Cannes Film Festival - Région Île-de-France
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Paris Regstion
at the 71 l
Canne s F i l m Fe s t i va
20 18
PR ES S RE LE A SE - M AY
Press contacts
for Paris Region
marie.estrada@iledefrance.fr
+33 (0)1 53 85 63 14
servicepresse@iledefrance.fr
+33 (0)1 53 85 66 45
Press contact in Cannes
Corinne Koszczanski
ckosanski@orange.fr
+33 (0)6 09 85 69 05“Paris Region
wishes to do more
for cinema”
J
ean Cocteau had these words about the ema and audiovisual industry budget, which is
festival: he described it as “a living comet exceeding 20 million euro this year. Our goal is to
that has touched down for a few days on encourage young creation and to promote diver-
La Croisette”. Paris Region is happy to join sity while boosting employment in Paris Region. We
the enchantment of the world that incarnates itself also pay particular attention to the screenwriters
every year, for a few days, in Cannes. Because Paris and to the integration of innovative technologies
Region (Ile-de-France) and cinema have been pur- in the creative process.
suing a passionate love affair ever since the
While Paris Region now has 1,075 screens display-
Lumière brothers and the studios of Boulogne.
ing thousands of movies daily, we want to convey
Consistent with this strong tradition, Paris Region is
our historic passion to the youth. We therefore
the leading French region in terms of support to
decided to complement our strategy with a replen-
the cinema and audiovisual industry.
ishment of the artistic and cultural youth educa-
Stanley Kubrick used to say: “The screen is a magic tion offer in Paris Region, a multiplication of the
medium.” And the magic it operates is quintessen- connections between the young citizens of the
tial to our very being. Because a film documents region and the movie world – through film-clubs
and reveals the world we live in, its magic changes set up in the upper secondary schools and appren-
our day to day into works of art. The Seventh Art tice training centers (Centres de formation des
has embraced the daily reality of Paris Region apprentis : CFA), or through the organization of
both as a subject and an object of its works, since film festivals in our leisure islands this summer.
80% of the French film industry and talents are con-
To make sure the magic keeps happening, and the
centrated in the region. Today Paris Region wishes
“comet” of the festival keeps shining on our day to
to take its commitment a step further, and to do
day, we want to once again reiterate our support
more for cinema. For this 71st edition of the Cannes
to Cannes.
Film Festival, we are proud to have supported mov-
ies chosen for the Official Selection, the Directors’ Long live Cinema! Long live Cannes Festival!
Fortnight and the International Critics’ Week –
movies that honor Paris Region, and show our real-
ity and savoir-faire for the world to see.
A love story requires care, attention, a commit-
ment. We therefore decided to further enhance
our policy towards cinema and audiovisual media
with a new strategy launched last year: Rethink our
regional grants to the sector in order to foster cre-
VALÉRIE PÉCRESSE
ation, and notably creation among the youth. President of Paris Region
Designed with and for the professionals, our strat-
AGNÈS EVREN
egy includes the revision of the Production Grant Vice-president in charge of Culture,
Funds and a historic rise of almost 20% for the cin- Heritage & Creation
© Région Île-de-France
02| PRESS RELEASE | PA R I S R E G I O N AT TH E 71 TH C A N N E S F I L M F E STI VA LTHE FILMS SUPPORTED
BY PARIS REGION
COMPETING IN CANNES
The 71st edition of the Cannes Film Festival highlights
5 films supported by Paris Region, either in the production
or post production process.
Official selection
Les Âmes mortes : © Les films d’ici - Amin : © Pyramide-Istqlal – Joueurs : © The Film - La Route des Samouni : © Picofilms – Les Silences : © Ciné-Sud Promotion
JOUEURS
Special screening by Marie Monge,
feature film (1st film)
Grant Fund: €298,000
Authors: Marie Monge and Julien
DEAD SOULS Guetta, with the collaboration of
Romain Compingt
by Wang Bing, feature-length With: Stacey Martin, Tahar
documentary Rahim, etc.
Post Production Grant*:
€43,000 Producer: THE FILM
Producer: LES FILMS D’ICI
LA ROUTE
DES SAMOUNI
by Stefano Savona, feature-
length documentary
Director’s fortnight Post Production Grant*:
€43,000
Producer: PICOFILMS
Duration of the film: 130mn
AMIN
by Philippe Faucon, feature film
Production Grant Fund:
€240,000
Authors: Philippe Faucon, LES SILENCES
Yasmina Nini-Faucon and by Beatriz Seigner, feature film
Mustapha Kharmoudi Post Production Grant*:
With: Moustapha Mbengue, €45,000
Emmanuelle Devos,
Ouidad Elma Producer: CINE-SUD PROMOTION
Duration of the film: 90mn
Producer: ISTIQLAL FILMS
*To be voted on by the Paris Region Council on May 30.
PA R I S R E G I O N AT TH E 71 T H CA N NE S F I L M F E ST I VAL | PRESS RELEASE | 03REGIONAL SUPPORT FOR CINEMA
AND TELEVISION INDUSTRY
Today more than ever, Paris Region stands alongside the authors
and other professionals of the cinema and audiovisual realm, and
is scaling up its action towards creation. Since January 2017, Paris
Region has been enhancing its support to the sector by allocating it
new funds in a move welcomed by the professionals.
>> €20M: a historic budget,
increased by nearly 20% in
2017, and revalued by an tor, which represent almost 140,000 direct
additional €600,000 in jobs, are tremendous. However in a context
of strong international competition, it is
2018 crucial to provide the productions with a
In December 2017, Paris Region adopted its package that is both more reactive and
2018 budget allocated to the sector, and better adapted to each project: this is why
pursued its unparalleled effort after the the regional executive decided to exten-
nearly 20% raise it voted in 2017. Paris Region sively recast the Fonds de soutien au cin-
devoted €20.5M to this strategic industry, ema et à l’audiovisuel, in order to enhance
including €15.5M going to a support fund for the attractiveness of Paris Region in these
Cinema and audiovisual media. The regional fields, to support the sector’s economy, and
budget devoted to cinema and audiovisual to encourage the return of some produc-
media is part f a dynamic process of sub- tions. This translated into:
stantially strengthening the credits allocated An increase in the amount of regional aid
to the cultural sector. Valérie Pécresse made up to €600,000 for cinema films and up to
a commitment to raise the allocations to cul- €500,000 for audiovisual films.
ture by 20% before the end of the parlia-
mentary term. Since the beginning of the A new aid calculation table with a double
term, it significantly increased by 12.5%. bonus system: for “exceptional technical
Between 2015 and 2018, it rose from €83M expenses”, to galvanize Paris Region service
to €93.630M (+ €10.630M). providers and job market, and for “innovat-
ing technologies and practice”, so that Paris
Region becomes a pioneering territory in
specific technological fields, and to enhance
>> A better-endowed and its attractiveness.
more efficient support fund Aid subsidies going from €25,000 to
for Cinema and audiovisual €100,000 for expenses in the field of inno-
media vative technologies (virtual reality, visual
effects, 3D, etc.), or for outstanding Made in
Paris region concentrates almost 80% of Paris Region fabrications (production and
the French players working in the image costume design made by local Paris Region
industry: the economic benefits of the sec- pros, studio shootings, etc.).
04| PRESS RELEASE | PA R I S R E G I O N AT TH E 71 TH C A N N E S F I L M F E ST I VA LAn overhaul of the reading committee for
cinema, with the introduction of three spe-
cialized colleges dedicated to the various
types of budgets and projects.
The funding of web series.
The possibility to finance up to three sea-
sons of the same series (degressive aid).
In 2017, the endowment of the support fund
reached an unprecedented €16,535,750 in
refundable aids allocated to 74 cinema and
audiovisual productions, very diverse pro-
jects reflecting the diversity of French crea-
tion.
>> Substantial revision
of the screenwriting aid
as part of the development
of the writing sector
in Paris Region
The writing sector is a key element in the The development of the sector in partner-
THE WRITING development of the French filmmaking and ship with the concerned professionals.
SECTOR IS A KEY audiovisual industry. Paris Region therefore
ELEMENT IN THE An improved follow-up for the supported
DEVELOPMENT OF decide to take its involvement a step further
authors: integration of pitch presentation
THE FRENCH by strengthening its support to young
FILMMAKING. and speed-dating session practice in the
authors, notably through:
training granted to the junior writers.
Annual meetings organized with the con-
firmed authors and producers the Region
supports, notably on the occasion of the
European Series Summit Série Series that will
take place from June 26th to 28th, 2018 in
n 2018 Fontainebleau (Seine-et-Marne).
Innovatio scholarsh
ips An optimized reorganization of the read-
ro
2,500-eu
ris Re g ion awards e d 18 to 30, for
a ing committee: now alleviated and divided
Pa to rs a g the
crea months, in
to young o n o f 10 into two specialized committees, one for the
maximum
dura ti e (Fonds
F o R T E packag beginning screenwriters, the other for the
framework
of th e he purpose
ts é m e rgents). T ing senior writers, its processing capacity is
es tale n , perform
régional d lin a ry p lan (music isu a l improved.
rdiscip diov
of the inte s, c in e m a, and au g re es
ic art hd e
arts, plast e y o u n g people wit In 2017, no less than 258 projects (compared
to guid y to
media) is on the wa with 117 in 2016) were submitted. This record
th er q u a lifications la rsh ip s are
or o n . T he scho e number confirms the need for guidance
z a ti o project; th
© Ludovic Le Couster / Picturetank
ali
profession a si s o f an artistic ie d b y and support in the sector.
n the b mpa n
granted o th e re fo re be acco a l,
must tion
recipients ral, educa
art istic and cultu tu re . Among
an o st in g struc
or profess
ion a l h n, nine are
s o f th is first editio
te
the laurea kers.
moviema
PA R I S R E G I O N AT TH E 71 T H C AN N E S FI L M F E ST I VA L | PRESS RELEASE | 05Paris Region and the animation sector
>> Renewed and adapted support strengthened support to
A
mechanisms: double the number the audiovisual au cinema
of candidate projects. animation projects
Over the past two years, 15 animates movies
(8 for the cinema, and 7 for television) have
>> An exceptional financial been supported during the production
effort: triple the number of process, compared with only 5 over the
2014-2015 period.
supported projects. It should be pointed out that Paris Region also
supports the sector upstream, with its
Screenplay Writers’ Grant (3 authors supported
>> A strong willingness to in 2017, for instance), and takes action in the
final stages of long and short animated film
support the sector: a very high projects with its Post Production Grant
(1 supported feature film in 2016, and one
success rate. short film in 2018).
An improved framework for action For television
Thanks to the successive reforms of 2015 and In 2016 and 2017, 14 animated movies were
January 2017, the Cinema & Audiovisual Grant submitted, and 7 received a grant.
Fund of Paris Region is far more favorable to For the record, in 2014 and 2015, only
animation projects. 5 series had been submitted and 3 supported,
• Simplified access criteria for animation. compared to 3 submitted series and
• Cinema animation works benefit from an 2 supported in the first 2018 session.
examination by the 3rd college, which is The selectivity rate is therefore very favorable
specifically in charge of the films having a to animation, at an average 50 % against
strong economic impact, and is comprising 30 % for fiction and 20 % for documentary.
professionals of the sector.
• Strongly reassessed assistance rates, and
a grant budget increased by €2.5M over
the past 2 years (from €14M to €16.5M),
so enabling the provision of more and For cinema
better-endowed aids, up to 700,000€.
• Furthermore, animation projects may In 2016 and 2017, 8 animated feature films
request a bonus if innovating technologies are were supported.
to be used, or exceptional technical expenses 2017 has been a particularly remarkable year
need to be made in order to favor a genuine with 5 supported projects out of 7 submitted
economic impact, and to make Paris Region a – i.e. a success rate over 70 %. It also means
pioneering territory for specific cutting-edge Paris Region supported a major part of the
technologies. French production that year.
Overall, in 2017 alone, Paris Region devoted €2.6M to the animation sector,
i.e. more than 15 % of its Production Grant Fund.
06| PRESS RELEASE | PA R I S R E G I O N AT TH E 71 TH C A N N E S F I L M F E ST I VA LCINEMA MEETS
THE STUDENTS AND APPRENTICES
OF PARIS REGION
>> Students and apprentices LYCÉENS
at the movies ET A P P R EN TI S
“Lycéens et apprentis au cinéma” is a regional AU CINÉMA
2017-2018
package for image education. It gives the stu-
dents of the general, professional, and agri-
M le maudit de Fritz
cultural upper secondary schools, and the
Lang
Le dictateur de Charli
e Chaplin
Starship Troopers de
Paul Verhoeven
Nouvelles vagues – Progra
mme de courts métrag
apprentices of the apprentice training centers
Sur la planche de Leïla es
Kilani
the opportunity to discover at least three cin-
ematographic works during theatre screen-
ings specially organized for them.
Its goal is to enable the youth to lay the foun-
dations of a cinematic culture, in addition to
the pedagogic work and awareness-raising
effort conducted by the teachers and cultural
partners of the program.
Subscriptions have been on the rise since 2016, PRÉFET
DE LA RÉGION
which shows how the program matured and is Coordination régionale
ACRIF – Association
CIP – Cinémas Indépend
:
des cinémas de recherch
e d’Île-de-France – www.acri
ants Parisiens – www.cip-
paris.fr – 01 44 61 85
f.org – 01 48 78 14 18
53
now very well established throughout Paris
Region.
Academic year 2017-2018:
44,600
students and apprentices enrolled
(42,889 students and 1,712 apprentices)
1,645
classes registered
coming from
2014
teachers trained beforehand
480 schools
(448 high schools and 32 apprentice
training centers) in the 8 Paris Region
districts
170
screens 167
© All rights reserved
partner theaters
PA R I S R E G I O N AT TH E 71 T H C AN N E S FI L M F E ST I VA L | PRESS RELEASE | 07The films shown
to the students and
apprentices
in 2017-2018:
M LE MAUDIT
by Fritz Lang (Germany - 1932)
for 83% of them
THE GREAT DICTATOR
by Charles Chaplin (USA - 1940)
for 81% of them
STARSHIP TROOPERS >> Film-clubs in the high
by Paul Verhoeven (USA - 1997)
for 78% of them schools and apprentice
NOUVELLES VAGUES
training centers
a short-movie selection (France -
Within the framework of the Citoyens de
1957/2008) for 30% of them
la Culture program launched by the Min-
SUR LA PLANCHE istry of Culture, the National Centre for
by Leïla Kilani (Morocco / France - 2012), Cinema and Moving Image (CNC), and
film financially supported by Paris Region,
for 46% of them the association Unis-Cité developed a
mission to educate the young public in
citizenship through cinema, in the prem-
ises of their schools. This program is part
of the universal civic service dynamic. Its
vocation is to foster access to culture for
all, and to put culture at the service of our
Republican values through the mobiliza-
tion of young civic service volunteers
aged 16 to 25.
In order to scale up the “Ciné-débats” ini-
tiative and extend it to the whole Paris
Region territory, especially within the high
PARIS REGION schools and CFAs, Paris Region committed
COMMITTED TO
WORK ALONGSIDE to work alongside the CNC and Unis-Cité
THE CNC AND to rapidly reach the objective of 200
UNIS-CITÉ TO operational film-clubs. This collaboration
RAPIDLY REACH THE
OBJECTIVE OF 200 takes place in several stages, and is mate-
OPERATIONAL rialized by the Cinema cooperation
FILM-CLUBS. agreement for 2017-2019 between Paris
Region and the CNC.
08| PRESS RELEASE | PA R I S R E G I O N AT TH E 71 TH C A N N E S F I L M F E STI VA LNEW
A MOBILE CINEMA
WILL BE TRAVELING ACROSS
ILE DE FRANCE NEXT SUMMER!
In the framework of the “L’Ile-de-France fait son cinema!” festival,
launched in July 2017 to make cinema accessible to everyone,
everywhere in Paris Region, a “Cinémobile” truck will spread out an
actual 100-seat comfy and air-conditioned movie theater
on the leisure centers of the region, as well as in the Regional Park
of French Vexin.
Patients, by Grand Corps Malade and Mehdi
Idir; Le Grand Méchant Renard et autres con-
tes, by Benjamin Renner and Patrick Imbert.
The screenings also come with free and open
to all filming demonstrations and workshops.
The films shown were financially supported by
Paris Region.
SATURDAY, JUNE 30:
regional leisure center of Jablines-Annet (77)
SUNDAY, JULY 1ST:
regional leisure center of Vaires-Torcy (77)
SATURDAY, JULY 14:
regional leisure center of Port aux Cerises (91)
SUNDAY, JULY 15:
regional leisure center of Etampes (91)
FROM MONDAY, JULY 16, TO WEDNESDAY,
JULY 18:
Regional Park of Vexin (95)
THURSDAY, JULY 19 & FRIDAY, JULY 20:
regional leisure center of Cergy-Pontoise (95)
SATURDAY, JULY 21:
regional leisure center of Boucles de Seine (78)
About forty screenings are scheduled for the
SUNDAY, JULY 22:
whole month of July, four times more than dur-
regional leisure center of Val-de-Seine (78)
ing the first edition, for young audiences in the
afternoon, and for the general public in the WEDNESDAY, JULY 25 & THURSDAY, JULY 26:
evening. Among the films shown: Divines, by Open-air screenings on the regional leisure
Houda Benvamina; Dalida, by Lisa Azuelos; center of Saint-Quentin-En-Yvelines (78)
PA R I S R E G I O N AT TH E 71 TH C A NN E S F I L M FE STI VA L | PRESS RELEASE | 09A LOOK BACK
ON 2017
>> The year 2017 in numbers
In 2017, audiovisual and cinematographic Furthermore, the expenditures of the foreign
production continued to grow in Paris Region productions were multiplied by three com-
(with the number of companies rising by 4%). pared to 2015, reaching a total amount of
€150M.
The number of permanent jobs in the sector
rose by 10% compared to 2015, while the This dynamic is set to continue and develop
intermittent jobs rose by 6%. in 2018, with the relocation of the French big-
budget movie shootings, and the reception
The study conducted jointly by the Ile de
of foreign productions.
France Film Commission and Groupe Audiens
attests to this reality: 2017 saw a massive
relocation of the French film shootings and
audiovisual production, notably for big-
budget projects.
With a dedicated budget of
€20.5M,
Paris Region has
307 MOVIE THEATERS
Paris Region is the leading regional dont 150 classés art et essai
authority in terms of aids for the 1 075 écrans en Île-de-France.
cinema and audiovisual industry.
It is also the leading French
1 193
region for the reception
of film shootings.
FILMS
were supporter by the Region since 2001:
It concentrates 50% of 498 through the Cinema Production
the movies shot in France, Grant Fund, 407 through the
and has 2,400 listed filming Audiovisual Production Grant Fund,
locations. and 288 through the Post Production
Grant.
1€ of regional grant Each year, Paris Region supports
more than
generates 16€ of income
for Paris Region. 100 productions,
50 festivals and networks,
30 screenwriters.
10| PRESS RELEASE | PA R I S R E G I O N AT TH E 71 T H C A N N E S F I L M F E STI VA L>> List of the films supported by Paris Region in 2017
27 fictions
MON FRÈRE
Ex Nihilo €315,000 2018
by Julien Abraham
ÉNORME €360,000
Avenue B Productions 2018
by Sophie Letourneur (incl. bonus)
CELLE QUE VOUS CROYEZ €445,000
Diaphana 2018
by Safy Nebou (incl. bonus)
MAIS VOUS ÊTES FOUS €395,000
Rectangle Productions 2018
by Audrey Diwan – 1st feature film (incl. bonus)
DANS LA GUEULE DU REQUIN
Épithète Films €235,000 2018
by Emmanuel Hamon – 1st feature film
LE MYSTÈRE HENRI PICK
Mandarin Production €440,000 2017
by Rémi Bezançon
L’ÉTREINTE
Moby Dick Films €396,250 2017
by Ludovic Bergery (1st film)
PROXIMA
Dharamsala €400,000 2017
by Alice Winocour
LA FÊTE DES MÈRES
Willow Films €425,000 2017
by Marie-Castille Mention-Schaar
VOYEZ COMME ON DANSE
Les Films du 24 €485,000 2017
by Michel Blanc
LES CHAMPS DE FLEURS
ChifoumiI Productions €358,500 2017
by Jeanne Herry (2nd film)
ELSA
Karé Productions €320,000 2017
by Pierre Isoard (1st film)
YVES
Ecce Films €300,000 2017
by Benoît Forgeard
SUN
Les Produits Frais €275,000 2017
by Jonathan Desoindre (1st film)
LES JOUEURS
The Film €298,000 2017
by Marie Monge (1st film)
TERRITOIRES
One World Films €383,000 2017
by David Oelhoffen
INTIME CONVICTION
Delante Productions €222,000 2017
by Antoine Raimbalut (1st film)
VIDOCQ, L’EMPEREUR DE PARIS €630,000
Mandarin Production 2017
by Jean-François Richet (incl. bonus)
UN AMOUR IMPOSSIBLE
Chaz Productions €326,000 2017
by Catherine Corsini
L’HEURE DE LA SORTIE
Avenue B Productions €337,000 2017
by Sébastien Marnier (2nd film)
DEUX FILS Nord-Ouest Productions €425,000 2017
by Félix Moati (1st film)
CURIOSA Curiosa €280,000 2017
by Lou Jeunet (1st film)
PIÉGÉES Stephan Films €280,000 2017
by Milka Assaf (1st film)
PREMIÈRE ANNÉE Les Films du Parc €405,000 2017
by Thomas Lilti
UNE HISTOIRE DE L’ART Les Grands Espaces Films €320,000 2017
by Thomas Bernard (1st film)
LE REPAS DES FAUVES Day For Night Productions €380,000 2017
by Julien sibre (1st film)
DANS LA BRUME Section 9 €475,000 2017
by Daniel Roby
PA R I S R E G I O N AT TH E 71 T H CA N NE S F I L M F E ST I VAL | PRESS RELEASE | 115 animations
CALAMITY, UNE ENFANCE DE MARTHA JANE
CANNARY Maybe Movies €350,000 2017
by Rémi Chayet (2nd film)
LE SOMMET DES DIEUX
Julianne Films €400,000 2017
by Patrick Imbert (2nd film)
MY SUNNY MAAD
by Michaela Pavlatova (1st film) Sacrebleu Productions €280,000 2017
ASTÉRIX ET LE SECRET DE LA POTION MAGIQUE €620,000
M6 Studio 2017
by Louis Clichy et Alexandre Astier (incl. bonus)
J’AI PERDU MON CORPS
Xilam Animation €275,000 2017
by Jérémy Clapin
14 documentaries
INNA DE YARD Borsalino Productions €95,000 2018
by Peter Webber
PSYCHOMAGIE Satori Films €78,000 2018
by Alejandro Jodorowsky
NOS PREMIERS PAS Pyla Prod €20,000 2018
by Anne-Claire Dolivet
SYSTÈME K Les Films en Vrac €90,000 2017
by Renaud Barret
LE VOYAGE D’AILO
by Guillaume Maidatchevsky (1st film) Bordalino Productions SARL €95,000 2017
SYMPATHY FOR THE PEPITO
by Benoît Garrel et Gilles Charmant (1st film) Atopic €59,000 2017
MADAGASCAR 1947, SUR LA TRACE
DES SOLDATS MALGACHES L aterit Productions €56,000 2017
by Marie-Clémence Paes
L’ATTENTE DES FEMMES
by Sandrine Lanno (1st film) Les Films de Pierre €27,000 2017
FILS D’ACHILLE
by Hélène Milano (1st film) YséProductions €22,000 2017
À L’ABORDAGE (UNE ÎLE) Bathysphere Productions €69,000 2017
by Guillaume Brac
LES PETITS MAÎTRES DU GRAND HÔTEL TS Productions €68,000 2017
by Jacques Deschamps
DE CHAQUE INSTANT Archipel 35 €90,000 2017
by Nicolas Phillibert
JUSTICE EN COURS Bandits €95,000 2017
by Robert Salis
DÉGÂT DES EAUX, HISTOIRE D’UN HOMME Daniel Schick SAS €55,000 2017
by Daniel Schick
12| PRESS RELEASE | PA R I S R E G I O N AT TH E 71 TH C A N N E S F I L M F E ST I VA L>> List of the recently awarded films that benefited
from regional funding
César 2018 Cannes 2017
• 120 BEATS PER MINUTE • 120 BEATS PER MINUTE
by Robin Campillo (fiction) by Robin Campillo – Produced by
Recipient of the Paris Region Production Les films de pierre
Grant Paris Region Production Grant: €300,000
Best movie Grand Prix – Official Competition & Prix
Most promising actor: Fipresci awarded by the international press
Nahuel Perez Biscayart
Best supporting actor: • JEUNE FEMME
Antoine Reinartz (fiction) by Léonor Serraille – Produced by
Best original screenplay Blue Monday productions
Best original music Paris Region Post Production Grant:
Best Editing €40,000
Caméra d’or in the “Un certain regard”
• AU REVOIR LÀ-HAUT selection
by Albert Dupontel
Recipient of Paris Region Production Grant • MAKALA
Best director by Emmanuel Gras (documentary) –
Best adaptation Produced by Bathysphere productions
Best cinematography Paris Region Post Production Grant:
Best costumes €35 000
Best production design Grand Prix of the International Critics’ Week
& Special mention of the jury at L’ŒIL D’OR
• BARBARA – The Documentary Award
by Mathieu Amalric
Recipient of the Paris Region Production • BARBARA
Grant (fiction) by Mathieu Amalric – Produced by
Best actress: Jeanne Balibar Waiting For Cinéma
Best sound Paris Region Production Grant: €419,000
Award for Poetry in the “Un certain regard”
• LE GRAND MÉCHANT RENARD ET selection
AUTRES CONTES
by Benjamin Renner and Patrick Imbert
Recipient of the Paris Region Production
Grant
Best animated film
PA R I S R E G I O N AT TH E 71 TH C A NN E S F I L M FE STI VA L | PRESS RELEASE | 13SHOOTING IN PARIS REGION
AND FINANCING A MOVIE:
INSTRUCTIONS
I The Paris Region Cinema and IVThe film shooting assistance
audiovisual Production Grant Fund service
The Paris Region Cinema and audiovisual The Ile de France Film Commission, an associ-
Production Grant Fund provides a selective and ated body of Paris Region, has a welcome
refundable grant for projects at the production department for film shootings in Paris Region,
stage. It aims at promoting creation in all its which provides assistance to the professionals
diversity and giving structure to the film and of the sector.
audiovisual industry in Paris Region.
Useful information: www.idf-film.com
Eligibility criteria, schedule, and application
Contact : shootings@idf-film.com
form: www.iledefrance.fr/aides-cinema
+33 (0)1 56 88 12 88
Contacts for the professionals:
>> Cinema: myriam.gast@iledefrance.fr
+33 (0)1 53 85 72 78
V The film Commission
>> Audiovisual media: The regional organization contributes to imple-
melaine.thomann-fox@iledefrance.fr menting a consistent policy for the reception of
+33 (0)1 53 85 72 20 cinema shootings in Paris Region. It draws up a
list of the possible settings in each department
IIThe Region’s Post Production and promotes them to the productions and tech-
Grant nical teams. It guides them in their location scout-
ing, or informs them about the necessary shooting
The Region’s Post Production Grant supports authorizations. It thereby promotes an outstand-
financially fragile films that have already been ing and particularly abundant heritage, thus
shot but whose production is yet to be finished. securing the international outreach of Paris
The regional grant aims at facilitating the film’s Region.
distribution in theaters.
The Film Commission Works directly with the pro-
Eligibility criteria, schedule, and application form: ductions looking for sceneries in Paris Region, as
www.iledefrance.fr/aides-cinema it did for:
Contacts for the professionals: GIRL by Lukas Dhont (through the partnership
elsa.cohen@iledefrance.fr with Cinéfondation)
+33 (0)1 53 85 62 87 LES CHATOUILLES by Andrea Bescond and Eric
Métayer
CLIMAX by Gaspard Noé
III The Screenplay Writers’ Grants AMIN by Philippe Faucon
The Screenplay Writers’ Grants provide authors
financial assistance to write screenplays and set
up workshops relating to their writing process in
secondary schools or public venues in Paris
ls
ofessiona
Region.
or the pr
Eligibility criteria, schedule, and application
Contact f the sector:
form: www.iledefrance.fr/aides-cinema of re,
nt of Cultu
Departme ual unit
Contacts for the professionals:
em a a nd audiovis defrance.f
r
marine.coatalem@iledefrance.fr cin
se ba stien.colin@ile
f office:
+33 (0)1 53 85 56 71 >> Head o
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