quelle fut sa géographie nationale ? Quelles furent more than twenty-five libraries worldwide), listing the
les pulsions de son développement ? Les progrès ou les paratextual and visual elements that distinguish Froben’s
reculs furent-ils semblables partout, ou bien propres à books as well as economic, technical, and editorial details
chaque région ? Quels furent les courants politiques les related to their production and distribution. Sebastiani’s
mieux servis ? Quelles furent les évolutions de forme et de study sheds new light on Froben’s family and career, his
contenu ? Une telle œuvre ne pouvait être que collective, le involvement in the editing and publication of Erasmus’
recensement et l’analyse des collections devant être
13works, and the strategies he adopted to market them che la fantasia può ambientare ovunque. In mostra libri e
successfully." giocattoli didattici del periodo 1900-1945, di collezionisti
privati e di istituzioni pubbliche come gli alfabetieri del
negozio di Ida Sello a Udine, che seguiva i metodi
Montessori e Froebel e riforniva gli asili della regione, e
della Editoriale Libraria di Trieste, traduttrici dal tedesco
all'italiano. Sono esposti anche i libri e gli album illustrati da
Cambellotti, Rubino, Angoletta, Riccobaldi, fino a Bruno
Munari, accanto al “Il giornalino della domenica”, “La
bibliotechina de la Lampada” di Mondadori e “Librini del
cuccù” della Salani. Particolarità dell'esposizione la grafica
dei pittori sloveni Augusto Cernigoj e Milko Bambic ."
Gift van de Biblioteca Statale Isontina di Gorizia.
Volpato, S., Marco Menato, en Gorizia Mostra. Gorizia
magica: Libri e giocattoli per ragazzi 1900-1945. Trieste:
Libreria antiquaria Drogheria 28, 2017.
Plaatskenmerk: 094.3"82-93 (45) "19"
Catalogus bij de tentoonstelling 'Boeken en
speelgoed voor kinderen, 1900-1945' in Gorizia (IT).
"Apre giovedì 27 aprile 2017 alle 18 nella sede della
Fondazione Cassa di Risparmio di Gorizia la mostra
“Gorizia magica. Libri e giocattoli per ragazzi (1900-1945)”,
curata da Marco Menato, direttore della Biblioteca statale
isontina e da Simone Volpato di Libreria antiquaria
Drogheria 28 di Trieste che pubblica il catalogo. La
manifestazione è promossa con la collaborazione della Bsi
su progetto della Fondazione Carigo ed è arricchita dai
contributi della Ludoteca del Comune e della Biblioteca
slovena “Feigel”.
"Questa mostra è l'ideale continuzione di un progetto
realizzato a Roma nell'ambito della Biblioteca Universitaria
Alessandrina dove lavoravo, ricorda il direttore Menato,
prima di assumere la direzione della Bsi. L'obiettivo è lo
stesso; riconosce l'importanza del collezionismo librario e
dell'editoria per bambini e ragazzi. Ma allo stesso tempo
l'esposizione e il catalogo suggeriscono, spero con risultati
positivi, ai privati a consegnare all'Isontina i vecchi libri, per
costruire una storia della letteratura giovanile goriziana."
Il titolo della mostra rimanda a Gorizia intesa come
baricentro di un ampio territori di area Mitteleuropea; dalla
Venezia Giulia al Friuli, dalla Slovenia all'Austria. Uno
scenario e punto di partenza per raccontare tante fiabe
14BOEKBANDEN
Pearson, D. English bookbinding styles, 1450-1800: A
handbook (Repr. ed.). New Castle: Oak Knoll, 2014.
Plaatskenmerk: 095.1 (41) "14/17"
Het go-to handboek voor Engelse boekbanden tussen
1450-1800. "David Pearson's guide to identifying English
bookbinding styles from the mid-fifteenth to the turn of the
nineteenth century is both completely accessible and
completely authoritative. It will satisfy those who want to
learn how to date and describe bindings and those who
want an account of the field written by one of its best
scholars. This guide fills a gaping hole in the literature
because previous approaches have focused on individual
binders and workshops, or have analyzed the structure of
bindings, or have emphasized the fine end of the market.
Pearson basis his work not on exceptions but on general
trends, and analyzes ordinary bindings rather than simply
the high end of the market." (Victoria E. Burke,
in Renaissance and Reformation).
This second printing of David Pearson's English
Bookbinding Styles 1450-1800 includes a new
introduction and a number of additional references and
relevant points that have come to light since the book was
first published in 2005.”
152 BOEKCULTUUR • Boekcultuur • Bibliotheken
BOEKEN EN BOEKCULTUUR
extraordinaire de ses productions, plus d’un siècle après,
assure une présence discrète mais continuelle dans les
catalogues des librairies anciennes et sur les étalages des
bouquinistes, et par voie de conséquence auprès de
lecteurs curieux comme, nous n’en doutons pas, il en
existera toujours."
Adamy, P. Paul Lacroix: L'homme aux 25000 livres
(1806-1884). Bassac: Plein Chant, 2015.
Plaatskenmerk: 09 (092) LACROIX
Biografie en bibliografie van Paul Lacroix, 'le
bibliophile Jacob'. "Paul Lacroix (1806-1884), connu
sous le nom de bibliophile Jacob, conservateur à la
bibliothèque de l’Arsenal, est presque oublié de nos jours,
Boerma, Aafke. Xtra small: Miniature books in Museum
on ne peut que le regretter. Pour entrer de plain-pied dans
Meermanno .Amsterdam: De Buitenkant, 2017.
son univers si particulier, devenons ses contemporains. On
y parviendra non par la lecture de ses nombreuses Plaatskenmerk: 09 (036) MINI
chroniques historiques, montrant le plaisir de conter et
celui de décrire, dépourvues cependant d’une réelle Miniatuurboekjes in Museum Meermanno. "The result
imagination littéraire, mais grâce à ses dissertations, of an international hand bookbinding competition for
notices, préfaces, lettres dédicaces en ouverture de miniature books, this small volume presents reproductions
certains de ses livres dans lesquelles il s’expose, en tous of all 155 entries, detailed descriptions of the 66 books on
les sens du terme, bien mieux qu’en des textes narratifs. the shortlist, the jury report, and an essay by Anne C.
Ce producteur d’innombrables écrits en tout genre fut plus Bromer, “Minibibliomania is Highly Contagious”. The entries
un lecteur qu’un créateur, mais un lecteur cherchant à form the basis for an exhibition at Museum Meermanno in
partager avec d’autres lecteurs l’amour des livres. Le The Hague, which also helped to produce this book. It
présent ouvrage, qui relève à la fois de l’histoire littéraire et offers concise insight into the fascinating world of the
de l’histoire du livre souhaite offrir un éclairage nouveau sur miniature book, from its roots in ancient Japanese prayer
la vie et l’œuvre de cet érudit fantasque dont le nombre scrolls and medieval European miniature manuscripts, to
17Napoleon’s travelling library of miniature French classics
and tiny books illustrated by Picasso and Miró."
18BIBLIOTHEKEN
Barbieri, E. Da Lucca a New York a Lugano: Giuseppe
Martini libraio tra Otto e Novecento. Atti del convegno di * Eichberger, D. Leben mit Kunst, Wirken durch Kunst:
Lucca, 17-18 ottobre 2014 (Biblioteca di bibliografia. Sammelwesen und Hofkunst unter Margarete von
Documents and studies in book and library history 206). Österreich, Regentin der Niederlande (Burgundica 5).
Firenze: Leo S. Olschki editore, 2017. Turnhout: Brepols, 2002.
Plaatskenmerk: 094.51 (45) MARTINI Plaatskenmerk: 094.51 (493) "15"
Italiaanse antiquairs rond Giuseppe Martini Reconstructie van de hofcultuur waarin kunst werd
(1870-1944). "L’antiquariato librario italiano, anche nelle verzameld, bestudeerd en tentoonsteld in de eerste
sue espressioni più alte, manca sostanzialmente di una helft van de zestiende eeuw, met het hof van
storia organica. Contribuiscono a colmare tale lacuna gli Margareta van Oostenrijk in Mechelen als
atti del convegno dedicato a Giuseppe Martini casestudy. "This study aims at reconstructing the courtly
(1870-1944), collezionista e commerciante di manoscritti e environment in which art was collected, studied and
libri antichi tra la nativa Lucca, la New York dei primi del displayed during the first half of the sixteenth century.
Novecento e infine la Lugano degli espatriati italiani dal Much research has been undertaken to date on
Fascismo. Ne esce uno spaccato vivissimo della cultura Netherlandish art and culture, however, little attention has
libraria italiana e internazionale del tempo." been paid to the ways in which artefacts were arranged
within noble residences. Where were paintings such as Jan
van Eyck's Arnolfini Wedding and Jan Gossaert's
Salamacis and Hermaphrodite kept? What can the
reconstruction of the original location contribute to our
understanding of such important works of art? The court
of Margaret of Austria (1480-1530) in Mechelen is used as
a case study for this new approach which combines the
19methods of art history, history and museum studies. Given Brüche in Deutschland und Italien während der
the wealth of documentary evidence, including inventories, Nachkriegszeit (1949-1965) (Beiträge zum Buch- und
civic records, court accounts, ordinances, etc., it is Bibliothekswesen 63). Wiesbaden: Harrassowitz Verlag,
possible to bring to life Margaret of Austria's encyclopaedic 2018.
collection and to reconstruct the residence in which she
lived and held court for more than twenty years. The regent Plaatskenmerk: 094.6: 027 "19"
owned an outstanding array of artefacts: Netherlandish art
Boeken en Bibliotheken in Duitsland en Italië tussen
from the fifteenth and sixteenth centuries as well as Italian,
1949 en 1965. "Das Bibliothekswesen wie auch das
Spanish, German and French paintings, sculptures and
Buchhandels- und Verlagsgewerbe sahen sich nach Ende
decorative art objects. By determining the original
des Zweiten Weltkrieges mit einem bis dahin unbekannten
functions of the regent's personal chambers and cabinets,
Ausmaß der Zerstörung konfrontiert: Eklatante Bücher-
new light is shed on the context in which her collection
und Lagerverluste, ausgebrannte Bibliotheksgebäude,
was presented to visitors and high-ranking courtiers. In
Produktions- sowie Verkaufsstätten waren zu beklagen.
addition to her apartment on the first floor, Margaret set up
Unter welchen gesellschafts- und wirtschaftspolitischen
a new collection cabinet on the ground floor. In this room,
sowie infrastrukturellen Rahmenbedingungen gelang der
close to her palace garden, Margaret of Austria put on
Wiederaufbau der Literaturversorgung über Bibliotheken
display a wide range of objects including Naturalia,
und Buchhandel in Deutschland und Italien? Welche Rolle
Exotica, technical instruments and works of art. The
spielten dabei die unterschiedliche Strukturierung und
so-called 'coral cabinet' is one of the first genuine display
Organisation des Buchhandels- und Verlagsgewerbes in
spaces north of the Alps which is well documented."
den beiden Ländern?
"It seems likely that Eichberger's study of Margaret of Ausgehend von den Ergebnissen der neueren buch- und
Austria will become the standard reference work on the bibliothekshistorischen Forschung zum 20. Jahrhundert,
topic for the foreseeable future." (P.G. Matthews in The die sich in den letzten zehn Jahren nicht nur in der
Burlington Magazine CXLVI, January 2004) Bundesrepublik wesentlich zu einer Sozialgeschichte des
Buch- und Bibliothekswesens entwickelt hat, analysieren
die Beiträge des Bandes Bruch und Kontinuität der
Nachkriegszeit im deutsch-italienischen Vergleich. In
diesem Zusammenhang stehen vor allem Fragen nach den
Handlungsspielräumen, Orientierungsmustern sowie
Reflexions- und Diskursebenen im Zentrum des
E r k e n n t n i s i n t e re s s e s . B u c h u n d B i b l i o t h e k i m
Wirtschaftswunder vereint die ausgearbeiteten Vorträge
der gleichnamigen deutsch-italienischen Tagung, die
Anfang September 2016 auf Initiative des Wolfenbütteler
Arbeitskreises für Bibliotheks-, Buch- und
Mediengeschichte im Centro Italo-Tedesco per l'Eccellenza
Europea der Villa Vigoni am Comer See stattfand."
Inhoudsopgave
• Christof Dipper, Vom Hunger zur Hungerkur. Das
„Wirtschaftswunder“ und seine sozio-kulturellen Folgen
Kuttner, S., Klaus Kempf. Buch und Bibliothek im in Deutschland und Italien
Wirtschaftswunder: Entwicklungslinien, Kontinuitäten und
20• Klaus Kempf, Die bundesdeutschen • Sven Hanuschek, Statt der Worte nur Geräusch?! Der
Hochschulbibliotheken in den Jahren des westdeutsche Literaturbetrieb in der Nachkriegszeit (19
„Wirtschaftswunders“ zwischen Kontinuität und Auf 45 – 65)
bruch
• Christine Haug, Leihbuchromane und
• Jürgen Babendreier, Von der Bibliotheks- zur Leihbuchroman-Verlage. Ein spezielles Marktsegment
Bildungskatastrophe. Wissenschaftliche nach dem Ende des Zweiten Weltkriegs
Literaturversorgung am deutschen
Wirtschaftswunderrand • Wilhelm Haefs, Tradition und Innovation: Konzepte und
Entwicklungstendenzen der Buchgestaltung in
• Sven Kuttner, „Funktionär im Räderwerk des Betriebs“. Deutschland in den 1950er Jahren
Bibliothekarisches Berufsbild und Modernekritik in der
späten Nachkriegszeit • Stefan Brückl, Wolfgang Koeppen „Der Tod in Rom“
(1954) –Verlage und Schutzumschläge in Deutschland,
• Michael Knoche, West-Literatur in Ost-Bibliotheken. Die England und Italien
Präsenz der westdeutschen Literaturproduktion in
wissenschaftlichen Bibliotheken der DDR • Matthias Beilein, Bewahrungen. Herbert G. Göpfert und
der Carl Hanser-Verlag
• Birgit Dankert, 1949–1965. Die Öffentlichen Bibliotheken
im Zeichen des deutschen Wirtschaftswunders
• Annemarie Kaindl und Maximilian
Schreiber, Kooperation, Zusammenlegung oder Fusion?
Die bibliothekspolitische Debatte um die Vereinigung der
Bayerischen Staatsbibliothek mit der
Universitätsbibliothek München 1947–1956
• Alberto Petrucciani, Le biblioteche italiane dalla
ricostruzione postbellica al Servizio nazionale di lettura
• Mauro Guerrini e Tiziana Stagi, “Per la salvezza” o con
pregiudizio? Le biblioteche italiane nella riflessione sui
beni culturali della Commissione Franceschini
• Simonetta Buttò, Occasioni mancate: i bibliotecari italiani
dal dopoguerra agli Anni Sessanta
Purš, I., en Hedvika Kuchařová. Knihovna arcivévody
• Giovanni Paoloni, L’America in casa Sogni e sviluppo
Ferdinanda II. Tyrolského (1. vydání ed.). Praha:
nell’Italia del miracolo
Artefactum, 2015.
• Roberta Cesana, L’editoria di cultura nell’Italia
Plaatskenmerk: 094.51 (437) FERDINAND II
dell boom. Le case storiche e i nuovi editori, tra
saggistica e letteratura
Reconstructie van de bibliotheek van aartsbisschop
F e rd i n a n d I I ( Ts j e c h i ë / O o s t e n r i j k ) - i n h e t
• Isotta Piazza, L’editoria italiana verso il grande pubblico
Tsjechisch. Het eerste volume is thematisch, en
(1945–1965)
bespreekt de inhoud van de bibliotheek per thema,
21materiaaltype, en herkomst. Het tweede volume is een
bibliotheekcatalogus.
"Pro dějiny raného novověku v Českých zemích
představovala mimořádně významný a doposud
nezpracovaný pramen knihovna arcivévody Ferdinanda II.
Tyrolského (1529—1595), který byl v letech 1547—1563
místodržícím v Českém království. Arcivévodova knihovna
vznikala s největší pravděpodobností na Pražském hradě.
Po roce 1567, kdy se Ferdinand stal vladařem v Tyrolsku,
byla instalována a dále rozšiřována na zámku Ambras u
Innsbrucku. Později došlo k rozptýlení fondu a představu o
původní knihovně si můžeme vytvořit pouze na základě
pozůstalostního inventáře z roku 1596 a inventáře pěti set
rukopisů, převezených z Ambrasu do Vídně roku 1665.
Kolektivní monografie je výsledkem grantového projektu
„Výzkum knihovny Ferdinanda Tyrolského: kulturně
historické a uměleckohistorické aspekty“ (Program GA AV
ČR „Podpora projektů cíleného výzkumu“, id. č.
1QS800330501) z let 2005—2008 a sestává ze dvou
svazků. První z nich přináší deskriptivně-analytické texty,
věnované tematickým okruhům zastoupeným v knihovně.
V samostatné kapitole jsou pojednány rukopisy, uložené v
knihovně mezi tisky i v kunstkomoře. Zvláštní texty jsou
věnovány chronologické, geografické a jazykové
provenienci tisků, jakož i dílům dedikovaným vlastníkovi
knihovny. Vyústění monografie představuje kapitola
věnovaná zasazení Ferdinandovy knihovny do kontextu
českých a rakouských knihoven 16. století. Druhý svazek
je katalogem obsahujícím všechna identifikovaná data a
popisy jednotlivých tisků a rukopisů. Oba svazky jsou
doplněny obrazovou přílohou, která zvláště u druhého
svazku vzhledem ke svému rozsahu významně doplňuje
dokumentační aspekt publikace."
22GRAFISCHE INDUSTRIE
Verleger häufig über das rein Geschäftliche hinaus und
spiegelt ein persönlich-freundschaftliches Verhältnis wider,
das einen tiefen Einblick in die Entstehungsgeschichte der
verlegten Werke ermöglicht. Der von Thomas Bremer und
Christine Haug herausgegebene Sammelband zeigt
erstmals an verschiedenen Fallbeispielen die
Strukturmerkmale verlegerischer Geschäftskorrespondenz
sowie die Arbeitsvorgänge und logistische Organisation
des Bücherverkehrs über das Verlagskontor auf, die
Schaltstelle eines jeden Verlagsunternehmens im 18.
Jahrhundert."
Inhoudsopgave:
Brenner, Thomas, en Christine Haug. Verlegerische
• Christine Haug, Einführung:
Geschäftskorrespondenz im 18. Jahrhundert: Das
Autor-Verleger-Korrespondenzen als eine Quelle der
Kommunikationsfeld zwischen Autor, Herausgeber und
Buchhandels- und Verlagsgeschichtsschreibung
Ve r l e g e r i n d e r d e u t s c h s p r a c h i g e n
Aufklärung (Buchwissenschaftliche Beiträge 96). • Christine Haug, „Die Feder in der Hand, die Papiere vor
Wiesbaden: Harrassowitz Verlag, 2018. mir“ Vom buchhändlerischen Geschäftsbrief zum
Buchhandelsformular – Einblicke in die Arbeits- und
Plaatskenmerk: 655.52 (43) "17"
Organisationsabläufe in einem Verlagskontor im 18.
18e-eeuwse briefwisselingen tussen auteurs, Jahrhundert
u i t g e v e r s e n d r u k k e r s . " Ve r l e g e r i s c h e
• Daniel Fulda, Ein junger Autor, der seinen alten Verleger
Geschäftskorrespondenz, flankiert von einem sich
von einem neuen Stil überzeugt? Gottlob Benedikt
zunehmend professionalisierenden postalischen System,
Schirach im Briefwechsel mit Johann Justinus Gebauer
das fortan Zustellung und Versendung planbar machte,
war im 18. Jahrhundert eine der bedeutendsten • Tristan Coignard, Eine Zürcher Verlagsbuchhandlung in
Errungenschaften in der Privatkommunikation wie auch im Konfliktsituationen. Orell, Gessner, Füssli und Comp. und
internationalen Handelsverkehr. Neben der Planbarkeit des der briefliche Umgang mit Autoren im späten 18.
schriftlichen Austausches, die sich in der Einrichtung von Jahrhundert
speziellen Briefstunden und Posttagen niederschlug, an
denen die Briefschreiber keinen Besuch empfingen, waren • Hannes Fischer, Publikationsgeschichte des Deutschen
die Beschleunigung und Dynamisierung der Museums. Der Streit um Werkherrschaft zwischen dem
Kommunikation auch im globalen Buch- und Herausgeber Heinrich Christian Boie und seinen
Verlagshandel zu spüren. Daher achteten Kaufleute, Verlegern Johann Friedrich Weygand und Georg
Autoren und Verleger darauf, ihr Arbeitsumfeld Joachim Göschen, auf Grundlage neuer Quellen
zweckmäßig und die Arbeitsabläufe ökonomisch zu
gestalten. Zugleich geht das Verhältnis von Autor und
23• Jana Kittelmann, Epistolare Szenen einer • Claudia Taszus, Zwischen Naturwissenschaft und
Freundschaft. Johann Georg Sulzers Korrespondenz mit politischer Schriftstellerei. Lorenz Oken als Redakteur
Philipp Erasmus Reich und Mitarbeiter der Deutschen Blätter von Brockhaus
• Thomas Bremer, „Reich brachte mir Ihren Briefe eben“
Philipp Erasmus Reich und Christian Fürchtegott Gellert
vor dem Hintergrunddes Wandels im deutschen
Buchhandel im 18. Jahrhundert
• Sören Schmidtke, „Beyde Contrahenten versprechen
dem Inhalt dieses vorstehenden Accords gemäß
getreulich nachzuleben“. Wielands Oberon bei den
Verlegern Karl Ludolf Hoffmann und Philipp Erasmus
Reich
• Claudia Bamberg, „Ich binde Ihnen (...) das Heil des
Athenaeums auf die Seele“ August Wilhelm Schlegels
Briefe an den Verleger Friedrich Vieweg in den Jahren
1797–1800
• Ursula Caflisch-Schnetzler, „Mit der ganzen Klugheit
eines Buchhändlers, dem Nachdenken eines
Philosophen, der Geduld eines Freündes und der
Gesinnung eines Großmüthigen“. Der Briefwechsel
zwischen Johann Caspar Lavater (1741–1801) und
Philipp Erasmus Reich (1717–1787)
• Françoise Knopper, Ein Briefwechsel cum ira et studio:
Abbé de L’Epée und Friedrich Nicolai
• Nadja Reinhard, Strategische Publizistik und epistolare
Dialogizität. Zur Verleger-, Herausgeber-, Autoren- und
Werkpolitik: Friedrich Nicolais Kooperation mit Johann
Karl August Musäus in seinem Projekt Straußfedern (178
7–1791)
• Michael Wögerbauer, „Nur schade, daß ich hier so ganz
im Dunkeln lebe“. Systemtheoretische Betrachtungen
zum Problem literarischer Peripherieanhand des
Meißner-Göschen-Briefwechsels
• Petronela Križanova, Crossroads of Hungarian
booksellers. Information exchange on the European
book market
243 GRAFISCHE KUNSTEN • Grafiek • Cartografie
GRAFIEK
"The intention has been to put together a teaching
collection, 'a resource for students and scholars in the
form of engravings, etchings, woodcuts and chiaroscuro
woodcuts that illustrate the development of
mannerism' (16)—a present-day parallel to the Libro de’
Disegni in which Giorgio Vasari assembled old master
drawings to illustrate his artists’ biographies. The entire
collection of over seven hundred sheets is listed with brief
curatorial details and thumbnail illustrations in the
appendix; of these, 146 sheets or series were included in
the exhibition and are here reproduced and catalogued in
exhaustive art historical detail. [... Various] essays offer
Barryte, B. Myth, allegory, and faith: The Kirk Edward Long up-to-date research on artists and centers of mannerist
collection of mannerist prints. Milano: Silvana, 2015. printmaking. [...] through its wide range and high quality it
offers a major contribution to future research and study of
Plaatskenmerk: 76.03 "15" (73) European mannerism and the early development of
printmaking." (Francis Ames-Lewis, Renaissance
Ruim 3 kilo wegende catalogus van het Maniërisme
Quarterly 70:2 (2017) 666-667.)
in Italië. "Featuring selections from the massive Kirk
Edward Long Collection of 16th-century prints, Myth,
Allegory, Faith illuminates the development of the Mannerist
style in Italy, tracing its dissemination and adaptation for
both secular and religious purposes and following its
eventual transformation into the Baroque style at the end
of the century. The volume includes works which reveal the
sources of Mannerist prints in the artifacts of ancient Rome
and the innovations of Raphael and Michelangelo; other
works help trace the style’s spread and transformation
from Rome and Florence to the rest of Europe, shifting
slightly in Fontainebleu, Antwerp, Haarlem and Prague.
Featuring some 140 engravings, etchings, woodcuts and
chiaroscuro woodcuts by such renowned artists as
Federico Barocci, Parmigianino, Hendrick Goltzius and
Annibale Carracci, and by such famous printmakers as Bidwell, J. Graphic passion: Matisse and the book
Marcantonio Raimondi, Giorgio Ghisi and Cornelis Cort, arts (The Penn State series in the history of the book).
this publication of devotional images, mythological University Park, PA: The Pennsylvania State University
narratives, portraits and landscapes is the most Press, 2015.
comprehensive resource on Mannerist printmaking to date.
Plaatskenmerk: 76: 655.5 MATISSE
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