Trustee Recruitment Pack - The Telegraph "The company's stated intention is to engage audiences who don't
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
Trustee Recruitment
Pack
The Telegraph
Who we’re looking for..
We are committed to building a board of Trustees which is reflective of our audiences and
participants. Therefore, we particularly welcome applications from candidates of
ethnically diverse, under-represented and working-class backgrounds.
We have just got the keys to a new workspace in central Warrington and are looking
forward to moving in properly, forging rela onships and deepening local connec ons.
We’re looking for new trustees to be a part of this rela onship building, so we are
par cularly keen to meet people with strong connec ons to Warrington and the North
West communi es. We also tour na onally so are keen to meet ar sts and prac oners
or others who can bring a fresh perspec ve to our thinking and planning and help us
deepen our work across the UK.
We are interested in meeting potential trustees with experience in the following areas :-
• Theatre/Arts -
• Community
• Finance
• Marketing
• Legal & HR
• Education
• Broadcasting
This pack contains more information about the company, a trustee job spec and
application information.
If you’d like an informal conversation about becoming a Trustee then simply drop Conrad
Lynch an email at conrad.lynch@nottootame.com
ti
ti
ti
ti
ti
ti
ti
ti
ti
ti
ti
Who are
?
We are Not Too Tame; a multi award winning theatre company working in ensemble
to make work aimed at those who feel theatre isn’t for them. We produce immersive,
site specific work that breaks the boundaries of tame, polite theatre to create unique
productions that combine quality work with a brilliant night out! Our work celebrates
regional identity, champions Community and feels like a gig. Cross pollinating
audiences and forging relationships between traditional theatre buildings and pubs,
clubs and music venues, Not Too Tame challenges the preconceptions of what theatre
should be and who it is for.
Our Mission
To make raucous, highly crafted shows that are steeped in working class culture,
using working class voices.
Our Vision
A #TheatreForAll, where highly crafted theatre is an accessible first choice night out
for working class audiences and where a career in theatre is a viable option for any
working class child.
Our work is unique, exhilarating and bold, giving an audience the 360 degree
experience. This is what we call SESH THEATRE*.
* ‘Sesh’ (short for session). The process of excessive enjoyment of entertainment with
a group of friends, sometimes people you don’t even know. This normally occurs in a
pub, club, gig venue or even theatre. The 'sesh' usually includes the consumption of
alcohol and a healthy dose of live music, which may result in outrageous dancing and
even karaoke. The sesh typically ends when the sun rises, however, can continue for as
long as your body lets you...or until you get kicked out.
Grab pint, take a seat and get a load of this!
"Our work guarantees to entertain, but we also explore the
socially relevant everyday dilemmas of modern Britain. We
want to be known as the Jimmy McGovern and Quentin
Tarantino’s of Theatre. If people don’t see their own stories on
stage, or hear their voices, then how do they know that their
opinion matters, that they matter?
It’s important that we feel we’re visible, that we’re being
heard. NTT is not competing with other theatre offers, we’re
competing with Facebook and Netflix, people graft hard for
their money so we need to deliver the goods in live
experience and value for money - and we do. An unforgettable
night out with friends that doesn’t break bank.“
Jimmy Fairhurst - Artistic Director
Our Shows & Stats…
SHOWS between 2014 -2019
89% of tickets sold across all shows
33% of all audiences identified as Working Class
27% of all shows had never been to the theatre before
100% of those audience said they would attend another NTT show
OPEN AUDITIONS
5 YEARS - 2014-2019
15 days of open auditions across uk
1240 Performers auditioned
78 performers given equity rate paid work as direct result of Open Audition
CINDERELLA
300% Increase in memberships of host venues in Derby by locals
London transfer for 2019 to Waterloo Vaults with Seabright Productions
EARLY DOORS
Edinburgh Fringe sell out awards (2) 2014 & 2016
33% of all Edinburgh Audiences were 1st time theatre attenders
27% of Audiences from all touring were 1st time Theatre attenders
12,350 audience members across 10 cities and 16 pubs over 3 years
10 Workshops – 280 Participants
Employed 25 Artist over 3 years
Involved 7 writers
TUCKSHOP
2 Open Audition slots at LOWRY – 66 Participants
4 of which Performed at PP roundabout
1890 audience members across 7 shows in 1 year
18 new writers
16 new actors
7 New Directors
ELECTRIC EDEN
1820 Audience Members across 2 Festivals
3 Writers
Engaged 17 Artists during creation and production
International Tours to China, opening Shanghai International Arts Festival in 2017/18
UNDER THE INFLUENCE: 90s BRITPOP
4 TOURS to date :
LATITUDE FESTIVAL 2018 –SOLD OUT
Welsh Centre Kings Cross-SOLD OUT
PP Roundabout Edinburgh Fringe – SOLD OUT
Latitude Festival – SOLD OUT
24 New actors
8 New musicians
12 New Writers
4 New Directors
1856 Audience members across 4 cities
Patrons
CHRISTOPHER ECCLESTON
&
STEPHEN TOMPKINSON
Chris, The Salford born actor has carved out an illustrious career of impressive and
enigmatic roles on stage and screen. With memorable performances in the likes of Our
Friends in the North, The A Word, Antigone, HBO’s the Leftovers and of course, the
9th Doctor in Dr Who, Chris has embedded himself in the minds and hearts of
audiences all over the world.
Stephen, likewise, a northern powerhouse, is one of Britain’s best known television
faces, from DCI Banks to Wild at Heart and of course playing opposite Warrington’s
own Pete Posthlewaite in the Northern powerhouse, Brassed Off.
Both have always been a fierce campaigners of working class voices in the arts as well
as for greater diversity in all areas of the industry. NTT share this belief and are
dedicated to engaging new artists and audiences from a variety of socioeconomic
backgrounds through the our unique productions and engagements.
We are delighted to welcome Chris and Stephen as our Patrons and are proud to share
a working class heritage, passion for our craft and an insatiable appetite to make the
arts accessible for everyone.
As well as recruiting trustees, we are also in the process of recruiting additional patrons
with a focus on diversity and gender balance. It is vitally important to us that working
class people from all walks of life see themselves in our work and the people we
choose to represent us.
Supporters EMILIA CLARKE “Not Too Tame – here is a company that brings a beating heart to live theatre again, one that isn’t afraid to show each and every audience member what a real connection to each other can mean today. Sit back, enjoy, embrace and support this celebration of creativity in the moment it is created. A must see if you know what’s good for you!” JULIE HESMONDHALGH “Not Too Tame is just what British theatre needs: a vibrant, vital gloves-off, heart on sleeve company taking stories about real people to the people in the places they hang out, putting a mirror up to our lives, loves, yearnings and longings, our fears and losses, our hopes and dreams. For this company to have its own building to programme would be a huge step towards a vital arts building that supports, engages and entertains its community with exhilarating work of the highest calibre.”
A taste of our work…
Local Legends
A DIGITAL MINI SERIES
CREATED TO RAISE FUNDS FOR THOSE AFFECTED
BY CORONA VIRUS IN AND AROUND WARRINGTON
Not Too Tame, now officially based in Warrington created an online mini series called
#LocalLegends. This NTT mini series was produced directly from story pitches following a
public call out. NTT Directors, Jimmy Fairhurst and Louise Haggerty and Producer,
Conrad Lynch teamed up with a team of exceptional writers & performers including
Maxine Peake and Julie Hesmondhalgh to develop the pitches into 5 minute episodes of
love, loss and laughter that will inspire, amuse and move you.
The #LocalLegends (LLF) will fund those projects that help people on the fringes of our
community and is working in partnership with Warrington Voluntary Action to identify
communities in need to ensure a targeted distribution of funds raised.
Click here to watch…
UK Tour 2017 with Derby Theatre & 2019 London transfer
Clothworkers Foundation with Seabright Productions
“Crammed with live music, mayhem and a touch of midnight magic, Cinderella will have you
dancing in the aisles and laughing your bloody baubles off. So get your mistletoe out and
shake your tinsel at the hottest Christmas party in town! Think Tarantino meets Shameless,
meets ELF...all in a real, local boozer.”
★★★★ ★★★★
BRITISH THEATRE GUIDE EXAUNT MAGAZINE
"a striking example of how to get "Raucous and gratifying reinvention of panto"
‘immersive’ theatre right…simply one of the
funniest festive shows currently being
staged.
★★★★ ★★★★★
SPY IN THE STALLS WHAT TO DO
"You soon find yourself grinning, then "A great night of mixed-up, madcap,
laughing out loud, swept along by the mayhem!"
rowdy exuberance"
Trailer
Electric Eden
A group of misfits are left to save their beloved Nightclub after the death of their gaffer,
Grandfather and friend, Tommy Eden. What matters more - music, money, morality or
mates?! Injustice is rife in their small town, but when taking on the man, are they
heading for the mother of all hangovers? Not so much hippies, hoodies and placards,
but air guitar, glow sticks and UV war paint.
★★★★ ★★★★
THE INDEPENDANT BROADWAY BABY
"Get your neon facepaint on "This is immersive theatre for people
and grab a drink from the who don’t think they do immersive
bar: Electric Eden takes
★★★★
★★★★★ THE STAGE
THEATRE BUBBLE "Electric Eden is a revolution you
"It is exquisite." can dance to."
★★★★★
★★★★
EDFRINGE REVIEW
THE GUARDIAN "If ‘Electric Eden’ is not
CRITICS PICK consistently playing to packed
Promo Video Audience Response
Electric Eden
An electrifying ensemble perform for you including the recorded voice of Peter
Mullan (Tyranosaur, Ozarks) and live music from SLYDIGS front man, Dean Fairhurst
who recently toured America, Canada and Europe with rock legends, THE WHO.
Dean Fairhurst -Slydigs
Peter Mullan The Who Hits 50 Tour –
(Tyrannosaur 2011) USA - 20162014 Early Doors
Lyn Gardner ★★★★
The Guardian Time Out
“Definitely see it if “A company that
you have the clearly has
chance.” talent!”
“First night under new management! A brother and sister open up the family pub for the
firs time after the recent passing of their Mum. Nestle yourself amongst the regulars as
they find their voices through love, loss, laughter and a pub quiz!
★★★★ ★★★★★
Telegraph The Times
“The company’s stated intention is to engage “Two pints of lager and a cracking little play.”
audiences who don’t feel they belong in “tame,
polite theatre”, and they do this with great charm ★★★★
and energy” The Scotsman
★★★★ “The young ensemble is engaging, the writing
The Stage sharp and Fairhurst’s direction deft. A bravura
“There is not a single false note from the site specific production.”
company - a celebration of love, life and, due
to the show’s own sparkle, theatre.” ★★★★★
Edinburgh Guide
★★★★★ “Great cast, great concept, a totally
Broadway Baby immersive experience that leaves you
“Their words bounce and weave, dropping in
hilarious one-liners or heart wrenching pathos.”
Trailer Audience Response
Theatrical Trailer Audience ResponseWhat People Say… DERBY THEATRE “NTT are the experts in reaching new audiences in diverse socioeconomically demographics. They make work which is artistically excellent and accessible and uncovers unheard voices. We are proud to continue our support of NTT and their ambitions” Sarah Brigham, Chief Executive & Artistic Director PAINES PLOUGH Not Too Tame make unruly plays in surprising spaces with joyous impunity. Their work is vibrant, vital and hugely entertaining. They are a force to be reckoned with, a blast of energy and invention and ambition committed to making theatre for people who might think theatre is not for them and deliver shows that feel like rock n roll gigs. We think they are brilliant, and important, and we will continue to support them, work with them, learn from them and enjoy their productions as enthusiastic audience members. James Grieve – Previous Joint Artistic Director CREATIVE SCENE “It was a joy to work with Not Too Tame to bring Early Doors to pubs across North Kirklees. They understand the work that goes into building new audiences and are passionate in engaging people who might not otherwise go to the theatre. Over the course of their week with us we saw sceptical punters become vocal advocates of the show; travelling between towns to see the show again and bringing their mates with them. This is testament to a company that knows their audience and has created a lively, relevant and touching night at the pub. Landlords across the run were thrilled with the attendance and response and we now have an excited network of venues and punters to continue working with in the future. We couldn’t have found a better company to launch this new touring network.” Vicky Holliday, Creative Producer, Creative Scene
What People Say… THE LOWRY “We were delighted to welcome Not Too Tame to Salford and really pleased that they attracted a new audience to The Lowry with a huge 60% of the overall audience being first time bookers. We believe that the integration of the work in the community appealed to those who had previously believed that theatre was not for them. The audience response was really positive and we’re looking forward to their return to Salford for the Roundabout programme in September.” Matthew Eames, Senior Theatre programmer & Producer HARROGATE THEATRE “After seeing Early Doors at Edinburgh Festival, I am very keen to programme this work for Harrogate Theatre’s 2’s Company Festival 2015. The show is a rare gem - both moving, funny, vibrant and full of energy. By programming this piece, I have no doubt it will appeal to a broad audience in a non-traditional theatre space. What is exciting about it for us in particular, is that it will engage those audiences who may not associate themselves with our theatre - and shows them what storytelling at the heart of theatre can and should do.” Emma McDowell, Head of Marketing & Audience Development TORIA GARBUTT Spoken Word artist, currently opening for Dr John Cooper Clarke. NTT is the first theatre company to have grabbed my attention and held my interest. There is a very organic creative relationship between us which I think stems from our shared artistic ethos and vision and I am incredibly excited by the potential to further collaborate and develop our ideas. This is not prescriptive theatre for the privileged elite. This is the kind of raw, boundary pushing high energy experience that grabs you by the balls, pulls you right into the centre of the action and forces you to think. In a time of intense political and social unrest, Not Too Tame provide an opportunity to escape the bullshit and remember what's important; camaraderie, connection and crucially, hope. These are kitchen sink tales that touch the heart, fire the spirit and remind us what it is to be human.
What the boozers
think…
HARROGATE
Hales Bar – “It was such a pleasure to host Not Too Tame at Hales Bar. The show was
thoroughly enjoyed by myself, the staff team, locals & the guests I invited. I also spoke
with many of the audience at the time, all of whom were impressed with the performance
& gave great positive feedback. The cast were all amazing & the experience ran smoothly
Theatrical
from start to finish, theTrailer
Audience Response
show itself cleverly incorporating humour & sadness. Evening
shows sold out and we saw an average 55% increase to our bar takings.”
Amanda J Wilkinson, Licensee
SALFORD
The Royal Oak Pub - “Early Doors was an excellent event for the pub and produced very
high sales figures for the weekend. Everyone at the pub and the brewery thought it was
great success, and would encourage more of the same. The show brought in substantial
numbers of new faces to the pub. The fact that the tickets were sold through The Lowry
meant that this was inevitable and that many people travelled some distance to see the
play. Few of the locals actually attended the performances though several commented that
it was great to see the pub so full.
We need to find a way to encourage this audience to visit the pub again, which is not easy.
On Thursday and Sunday, receipts more than doubled while on Friday and Saturday they
rose about 80%. It was well-worth doing. We would certainly host a similar function again.”
George Forrest, Licensee
HARLOW
The Shark “We’ve never had anything like this at our pub, but we are always on the look
out for new events and gigs to bring in trade. Genuinely, we couldn’t have picked a better
event. Our locals we’re delighted with the company the show itself and we saw a huge
amount of new custom come through the door. It was phenomenal show which had
everyone laughing, singing, dancing and crying. No one wanted it to end, least of all us as
our bar taking were up 85% over the 3 nights. NTT are welcome here anytime.”
Charlotte Smith, LicenseeTrustee Spec
CLOSING DATE - 25th JUNE 2021
*The role of Trustee is not accompanied by any financial remuneration.
Location
Warrington
Theatrical Trailer Audience Response
Time commitment
Four Board meetings per year, plus occasional strategic meetings as required.
There is the opportunity to join sub-committees and/or advisory groups depending
on areas of expertise.
Trustees are also encouraged to attend performances and workshops, as well as
participating in fundraising events
Reporting to
Chair of Trustees
Role Description
NTT Trustees are first and foremost ambassadors of the charity.
They gain a deep understanding of and commitment to our values expressed through
our core programmes of work.
Trustees play a crucial role in supporting the team on significant governance,
fundraising strategic and financial matters.
From time to time they will support executive teams on operational matters which
connect to specific areas of a Trustee’s expertise.
The role of a Trustee is to ensure that NTT fulfils its duty to its beneficiaries through
the successful delivery of its core programmes and delivers on our vision, mission
and values.Trustee Spec
The statutory duties of a Trustee
· To ensure the organisation complies with its governing document (articles of
association).
Theatrical Trailer
· To ensure that the organisation pursues its objectives as defined in its
governing document.
· To ensure the organisation applies its resources exclusively in pursuance of its
objectives - the charity must not spend money on activities which are not
included in its own objectives, no matter how 'charitable' and 'worthwhile'
those activities are.
· To contribute actively to the Board of Trustees' role in giving firm strategic
direction to the organisation, setting overall policy, defining goals and setting
targets and evaluating performance against agreed targets.
· To safeguard the good name and values of the organisation.
· To act as an Ambassador for the charity, and promote its work.
· To ensure the effective and efficient administration of the organisation.
· To ensure the financial stability of the organisation.
· To protect and manage the property of the organisation and to ensure the
proper investment of the organisation's funds.
· To appoint the Chief Executive/Artistic Director and monitor performance.Trustee Spec
In addition, with other Trustees, to hold the charity “in trust” for current and
future beneficiaries by:
· Ensuring that the charity has a clear vision, mission and strategic
direction and is focused on achieving these.
Theatrical Trailer
· Being responsible for the performance of the charity and for its
“corporate” behaviour; ensuring that the charity complies with all
legal and regulatory requirements.
· Acting as guardians of the charity’s assets, both tangible and
intangible, taking all due care over their security, deployment and
proper application.
· Ensuring that the charity’s governance is of the highest possible
standard.
As well as the various statutory duties, any Trustee should make full use of
any specific skills, knowledge or experience to help the board make good
decisions.
The above list of duties is indicative only and not exhaustive. The Trustee will
be expected to perform all such additional duties as are reasonably
commensurate with the role.Trustee Spec
Person Specification
Theatrical Trailer
Individuals are sought who have a strong empathy with our core mission.
We are committed to building a diverse and representative board, and
therefore applications are particularly welcomed from individuals from
ethnically diverse and under-represented backgrounds.
The Board of Trustees are jointly and severally responsible for the overall
governance and strategic direction of the charity, its financial health, the
probity of its activities and developing the organisation’s aims, objectives and
goals in accordance with the governing document, legal and regulatory
guidelines.
All Trustees should also be aware of, and understand, their individual and
collective responsibilities, and should not be overly reliant on one or more
individual Trustees in any particular aspect of the governance of the charity.Trustee Spec
Experience ˝
· Successful experience of operating within a board in a charitable,
public sector or commercial organisation is welcome, but not
essential.
· Demonstrable experience of building and sustaining relationships
Theatrical Trailer
with key stakeholders and colleagues to achieve organisational
objectives
· A proven track record of sound judgement and effective decision
making
· A history of impartiality, fairness and the ability to respect
confidences
· A track record of commitment to promoting equality and diversity
Knowledge, Skills and Understanding
Commitment to the organisation and a willingness to devote the
necessary time and effort
· Willingness to be available to staff for advice and enquiries on an ad
hoc basis
· Good, independent judgement and strategic vision
· An understanding and acceptance of the legal duties, responsibilities
and liabilities of Trusteeship
· An ability to work effectively as a member of a team
· An understanding of the respective roles of the Chair, Trustees and
Chief Executive.Sound like your kind
of party?
We would like you to tell us about yourself and explain why you would like to join
the NTT Board of Trustees.
All applications should address the following points: Tell us about yourself, what
experience you bring and why you want to become involved with NTT.
.
Tell us why you are interested in supporting NTT’s work through this role.
Tell us what you would like to gain from this role and supporting the NTT team.
We really keen to hear about how our work can also benefit you.
We would like to hear from you in whatever way feels most appropriate.
All applications will be reviewed and considered on content not format. We have
outlined some options below, but if you would like to suggest an alternative,
please let us know.
1. A written letter or statement (of around two A4 sides)
2.A short video
3 A sound file
*As well as an accompanying CV.
To apply, please send your application to conrad.lynch@nottootame.com with
‘Board of Trustees’ in the email subject line. You can upload a video or sound file to
your email, or send us links to vimeo or YouTube file
CLOSING DATE - 25th JUNE 2021
www.nottootame.comGet in touch…
Jimmy Fairhurst
Artistic Director
T: +44 7977 016950
E: Jimmy.fairhurst@nottootame.com
Louise Haggerty
Co Director
T: +44 7921713131
E: Louise.haggerty@nottootame.com
Conrad Lynch
Producer
T: +44 7887 578143
E: Conrad.lynch@nottootame.com
www.nottootame.comYou can also read
