Tuesday 28 to Thursday 30 June 2022 University of Chichester
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Tuesday 28 to Thursday 30 June 2022
University of Chichester
Welcome to the
2022 International Society for the
Study of Narrative Conference!
This year marks the first iteration of the Society’s new conference model: a hybrid event that
offers both in-person and online participation. The ISSN leadership realized the benefits of online
conferencing after the success of last year’s event. Virtual participation opens our discussions
to a much broader range of people who may not be able to attend an in-person event because
of various reasons, including health and financial. An online conference is also kinder to the
planet, as it saves the carbon costs accrued by participants flying to the conference venue. But,
of course, gathering in person has its unique perks, too ( face-to-face networking, serendipitous
chance meetings, and dancing). For these reasons, the ISSN is committed to offering its members
a choice going forward. Indeed, we understand the new hybrid conference model as being a vital
step towards our goals of sustainability, diversity, equity, and inclusion.
However you participate this year, enjoy!
ISSN President Erin James
Associate Professor of English at the University of Idaho,
First Vice-President of the International Society of Narrative,
and Chair of the Society’s Sustainability Subcommittee
2022 Narrative Conference coordinating committee
Gretchen Busl, Texas Woman’s University
Malcah Effron, Massachusetts Institute of Technology
Hugo Frey, University of Chichester
Sue J. Kim, University of Massachusetts Lowell
Tommy Lynch, University of Chichester
Brian McAlllister, American University of Sharjah
Welcome to the University of Chichester
The University of Chichester Narrative Team extend a very warm welcome to everyone who is attend-
ing the 2022 International Conference on Narrative and thank you all for coming.
We have a very exciting programme and will be showcasing the latest research and developments
in narrative research from a wide range of disciplines. We are looking forward to meeting you, both
online and in person, and hope you enjoy the conference.
Best wishes,
Dr Sandra Lyndon Dr Eva Mikuska
Reader in Childhood and Social Policy SFHEA, Programme Leader for Prof.
Research Degree Coordinator for Social Policy Doctorate and FDA Early Years
Institute of Education, Social Institute of Education, Social
and Life Sciences and Life Sciences
Prof. Hugo Frey Tommy Lynch
Professor and Director of the Reader in Political
Institute of Arts and Humanities Theology
Heather Robbins Dr Rod Matthews
Administrator for the Department of Director of Information
English & Creative Writing and Learning Technology
Connecting to the Wi-Fi (eduroam or UoC-Guest)
If your institution is a member of eduroam you can access the network using the credentials provided by your home institution.
The UoC-Guest WiFi is a self-service enrolment Wi-Fi service:
1. From your device select the UoC-Guest wireless network and click connect
2. Once connected you will be automatically diverted to the registration page (https://boc-guest.chi.ac.uk)
3. Read the acceptable use policy. If you accept the policy, click the I accept the terms check box
4. On the sign-up page enter your email address, first name, and last name and click continue
5. You now have 10 minutes of temporary internet access in order to complete your registration
6. Open your emails and click on the ‘email activation required’ email from UoC-Guest@chi.ac.uk (you may need to check in your junk folder)
7. In the email. click the activate your network account access button to confirm your registration
8. Once activated you will have one year’s access to guest Wi-Fi on campus. After that year you will need to re-register.
If you would like the University to remove your records from the guest Wi-Fi system, please email help@chi.ac.uk from the account you wish to
be removed stating the request in the email.
DAY 1: TUESDAY JUNE 28, 2022 1/4
9-10:15 a.m. Concurrent Sessions Rooms are in Academic Building (AB), room numbers follow e.g. AB 0.02
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6 AB 0.02 PANEL 7
Telling Fact from Fiction: Gender, Genre, and Narrative and Ideology Being Silent: Interrupted Cognitive Affordances Narrative Representations Exploring Transition
Fictional Narratives and Gentrification: Narrative and Stalled Dialogue I of Migration in the Public and Transformation in
their Impact on Reality Strategies of Gentrification Chair: Jan Alber, RWTH Chair: Matt Hayler, University Sphere Relation to Homelessness,
Literature Aachen University Chair: Monika Fludernik, of Birmingham Therapeutic Communities
Chair: Alice Bell, Sheffield Albert-Ludwigs-Universität Chair: Roy Sommer, University and the Unexpected Death of
Hallam University Chair: Maria Sulimma, ‘Narrative Strategies, Freiburg, & David Richter, ‘Affordances of Mental of Wuppertal a Child
University of Duisburg-Essen Ideologies, and the Climate Queens College/City University Environments: The Case of
‘The Ethics of Interactive Change Film The Day after of New York Piranesi’, Merja Polvinen, ‘Narrative Form and Chair: Sandra Lyndon,
Digital Narrative’, Alice Bell, ‘The Evil Real Estate Shark Tomorrow’, Jan Alber, RWTH University of Helsinki Overlapping Crises’, Simona University of Chichester
Sheffield Hallam University and the Tenement Erinyes: Aachen University ‘Silence as Device’, Lorna Adinolfi, Ghent University
Gentrification and Gender Martens, University of Virginia ‘Rethinking Cognitive ‘Making Higher Education
‘A Cognitive Model of Reading in German-language Crime ‘Narrative as Combat’, Estrangement’, Esko Suoranta, ‘Narrative Form and Possible for Those Affected
Autofiction’, Alison Gibbons, Fiction’, Hanna Henryson, Dorothee Birke, University of ‘Debating Silence in the University of Helsinki Overlapping Crises’, Marco by Homelessness –
Sheffield Hallam University University of Vienna/ Innsbruck Vimalakirti Sutra’, Antje Caracciolo, Ghent University A Transformative and Co-
Stockholm University Richter, Asian Languages and ‘Affordances and productive Research Project by
‘Seeing Yourself through ‘Moving within Institutional Civilizations, University of Narrative Action in Digital ‘Narratives of and Narratives Dr Sandra Lyndon and Becky
Fiction: Lying, Intertextuality ‘“No, it is real: it has to be and Spatial Structures: Colorado Environments’, Hanna-Riikka on Migration: A Typology’, Edwards’, Sandra Lyndon and
and Identity’, Jessica Mason, real”: Gentrification, the Analyzing Ideological Roine, Tampere University Carolin Gebauer, University of Becky Edwards, University of
Sheffield Hallam University Neighborhood and the Ramifications of Smart Female ‘Silence as Powerful Wuppertal Chichester
Body in Irvine Welsh’s Porno Characters’, Jessica Jumpertz, Communication: The Case ‘Redefining Imagination:
(2002)’, James Peacock, Keele RWTH Aachen University of New Amsterdam’, Nathan Fiction as a Speculative ‘Narrative Representations ‘Woodlands, a Place of
University Richards, Ohio State University Instrument’, Essi Varis, of the African Diaspora in Refuge?’, Hazel Rumsey,
University of Oslo Germany’, Mariam Muwanga, University of Chichester
‘“To live in a city is to consume University of Wuppertal
its offerings”: Speculative ‘Staring Myself in the
Fiction and Gentrification in “I”: The Use of Narrative
Ling Ma’s Severance (2018)’, Autoethnography in
Maria Sulimma, University of Transforming Personal and
Duisburg-Essen Collective Meaning-Making
Following the Sudden,
Unexpected Death of a Child’,
Denise Turner, University of
Chichester
DAY 1: TUESDAY JUNE 28, 2022 2/4
10:30-11:45 a.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6 AB 0.02 PANEL 7
Fictionality and the Genre and Visibility in Multi-Narrative Genres and Narrative Fiction – Slow and Feminist Narrative Theory Critical Approaches to Collective Minoritized
Didactics of Sexuality Contemporary Television Boundaries Fast: Experiencing Pace the Storytelling Boom: Narratives
‘A Roman Marriage Plot? Rethinking Stories of Illness
Chair: Richard Walsh, Chair: Karen Hornick, New Chair: Jutta Zimmermann, Chair: Alexander Scherr, Justus Constructing Character and/ and Wellness ‘Alleviating ESL FYC Students’
University of York York University Christian-Albrechts University Liebig University Giessen as Stereotype in the Augustan Writing Anxiety (Writer’s
of Kiel Marriage Legislation’, Rebecca Chair: Hanna Meretoja, Block) through Exploring and
‘Virtuous Heroines and Sexy ‘Line of Duty and the ‘Tristram Shandy, Fast or Shaw, University of Leeds University of Turku Teaching Rhetorical Criticism
Vampires – Youth Sexual Impossibility of Generic ‘Cathy Park Hong’s Poetry Slow Narrator?’, Alexander with Narrative Perspective
Becoming in Fantasy Novels’, Rupture’, Rebeccca Wanzo, Collection Dance Dance Scherr, Justus Liebig University ‘Coping with the Vestiges ‘Narrative Labour in Two on Theresa Hak Kyung Cha’s
Signe Uldbjerg, Aarhus Washington University in Revolution as Braided Giessen of Presence: The Case of Contemporary UK Mental Dictee and Daehyun Won’s
University St Louis Narrative’, Liz Bahs, University David Foster Wallace’s Brief Health Settings’, Angela Raindrops’, Daehyun Won,
of Surrey ‘The Slow Novel: A Complex Interviews’, Pia Masiero, Ca’ Woods, Durham University Texas Woman’s University
‘Fact, Fiction and Fantasies ‘The “I’m Kidding” Trope as Paradigm’, Roy Sommer, Foscari University of Venice
– Crossdressing Literature Narrative Device and Marker ‘Before (and After) Reading University of Wuppertal ‘From Narrative Mastery to ‘Micro- and Macro-Narratives
in Times of Absolutism and of Generic Hybridity on Braided Narratives’, Corinne ‘“Handsome, Clever, and Rich”: Narrative Agency’, Hanna in Contemporary Working-
Restoration’, Ditlev Tamm, KU Succession’, Karen Hornick, Bancroft, University of Victoria ‘Understanding Slowness Emma in the Age of Precarity’, Meretoja, University of Turku Class Anthologies’, Christina
New York University Through Mood in Jirô Sarah Hagelin, University of Schoenberger-Stepien,
‘De-pathologizing Non- ‘Setting Boundaries: Narrative Taniguchi’s The Walking Man’, Colorado Denver ‘The (Dis)contents of the University of Augsburg
normative Minds of Persons ‘Small Axe and Anthological Juxtaposition and the Ella Mingazova, University of Illness Story in a Digital Age:
with So-called Paraphilias’, Form’, Sean O’Sullivan, Ohio Negotiation of Identity in Liege and KU Leuven Audiences, Algorithms, and ‘Analyzing Mediation and Self-
Henrik Zetterberg-Nielsen, State University Contemporary Global Novels’, Affects’, Korina Giaxoglou, Mediation in the Narratives of
Aarhus University Jutta Zimmermann, Christian- Open University Undocumented Americans’,
Albrechts University of Kiel Megan N. Medeiros, James
‘Fictionality and Genre in Madison University
Pornography’s Fantasy Taboos’,
Yonina A Hoffman, West Point
12-1 p.m. Pedagogy Lunch, AB 0.01
Narrative Theory & Hybrid Teaching
(preregister & prepay for bagged
lunches US$11) / Lunch on your own
DAY 1: TUESDAY JUNE 28, 2022 3/4
1:15-2:30 p.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6
Editorial Narrativities of Difficult Narration Transmedial Authorship and Cognitive Narratology Challenges to Narrative Theory Focalization
Children’s Comics Magazines Digital Ethos I: Theory
‘“The Aesthetic of the Gap”: The ‘Cognitive Narratology and the ‘Theories of Some, Not All: Historical ‘First-Person/Third-Person Shift:
Chair: Maaheen Ahmed, Ghent Limits of Storytelling in the Work Chair: Laura Piippo, Tampere “4Es”: The What-It-Is-Likeness of Contingency, Narrative, and Narrative Instability and Character
University of Jennifer Egan’, Alicia J. Rouverol, University Being Mina in David Almond’s My Postcolonial Studies’, Siddharth Liminality in George Eliot’s
University of Salford Name is Mina’, Emma-Louise Silva, Srikanth, English, Wake Forest Adam Bede’, Li Liu, English and
‘Serialities: Segmenting Storylines ‘Negotiating Transmedia University of Antwerp University Comparative Literary Studies, The
and Editorial Styles in French Comics ‘Kill Me Maybe: Versional Narration Authorship’, Valentina Anania, University of Warwick,
Periodicals’, Benoît Crucifix, Ghent and Multiplied Death in Life After University of Nottingham, and Jan- ‘Representation of Mind Processes ‘Against Narrative’, Philippe Carrard,
University Life and Russian Doll’, Matthias Noël Thon, Osnabrück University on Thematic and Discourse Levels Dartmouth College and University ‘Focalization in Morgan Gould’s
Klestil, University of Klagenfurt in the Prose Writings by Pavel of Vermont Stage Adaptation of Madeleine
‘Visual Styles in French Children’s ‘Negotiating Transmedia Ulitin’, Daria Baryshnikova, RWTH L’Engle’s A Wrinkle in Time’, Caitlin
Magazines: From the Comics to the ‘“Windings of [the] Mind”: Authorship’, Valentina Anania, Aachen University ‘Narrative Sense and Fictional E Boyle, Teaching and Learning,
Paratexts’, Maaheen Ahmed, Benoît Guidebooks, Vagabonds, and University of Nottingham Worlds’, Richard Walsh, University of Ohio State University
Glaude and Benoît Crucifix, Ghent Virginia Woolf ’s Wandering ‘Fictional Minds: A Cognitive- York, York, United Kingdom
University Narratives’, Lauren Pinkerton, ‘Yours Truly: Toward a Theory of Narratological Approach to Javier ‘“An Intimacy With the Wound”:
University of North Carolina at Transmedial Authorial Ethos’, Maria Marías’ A Heart So White and Empathic Perspective-Taking with
‘Telling the Comics: Interaction Chapel Hill Makela, Tampere University Tomorrow in the Battle Think on Me’, the Narrator in Kazuo Ishiguro’s A
with Readers, and amongst Readers, Zeynep Kayacik, Ankara University Pale View of Hills’, Katrina Wong Pui
Curated by the Editorial Boards ‘Authorship and Rhetorical Intention Gi, English and Related Literature,
of French Comics Magazines for in Conspiracy Theories’, Samuli University of York
Children (1934-1948)’, Benoît Glaude, Björninen, Tampere University
Université catholique de Louvain
DAY 1: TUESDAY JUNE 28, 2022 4/4
2:45-4 p.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5
The Unnatural and Arational Narration as Action Graphic Novels and Comics Life Writing and Cognition Migrant & Refugee Narratives
‘Bringing a Two-System Model of Mind Chair: Daniel Aureliano Newman, ‘Minding the Gaps in Ovid’s Amores’, Chair: Lisa Zunshine, University of Kentucky ‘Reframing the Misrepresented “Migrant
to Unnatural Narratology’, Shoshana University of Toronto Natalie J. Swain, Classics & Ancient History, Crisis” via Testimonial Narratives’, Ana
Benjamin, EFL, Ben-Gurion University University of Winnipeg ‘Writing our Lives to Live Them: The Belen Martinez Garcia, CEMID (Emotional
‘Narration as Action’, Daniel Aurelian’o Cognitive Forms of a Narrative Medicine’, Culture and Identity), Institute for
‘Musical Shapeshifting: Music and Newman, English, University of Toronto, ‘Twisted Time and Space: Reflections on Self Rita Charon, Medical Humanities & Ethics, Culture and Society (ICS), University of
Embodiment in Narrative Fiction’, Zoltan Angela Du, University of Toronto, Catherine in Graphic Memoir’, Nancy Pedri, English, Columbia University Navarra, Pamplona, Spain; ISSA Applied
Varga, Western Norway University of Belling, Northwestern University and Yoon Memorial University of Newfoundland Management, University of Navarra
Applied Sciences Sun Lee, Wellesley ‘The Role of Multisensory Imagery in Life
‘Touch Sensitive: Intimacies in Chris Ware’s Writing’, Laura Otis, Emory University ‘Long-term Effects of Reading Refugee
Building Stories’, Daniel Hannah, English, Narratives: How It Can (and Can’t) Change
Lakehead University, Thunder Bay, ON, ‘How Memories Become Literature’, Lisa Outgroup Portrayal’, R. L. Victoria Pöhls,
Canada Zunshine, English, University of Kentucky Language and Literature, Max Planck
Institute for Empirical Aesthetics
‘A Dive into the Story: Marietta Ren’s Community Narratives of Urban Cycling in
Phallaina’, Giorgio Busi Rizzi, Department Mexico and the Poetics of Collective Space
of Literary Studies, Ghent University, Ghent, Appropriation’, Alejandro Zamora, Hispanic
Belgium Studies, York University, Glendon Campus
6:15-7:30 p.m. Keynote 1: Chris Ware, AB 0.01
4:15-6 p.m. Contemporary Narrative Theory I, AB 0.01
‘The Population Unconscious: Reading for Number in 7:30-8 p.m. Welcome reception, Otters
Post-Catastrophe Fiction’, Pieter Vermeulen and Natalya Bekhta
‘Narratology in the Age of World Literature?’, Genevieve Liveley 8 p.m. Newcomers Dinner / Online Social Meetings
hosted by Sustainability Committee
DAY 2: WEDNESDAY JUNE 29, 2022 1/6
9-10:15 a.m. Concurrent Sessions Rooms are in Academic Building (AB), room numbers follow e.g. AB 0.02
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6
Cycles across Literary Genres and Being Silent: Interrupted and Page-Turners: Rethinking the Radio Drama Adaptations: The Situational Uncanny Affect and Empathy
Narrative Media Stalled Dialogue II Book in Narrative Theory Audionarratological
Perspectives I Chair: Edward Schantz, McGill ‘Triple Agent: Practicing
Chair: Lars Bernaerts, Ghent Chair: Monika Fludernik, Albert- Chair: David Wylot, University of University Heteroglossic Empathy in The
University Ludwigs-Universität Freiburg & Leeds Chair: Jarmila Mildorf, Paderborn Sympathizer’, Jamie Chen, University
David Richter, Queens College/City University & Pim Verhulst, ‘Shirley Jackson’s Apartment Swaps’, of Iowa
‘Layered and Distributed Closure in University of New York ‘The Implied Customer’, Charlotte University of Antwerp Kasia Juno Van Schaik, English,
the Novelistic Cycle’, Lars Bernaerts, Terrell, Worcester College, McGill University ‘Reading as Empathy’, Yaakov
Ghent University ‘Silent Statements in the Acts of the University of Oxford ‘Radio Drama as a Mono-Sensory Kroizer, General and Comparative
Apostles’, Michal Beth Beth Dinkler, Medium’, Leslie McMurtry, Radio ‘The House of Horror and the Literature, HUJI
‘Big Picture – Little Fragments Divinity School, Yale University ‘Real Readers’, Ben Davies, Studies, University of Salford Unmapped Situation’, Edward
– Marathon Performance: The University of Portsmouth Schantz, English, McGill University ‘Popular Fiction Genres as
Contemporary Play Cycle’, Janine ‘How Not to Answer: Unreciprocated ‘Sound Illustrations, Fidelity, and the Affective Paradigms: An Affective
Hauthal, Vrije Universiteit Brussel Dialogue in Chesnutt and Melville’, ‘Readerly Orientation and the Narrator in the Gutters: The Audio ‘Host and the Demonic Zoom Narratological Perspective on
Charlotte Lindemann, Stanford Limits of Absorption’, David Wylot, Adaptation of the Sandman Comics’, Situation’, John Bruns, English, Popular Fiction Studies’, Tero Eljas
‘Performing the Tension between University University of Leeds Wibke Schniedermann, English, College of Charleston Vanhanen, University of Helsinki
Series and Cycle: Nature Theater Ghent University
of Oklahoma’s Life and Times ‘How Not to Respond in [English]
from Individual Life Narrative to Fiction, 1650-1930’, Monika ‘Making the Unseen Visible: The
Transmedial Commons’, Claire Fludernik, English Department, French TV Adaptation of Samuel
Swyzen, Vrije Universiteit Brussel; Albert-Ludwigs-Universität Freiburg Beckett’s Radio Play All That Fall’,
Université du Québec à Montréal Pim Verhulst, English, University of
Antwerp
DAY 2: WEDNESDAY JUNE 29, 2022 2/6
10:30-11:45 a.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5
The Metamodernist Future of Non-Normative Representations of Time in a Time of Reckoning: The Story of Music: What Music can Ethics & Narrative
Readership Time and Identity in Illness Narratives Socioeconomic Futures under Pressure Teach us about Different Media’s
Potential for Narrative ‘The Narrative Rhetoric of Marriage in
Chair: Samuli Björninen, Tampere Chair: Cherie Henderson, Columbia Chair: Lindsay Holmgren, McGill Mary McCarthy’s A Charmed Life’, Kelly
University University University Chair: Carolien Van Nerom, Vrije A. Marsh, Mississippi State University
Universiteit Brussel / Research
‘Shrewd, Naive Cynics? On ‘A Story of War and All That Follows – ‘Time, Work, and Compensatory Foundation Flanders ‘An Empirically Grounded Heuristic
Metamodernist Readers’, Elise Kraatila, Time and Temporality in Post-Trauma Consumption in University’, Samuel Hull, for Identifying Features of Narration
Tampere University Narratives’, Deborah de Muijnck, Aachen Law, Yale University ‘Narrativity in Operas by Philip Glass: that Influence Moral Judgement’,
Center for Cognitive and Empirical Minimalist Narrative with Minimalist Catherine A. Marple, Department of
‘From Implied Reader to Implied Literary Studies, RWTH Aachen ‘Confronting Finitude’, Lindsay Holmgren, Means’, Carolien Van Nerom, Literary Communication, Wake Forest University
Fandom? Metamodernism, Interactive University McGill University Studies, Vrije Universiteit Brussel /
Communication and Metaliteracy’, Research Foundation Flanders
Markus Laukkanen, Tampere University ‘Counternarrating Loss in Women’s ‘Anxious Optimism’, Kariuki Kirigia,
Dementia Fiction in French’, Avril Tynan, Sociology & Anthropology, Concordia ‘The Narrative Potential of Music in
Comparative Literature, University of University Michael R. Jackson’s Meta-Musical
Turku A Strange Loop’, Jade Thomas, Linguistics
and Literary Studies, Vrije Universiteit
‘Endings-Beyond-Endings – The Ethics Brussel / Research Foundation Flanders
of Extending Time in Narratives of
Terminal Illness’, Cherie Henderson, ‘“Effable” Narratives about Music’, Michele
Communications, Columbia University Chinitz, English, The Graduate Center,
CUNY
‘Clarifying The Role of Contrasts and
Deviations in Musical Narrativity’, Hugo
Rodriguez, Music Division, Royal Library
of Belgium
12-1 p.m. DEI Comm / N4SJ meeting, Cloisters
(preregister & prepay for bagged
lunches US$11) / Lunch on your own
DAY 2: WEDNESDAY JUNE 29, 2022 3/6
1:15-2:30 p.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6
Transmedial Authorship and Life Writing Medical Narratives Rhetorical Narrative Theory I Poetry Progressions and Transgressions
Digital Ethos II: Algorithm
‘Paramemoir Revisited’, Irene ‘Stories Side-by-Side: A Comparative ‘Ontology and Rhetorical Agency ‘Character in Coupled Media: ‘Questioning Protagonism in As Five:
Chair: Hanna-Riikka Roine, Tampere Kacandes, Comparative Literature, Narrative Analysis of Stories about in Narrative Ecologies’, Brian Introducing the Composite Story Evolution amidst Uncertain
University Dartmouth College End-of-Life Care’, Tracy Moniz, J. McAllister, English, American Dramatic Monologue’, Matt Progression’, Wanderley Anchieta,
Professor, Mount Saint Vincent University of Sharjah Martello, University of Virginia PPGCOM, Federal Fluminense
‘Immersion, Interactivity, and ‘Postmemory, Metonymy and the University University
Facebook’s Strange Temporalities’, Ethics of Imagination in Katja ‘Exploring Thematics within the ‘Revising Latinidad: Race, Poetry,
Joanne Lipson Freed, Oakland Petrowskaja’s Maybe Esther’, Artis ‘#FuckCancer. Instagram Practices Synthetic-Mimetic-Thematic Triad’, and Cognitive Narratology’, ‘Digital Textuality and Multimodal
University Ostups, University of Tartu / of Women who Share their Lives Daniel Candel Bormann, University Valentina Montero Román, Progressions in Plascencia’s The
Institute of Literature, Folklore and with Incurable Cancer’, Afke Wieke of Alcalá University of California Irvine People of Paper’, Evan VanTassell,
‘Implied Reader of Computer- Art of the University of Latvia Betten, Jill van der Kamp and Lotte English Literature, The Ohio State
Generated Texts: Examining Code as Krabbenborg, Institute for Science in ‘Reading for a Theme: Narrative ‘The Past and Future Phillis University
Part of the Reading Process’, Tuuli ‘Possible Worlds in Adoptee Ghost Society, Radboud University Desire on the Scene of Wheatley=====: Time, Narrative,
Vilja Vellamo Hongisto, Language, Kingdom Narratives’, Shannon Representation’, Marina Ludwigs, Poetry’, Anne Langendorfer, English,
Translation and Literary Studies, R. Quist, English, Speech, & ‘In Their Own Words: A Narrative English, Stockholm University University of Tennessee
University of Turku Foreign Languages, Texas Woman’s Analysis of Illness Memoirs Written
University by Men with Prostate Cancer’, Jill
‘The Voice of the Platform in the van der Kamp, Afke Wieke Betten
Online Debate Regarding the Critical and Lotte Krabbenborg, Institute
Reception of Elämä: esipuhe’, for Science in Society, Radboud
Laura Piippo, Narrare: Centre for University
Interdiscplinary Narrative Studies,
Tampere UniversityDAY 2: WEDNESDAY JUNE 29, 2022 4/6
2:45-4 p.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5
After Empathy Getting into Narratives and Coming Back Narrative’s Radically Other Worlds: Cultural Narratives Adoption, Body Construction, and Form
Out Theoretical and Empirical Perspectives in Narratives of Nontraditional Kinship
Chair: Erin James, University of Idaho Chair: Alan Nadel, University of Kentucky
Chair: Margarida McMurry, University of Chair: Melba Cuddy-Keane, University of Chair: Ellen Peel, San Francisco State
‘A Theory of Narrative Compassion’, Erin Birmingham Toronto ‘Private Ryan: Saving the Narrative of the University
James, University of Idaho Good War (Film)’, Alan Nadel, English,
‘Pornography, Proverbs, Polemics: The ‘Refiguring Empathy: Empirical University of Kentucky ‘Re-naturing the Adoptee: Narrative
‘Feeling Sideways in Feminist Narratives’, Politics and Rhetorics of Insisting’, Antonio Perspectives on Biographical Storytelling Strategies of Belonging in Adoption
Tara MacDonald, University of Idaho J. Ferraro, The Ohio State University in VR’, Astrid Ensslin, Department of ‘“What we eat is politics”: Fannie Lou Comedy’, Marina Fedosik, Writing Program,
Linguistic, Literary and Aesthetic Studies, Hamer, Voting Rights and the Hunger for Princeton University
‘The Problem with Mirrors: From Empathy ‘Co-constructing Characters and Narrative University of Bergen the Ballot’, Jennie A. Kassanoff, English,
to Entrainment’, Aili Pettersson Peeker, Ethics in Contemporary (Earnest) Fiction’, Barnard College ‘Unsettling Representation: Frankengenre
English, University of California Virginia Pignagnoli, University of Zaragoza ‘Towards a Poetics of Multiversion and Passing’, Ellen Peel, Comparative &
Narratives’, Brian Richardson, English World Literature and English, San Francisco
‘Is It Enough? Ethical Unknowing, Fictional ‘The Realism Effect and Establishing Department, University of Maryland College State University
Thinking, and the Care of St. Ogg’, Heidi Constructive Authority’, Malcah Effron, Park
L. Pennington, English, James Madison Massachusetts Institute of Technology ‘Chimeric Nonsense: Frankenstein’s
University ‘Palimpsest and Parallax: Multiversion Creature and Origins Narratives’, Emily
‘Ameen Rihani’s Transatlantic Sightlines and Cognitive Dissonance’, Hipchen, Nonfiction Writing Program,
Transcendentalism and the Co- Melba Cuddy-Keane, University of Toronto, Brown University
Construction of Lebanese Cedar Brian Richardson, University of Maryland
Conservation’, Eric Morel, English, College Park, and Astrid Ensslin, University
University of Delaware of BergenDAY 2: WEDNESDAY JUNE 29, 2022 5/6
4:15-5:30 p.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6
Roundtable: Tales from the Colonial Pasts & Speculative Visual Narratives Sense and Cognition Games Neurodivergent Narratologies
Academic Job Market Futures
‘Sing to the Lord a New Song: ‘Co-constructing Narratives ‘The Rhythmic Role of Unreliability Chair: Amy Shuman, The Ohio State
Chair: Nicole McCleese, Michigan ‘Exploring Rhetorical Aesthetics of Architectural Meta-Narrative at on Colour: Erasure in Visual in Braid’, Andrea Fenice, Università University
State University Contemporary Speculative Fiction Jerusalem’s Tower of David’, Carra Representations of Race and degli Studi della Tuscia
in Southern Africa’, Joanna Woods, Glatt, English Literature and Intersectionality (c.1400-1800)’, ‘Aesthetic Familiarity: When Autistic
Roundtable Q&A: Stockholm University Linguistics, Bar-Ilan University Lorenz A. Hindrichsen, English ‘Pulling for the Plot … or Not: The Readers see Themselves in Fiction’,
Department, Copenhagen Serial Legacy and Ludic Evolution Sean A. Yeager, The Ohio State
Dorothee Birke, University of ‘Decolonizing Comics: Yahgulanaas’s ‘Narrative Counter-Photography’, International School of Enticing Characters in Genshin University
Innsbruck Red and Tonatiuh’s Undocumented’, Glenn Deer, Department of English Impact’, Josh Mishaw, University of
Jeannie Ludlow, English/Women’s, Language and Literatures, The ‘Feeling Form: Dance and Guelph ‘Overreading, or Anti-Diagnostic
Yonina A. Hoffman, West Point Gender, and Sexuality Studies, University of British Columbia Kinesthetic Empathy in Neurodiverse Interpretive Practices
Eastern Illinois University Contemporary Fictions’, Torsa ‘Developing a Learning Game That Suspend the Collapse of Reality
Eric Morel, English, University of Ghosal, English, California State with Non-Linear Dialogues: Now in Your Everyday Life’, Jessica
Delaware ‘Narrating (Spain’s) Colonial Past: University We’re Talking©’, Amanda Andrei, Horvath Williams, University of
Reading Sarrionandia’s Text through Geospatial Analytic Solutions, Minnesota
Steven Willemsen, University of Said’s Theory on the Counterpoint’, ‘Sensory Cyber-Narratives in the MITRE Corporation
Groningen Nerea Eizagirre, University of “Creepypasta” Genre of Digital ‘Against Reading’, J. Logan Smilges,
Nevada Fiction’, Sara Bimo, Communication Texas Woman’s University
Brian J McAllister, American & Media Studies, York University
University of Sharjah
5:45-7:15 p.m. Booth Lifetime Achievement Award Panel:
In Honor of Robyn Warhol, AB 0.01
‘Robyn Warhol: Narrative Theory Unbound’, Sue Kim
Comments, Robyn Warhol
‘Robyn’s Voices’, Helena Michie
‘Robyn Warhol and the Affordances of Feminist Narratology’,
James Phelan
‘Engaging Robyn Warhol’, Sue Lanser 7:30-9 p.m. Award & Business Dinner/Meeting, OttersDAY 2: WEDNESDAY JUNE 29, 2022 6/6
9:15-10:30 p.m. Concurrent Sessions, online / AB 1.01
PANEL 1 PANEL 2 PANEL 3 PANEL 4 PANEL 5 PANEL 6
Unreliability Narrative Situation and Fiction & Fictionality Silences, Gaps, and Theorizing Narrative Neurodiversity
Environment Undernarration
‘The Narratives They Carried: ‘“Who am I to Question their ‘Absent-Present Characters’, Kayla ‘Autistic Minds in Eliot’s
O’Brien’s “War Stories,” Trauma Chair: Marcie Frank, Concordia Historiography?”: Footnotes and the ‘The Lacunae of Dune’, Edward Goldblatt, English, The Ohio State Middlemarch: Dorothea Brooke
Narratives, and What They Mean University Power of Writers and Dictators in Royston, English, Pfeiffer University University and the Aspien Woman’, Margaret
for (Un)reliability’, Ellen Stenstrom, Junot Díaz’s The Brief Wondrous Life A. Fisher, English, University of
English, Indiana University ‘Robinson Crusoe’s Island’, Marcie of Oscar Wao’, Joanna Falk, English, ‘He Answered Me Not at All: Refusal ‘Deterritorializing Narratives: The California Santa Barbara
Frank, English, Concordia University The George Washington University of Dialogue in Ancient Greek Production of Hybridities Using
‘Bonding Unreliability and the Narrative’, Alice Gaber, Classics, Chinese Narrative Theory’, Marc ‘“Please try to be normal!” Autism! in
Complications of Prudence in Pearl’, ‘The Situation of Tao Lin’s Leave ‘Cruel Optimism and Narrative Ohio State University Herman Lynch, English, University the Convenience Store’, Casey-Lyne
Logan Pollon, English, University of Society’, Monique Rooney, School of Efficacy’, Ervin Malakaj, Central, of Calgary Naomi Lodge, University of Calgary
Calgary Languages and Literature, Australia Eastern, and Northern European ‘The Holmesian Great Game,
National University Studies, University of British Disnarration and Undernarration’, ‘Between the Acts: The Anonymous ‘Prosthetic Narration: Disabling the
‘Unreliable Narrators as a Vehicle Columbia Erica C. Haugtvedt, Humanities, Mode’, Rebekah Galbraith, Paper Mind in American Literary
for Critical Self-reflexivity: First South Dakota School of Mines & Independent Scholar Naturalism’, Evan Chaloupka,
Person Narration in Barbara ‘Out of the Wild: The “Magic Bus” Technology Franklin University
Gowdy’s We So Seldom Look on Love and Competitive Storytelling in Mapping the Fantastic City – and
and the Grotesque, Disturbing, the Public Sphere’, Eric Heyne, ‘A Rhetorical Approach to Narrative its Crime’, Michael Grifka Wander,
and Repulsive’, Annisha L. Plesche, University of Alaska; Maureen Long, Attention’, Spencer Robins, English, Ohio State University
University of Calgary Liberal Arts, Yukon University; and University of California
Forest Wagner, University of Alaska
Southeast
NB: These sessions are all taking place online only.
We have booked Room AB 1.01 which you are welcome to use your own devices
with headphones if you would find this helpful.DAY 3: THURSDAY JUNE 30, 2022 1/4
9-10:15 a.m. Concurrent Sessions Rooms are in Academic Building (AB), room numbers follow e.g. AB 0.02
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6 AB 0.02 PANEL 7
Transforming Time: Narrative Approaches to Models of Complexity Narrative Agents Queer Forms You-narratives Narrative Modes
Race and (A-)Modern Science
Temporalities in ‘Artistic Self-Representations ‘Ethical Ambiguities and Voice: ‘Queer Forms and Pronouns ‘You-narration and ‘Resisting the Reader: “The
Contemporary British ‘Limits to Growth and the and Cognitive Complexity in A Reading of “The Monster” in US and UK Literature’, Lena Anticipatory Shame in the Stubborn” in a Historical
Writing Limits of Narrative: Complex Roz Chast’s Can’t We Talk About in Light of Rhetorical Poetics’, Mattheis, School of Literature Millennial Novel’, Denise Perspective’, Tung-An Wei,
Causalities’, Toon Staes, Something More Pleasant?’, Mengni Kang, University and Languages, University of Wong, School of English and Foreign Languages and
Chair: Cynthia Quarrie, Literature, University of W. Michelle Wang, School of International College, Macau Surrey Drama, Queen Mary, University Literature, National Yang Ming
Concordia University Antwerp Humanities, English, Nanyang University of Science and of London Chiao Tung University
Technological University Technology ‘Representational Intelligibility
‘Queering Anglo-Saxon Time: ‘The Fictive Dialogue in and the Confines of Framing ‘The You-ness of the You: The ‘“She Was a Lady … He So
The Ethics of Autochthonous Science Communication: ‘Playing for the Plot, or ‘And Yet God Has Not Said a the Self: Carmen Maria Animation of the Generic You Dreadfully Below”: Social Class
Belonging in Elizabeth-Jane Gendered Rhetoric in Danish rather, Higher-Order Word: Dramatic Monologists Machado’s In the Dream in Melville’s Moby Dick’, Joshua
and Unreliability of Character-
Burnett’s The Grassling’, Philosopher Frederik Christian Systemic Understanding’, as Narrating Agents’, Arta House’, Annjeanette Wiese, Parker, University of Salzburg Character Dialogue in The
Cynthia Quarrie, English, Eilschov’s “Essay on Women’s David Ciccoricco, English & Hallaçi, University of Prishtina Humanities, University of Turn of the Screw’, Yingjie
Concordia University Philosophy” (1749–50)’, Linguistics, University of Otago Colorado ‘The Present and the Past Self Tian, China University of
Valdemar Nielsen Pold, Aarhus ‘Second-Person Point of View in Life Writing: Second-Person Geosciences
‘Vaporizing the Anthropocene: University as a Narrative Technique ‘Against Self-Integration? Narration in Mary Karr’s
Climate Change as Aesthetic for Empathizing with and Collective Narration in Cherry’, Zuzana Foniokova, ‘Recent Theories of Authorship:
Dread in Zadie Smith’s NW ’, ‘Hinges and Stories of Flying Identifying the “Other” in Akwaeke Emezi’s Freshwater’, Department of Czech Themes, Questions,
Sarah MacDonnell, Concordia to the Moon: A Narrative N. K. Jemisin’s The Fifth Season Anke Sharma, John F. Literature, Masaryk University Approaches’, Mengchen Lang,
University Approach to Wittgenstein’s On (2015)’, Monika Mishra, Homi Kennedy Institute for North Shanghai Jiao Tong University
Certainty’, Rhona Jamieson, Bhabha National Institute American Studies, Literature
‘Leprosy and Light: Leaky University of Cambridge Department, Freie Universität
Times in J. G. Ballard’s The Berlin
Crystal World’, Priscilla Jolly,
Concordia UniversityDAY 3: THURSDAY JUNE 30, 2022 2/4
10:30-11:45 a.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6 AB 0.02 PANEL 7
Co-Construction and Non-normative Bodies Radio Drama Adaptations: Time/Chronology Racial Forms Towards Understanding: Narratives of Early
Narrative Multiplicities Audionarratological Systems, Logics & Logistics Childhood, Students &
‘The Crip-Futurity of Wakanda: Perspectives II ‘The Functions of ‘“No one sees race here”: Color- Social Work
Chair: Virginia Pignagnoli, Afrofuturist Disability Anachronisms in Colson evasiveness, Multifocalization, ‘All Told by Machines of Loving
University of Zaragoza Storytelling in Spectre: AV’, Chair: Jarmila Mildorf, Whitehead’s The Underground and Contested Space in Grace: Omniscience and Big ‘Narrative Approach to
D’Arcee Charington Neal, Paderborn University & Pim Railroad’, Erin E. McConnell, Celeste Ng’s Little Fires Data in De onvolmaakten by Understand how Nursery
‘Rereading and English, The Ohio State Verhulst, University of Antwerp Dept of English, Ohio State Everywhere’, Erika Gotfredson, Ewoud Kieft’, Ruben Vanden Workers Understand
Co-(Re)construction’, Helen University University English, Purdue University Berghe, Ghent University Professional Practice in
H. Davis, Wilkes University Adapting (to) Identity Politics. England and Serbia’, Eva
‘Crip Narrative Medicine: The Verbal Duel in George ‘Time is Weird: On the Now- ‘Free Indirect Discourse ‘Publishing Logistics and the Mikuska, University of
‘The Dark Labyrinth: The A Crip Reading of Disease Tabori’s Short Story and Radio ness of Literature and Ali and Narrative Agency in the Novel’, Daniel Punday, English, Chichester
Other Side of Time’, Rae in N. K. Jemisin’s The City We Play Weissman und Rotgesicht’, Smith’s Seasonal Quartet’, Modernist Black Atlantic’, Mississippi State University
Leigh Muhlstock, Writing and Became, Shared Stories, & Inge Arteel, German, Vrije Courtney Hopf, NYU London Iida Pollanen, Department of ‘Personalisation under
Critical Inquiry, University at Narrative Medicine’, Nicole Universiteit Brussel Literature, Tampere University Austerity (working title)’,
Albany McCleese, English, Michigan ‘Just This Instant: The David J Gaylard, University of
State University ‘Interactivity in Das Haus, Chronotope of Forever in ‘Historical Coincidence in Chichester
‘Assumptions and Co- a Radio Play Adaptation Young Adult Literature’, Emma Narrative and Photography’,
Construction in Narrative ‘Plastic Bodies, Plastic of Mark Z. Danielewski’s K. McNamara, Ohio State Cole Morgan, English,
and Language Pedagogy’, Minds? Representations of House of Leaves’, Siebe University University of California Irvine
Margarida McMurry, Modern Transgender Children in Bluijs, Communication and
Languages, University of Contemporary Fiction’, Sven Cognition, Tilburg University
Birmingham Van den Bossche, University of
Antwerp; Ghent University ‘Retextualization and
Audiophonic Remediation:
German Radio Play
Adaptations of Oscar Wilde’s
“The Picture of Dorian Gray”’,
Jarmila Mildorf, English and
American Studies, Paderborn
University
12-1 p.m. Lunch on your ownDAY 3: THURSDAY JUNE 30, 2022 3/4
1:15-2:30 p.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6 AB 0.02 PANEL 7
Challenging Readers Trauma & Narrative In Defense of Authorial Transmedial Authorship and Narrative Liminality: Theories of Mind Narratives of Industry &
Intention Digital Ethos III: Collective Exchanges and Intersections Nonprofits
‘(Non-)Fiction and Narrative ‘“nearly-remote and almost- between Narrative and Other ‘Dreams and Heightened
Engagement’, Melina inaccessible”: Rumination Chair: Faye Halpern, University Chair: Maria Makela, Tampere Symbolic Forms Narrow Immersivity: ‘What Makes a Successful
Ghassemi Nejad, Department and Refusal in Anna Burns’s of Calgary University Combining Saturation, Pitch? Content Analyses of
of Literature, University of Milkman’, Jayda Coons, Chair: Sarah Joy Link, Permeability, Presentationality the Hungarian Adaptation
Antwerp Honors College, University of ‘Showing the Telling – ‘Hijacking the University of Wuppertal and Presence’, Marco Bernini, of Shark Tank Television
Tennessee at Chattanooga Authorial Intention and What Autobiographical Graphic English Studies, Durham Program’, Izabella Ilea1,
‘Recognizing and Responding It Means for (18th-Century) Narrative through Doom ‘(Dis-)Trust the Paratext: University Dávid Erát2, Titanilla Falusi1,
to Moral Tension through Slow ‘Art Spiegelman’s Architecture Fiction’, Simona Zetterberg- Patrol and Imp Queen’, Gabriel Reader Guidance in Romantic Rebecca Cohill1, Kata Vitéz1,
Reading’, Kathryn Kirkland, of the Absence’, Wyatt Sarafin, Nielsen, Scandinavian Fiandeiro, Literary Studies, Fiction’, Sarah Joy Link, ‘Quantifying Reader Theory of Hanna Ulbert1 and Orsolya
Medicine, Geisel School of Harvard University Language and Literature, University of Wisconsin English and American Studies, Mind Use: A Computational Vincze1, (1) Institute of
Medicine Aarhus University University of Wuppertal Analysis of Behaviour Psychology, University of Pécs,
‘Literature as Relief: Naja ‘A Bad Review, Good Readers: Descriptions in the Pécs, Hungary, (2) Institute of
Marie Aidt’s When Death Takes ‘Beyond the Coverplot: Utilizing Authorial Audience ‘Narrative Liminality and Nineteenth-Century Novel’, Sociology, University of Pécs,
Something From You Give Authorial Intention, Rhetorical in Transmedial Authorship’, Meta-Literary Reflection in Claudia Carroll, English, Pécs, Hungary
It Back: Carl’s Book’, Stefan Passing, and the Rescue of Ville Hamalainen, Tampere Contemporary Fiction: Charles University of Notre Dame
Kjerkegaard, Scandinavian Nineteenth-Century American University Yu’s How to Live Safely in a ‘Small Stories in Charity
Department, Aarhus University Women Writers’, Faye Halpern, Science Fictional Universe’, ‘Narratological Theories Fundraising Letters and
University of Calgary ‘Narrativization of Play Katja Kanzler, American of Mental Experience and the Ethics of Interwoven
on YouTube: The Templin Studies, University of Leipzig their Discontents’, Grzegorz Individualism’, Andrea
‘Authorial Intention and Institute’s Stellaris: Invicta’, Maziarczyk, John Paul II Macrae, English and Modern
Original Paratexts: The Payoffs Tonguc Sezen, Teesside ‘Silence as Narrative Catholic University of Lublin, Languages, Oxford Brookes
for Interpretation’, Sarah University Liminality: Ekphrasis, and Joanna K. Teske, John Paul University
Copland, English, MacEwan Curation, and Agency II Catholic University of Lublin
University in Wharton’, Annika ‘Applied Narratology and
M. Schadewaldt, American ‘Fission-Fusion Minds in the Creative Industries:
Studies, University of Leipzig Renaissance Dramatic Toward a Needs Analysis’,
Discourse’, Miranda Anderson, Sjoerd-Jeroen Moenandar,
‘“Read Very Carefully”: Playful University of Edinburgh University of Groningen, and
Pleasures and Ludic Narrativity Silvana Beerends-Pavlovic,
in the QAnon Conspiracy Amsterdam University of
Theory’, Stefan Schubert, Applied Sciences
American Studies, University
of LeipzigDAY 3: THURSDAY JUNE 30, 2022 4/4
2:45-4 p.m. Concurrent Sessions
AB 1.01 PANEL 1 AB 2.08 PANEL 2 AB 1.03 PANEL 3 AB 2.01 PANEL 4 AB 2.02 PANEL 5 AB 2.03 PANEL 6 AB 0.02 PANEL 7
Life Writing & Contemporary Rhetorical Narrative Digital platforms Undernarration British Fiction Feminist Readings TransForming Narrative
Issues Theory II Studies: A Roundtable
‘App Fiction and the Post- Chair: Emily R. Anderson, ‘“Almost As If a Dead Woman ‘A Feminist Western?
‘Tweeting Trauma: #MeToo ‘Rhetorical Approaches: Real digital Aesthetics’, Bartosz Knox College Had Risen”: Disabled Narratives of Violence in HBO’s Chair: Cody Mejeur, University
and Forms of Micro-Memoir’, Readers, Ethics, and Ontology’, Lutostański, University of Characters, Mobility Aids, and Westworld’, Kristin Jacobson, at Buffalo, & Chiara Pellegrini,
Leah Anderst, English, Nicolas J. Potkalitsky, Warsaw ‘The Undernarrated’, Scenes of Rising in Charles Stockton University Newcastle University
Queensborough Community Independent Scholar Gerald Prince, French Dickens’s Little Dorrit and
College, CUNY ‘Old Question, New Medium: and Francophone Studies, Great Expectations’, Alexandra ‘Leonora Carrington and ‘TransForming Embodied
‘You Laugh or You Groan: Narrative Communication University of Pennsylvania Valint, University of Southern Liminality: Writing Between Narratives’, Cody Mejeur,
‘Arts-Informed Narrative Charting the Coincidental in Chat Fiction’, Ekapol Mississippi the Feminine and the Natural Media Study, University at
Reflection on Departure in and Accidental in Narrative Cheerapatnakom, Literature, ‘Undernarrating Vicarious in Surrealist Short Stories’, Buffalo
the Midst of a Pandemic: Cinema’, Mattie Jacobs, Film, Kasetsart University, Bangkok, Documentary Stories of the ‘Daniel Defoe’s Crusoe Trilogy: Tove Conway, Department of
Homebound’, Jeffrey L. University of Wisconsin Thailand; English and Related Everyday’, Mari Hatavara, Novels of Moral Injury’, Fahime English, University of Iowa ‘TransForming the Trans
Broome, Art Education, Florida Literature, University of York Finnish Literature, Tampere Serhattı, English Literature, Novel’, Chiara Pellegrini,
State University ‘Exigence Matters: Narrative University Middle East Technical ‘Rewriting the Social Order Newcastle University
Rhetoric and The Rhetorical ‘The Great American Podcast: University Through Community: Phryne
‘You are Me: Autobiography Situation’, Stefan Iversen, The Victorian Origins of the ‘Video Games and Compulsory Fisher’s Family and Followers’, ‘TransForming the Paratext’,
in Second Person’, Joanna Communication and Culture, Serialized Podcast’, Gregory Undernarration’, Gerald Prince, ‘Shame and the Narrativisation Ruth Garcia, English, New York Gil Mozer, English, Mesa
Jeziorska-Haładyj, University of Aarhus University Brennen, School of Literature, French and Francophone of Affect in the Victorian City College of Technology, Community College
Warsaw Media, & Communication, Studies, University of Novel’, Anja Hartl, Literature, CUNY and Jody R. Rosen,
‘The Company We Read: Georgia Institute of Technology Pennsylvania; Mari Hatavara, Art and Media Studies, New York City College of ‘TransForming the Lyrical
A Rhetorics of Recognition in Tampere University; Emily R. University of Konstanz Technology, CUNY Novel’, Joonas Santti,
Joanne Jacobson’s Every Last Anderson, Knox College; and Department of Music, Art and
Breath (2020) and Anne Boyer’s Robyn Warhol, The Ohio State Culture Studies, University of
The Undying (2019)’, Rosalia University Jyväskylä
Baena, University of Navarra
Respondent:
Robyn Warhol, English, The
Ohio State University
6-7 p.m. Graduate Student & Contingent Faculty
4:15-6:00 p.m. Contemporary Narrative Theory II, AB 0.01 Caucus Meeting / Open buffet, Otters late afternoon
‘Algorithmic Tales & Tellers: The Potential & Limits of Platformed
Storytelling’, Alexandra Georgakopoulou 7:15-8:45 p.m. Keynote 2: Ann Rigney, Professor of Comparative
‘Beyond Gendered Catastrophe: Feminist Narratology and
Literature at Utrecht University, AB 0.01
‘Stories in the Wild: Collective Narratives and How They Are Remade’
Contemporary Television’, Elizabeth Alsop
‘A Theory of Nonhuman Narrative’, Biwu Shang 8:45 p.m. Closing Reception, OttersRecommended foodstops and cafes
1.
1 The Co-operative Food, Spitalfield Ln, Chichester PO19 6SB - 5 min’s walk
2
2. Cafe Paradiso, 45 North St, Chichester PO19 1NF - 10 mins’ walk
3
3. Wagtail Coffee & Yoga, Gordon House, 1C-1D, Church Square, Chichester PO19 7BD - 13 mins’ walk
4.4 The Cornish Bakery, 27 North St, Chichester PO19 1LX - 13 mins’ walk
5
5. Caffè Nero, 70 North St, Chichester PO19 1NB - 13 mins’ walk
A The University of Chichester is here.
1
2
4
5
3Chichester Cathedral Market cross Roman walls
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