UPDATED 16 MAY 2022 Wednesday 25 May to Saturday 4 June - REDLANDS EISTEDDFOD - Redlands Eisteddfod Inc
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21st ANNUAL
REDLANDS EISTEDDFOD
UPDATED 16 MAY 2022
Wednesday 25 May to Saturday 4 June
Cleveland Baptist Church, 240 Bloomfield Street, Cleveland
MANAGEMENT COMMITTEE
PRESIDENT: Duchesne Barry M: 0407 034 978 E: dmas111@hotmail.com
VICE PRESIDENT: Julie Petersen M: 0447 761 881 E: justjulie54@hotmail.com
SECRETARY: Linda Hilder M: 0419 719 606 E: phlh31@bigpond.com
TREASURER: Sonya Dewar M: 0432 949 094 E: sonya@csdconsulting.com.au
PATRON
Carolyn Santagiuliana OAM – Former Redland Mayoress
CONVENORS
MUSIC CO-CONVENORS:
Duchesne Barry M: 0407 034 978 E: dmas111@hotmail.com
Carly Nisbett M: 0403 160 855 E: cnisbett@tpg.com.au
Peter Crane M: 0419 641 620 E: peter.cr@bigpond.net.au
SPEECH & DRAMA: Duchesne Barry M: 0407 034 978 E: dmas111@hotmail.com
DANCE: Julie Petersen M: 0447 761 881 E: justjulie54@hotmail.com
2022 ADJUDICATORS
PIANO: Maggie Chen
STRINGS: Loreta Fin
CONCERTO: Maggie Chen/Loreta Fin
BRASS/WOODWIND: Philip Davis
VOCAL: Karen Walmsley
SCHOLARSHIP: Stephen Chin/Maggie Chen
Schedules and Programs are available for download only from the Eisteddfod website.
Website: http://www.redlandseisteddfod.com.au/index.php/disciplines/music
Email address: dmas111@hotmail.com
2022 AWARDS – NOTE CHANGES from 2021*
*REDLANDS EISTEDDFOD OPEN SCOLARSHIPS
Open to all instrumental and vocal competitors. Prizes of $1,000 (winner) and $500 (runner-up).
A 5–10-minute performance is required, to be held on afternoon/evening of Saturday 4 June.
A competitor may only enter ONCE. Note: Instrumental concerto movements are not permitted.
*To be eligible to enter the Scholarship section a competitor must compete in a Championship section and at least one
other solo own section for the same instrument/voice. Competitors MAY CHOOSE TO PERFORM pieces/songs they have
already presented in the qualifying Sections. Program balance will be considered.
MOST PROMISING COMPETITOR AWARDS
Trophy and $100 awarded to the most promising competitor in each of the following categories:
Pianist, String player, Brass or Woodwind player, Vocalist, Musical Theatre performer.
ARTHUR J GILBERT MEMORIAL BRASS PRIZE
Trophy and $100 awarded to the Brass player with the highest mark in a Championship section.
REDLAND SINFONIA AWARD
Solo performance opportunity with Redland Sinfonia in 2023, plus $150.
(Instrumental Concerto and/or Vocal performance)
*COMPOSITION Awards (NEW) – 1st place ($300), 2nd place ($200), and 3rd place ($100),
plus performance/recording by the Redland Sinfonia of 1st placed composition.
*ACCOMPANIST Award (New)
Trophy plus $50 sponsored by Accompanists’ Guild of Queensland,
to be awarded for a performance during Part 1 and Part 2 Choral sections of the Eisteddfod.
Presentation on Thursday 28 July, the final night of the Choral section of Part 2 of the Eisteddfod.
EDDIE SANTAGIULIANA ENCOURAGEMENT AWARD
Perpetual Trophy and replica, plus $50 to be awarded to a Redland resident
in memory of the late Mayor of Redlands.
CONCERTO SECTIONS
OPEN and Junior (13 yrs/under) Trophies for 1st, 2nd, and 3rd places (plus $200 awarded to 1st place winners)
PIANO, STRING, BRASS/WOODWIND, VOCAL AGGREGATE CHAMPIONSHIPS
Trophies for 1st, 2nd, and 3rd places ($100 awarded to 1st place winners)
Medallions are awarded to all other 1st, 2nd, and 3rd placegetters.
Highly Commended and Encouragement ribbons may be awarded at the Adjudicator’s discretion.
VENUE
All sessions for Part 1 will be held at Cleveland Baptist Church,
240 Bloomfield St, Cleveland. There is ample parking in the church grounds.
There will be no canteen, but refreshments may be purchased from the service station next door.
ADMISSION CHARGES
• Adult $10.00, Concession $7.00 per morning, afternoon, or evening session. FREE admission
for audience members aged 5 years and under.
• A SEASON PASS is available for admission to all Part 1 sessions.
Adult $30.00 / Concession $20.00. These may be purchased at Comps-Online with entries.
• A TEACHER PASS, $10, is now required for admission to all Part 1 sessions. These may be
purchased at Comps-Online with entries. Accompanists have FREE ADMISSION to sessions in
which they are accompanying.
• Children (including competitors aged under 18 years) must be accompanied and supervised
by an adult at all times, as per Eisteddfod Policy.
• All performers of any age have FREE ADMISSION to sessions in which they are competing.
ACCOMPANISTS
There are no official accompanists. Competitors should engage the services of an accompanist of
theirchoosing and make such arrangements at least three weeks prior to competition to allow
sufficient time for adequate rehearsal and preparation for performances. Please also check
‘IMPORTANT INFORMATION’ for competitors, parents and teacher re copyright.
The following accompanists live in the Redlands and are available to accompany competitors by
private arrangement. Visit the website of the Accompanists’ Guild of Queensland Inc. at
https://accompanistsguildofqld.org/ for Guild members listed by region.
Peter Crane AMusA DSME FFCSME M: 0419 641 620 E: peter.cr@bigpond.net.au
Suburb: Victoria Point
Member of the Accompanists’ Guild of Queensland
Carly Nisbett BA (MusEd) AMusA QMTA (Prof) M: 0403 160 855 E: cnisbett@tpg.com.au
VOCAL SECTIONS ONLY
Suburb: Thornlands
BRING WITH YOU ON THE DAY
and submit to the MUSIC COLLATOR desk when you check in 15-30 minutes before your session
1. ADJUDICATOR COPIES of all music to be performed
If the performance is from memory and the music is not needed for an accompanist, an ORIGINAL
must be submitted. Otherwise a photocopy/print out, marked ‘ADJUDICATOR COPY’ may be
submitted but will not be returned for copyright reasons.
ADJUDICATOR MUSIC (both original music and photocopies/prints) should be labelled with the
section number and competitor number. Use a sticky note or pencil on original music and please
remember to collect it from the MUSIC COLLATOR desk after the adjudication. Photocopies/prints
should be stapled or pinned together. Please mark any cuts or repeats which are not being
observed.
2. A COPYRIGHT DECLARATION FORM (1 page, double-sided)
which is to be downloaded and filled in for each competitor in the Redlands Eisteddfod.
Only ONE FORM is required for ALL performances.
Spare copies will be available from the MUSIC COLLATOR desk but check-in will be speedier if you
print the form and bring it filled in prior to the event.
https://onemusic.com.au/media/Information-Sheets/Copyright-Declaration-Form.pdf
3. A ‘CODE of CONDUCT’ AGREEMENT FORM (below)
which is to be printed and filled in for each competitor (or ensemble) under the age of 18 years.
Only ONE FORM is required for ALL performances.
Spare copies will be available from the MUSIC COLLATOR desk but check-in will be speedier if you
print the form and bring it filled in prior to the event.
THIS FORM MUST BE SIGNED AND SUBMITTED TO THE MUSIC COLLATOR’S
DESK FOR EACH COMPETITOR UNDER 18 YEARS OF AGE
‘CODE OF CONDUCT’ AGREEMENT
This Agreement is to be signed by a Parent, Carer or Teacher of the competitor(s) named
below.
I, the undersigned, have read, understand and agree to uphold the Conditions of Entry. the Child
Protection Policy and Code of Conduct of the Redlands Eisteddfod Inc. so that the organisation
may maintain a safe and friendly environment for children and young people.
………………………………………………… …………………………………………………aged……….
Signed - Parent/Carer/Teacher (circle one) PRINT NAME OF COMPETITOR 1
………………………………………………… …………………………………………………aged……….
PRINT NAME of supervisor as signed above PRINT NAME OF COMPETITOR 2
…………………………………………………aged……….
PRINT NAME OF COMPETITOR 3
IMPORTANT INFORMATION
for competitors, parents and teachers
Redlands Eisteddfod and COPYRIGHT
PLEASE READ CAREFULLY
From 1 January 2017, a new ‘APRA|AMCOS, ARIA and PPCA’s Blanket Licence Solution’ came into
effect. It covers the use of copyright music and sound recordings at all eisteddfods throughout
Australia.
The APRA|AMCOS Forms used previously (1: Performer’s Declaration; 2: Adjudicator’s Copy;
4: Orchestral and Band Parts; 5: Accompanist’s Copy) are no longer to be used. They have been
replaced by ONE Form, The Copyright Declaration Form for Eisteddfods, Competitions and
Examinations. This fillable Form is available for download from our website and is also available at
https://onemusic.com.au/media/Information-Sheets/Copyright-Declaration-Form.pdf
Note: The Title, Composer/Lyricist/Arranger and Publisher of all musical works being performed at the
Eisteddfod is now required to be listed on the Form (part 5, page 2).
Each entry (defined as being one person or one group entering one event [Section]) attracts a
Copyright licence fee. This fee is built into the applicable Redlands Eisteddfod entry fee for each
section, so no additional fee is required from competitors.
Accompanists may only use a (temporary) photocopy if the competitor(s) are performing from the
original and the piano part is not published separately. Checking No. 3, ‘Making a temporary copy for
an accompanist’, does not legalise mass photocopying. Temporary copies made for use by an
accompanist (including digital copies) must be destroyed/deleted after the performance.
Digital devices – tablets. Legal copies of print music may be transferred/scanned to a tablet (iPad etc.)
for use in performance. This is termed ‘format shifting’ and is legal provided the source music is itself
legal and the owner of the original does the ‘shifting’. The original source music should be present at
the performance as confirmation, if required.
NOTE: Competitors or Accompanists using music sourced ONLINE must, if requested, be able to prove
either, a) that, if still in copyright, it was purchased from a reputable source [produce receipt] or b)
that the music is in the public domain [attach an original page which clearly shows the year of
publication].
‘Copyright in music and lyrics generally lasts for the life of the artist plus another 70 years.’ ‘Generally,
published works where the creator died before 1 January 1955 and unpublished works where the
creator died before 1 January 1950 (rolls over every year) are now in the public domain.’ [Arts Law
Centre of Australia and others]
Only originals or licensed copies will be returned. Unlicensed adjudicator photocopies will be
destroyed, as is required under Copyright law. This includes school-supplied music correctly
stamped ‘AMCOS Licensed Copy’ etc
ADJUDICATOR BIOGRAPHIES
STRINGS and CONCERTO
Loreta Fin LMusA AMusA ATCL
Loreta Fin studied at the Sydney Conservatorium
of Music. She has performed regularly in
chamber music, professional theatre productions
and orchestral concerts and has been the
Principal Viola player with the Queensland Pops
Orchestra for over 25 years. Loreta worked at
Somerville House Girls’ School in Brisbane from
1988 and held the position of Director of Strings
at the School, from 1992 to 2021. She is currently
working as a freelance conductor, musician
composer and clinician.
An experienced educator and adjudicator, Loreta
has presented at many Australian National Music
Conferences, as well as two American National
String Teachers’ Conferences. She has
adjudicated at major events and competitions all
around Australia and has composed over 100 works for String Orchestra, which are distributed
worldwide by Alfred Publications. In recent years, Loreta released her Beginner String Ensemble
Series for Violin, Viola, Cello and Bass.
Loreta has been a committee member of the Australian Strings Association for over 25 years,
serving as both State and National President during that time. She received a Queensland State
Award for services to AUSTA in 2009. Loreta is a Senior String Examiner with the Australian Music
Examinations Board and is currently the State Syllabus Advisor for Strings. She was on the Education
Advisory Committee for the Queensland Symphony Orchestra for over 10 years. Since 2015, she has
regularly conducted the State and National Honours Ensembles Programs in Brisbane and
throughout Queensland. In 2017, She was nominated for the inaugural Australian Recording
Industry of Australia (ARIA) “Best Teacher” award. In 2018 and 2019, she conducted the Miri Music
Project in Malaysia. Loreta was honoured to receive the National Award for Services to Music and
String Teaching in Australia at a recent AUSTA National Conference.
PIANO, CONCERTO, SCHOLARSHIP
Maggie Chen MMus MMusStud MDip BMusHonsAdvPerf
An outstanding concert flutist/pianist with
virtuosity and expressiveness, Maggie
Chen is the International Ambassador of
the Queensland Conservatorium Griffith
University, at where her piano duo was
the Ensemble in Residence. Maggie is also
a current examiner for the Australia Music
Examination Board (AMEB) and the
president of the Queensland Flute Guild,
where she is regularly invited to
adjudicate competitions and scholarships.
Maggie graduated as one of the top 3%
and the youngest student at Queensland
Conservatorium Griffith University at the
age of 19 with a Bachelor of Music in
Advanced Performance with First Class
Honours. Her competition success
comprises many first prizes and
scholarships, including the Basil Jones
Sonata Prize, the Margaret Nickson Prize,
the Hilda Woolmer Prize, the Merit
Scholarship, the Most Outstanding Music Performance award, Australian Postgraduate Awards,
Queensland Flute Guild Competitions, Kaohsiung Piano Competition, Taiwan Chinese Flute
Competition, Yamaha Piano Competition, the International Scholarship for Music, the Griffith
Award for Academic Excellence and many other academic awards.
Apart from performing and adjudicating, Maggie also teaches flute and piano at the John Paul
College and in her own private music studio. She has worked in universities and schools including
the University of New Castle, NSW (guest artist); University of Queensland (guest artist); Dahcherng
School of Music for Talents (guest professor), the QLD Conservatorium of Music, Yamaha Music
School, Joviality Music School and the Conservatorium of Music, University of Tasmania (guest
artist). Additionally, she has also worked with the Kaohsiung Philharmonic Symphony Orchestra,
Brisbane Philharmonic Orchestra, Tainan Symphony Orchestra and the Queensland Orchestra
(Internship).
Maggie is regularly invited to perform, present masterclasses and adjudicate competitions and
scholarships around the globe. She has been invited to perform solo and with orchestra in Australia,
Hong Kong, China, Singapore, Japan, Germany and Vienna. Maggie is also an active chamber
musician, appearing on newspapers, TV shows and recording for radio stations both nationally and
internationally.BRASS and WOODWIND
Philip Davis GCHE (Griffith University)
Philip Davis commenced playing trombone and
piano in 1964. He studied at the Newcastle
Conservatorium and the ABC National Training
Orchestra in Sydney. In 1969, he was appointed as
principal trombonist with the Elizabethan
Melbourne Orchestra (Orchestra Victoria). In
1976, he undertook further music study in
Switzerland, England and the U.S.A. having
received scholarships from the British Council and
the Sir Ian Potter Foundation.
Experience includes playing in ABC orchestras, the
Queensland Philharmonic Orchestra, the
Australian Chamber Orchestra, other professional
orchestras, musicals, television, film and other
commercial work. Mr Davis has held directing,
conducting and lecturing positions at the
Queensland Conservatorium Griffith University,
other universities and schools. He retired from his position as Head of Performance Music at
Redlands College in 2015 after 27 years of service.
Mr Davis has directed and conducted many activities and ensembles in the community, which
include the Amadeus Orchestra, the Cleveland Symphony Orchestra (Redland Sinfonia), the
Brisbane Philharmonic Orchestra, Queensland Symphonic Winds, Director of Music at McGregor
Summer Schools, conductor of Queensland Wind Orchestra and the Queensland Brass Ensemble.
For seven years, 1992 – 1998, Phil and Alison Davis directed the Redlands Winter Music Camps in
the mid year holidays held at Redlands College and QCGU.
Over the last twenty five years, Mr Davis has visited Singapore as music advisor and conductor of
the premier Dunman High School Symphonic Band and the Sembawang Wind Orchestra. He
coordinated these and other Singapore groups to share in exchange concerts on various tours they
made to Brisbane and Sydney.
Mr Davis has adjudicated at many national and other various competitions, eisteddfodau and
festivals in Australia throughout his career. Mr Davis is a Queensland AMEB examiner.VOCAL
Karen Walmsley MMus BEd FTCL LGSMD LMusA LTCL LMusTCL AMusA
Karen Walmsley is an accomplished performer
and clinician, as well as music educator. She has
successfully taught singing for many years,
numerous students having been accepted to
study at the Sydney Conservatorium and Opera
School, Monash University, VCA, Opera
Queensland's Young Artist Programme, NIDA,
WAAPA, and more recently Royal Northern
College of Music (Manchester) and
Glyndebourne Opera Chorus. Many past
students now enjoy professional careers in
theatre.
Karen has adjudicated at eisteddfodau in New
South Wales and Queensland. She was Director
of Music at The Southport School (Preparatory
School) and Head of Vocal Studies at The King’s
School, Sydney.
Highlights for Opera Australia include the internationally acclaimed Andrew Sinclair production of
La Traviata and Baz Luhrmann production of La Boheme (1991 and 1993), which was simulcast on
ABCTV and throughout UK and USA. As well, she performed in Cameron Macintosh's Sydney
production of Lloyd Webber's The Phantom of the Opera (1994-95), understudying the role of
Madame Giry. Karen also performed the role, Lady Beaconsfield in the Australian premiere of Jekyll
& Hyde with Rob Guest.
Among her concert works are Messiah, Samson and Saul (Handel), Dixit Dominus (Handel), Christ on
the Mount of Olives (Beethoven), Mass in C (Beethoven), Requiem (Mozart), The Good Samaritan
(Butterley), Gloria (Vivaldi) and Gloria (Poulenc).
Her substantial operatic repertoire includes the roles of Konstanze (The Abduction from the
Seraglio), Susanna (The Marriage of Figaro), Countess Almaviva (The Marriage of Figaro), First Lady
(The Magic Flute), Mlle Silberklang (The Impresario), Mme Euterpova (Help! Help! The Globolinks),
Rowan (Let's Make an Opera), Adele (Die Fledermaus), Miss Pinkerton (The Old Maid and the Thief),
Mercedes (Carmen), Alice (Boojum!) and almost the full suite of Gilbert & Sullivan heroines.
Karen performed at the Adelaide Festival Fringe in a season of Menotti's The Old Maid and the
Thief to rave reviews. She has sung with the Canticum, Sydney Philharmonia Choir and Chamber
Choir, and ABC Classic FM favourite, Cantillation.SCHOLARSHIP
Stephen Chin
Master of Music (Queensland Conservatorium of Music Griffith University)
Bachelor of Music (Sydney University)
Diploma in Musical Composition (Sydney University)
Stephen's undergraduate training in both violin and
composition were completed at Sydney University
under John Harding and renowned Australian
composer, Peter Sculthorpe respectively. He also holds
a Master of Music degree specialising in performance
and pedagogy from Queensland Conservatorium of
Music Griffith University, where he has also lectured.
Stephen been invited to perform with such groups as
The ABC Sinfonia, The Badinerie Players, The
Queensland Philharmonic Orchestra, The Queensland
Symphony Orchestra, The Queensland Pops Orchestra
and Corda Spiritus. He is also an active member of a
number of chamber ensembles.
Stephen publishes a number of string works which
have been used as competition pieces and for
Australian Music Examination Board (AMEB)
examinations. He has been invited numerous
times to adjudicate various eisteddfods and in
demand as a string and orchestral clinician.
Stephen is also an examiner for the AMEB.
In 2022, Stephen was awarded the National Award by the Australian Strings Association (AUSTA) in
recognition for an outstanding contribution to the string community throughout Australia. This
award is given only once every three years.
Stephen is a Past National President of The Australian Strings Association (AUSTA) and presently
organises international professional development tours for teachers for AUSTA.CONDITIONS OF ENTRY - MUSIC
1. Competition is open only to amateurs (persons who do not work on a full-- time professional
basis as a teacher or performer). Student teacher/performers who currently study under
the guidance of professional teachers are considered amateurs.
2. The committee reserves the right to make a determination regarding the eligibility of
specific entrants whose circumstances constitute a ‘borderline’ situation. Determination by
the committee will be final and no further discussion will be entered into.
3. In the interest of fairness, performers in solo or duo/trio/quartet sections who have been a
pupil of the adjudicator during a period of six months prior to the eisteddfod are not
eligible to compete.
4. Entry fees are non-- refundable, except where a section is cancelled because of insufficient
entries. Other fees additional to Redlands Eisteddfod entry fees are not refundable. Eg.
Booking fees.
5. Entries cannot be submitted to Comps-Online after the advertised closing time of 11pm
Brisbane time, Sunday 10 April 2022. Please do not leave entering to the last minute!
6. No competitor may appear more than once in a section except as a part of ensembles,
orchestras, choirs and bands in Part 2 of the eisteddfod.
7. A competitor may perform a particular piece of music only once during the Eisteddfod,
except for competition in the Open Scholarship Section for which pieces/songs may be
repeated.
8. A copy of the music being performed must be handed to the session coordinator prior to
thecommencement of the session. It should be clearly labelled with the Section Number
and Competitor’s Number. (Note: In Popular/Jazz/Blues/Country vocal sections where
pre-recorded accompaniment may be used, a melody line chart will be acceptable.)
9. Any competitor whose chosen piece does not conform to the schedule requirements will
receive an adjudication report but will not be eligible for a place/award in that Section.
10. Accompaniment must be one acoustic instrument only, except where stated in the
schedule or by special arrangement with the committee. Except for folk songs, which may
be sung a cappella, accompaniments written by the composer or arranger as part of the
overall composition/arrangement should be used.
11. In duo/trio/quartet sections only one entry should be submitted, with the names of all
performers listed. There will be no refunds for duplicate entries.
12. All competitors are required to report to the session coordinator well before the
commencement of the section.
13. No persons shall be permitted to enter or leave the hall during any performance or
adjudication.
14. Competitors, teachers, or parents assisting in the performance must vacate backstage
immediately afterwards. (Continued on next page)15. A high standard of decorum is expected from all participants and audience members.
Unseemly/unsporting behaviour is contrary to the spirit of the eisteddfod regimen and
mayresult in the disqualification of the competitor.
16. For ensemble sections (Music Part 2), there is no minimum time limit but maximum time
limits, as stated in the schedule, must be adhered to. There are no time limits for Music
Part 1 sections, (except for an Open Scholarship performance – see Special Condition 13),
however the adjudicator may end a lengthy performance by ringing a bell. No penalty will
be applied in such cases.
17. Private video---recording by persons associated with the performer is permitted with approval
of the convenor. Other competitors’ performances must not be recorded. Breach of this
rule will result in disqualification of the offending competitor.
18. The committee reserves the right to alter or amend the program in any way and at any
time, to refuse entry, cancel any entries, or cancel any event where entries are considered
insufficient to continue with that particular section.
19. The committee reserves the right to appoint a substitute adjudicator.
20. The adjudicators reserve the right to terminate a competitor’s performance at any time for
whatever reason. An adjudicator may exercise discretion to withhold one or more prizes in
any section of the eisteddfod.
21. Unless approved by the convenor or committee, personal communication with, or
representations to the adjudicator before all the competitor’s sections have been
completed are strictly prohibited. This applies equally to competitors, teachers, parents, or
any other interested parties. The committee will consider disqualification of any
competitor involved in a breach of this rule.
22. Protests must be made in writing and lodged with the convenor or other committee
memberwithin one hour of the completion of the relevant section, accompanied by a fee
of $20.00 cash, which will be refunded if the protest is upheld. Any protest or objection of
a technical nature shall be referred to a protest committee for settlement and its decision
will be final. Aprotest will be accepted only from a competitor, the competitor’s teacher or
competitor’s parent or guardian. Protests about an adjudicator’s decision will not be
accepted. The adjudicator’s decision is final.
23. In Music Part 1, no competitor will be permitted to perform out of section, except for
religious reasons, and then only after having received confirmation from the convenor
upon request. Performances ‘out of section’ may not be eligible for an award but will
receive an Adjudicator’s report.
PLEASE NOTE THAT PROGRAMS WILL NOT BE POSTED
THEY WILL BE AVAILABLE AS A FREE DOWNLOAD FROM THE REDLANDS EISTEDDFOD WEBSITE
APPROXIMATELY 2-3 WEEKS PRIOR TO THE COMMENCEMENT OF THE COMPETITION.
www.redlandseisteddfod.com.au/index.php/disciplines/musicSPECIAL CONDITIONS for MUSIC
Failure to observe these special conditions could render a performance ineligible for an award.
1. INSTRUMENTAL CHAMPIONSHIP SECTIONS: Competitors in championship
sections must perform in at least one other solo section on that instrument in
order to be eligible. Two contrasting pieces, which must be from different
compositional periods/styles, are to be performed (any degree of difficulty but
excluding Jazz/Pop/Latin styles and concerto movements). Competitors may
enter only ONE Championship Section on a particular instrument.
2. INSTRUMENTAL CONCERTO SECTIONS: Any instrument. Any ONE movement
(which does NOT have to be an ‘Allegro’ – ie. fast) of a Concerto, with piano
accompaniment where required. A second piano will be provided for
accompaniment of piano concertos. No sonata movements are permitted in
this section, which will be adjudicated by a panel of adjudicators.
3. DUOS/TRIOS/QUARTETS: Competitors may compete in two sections with
different partners, providing that age limits are observed, but they may not
compete twice in the same section.
4. GRADED SECTIONS: Competitors may select any piece from the graded exam
list of any recognized examining body. There is no age limit, but the competitors
may not have passed any higher exam level than the one in which they are
competing.
5. BRASS/WOODWIND JAZZ/POP/LATIN STYLES: Accompaniment may be
acoustic, or pre-recorded accompaniment may be used. Please bring backing
track on a USB stick or device. A speaker will be provided, but the competitor’s
performance must be acoustic.
6. VOCAL SOLO – POPULAR/JAZZ/BLUES/COUNTRY: Accompaniment may be
acoustic, or pre-recorded accompaniment may be used. Please bring backing track
on a USB stick or device. A speaker will be provided, but the competitor’s
performance must be acoustic. No voice amplification is permitted.
NOTE: Teachers, parents and students should pay due care in the choosing of
appropriate material for this section, especially for younger competitors. In
addition, any competitor who has chosen a song containing material considered
by any member of the committee to be inappropriate or likely to be offensive to
the audience will be disqualified and will not be permitted to perform.7. VOCAL SOLO – MUSICAL THEATRE: A song from a film or stage musical, including
Disney musicals. Presentation may include use of dramatic elements such as
costume, small props and/or movement. Stage setting must be free-standingand
cause minimal delay. Accompaniment must be acoustic.
8. RESTRICTED VOCAL SOLO: Own Choice ‘Restricted’ sections are for competitors
who have never won a 1st, 2nd, or 3rd placing in any vocal solosection in any
Eisteddfod or vocal competition. Honesty is expected. Accompaniment must be
acoustic regardless of the style of song chosen.
9. VOCAL SOLO – CLASSICAL: The song must be performed with a classical vocal
technique, but it does not have to be an art song or aria. Accompaniment must
be acoustic.
10. VOCAL SOLO – FOLK SONG: May be sung unaccompanied or accompanied by
any acoustic instrument, including piano or guitar. A folk song is a traditional
song where the composer is unknown, however a published arrangement is
acceptable.
11. VOCAL SOLO – SACRED SONG: May include hymns, worship songs, gospel
songs, spirituals or arias containing sacred themes or texts. Accompaniment
must be acoustic.
12. VOCAL DUETS/TRIOS/QUARTETS: Must show some part---singing, ie. each voice
sings different notes in harmony with the other(s). Competitors may compete in
two sections with different partners, providing that age limits are observed.
Accompaniment must be acoustic.
13. *OPEN SCHOLARSHIP [CHANGED CONDITIONS]: Vocal or instrumental performers
are to perform two or more pieces, movements, or songs/arias, with a minimum
time of 5 minutes and a maximum of 10 minutes. This time limit should not be
exceeded. Pieces or songs performed in other sections may be repeated in this
section only. A panel of adjudicators will award the two scholarship prizes based on
this performance alone. Program balance will be considered.
AGE is at 1 January 2022 – i.e. age turned in 2021REDLANDS EISTEDDFOD – CHILD PROTECTION POLICY
As providers of cultural activities for children through to adults we believe we are part of the
community of care.
Whilst providing performance platforms for young people in the fields of Music, Dance and
Speech & Drama in a positive environment, we are at all times committed to their safety and well-
being. They will be treated with respect and understanding at all times. In order to ensure they
are kept safe from harm our organization will take the following steps and implement the
following procedures.
We will:
• Ensure that all venues and facilities are safe for both performers and audience
members, that all signage is clear and that the various areas are clearly
marked and supervised.
• Ensure that adequate change rooms are made available for dancers, catering for
both gender and age. These change rooms will be constantly supervised by a
qualified member of the organization.
• Ensure that all volunteers of the organization coming into contact with
children, in any way, hold a current Queensland Government Blue Card or
‘Working with children’ Card, and have satisfied all of the required reference
checks.
• Ensure that all Adjudicators (the only people associated with the eisteddfod
who are paid for their expert advice) have been screened thoroughly, hold a
current Queensland Government Blue Card or ‘Working with children’ Card and
are well referenced.
• Ensure that each volunteer is competently trained at the task set and is fully
aware of the code of conduct. A form will be signed to acknowledge this.
• Ensure each volunteer signs in and out at the beginning and end of each shift.
• Ensure that the rules surrounding Photography and Videoing of performers are upheld.
• Ensure that all children under the age of 18 are accompanied by a parent, carer,
or teacher at all times, other than when performing or when backstage.
• Ensure that the rules and regulations, including acceptable codes of conduct,
governing participation by both performers and parents/teachers, are provided in
the schedule and program, and that acknowledgement of this is recorded on the
entry form or on a separate sheet.
• Notify the Department of Child Safety if any volunteer suspects a child is being
harmed in the home. This includes any suspicions of a family member harming
the child/young person whilst at the Eisteddfod.
• Notify the Department of Child Safety if any volunteer suspects that a child is self-
harming.
• Notify the Police if any volunteer suspects a child is being harmed outside the
home. This includes any harm done to a child/young person whilst at the
eisteddfod.
• Contact relevant authorities on the suspicion of harm or inappropriate behaviour to
anychild/young person performing at or attending the eisteddfod.REDLANDS EISTEDDFOD – CODE OF CONDUCT
As a volunteer organization providing performance opportunities for young people we will demonstrate –
• Understanding of children and young people, their ages, stages of development, special
circumstances and special needs.
• No physical contact at any time, unless requested by the child/young person, e.g. in the case of a
minor costume or prop malfunction.
• Use of language which is age/stage appropriate, clear, non-bullying and non-sexual.
• Willingness to listen to concerns of the child/young person regarding the behaviour of another child,
parent, teacher or volunteer.
• Willingness to listen to concerns of the parent/carer regarding another child, parent, teacher, or
volunteer.
• Willingness to listen to concerns of teachers regarding another child, parent teacher or volunteer.
• Openness to parent, child and teacher’s feedback, suggestions, or complaints.
• Sensitivity and concern that material being presented or proposed to be presented by performers is
appropriate for their age/stage of development. Material considered inappropriate may not be
performed.
All children and young people will demonstrate –
• Willingness to listen to and act upon instructions from volunteers of the organization.
• Respect for other children/young people and adults who are taking part in the eisteddfod. This
.includes swearing, bullying, intimidation, interference with another’s property (including costumes,
props, music, books, and instruments) and have no uninvited physical contact with others.
• Adherence to the Rules and Regulations (i.e. conditions of entry) listed in the Schedule and Program.
• Safe and appropriate behaviour while waiting to perform.
• Responsibility for behaving appropriately and reporting inappropriate behaviour by others and
unsafe situations or harm.
Parents/Carers and Teachers will demonstrate –
• Willingness to listen to and act upon instructions from volunteers of the organization.
• Willingness to stay out of all areas reserved for performers, unless authorised.
• Respect for children/young people and adults who are taking part in the Eisteddfod. This includes
inappropriate language, bullying, intimidation, interference with property and uninvited physical
contact with others.
• Adherence to all rules and regulations (conditions of entry) of the Eisteddfod listed in the schedule
and program, as well as total compliance with the Photography and Videoing Regulations.
• Responsibility for the whereabouts of the child/young people they are accompanying, except when
performing or preparing backstage.
• Responsibility for reporting inappropriate behaviour and unsafe situations or harm.
In order to ensure that the eisteddfod is a positive, worthwhile experience for children/young people,
as organizers of the Eisteddfod we have the right to –
• Disqualify any child/young person or group of children/young people from the competition for failing
to comply with this code of conduct.
• Disqualify any child/young person whose parent/carer or teacher has not complied with this code of
conduct.
• Raise any concerns with child/young person, parent or teacher or volunteer.
• Expect that concerns of the children/young people, parents or teachers will be voiced as soon as they
arise so that they can be dealt with immediately.
• Refuse entry to venues to any child/young person, parent or teacher or volunteer who has previously
behaved inappropriately according to the code of conduct.
• Remove any volunteer from duty who has behaved in any way contrary to this code of conduct.Please read the Special Conditions for Music in the first section of this program.
MUSIC STANDS WILL BE PROVIDED
STRINGS 14-15yrs; Baroque 11yrs/o Wednesday 25 May 2022
Adjudicator: Loreta Fin Venue: Cleveland Baptist Church
AFTERNOON SESSION 4.00 pm
3.05 Own Choice 14-15 years
1 Haydn Li 3 Lily Song 5 He-Rou Kao
2 Susie Kim 4 Anna Robbins 6 Claire Jung
3.22/3.23 Baroque Composer 11-13 years/14 years and over
1 Susie Kim 4 Claire Jung 7 Lily Song
2 Ally Liu 5 Ivy Han
3 Ein Na 6 Haydn Li
DINNER BREAK
STRINGS 16-17yrs; OPEN; Diploma Wednesday 25 May 2022
Adjudicator: Loreta Fin Venue: Cleveland Baptist Church
EVENING SESSION 7.00 pm
3.06 Own Choice 16-17 years
1 Ally Liu 2 Ding Shin Yeh
3.07 Own Choice OPEN – any age
1 WITHDRAWN 2 Ein Na
3.19 Diploma levels
1 (SeEun) Flora Yang 4 Ein Na 7 Haydn Li
2 Anna Robbins 5 Panelo Hsieh 8 Nicholas Shi
3 Eric Kim 6 Claire JungSTRINGS Grades 1-4; 7yrs/u Thursday 26 May 2022
Adjudicator: Loreta Fin Venue: Cleveland Baptist Church
MORNING SESSION 9.00 am
3.11/3.12 Preliminary/Initial and Grade 1
1 Bomi Cheong 2 Isaac Mark Ryu
3.13 Grade 2
1 Hailee Kim 2 Marcus Lee 3 Olivia Tran
3.14/3.15 Grade 3 and Grade 4
1 Luke Shim 2 Claire Kim 3 Jayden Cheong
3.01 Own Choice 7 years and under
1 Ella Meng 4 Alexander Lau 7 Rachel Kim
2 Hailee Kim 5 Isabella Li 8 Luke Shim
3 Marcus Lee 6 Alicia Kim 9 Alina Shi
BREAK
STRINGS 8-9yrs Thursday 26 May 2022
Adjudicator: Loreta Fin Venue: Cleveland Baptist Church
MORNING SESSION continued 10.45 am
3.02 Own Choice 8-9 years
1 Claire Kim 6 Alice Li 11 Evan Meng
2 Eric Zhang 7 Jiyou Park 12 Alessandro Martinese
3 Wenya Zheng 8 Harper Hwang 13 Yurianna Kobayashi
4 Jayden Cheong 9 Leighann Kim 14 Marissa Yu
5 Emma Yoon 10 Jasmine Oh
LUNCH BREAKSTRINGS Gr 5-6; 10-11yrs; Baroque 10/u Thursday 26 May 2022
Adjudicator: Loreta Fin Venue: Cleveland Baptist Church
AFTERNOON SESSION 1.00 pm
3.16 Grade 5
1 Emma Yoon 3 Marissa Yu 5 Yunjie Zhu
2 Euha Lee 4 Jane Han
3.17 Grade 6
1 Alexander Lau 4 Yurianna Kobayashi 7 Angelia Wu (Chen)
2 Rachel Kim 5 Amy Seo
3 Alice Li 6 Sieun Kim
BREAK
3.03 Own Choice 10-11 years
1 Amy Seo 4 George Li 7 Ashlee Kim
2 Erin Cho 5 Yunjie Zhu
3 Hugh Kim 6 Angelia Wu (Chen)
3.21 Baroque Composer 10 years and under
1 Rachel Kim 4 WITHDRAWN 7 Erin Cho
2 Jayden Cheong 5 Alessandro Martinese 8 Serena Kang
3 Jiyou Park 6 Yurianna Kobayashi 9 George Li
DINNER BREAK
STRINGS 12-13yrs; Grades 7-8 Thursday 26 May 2022
Adjudicator: Loreta Fin Venue: Cleveland Baptist Church
EVENING SESSION 6.00 pm (NOTE EARLIER TIME)
3.04 Own Choice 12-13 years
1 WITHDRAWN 3 Ethena Qiang 5 Patrick Phillips
2 Isaac Jeon 4 Panelo Hsieh 6 Eric Kim
3.18 Grades 7 and 8
1 Jiyou Park 4 Serena Kang 7 Reuben Kelly
2 Harper Hwang 5 Ashlee Kim
3 Erin Cho 6 Isaac JeonPlease read the Special Conditions for Music in the first section of this program.
A GRAND PIANO WILL BE PROVIDED FOR ALL PERFORMANCES
COMPETITORS SHOULD PROVIDE THEIR OWN PEDAL EXTENDER ETC. IF REQUIRED
PIANO 7yrs/u Friday 27 May 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
MORNING SESSION 9.00 am
1.11 Own Choice (excluding Jazz/Pop/Latin styles) 7 years and under
1 Jayden Chan 7 Lucas Zhangsong 13 Ellie Bian
2 Sophie Druganov 8 Amber Zhou 14 Marcus Lee
3 Shuman Mia Yi 9 Scarlett Wang 15 Alicia Zhao
4 Alexander Mao 10 Alex Zhu 16 Rachel Kim
5 Chelsea Wu 11 Lily Yang 17 William Liu
6 Vanbelle Tse 12 Jerry Hu 18 Amber Guo
1.01 Jazz/Pop/Latin styles 7 years and under
1 Melissa Xi 5 Isla Zou 9 Jerry Hu
2 Claire Wen 6 Lily Yang 10 Arina Wen
3 Kathleen Hsu 7 Scarlett Wang 11 Sayge Zhao
4 Shuman Mia Yi 8 Alicia Zhao 12 Amber Guo
BREAK
PIANO Grades Prelim/Initial - 2 Friday 27 May 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
MORNING SESSION continued 11.00 am
1.21 Grade Preliminary/Initial
1 Lydia Kelly 5 Candice Bai 9 Felicity Niang
2 Claire Wen 6 Ciara Lei 10 Samyak Singh
3 Janet Hsu 7 Stella Zhou 11 Paris Shangguan
4 Yuwei Wang 8 Isaac Laveglia
1.22 Grade 1
1 Matthew Chen 7 Leona Shen 13 David Shi
2 Melissa Xi 8 Chelsea Wu 14 Ethan Chen
3 Jayden Chan 9 Marcus Lee 15 Isabella Simila
4 Qiyuan Cao 10 Langran Xu 16 Holly Dodd
5 Channing Yang 11 Cynthia Chen 17 Olivia Naughton
6 Shuman Mia Yi 12 Jason Qin
1.23 Grade 2
1 Arina Wen 4 Lily Yang 7 Yasha De Silva
2 Lucas Zhangsong 5 Jaiyi Jiang 8 Amber Guo
3 Scarlett Wang 6 Jessica QinLUNCH BREAK
PIANO 8/9yrs; Duet/Trio 10yrs/u Friday 27 May 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
AFTERNOON SESSION 1.30 pm
1.12 Own Choice (excluding Jazz/Pop/Latin styles) 8 years
1 Stephanie Yuan 3 Jeffery He 5 Martin Sun
2 Camilla Yu 4 Leo Muyang Li 6 Marcus Huo
1.13 Own Choice (excluding Jazz/Pop/Latin styles) 9 years
1 Albert Zhou 6 Ruby Wang 11 Liz Hanzhi Tian
2 Ethan Yifan Dai 7 Alice Li 12 Kimmy Chen
3 Bella Li 8 Jiyou Park 13 Marissa Yu
4 Samuel Wu 9 Elena Hsieh
5 Emma Wen 10 Serena Jing
1.03 Jazz/Pop/Latin styles 9 years
1 Ethan Yifan Dai 3 Bella Li 5 Serena Jing
2 Xianzhe Lin 4 Emma Wen
1.51 Piano Duet/Trio 10 years and under
1 Ethan Yifan Dai/ Bella Li 2 Emma Shan/ Leo Muyang Li
BREAK
PIANO Grades 3-4 Friday 27 May 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
AFTERNOON SESSION continued 3.45 pm
1.24 Grade 3
1 Sophie Druganov 5 Aoran Zhang 9 Jaden Zhang
2 Jerry Hu 6 William Liu 10 Elena Locsey
3 Alicia Zhao 7 Anna Guo
4 Jasmine Shatokhin 8 Jeffery He
1.25 Grade 4
1 Ellie Bian 5 Marcus Huo 9 Connie Chen
2 Rachel Kim 6 Xianzhe Lin 10 Cinnia Zheng
3 Camilla Yu 7 Ruby Wang
4 Garry Zhu 8 Serena Jing
DINNER BREAKPIANO D/T13/u; Baroque 11-13; 12/13yrs Friday 27 May 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
EVENING SESSION 6.00 pm
1.52 Piano Duet/Trio 13 years and under
1 Liz Hanzhi Tian/ Rio Sato 3 David Lin/ Jodie Lin
2 Zhaoxuan Feng/ Yaya Cheng
1.32 Baroque Composer 11-13 years
1 Elisa Zhang 5 Sanne Zheng 9 Claire White
2 Lynn Chen 6 Panelo Hsieh 10 Michelle Huang
3 Grace Pan 7 Rio Sato
4 Jodie Lin 8 Andrew Zhang
1.16/1.17 Own Choice (excluding Jazz/Pop/Latin styles) 12 years and 13 years
1 Courtney Leeds 5 Jodie Lin 9 Joshua Walraven
2 Gary Koryukin 6 Andrew Zhang 10 Rio Sato
3 Ethena Qiang 7 Isabella Oxenbridge
4 Panelo Hsieh 8 Claire White
1.06 Jazz/Pop/Latin styles 12-13 years
1 Jodie Lin 3 Courtney Leeds 5 Isabella Oxenbridge
2 Claire White 4 Gary KoryukinPlease read the Special Conditions for Music in the first section of this program.
MUSIC STANDS WILL BE PROVIDED
STRINGS D/T/Q; Junior Championship Saturday 28 May 2022
Adjudicator: Loreta Fin Venue: Cleveland Baptist Church
MORNING SESSION 9.00 am
3.41 Duo/Trio/Quartet 10 years and under
1 Lyvea Boulton/ Lily Prewett/ Travis Yuen/ Mckynlee Franklin
2 George Li/ Amy Seo/ Serena Kang/ Yurianna Kobayashi
3.42 Duo/Trio/Quartet 13 years and under
1 Lily Wong/ Jessie Lei/ Ethan Park/ Areen Lee
2 Jasmine Tsang/ Michael Clark/ Ernest Yuen/ Isabella Franklin
3 Marissa Yu/ Chelsea Cao
3.43 Duo/Trio/Quartet OPEN – any age
1 John Kelly/ Lydia Kelly
2 Elise Thorne/ Annabel Thomson/ Eleanor Eeles/ Grace Oike
3 Haydn Li/ George Li/ Eric Kim/ Ein Na
4 Audrey Higgins/ Scarlett Casey/ Katie Walker
BREAK
3.31 Junior Championship 13 years and under
1 Isabella Li 5 Ashlee Kim 9 Eric Kim
2 Jiyou Park 6 Ein Na 10 Nicholas Shi
3 Alessandro Martinese 7 Panelo Hsieh
4 George Li 8 WITHDRAWN
LUNCH BREAK
STRINGS Open Championship Saturday 28 May 2022
Adjudicator: Loreta Fin Venue: Cleveland Baptist Church
AFTERNOON SESSION 1.30 pm
3.32 OPEN Championship – any age
1 Haydn Li 3 Anna Robbins 5 Ivy Han
2 Lily Song 4 (SeEun) Flora Yang
BREAKPlease read the Special Conditions for Music in the first section of this program.
MUSIC STANDS AND A SECOND PIANO WILL BE PROVIDED
Junior CONCERTO Saturday 28 May 2022
Adjudicators: Maggie Chen and Loreta Fin Venue: Cleveland Baptist Church
AFTERNOON SESSION (continued) 3.00 pm
2.01 JUNIOR CONCERTO 13 years and under
1 Eric Zhang 7 Alessandro Martinese 13 WITHDRAWN
2 Martin Sun 8 George Li 14 Manling Sun
3 Samuel Wu 9 Ashlee Kim 15 Eric Kim
4 Euha Lee 10 Courtney Leeds 16 Yurianna Kobayashi
5 Jiyou Park 11 Ein Na 17 Jasmine Oh
6 Evan Meng 12 Panelo Hsieh
DINNER BREAK
Open CONCERTO Saturday 28 May 2022
Adjudicators: Maggie Chen and Loreta Fin Venue: Cleveland Baptist Church
EVENING SESSION 6.30 pm
2.02 OPEN CONCERTO – any age
1 Manling Sun 4 Lily Song 7 Ally Liu
2 Haydn Li 5 (SeEun) Flora Yang 8 WITHDRAWN
3 Junee Kim 6 Annabelle Freeman 9 Claire JungPlease read the Special Conditions for Music in the first section of this program.
NO MICROPHONES FOR VOICE AMPLIFICATION ARE TO BE USED IN ANY VOCAL SECTION
Pre-recorded accompaniment brought on a USB stick or device may be used in
Popular/Jazz/Blues/Country sections only.
Pr
VOCAL 12yrs/u (excl. Musical Theatre) Monday 30 May 2022
Adjudicator: Karen Walmsley Venue: Cleveland Baptist Church
EVENING SESSION 5.30 pm
8.01/8.02 Own Choice any style (Restricted Section) 10 years/under and 11-12 years
1 Philippa Mahon 2 Matteya O’Dea
8.13 Classical Style 11-12 years
1 Madeline Graves 2 Amber Blackwell 3 Isabel Horton
8.31/8.32 Sacred Song 10 years/u and 11-12 years
1 Liv Talty 2 Madeline Graves 3 Amber Blackwell
8.41 Folk Song 10 years and under
1 Mia Oates 2 Liv Talty
8.42 Folk Song 11-12 years
1 Amber Blackwell 3 Isabel Horton
2 Eva Oates 4 Madeline Graves
8.21/8.22 Popular/Jazz/Blues/Country Styles 10 years/u and 11-12 years
1 Liv Talty 3 Madeline Graves
2 Amber Blackwell 4 Matteya O’Dea
BREAK
8.14 Classical Style 13-14 years
1 Katie Hennessey 3 Leah Bridges
2 Lily Bruce 4 Zoe McDougall
8.33 Sacred Song 13-14 years
1 Leah Bridges 2 Lily Bruce
8.43 Folk Song 13-14 years
1 Ben Eckersley 2 Leah Bridges 3 Katie Hennessey
8.23 Popular/Jazz/Blues/Country Styles 13-14 years
1 Lily Bruce 2 Ben Eckersley 3 Leah BridgesPlease read the Special Conditions for Music in the first section of this program.
A GRAND PIANO WILL BE PROVIDED FOR ALL PERFORMANCES
COMPETITORS SHOULD PROVIDE THEIR OWN PEDAL EXTENDER ETC. IF REQUIRED
PIANO 10yrs; Baroque 10yrs/u Tuesday 31 May 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
MORNING SESSION 9.00 am
1.14 Own Choice (excluding Jazz/Pop/Latin styles) 10 years
1 Serena Wang 3 Chloe Xinran Liu 5 Isabella Simila
2 David Lin 4 Grace Zhu 6 Henryk Neumann
1.04 Jazz/Pop/Latin styles 10 years
1 Ryleigh Chen 2 Henryk Neumann 3 David Lin
1.31 Baroque Composer 10 years and under
1 Sophie Druganov 5 Emma Wen 9 David Lin
2 Alex Zhu 6 Haocheng Wu 10 William Ye
3 Leo Muyang Li 7 Liz Hanzhi Tian
4 Martin Sun 8 Serena Wang
BREAK
PIANO 11yrs Tuesday 31 May 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
MORNING SESSION continued 11.00 am
1.15 Own Choice (excluding Jazz/Pop/Latin styles) 11 years
1 Finlay Brace 4 Lynn Chen 7 Grace Pan
2 Elisa Zhang 5 Michelle Huang 8 Ethan Wang
3 Simeon Yankov 6 Brayden Huo 9 Sanne Zheng
1.05 Jazz/Pop/Latin styles 11 years
1 Cinnia Zheng 3 Grace Pan
2 Lynn Chen 4 Michelle Huang
LUNCH BREAKPIANO Grades 5 - 8 Tuesday 31 May 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
AFTERNOON SESSION 1.00 pm
1.26 Grade 5
1 Alex Zhu 6 Alice Li 11 Ruiqi Chu
2 Albert Zhou 7 Haocheng Wu 12 Tiffany Chou
3 Ethan Yifan Dai 8 Alice Wang 13 Sara Jing
4 Bella Li 9 Kimmy Chen
5 Calix Cao 10 Aiden Kim
1.27 Grade 6
1 Leo Muyang Li 4 David Lin 7 Lynn Chen
2 Emma Wen 5 Marissa Wang 8 Ella Noble
3 Jiyou Park 6 Ethan Zhang
BREAK
1.28 Grades 7 and 8
1 Elena Hsieh 7 Grace Pan 13 Jodie Lin
2 Serena Wang 8 Xuanrui Huang 14 Jessie Zhang
3 Chloe Xinran Liu 9 Michelle Huang 15 Yurika Tite
4 Grace Zhu 10 Courtney Leeds 16 WITHDRAWN
5 William Ye 11 Olivia Hsu 17 Benjamin Elliott
6 Elisa Zhang 12 Bright Xue
DINNER BREAKPIANO D/T Open; Diploma; 14yrs/o; Baroque 14/o
Tuesday 31 May 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
EVENING SESSION 5.30 pm
1.53 Piano Duet/Trio OPEN – any age
1 Sarah Chuey/ Daniel Luo 2 Lynn Chen/ Jessie Zhang
1.29 Diploma Levels
1 Martin Sun 5 Claire White 9 Phoebe Pattemore
2 Samuel Wu 6 Joshua Walraven 10 Alexander Anderson
3 Liz Hanzhi Tian 7 Hillary He 11 John Kelly
4 Rio Sato 8 Sarah Chuey
BREAK
1.18 Own Choice (excluding Jazz/Pop/Latin styles) 14-15 years
1 Jessie Zhang 3 Ella Noble 5 Sarah Chuey
2 Eric Neumann 4 Hillary He
1.07 Jazz/Pop/Latin styles 14-15 years
1 Yurika Tite 2 Jessie Zhang
1.33 Baroque Composer 14 years and over
1 Alexander Anderson 3 Sarah Chuey
2 Phoebe Pattemore 4 Jessie Zhang
1.19 Own Choice (excluding Jazz/Pop/Latin styles) 16 years and over
1 John Kelly 2 Lucy Hou 3 Phoebe PattemorePlease read the Special Conditions for Music in the first section of this program.
NO MICROPHONES FOR VOICE AMPLIFICATION ARE TO BE USED IN ANY VOCAL SECTION
Pre-recorded accompaniment brought on a USB stick or device may be used in
Popular/Jazz/Blues/Country sections only.
Pr
VOCAL 15yrs/o (excl. Musical Theatre) Wednesday 1 June 2022
Adjudicator: Karen Walmsley Venue: Cleveland Baptist Church
EVENING SESSION 5.30 pm
8.04/8.05 Own Choice any style (Restricted Section) 15-16 years and 17 yrs/o
1 Caelan McCarthy 4 Samantha Reardon 7 Axel Yabe MacPhail
2 Rebekah Lynch 5 Joseph Maher
3 Abigail Thomas 6 Piper Clemence
8.15 Classical Style 15-16 years
1 Tamika von Stein 3 Rebekah Lynch 5 Chloe Richter
2 Samantha Reardon 4 Abigail Thomas 6 Nicholas Russell
8.16 Classical Style 17 years and over
1 Kristel Suess 2 Jasmine Kaye
BREAK
8.34 Sacred Song 15-16 years
1 Naomi Colledge 3 Samantha Reardon 5 Tamika von Stein
2 Piper Clemence 4 Nicholas Russell
8.35 Sacred Song 17 years and over
1 Jasmine Kaye 2 Kristel Suess
8.44 Folk Song 15-16 years
1 Caelan McCarthy 2 Nicholas Russell
8.45 Folk Song 17 years and over
1 Kyra Stratford 2 Kristel Suess 3 Jasmine Kaye
8.24 Popular/Jazz/Blues/Country Styles 15-16 years
1 Abigail Thomas 4 Rebekah Lynch 7 Piper Clemence
2 Caelan McCarthy 5 Tamika von Stein
3 Naomi Colledge 6 Samantha Reardon
8.25 Popular/Jazz/Blues/Country Styles 17 years and over
1 Jasmine Kaye 2 Kristel Suess 3 Kyra StratfordPlease read the Special Conditions for Music in the first section of this program.
MUSIC STANDS WILL BE PROVIDED
BRASS/WOODWIND Gr Prelim-3; 10/u Thursday 2 June 2022
Adjudicator: Philip Davis Venue: Cleveland Baptist Church
AFTERNOON SESSION 1.30 pm
4.01 Preliminary/Initial and Grade 1
1 Isabella Simila
4.02 Grades 2 and 3
1 Aiden Kim 3 Rachel Back 5 Marcus Murray
2 Shurui Miao 4 Archie Case
4.21 Woodwind Solo (excluding Jazz/Pop/Latin styles) 10 years and under
1 Isla Gilmour 4 Shurui Miao 7 Sienna Park
2 Jayden Park 5 Eden Addicott 8 Sophie Tran
3 Aiden Kim 6 Isabella Simila
4.31 Brass/Woodwind Solo – Jazz/Pop/Latin styles 10 years and under
1 Olivia Feher 2 Isla Gilmour 3 Eden Addicott
BREAK
BR/WW Gr 4-7; 11-13yrs; JPL 11yrs/o Thursday 2 June 2022
Adjudicator: Philip Davis Venue: Cleveland Baptist Church
AFTERNOON SESSION continued 3.30 pm
4.03 Grades 4 and 5
1 Gianne Lee 4 Eden Addicott 7 Emily Crittenden
2 Sophie Tran 5 Joanne Kim
3 Sienna Park 6 François Marais
4.04 Grades 6 and 7
1 Jonah Lee 2 Eunchae Hwang 3 Natalie Austin
4.22 Woodwind Solo (excluding Jazz/Pop/Latin styles) 11-13 years
1 Angelia Wu (Chen) 3 Lucette James 5 Gabin Won
2 Audrey Lin 4 Hannah Ryu
4.32/4.33 Brass/Woodwind Solo – Jazz/Pop/Latin styles 11-13 years and 14 yrs/o
1 Ruby Stuart 3 Eunchae Hwang
2 Meena Swainsbury 4 Seron Baek
DINNER BREAKBRASS/WOODWIND Grades 8 and Diploma; Championships Thursday 2 June 2022 Adjudicator: Philip Davis Venue: Cleveland Baptist Church EVENING SESSION 6.00 pm 4.23 Woodwind Solo (excluding Jazz/Pop/Latin styles) 14 years and over 1 Parker Logan 2 Gloria Shen 4.41 Junior Championship 13 years and under 1 Eden Addicott 3 Sophie Tran 2 Natalie Austin 4 Gabin Won 4.05 Grade 8 and Diploma levels 1 Annabelle Freeman 3 Gabin Won 5 Hana O’Neill 2 Gloria Shen 4 Monica Harrison 4.42 OPEN Championship – any age 1 Seron Baek 2 Gloria Shen
Please read the Special Conditions for Music in the first section of this program.
NO MICROPHONES FOR VOICE AMPLIFICATION ARE TO BE USED IN ANY VOCAL SECTION
Pre-recorded accompaniment brought on a USB stick or device may be used in
Popular/Jazz/Blues/Country sections only.
Pr
VOCAL 14yrs/u Musical Theatre Friday 3 June 2022
Adjudicator: Karen Walmsley Venue: Cleveland Baptist Church
EVENING SESSION 5.30 pm
9.01 Vocal Duet/Trio/Quartet 12 years and under
1 Milla Terzic/ Madeline Graves
8.51 Musical Theatre (song from a film or stage musical) 10 years and under
1 Mia Oates 2 Liv Talty
8.52 Musical Theatre (song from a film or stage musical) 11-12 years
1 Eva Oates 3 Poppy Housego 5 Isabel Horton
2 Madeline Graves 4 Amber Blackwell
8.53 Musical Theatre (song from a film or stage musical) 13-14 years
1 Leah Bridges 3 Zoe McDougall 5 WITHDRAWN
2 Katie Hennessey 4 Ben Eckersley 6 Lily Bruce
ANNOUNCEMENT OF JUNIOR AND INTERMEDIATE VOCAL AGGREGATE CHAMPIONSHIPS
Pr
8.61 Junior Vocal Aggregate Championship 12 years and under
1 Liv Talty 3 Amber Blackwell
2 Madeline Graves 4 Isabel Horton
8.62 Intermediate Vocal Aggregate Championship 13-14 years
1 Leah Bridges 3 Ben Eckersley
2 Katie Hennessey 4 Lily Bruce
BREAKVOCAL – 15yrs/o Musical Theatre Friday 3 June 2022
Adjudicator: Karen Walmsley Venue: Cleveland Baptist Church
EVENING SESSION continued 7.15 pm
9.02 Vocal Duet/Trio/Quartet OPEN – any age
1 WITHDRAWN
8.54 Musical Theatre (song from a film or stage musical) 15-16 years
1 Caitlyn Brindley 5 Chloe Richter 9 Joseph Maher
2 Sienna Barney 6 Rebekah Lynch 10 Nicholas Russell
3 Tamika von Stein 7 Naomi Colledge 11 Piper Clemence
4 Caelan McCarthy 8 Abigail Thomas
8.55 Musical Theatre (song from a film or stage musical) 17 years and over
1 Bella Cox 3 WITHDRAWN 5 Kristel Suess
2 Andrew McArthur 4 Jasmine Kaye 6 Kyra Stratford
ANNOUNCEMENT OF SENIOR VOCAL AGGREGATE CHAMPIONSHIP
Pr
8.63 Senior Vocal Aggregate Championship 15 years and over
1 Naomi Colledge 3 Kyra Stratford 5 Kristel Suess
2 Nicholas Russell 4 Jasmine KayePlease read the Special Conditions for Music in the first section of this program.
A GRAND PIANO WILL BE PROVIDED FOR ALL PERFORMANCES
COMPETITORS SHOULD PROVIDE THEIR OWN PEDAL EXTENDER ETC. IF REQUIRED
PIANO Championships Saturday 4 June 2022
Adjudicator: Maggie Chen Venue: Cleveland Baptist Church
MORNING SESSION 9.00 am
1.41 Junior Championship 13 years and under
1 Liz Hanzhi Tian 5 Courtney Leeds 9 Isabella Oxenbridge
2 Serena Wang 6 Joshua Walraven 10 Claire White
3 Michelle Huang 7 Panelo Hsieh 11 Jodie Lin
4 Sanne Zheng 8 Rio Sato 12 Gary Koryukin
BREAK
1.42 OPEN Championship – any age
1 Eric Neumann 2 Ella Noble 3 Alexander Anderson
LUNCH BREAK
MUSIC STANDS WILL BE PROVIDED
MIXED INSTR D/T/Q; CHAMBER MUSIC Saturday 4 June 2022
Adjudicators: Stephen Chin and Maggie Chen Venue: Cleveland Baptist Church
AFTERNOON SESSION 12.30 pm
5.11 Mixed Instruments Duo/Trio/Quartet 10 years and under
1 George Li/ Amy Seo/ Serena Kang/ Yurianna Kobayashi
5.12 Mixed Instruments Duo/Trio/Quartet 13 years and under
1 Isabella Oxenbridge/ Areen Lee/ Kevin Jung
2 WITHDRAWN
3 Eden Addicott/ Zara Maiden
4 Yunjie Zhu/ Annie Do/ Caitlyn Wong
5.13 Mixed Instruments Duo/Trio/Quartet OPEN – any age
1 Haydn Li/ George Li/ Isabella Oxenbridge
2 Monica Harrison/ Hana O'Neill
3 Lola Higgins/Noah Syaharom
5.21 Chamber Music Trio/Quartet OPEN – any age
1 Khan Kim/ Jinha Kim/ Haydn Li/ Brooke Shim
2 Sophia Jones/ Victor Huang/ Ivy Han
3 Caleb Wong/ Yunjie Zhu/ Thien-An Do
BREAKYou can also read
