Cannes Film Festival PRESS PACK - MAY 2019 - Press contacts - Région Île-de ...
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Paris Regnio n
at the 72
d
Canne s F i l m Fe s t i va l
19
PR ES S PAC K - M AY 20
Paris Region
Press contacts
marie.estrada@iledefrance.fr
+33 (0)1 53 85 63 14
servicepresse@iledefrance.fr
“Expanding our efforts
to bolster creativity”
A
gnès Varda described cinema as “a pas- Given that passion for cinema is passed on from
sionate and dangerous experience”. a very early age, we have supplemented this
The talented filmmakers nominated in strategy by bolstering art and culture education
the official selections of the 72nd Cannes for young people in Paris Region, by increasing the
Film Festival certainly won’t be contradicting level of contact between these youth and the
someone who was the first woman to receive a world of cinema – largely through film clubs in
Palme d’honneur award. The passion is clear to see upper secondary schools and apprenticeship
on every screen along the Croisette. But what a training centres, or by taking a mobile theatre to
journey it is to finally feature on these famous our recreation parks over summer.
screens! Recognising this, Paris Region stands
The result of this strong, clear and genuine com-
alongside the professionals involved throughout
mitment of Paris Region to the cinema and audio-
their perilous adventure of film-making. More than
visual sector can be seen at events such as the
ever before! It is the leading French region when it
Cannes Film Festival. For this 72nd edition, we are
comes to supporting the cinema and audiovisual
proud to once again be present via the high-
sector and playing host to film shoots. We have
quality works we support: no fewer than 16 films!
been doing more for the sector every year since the
These productions reflect the diversity and rich-
beginning of our term of office.
ness of the films backed, and feature in all of the
Given that we know this sector is very active, inno- Cannes categories: eight in the official selection
vative and vital to the economy of our region, that including three in competition, two in Critics’ Week,
Paris Region has the highest concentration of three in the Directors’ Fortnight and three in ACID.
expertise, talent and industries in this field in
We hope that all the competing teams, cinema
France, and that we believe a large cultural region
professionals and film buffs enjoy a fantastic
like Paris Region has a key role to play in develo-
Cannes Film Festival. Paris Region will always be
ping the creativity, diversity and boldness of the
there to support them.
industry, we are constantly expanding our efforts
to bolster creativity. In 2019, we earmarked a
record budget of more than 20 million euros. VALÉRIE PÉCRESSE
President of Paris Region
Introduced through our new policy adopted in
2017 and designed to support a sector that has AGNÈS EVREN
Vice-President in charge
radically reformed and enhanced our funding of Culture, Heritage and Creation
opportunities, our strategy aims to encourage
new creation and promote diversity in works, at
the same time boosting employment in Paris
Region. We also focus our efforts on screenplay
writers, animation and the incorporation of inno-
vative technologies into the creative process.
© Région Île-de-France
02| PRESS PACK | PA R IS R E G IO N AT T HE 72 N D C A N N E S F I L M F E STI VA L
FILMS SUPPORTED
BY PARIS REGION
AND SELECTED FOR CANNES
The 72nd Cannes Film Festival celebrates
16 films supported by Paris Region in both production
and post-production stages.
Official Selection
In competition Un certain regard
SYBIL LES HIRONDELLES
by Justine Triet, DE KABOUL
produced by LES FILMS PELLEAS by Zabou Breitman
Supported by the Grant Fund and Eléa Gobbé-Mévellec,
(€360 000) produced by LES ARMATEURS
Supported by the Grant Fund
(€270 000)
LES MISÉRABLES LA FAMEUSE INVASION
by Ladj Ly, DES OURS EN SICILE
produced by SRAB FILMS by Lorenzo Mattotti,
Supported by the Grant Fund produced by PRIMA LINEA
(€280 000) Supported by the Grant Fund
(€375 000)
PORTRAIT DE LA JEUNE Special screening
FILLE EN FEU
by Céline Sciamma, LA CORDILLÈRE
produced by LILIES FILMS DES SONGES
Supported by the Grant Fund by Patricio Guzman,
(€380 000) produced by Atacama
Supported by the Grant Fund
(€87 000)
Out of competition
LA BELLE ÉPOQUE Closing film
by Nicolas Bedos,
produced by HORS NORMES
LES FILMS DU KIOSQUE by Eric Toledano
Supported by the Grant Fund and Olivier Nakache,
(€460 000) produced by ADNP Quad Films
Supported by the Grant Fund
(€425 000)
PA R I S R E G I O N AT TH E 72 N D C A N N E S F I L M F E STI VA L | PRESS PACK | 03
Directors’ Fortnight
Fortnight selection Closing film
AND THEN WE DANCED YVES
by Levan Akin, by Benoît Forgeard,
produced by AMA Productions produced by Ecce Films
Supported by Supported by the Grant Fund
the Post-Production Grant* (€300 000)
ZOMBI CHILD
by Bertrand Bonello,
produced by My New Picture
Supported by the Grant Fund
(€225 000)
Critics’ Week
Feature film competition Short film special screenings
J’AI PERDU MON CORPS INVISÍVEL HERÓI
by Jérémy Clapin (1 film),
st (Invisible Hero)
produced by Xilam Animation by Cristèle Alves Meira,
Supported by the Grant Fund produced by Fluxus Films
(€275 000) Supported by
the Post-Production Grant*
ACID Selection
RÊVES DE JEUNESSE VIF-ARGENT
by Alain Raoust, by Stéphane Batut,
produced by Cinema Defacto produced by ZADIG Productions
Supported by Supported by the Grant Fund
the Post-Production Grant* (€300 000)
L’ANGLE MORT
by Pierre Trividic
and Patrick-Mario Bernard,
produced by Ex Nihilo/Agat Films
Supported by the Grant Fund
(€384 000)
*Permanent Committee vote 22 May 2019
04| PRESS PACK | PA R I S R E G I O N AT T HE 72 N D C A N N E S F I L M F E STI VA LREGIONAL SUPPORT FOR CINEMA
AND AUDIOVISUAL INDUSTRY
Today more than ever, Paris Region stands alongside authors
and professionals in the cinema and audiovisual industry,
and is stepping up its efforts in support of creativity. Since January
2017, it has boosted its assistance for the sector by allocating
new funds and resources, a move welcomed by professionals.
>> More than €20M xecutive’s decision to radically overhaul
e
the Cinema and Audiovisual Grant Fund in
for the cinema 2017, the aim being to enhance the appeal
and audiovisual industry of Paris Region in these fields of work,
to support the industry’s economy and
In December 2018, the Region once again
to encourage the return of certain produc-
allocated a special budget for the industry,
tions. The result:
this time at an unprecedented level: more
than 20 million euros (€M) earmarked speci- An increase in the amount of regional
fically for the Cinema and Audiovisual Grant funding of up to €600 000 for cinema
Fund and Post-Production Grants. films and up to €500 000 for audiovisual
This budget is part of an ongoing process of works.
significantly increasing the funds that the
A new funding calculation grid with a
Region allocates to culture. Valérie Pécresse
dual subsidy system: for “exceptional
had undertaken to increase them by 20%
technical expenses” to give a boost to ser-
during her term of office. Between 2015 and
vice providers and jobs in the local area,
2019, the Paris Region’s culture budget
and for “innovative practices and techno-
increased from €83M to €95M (+14.1%).
logies” to make Paris Region a pioneering
place for certain technologies and thus
strengthen its appeal.
The subsidies range from €25 000 to
>> A more comprehensive €100 000 for expenditure on innovative
and effective Cinema technologies (virtual reality, visual effects,
and Audiovisual Grant Fund 3D, etc.) and for technical expenses for
exceptional “Made in Paris Region” manu-
Paris Region is home to nearly 80% of facturing (sets and costumes, studio fil-
France’s image industry players: and the ming, etc.).
economic gains from a sec tor that
accounts for nearly 140 000 direct jobs
are significant. Against a background of
stiff international competition, it is vital to
offer production companies a system that
responds to them and adapts to each
wo rk : thi s un d e rp in s th e re g io n al
PA R I S R E G I O N AT TH E 72 N D C A N N E S F I L M F E STI VA L | PRESS PACK | 05Reorganisation of the Cinema Reading >> A reviewed Screenplay
Committee with 3 specialist colleges
depending on budgets and works, thereby
Writers’ Grant to promote
enabling creation in all its diversity to be growth in the screenplay
supported. industry in Paris Region
Web-series funding. This sector is a key component in the
The possibility of funding up to 3 s easons development of French film and audiovi-
of the same TV series. sual production. The Region therefore
wanted to increase its budget, some
In 2018, the first full year under the new €500 000 in 2018, and to play a greater
system, the Grant Fund disbursed a record role in this field, through boosting the
amount, some €16.6M of reimbursable support it provides to young authors,
grants awarded to 59 feature films and in particular by:
41 audiovisual projects, all extremely varied
in nature and reflecting the diversity of Developing the sector in collaboration
French creation. with professionals.
Boosting assistance for authors sup-
ported: incorporating preparations for pit-
THE WRITING ches and speed-dating sessions as part of
SECTOR IS A KEY the training provided to authors starting out.
ELEMENT IN THE
DEVELOPMENT OF Arranging annual meetings with expe-
THE FRENCH rienced authors and supported producers,
FILMMAKING.
notably during the Série Series Festival
(The European Series Summit), which will be
held from 1-3 July 2019, in Fontainebleau,
Seine-et-Marne.
Reorganising the Reading Committee for
maximum results: setting up 2 specialist
committees, the first for screenplay writers
starting out, the second for experienced
screenplay writers. The result is a greater
capacity for handling projects received.
In 2018, 243 projects were submitted and
g
w Emergin E)
31 works supported. These extremely high
1 8 , a n e
Since 20 ional Fund (FoRT
figures serve to reiterate the need for sup-
g
Talent Re
port and assistance in this industry.
f
s grants o
ion award g d
r, Paris Re ators age
Each yea n th to young cre o n th s,
er m o d of 10 m
€2 500 p imu m p e ri o
for a max g Talent
18 to 30, e F o R T E (Emergin
as part o
f th is cross-
d ) sc heme. Th rts,
Regional
F u n orming a
s te m (m usic, perf u a l)
ry sy vis
disciplina and audio
s ti c a rt s, cinema s o r q u alified
pla g ra duate g
supports
yo u n g f becomin
le in th e process o e d
op ard
young pe nts are aw
ro fe s si o nals. Gra re a ti o n project,
p istic c
f a n a rt acking
on the ba
sis o
s m u s t h ave the b
e nal,
eneficiari educatio
and the b c a n d cultural, .
ti anisatio n
of an artis sional org
or profes makers.
w in n e rs were film
In 2018, 9
06| PRESS PACK | PA R I S R E G I O N AT T HE 72 N D C A N N E S F I L M F E STI VA L>> A unique system in France
for struggling films:
Post-Production Grant NEW: Vid
Creation eo Game
This grant is unique in France and open to Grant Fu
all types of projects (in length and genre). In 2018, nd
the Regio
It makes it possible to support extremely its comm n abided
itments a by
Video Ga n d s et u p
diverse works that could not otherwise be m e Creatio a new
to help th n Grant F
finished or distributed to theatres. Given is dynam u nd
Ten gam ic, job-cre
that it represents a real opportunity for es were s ating sec
uppor ted tor.
financially struggling works, Paris Region many of in 2018,
which we
Vir tual R re
has increased its budget significantly: ealit y cre
ations.
€1.050M in 2018 (including €350 000
from the CNC).
This system is particularly suitable for young
creators. It has enabled many young film-
makers to finish their short or first feature
film and thus show them to the public.
In 2018, the Post-Production Grant helped
46 films (27 feature films and 19 short films)
out of the 254 productions that applied.
PA R I S R E G I O N AT TH E 72 N D C A N N E S F I L M F E STI VA L | PRESS PACK | 07Paris Region and the animation sector
>> Updated and tailored Increased support
support systems. for audiovisual and film
animation projects
>> Major financial investment. Over the last 3 years, 21 animation works
(11 for cinema and 10 for television)
have been supported in their production,
compared to only 5 in 2014 and 2015.
>> Strong desire to support The Region also supports the sector
the industry. upstream with Screenplay Writer Grants,
Post-Production Grants and its new Emerging
Talent Regional Fund (FoRTE).
Standouts among the animated films
supported by Paris Region in 2018 and 2019
include the major successes Astérix, le secret
de la potion magique, by Louis Clichy
and Alexandre Astier, Dilili à Paris,
by Michel Ocelot, and Minuscule 2,
by Thomas Szabo and Hélène Giraud.
Improved programme of action Much anticipated releases include:
Les hirondelles de Kaboul by Zabou Breitman
As a result of the 2017 overhaul, the Region’s and Eléa Gobbé-Mevellec, L’Invasion
Cinema and Audiovisual Grant Fund is now des ours en Sicile by Lorenzo Mattotti,
much more suitable for animation projects: Calamity Jane by Rémi Chayé and
J’ai perdu mon corps by Jérémy Clapin.
• Simplified access criteria.
• In cinema, animation works benefit from
being examined by College 3, which
specialises in films generating high returns
and includes professionals from the sector. Three films supported
• Significantly revalued grant scales and an by Paris Region and selected
increased Fund budget, making it possible
to offer more and larger grants, up to for Cannes:
€700 000.
• J’AI PERDU MON CORPS
• In addition, animation projects can apply by Jérémy Clapin
for a subsidy for innovative technologies or
exceptional technical expenses, in an effort • LES HIRONDELLES DE KABOUL
to help boost the real economic impact by Zabou Breitman and Eléa Gobbé-Mévellec
and to make Paris Region a pioneer when it • LA FAMEUSE INVASION DES OURS EN SICILE
comes to certain advanced technologies. by Lorenzo Mattotti
In 2017 and 2018, the Region allocated more than €4M to the animation sector.
08| PRESS PACK | PA R IS R E G IO N AT T HE 72 N D C A N N E S F I L M F E STI VA LTAKING CINEMA TO SECONDARY
SCHOOL PUPILS AND
APPRENTICES IN PARIS REGION
>> Pupils and apprentices
at the movies
“Pupils and apprentices at the movies” is a
regional programme for education covering
moving images. It gives pupils in general,
vocational and agricultural upper secondary
schools and students in apprenticeship trai-
ning centres (CFA) an opportunity to explore
at least 3 film works during screenings orga-
nised for them in theatres.
Its goal is to enable young people to build
up, alongside the educational aware-
ness-raising work carried out by teachers
and cultural partners, the foundations of a
film culture.
Registrations for the scheme have been
increasing since 2016, testament to the fact
that it is fully operational and has a strong
presence throughout the entire region.
2018-2019 academic year
46 864
registrations
1 727
registered classes
(45 511 upper secondary pupils
and 1 353 apprentices, some 2 000 pupils hailing from
more than the previous year)
495 schools
(468 upper secondary and 27 CFA)
2 134
teachers trained beforehand
spread across the 8 Paris Region
départements.
167
partner theatres
PA R I S R E G I O N AT TH E 72 N D C A N N E S F I L M F E STI VA L | PRESS PACK | 09Films shown
to upper secondary
school pupils
and apprentices
in 2018-2019
PICKPOCKET
by Robert Bresson (France – 1959)
for 25% of those registered.
PSYCHOSE
by Alfred Hitchcock (USA – 1960)
for 76% of those registered.
LE VOYAGE DE CHIHIRO
by Hayao Miyazaki (Japon – 2002)
for 69% of those registered.
TAXI TÉHÉRAN
by Jafar Panahi (Iran – 2015)
for 52% of those registered.
MALAKA >> Film clubs in upper
by Emmanuel Gras (France – 2017)
film benefiting from regional support, secondary schools
for 36% of those registered.
and apprenticeship
training centres
Since 2016-2017, the Region has been
r unning the moving images education
programme called “Ciné-Débats”, as part
of a partnership with the CNC and Unis-
Cités. With the help of young civic service
volunteers, upper secondary school pupils
can now organise film club screenings and
PARIS REGION hold debates within their school.
COMMAITTED TO
WORK ALONGSIDE In 2018-2019, nearly 90 upper secondary
THE CNC AND
UNIS-CITÉ TO schools and apprenticeship training
RAPIDLY REACH THE centres will benefit from this programme.
OBJECTIVE OF 200 The goal is to see 200 film clubs running
OPERATIONAL
in Paris Region by the end of the term of
FILM-CLUBS.
office, with special attention paid to
schools located in the outer suburbs and
in City Policy (or priority) neighbourhoods.
100 civic service volunteers are involved
in Paris Region.
Unprecedented in its scope, this pro-
gramme aims to give young people a
taste and desire for cinema in all its rich-
ness and diversity.
10| PRESS PACK | PA R I S R E G I O N AT T HE 72 N D CA N N E S F I L M F E STI VA LCINÉMOBILE AND OUTDOOR
SCREENINGS THIS SUMMER
IN PARIS REGION
Summer 2019 will see the 3rd “L’Île-de-France fait son cinéma”,
an event launched in July 2017 to make cinema accessible
to everyone everywhere in Paris Region. A “Cinémobile” truck
will set up a real theatre this time, offering all the comforts expected,
air-conditioning, and a 100-seat capacity, in the Region’s
recreation parks, towns and villages.
New:
The Regio
About 40 free sessions are scheduled film scre n will org
enings th anise ou
is year in tdoor
throughout July. Alongside the screenings, in associa Milly-la-F
tion with orêt,
activities will be organised for everyone which wil the Mais
l reopen on Cocte
to enjoy. around th it s doors o au,
e exhibit n 1 June,
Dessins d ion “Jean
’une vie. Cocteau
à Milly-la Du Centr .
-Forêt”. T e Pompid
the dona his reope ou
tion mad ning follo
house to e by Jea ws
the Regio n Cocteau
n to pres ’s
this regio er ve
nal herita
ge.
PA R I S R E G I O N AT TH E 72 N D C A N N E S F I L M F E STI VA L | PRESS PACK | 11A LOOK BACK
AT 2018
>> 2018: a year of growth
2018 continued the trend that began in The latest employment figures compiled
2017, with an increase in audiovisual and by Ficam and Audiens show a sharp rise,
film productions in Paris Region. with a particularly active visual effects
sector standing out: its business is concen-
There has been a wealth of activity, notably
trated in Paris Region, home to 80% of VFX
due to a combination of the Region’s diffe-
(visual effects) companies and 95% of the
rent support mechanisms and the tax
total payroll.
rebate reforms. Paris Region is benefiting
first and foremost from the revived activity The subsidy system for innovative techno-
in French productions, alongside a real logies introduced in 2017 by the Region
opportunity for attracting greater numbers has played a role in this upturn.
of international productions.
With an earmarked budget of
€20M
The figures
MORE THAN
Paris Region is the leading local
, 311 THEATRES
of which 169 are classified
authority for cinema as art-house
and audiovisual support. 1 123 screens in Paris Region.
It is also the top
French region for playing
host to filming.
ALMOST 150
were supported in 2018: 46 films
WORKS
It accounts for 50% post-production, 59 feature films
of all films shot in France in production and 41 audiovisual
and has 2 400 filming projects in production.
locations listed. This represents almost 30%
more films than in 2017.
€1 of regional subsidies Every year, the Region also supports
more than
generates €16 of income
for Paris Region. 30 screenplay writers
50 festivals and networks...
12| PRESS PACK | PA R I S R E G I O N AT T HE 72 N D C A N N E S F I L M F E STI VA L>> Films
supported by the Region in 2018 and 2019
Fiction and animation
REGIONAL
FILM SUPPORTED PRODUCTION COMPANY YEAR
SUBSIDY
DOCTEUR NIGHT
24 Mai Productions €162 000 2019
by Elie Wajeman – Fiction
LES SANS-DENTS
Loin Derriere l’Oural €210 000 2019
by Pascal Rabaté – Fiction
VILLA CAPRICE
JPG Films €221 000 2019
by Bernard Stora – Fiction
GAGARINE
Haut et Court €297 500 2019
by Fanny Liatard – Fiction
UN LONG SOLO
MLD Films €31 000 2019
by Damien Manivel – Fiction
LES HÉROÏQUES
TS Productions €213 000 2019
by Maxime Roy – Fiction
UN VOYAGE EN HIVER
Arches Films €245 000 2019
by Claus Drexel – Fiction
SOL
Illiade Films €297 500 2019
by Jezabel Marques – Fiction
LA DARONNE
Les Films du Lendemain €297 500 2019
by Jean-Paul Salomé – Fiction
LE MEC NORMAL
AIM Cactus Prod €297 500 2019
by Pierre Ménès – Fiction
ADIEU LES CONS
Manchester Films €420 000 2019
by Albert Dupontel – Fiction
COMMENT JE SUIS DEVENU SUPER HEROS
Trésor Films €421 000 2019
by Douglas Attal – Fiction
CHANSON DOUCE
Why Not Productions €340 000 2019
by Lucie Borteleau – Fiction
FOURMI
The Film €340 000 2019
by Julien Rappeneau – Fiction
LA VÉRITÉ (provisional title)
3B Productions €340 000 2019
by Hirokazu Kore eda – Fiction
MADAME CLAUDE
Les Compagnons du Cinema €340 000 2019
by Sylvie Verheyde – Fiction
HORS NORMES
ADNP Quad Films €425 000 2019
by Éric Toledano and Olivier Nakache – Fiction
J’ACCUSE
Legendaire €560 000 2019
by Roman Polanski – Fiction
LISA REDLER
LFP Les Films Pelleas €330 000 2019
by Nicole Garcia – Fiction
LES SECRETS DE MON PÈRE
JSBC Je Suis Bien Content €256 000 2018
by Vera Belmont et Xavier Picard – Animation
ZOMBI CHILD
My New Picture €225 000 2018
by Bertrand Bonello – Fiction
LA NUIT VENUE
Koro Films €109 000 2018
by Frédéric Farrucci – Fiction
PASSION SIMPLE
Les Films Pelleas €240 000 2018
by Danielle Arbid – Fiction
TU T’ARRÊTES JAMAIS
La Rumeur Filme €225 000 2018
by Mohamed Bourokba and Ekoue Labitey – Fiction
LA SIRÈNE
Les Films d’ici €166 000 2018
by Sepideh Farsi – Animation
PA R I S R E G I O N AT TH E 72 N D C A N N E S F I L M F E STI VA L | PRESS PACK | 13REGIONAL
FILM SUPPORTED PRODUCTION COMPANY YEAR
SUBSIDY
SAULES AVEUGLES, FEMMES ENDORMIES – SAFE Cinema defacto
€196 000 2018
by Pierre Földes – Animation Les films à un dollar
DE NOS FRÈRES BLESSÉS
Les Films du Belier €390 000 2018
by Hélier Cisterne – Fiction
DERNIER AMOUR
Les Films du Lendemain €326 000 2018
by Benoît Jacquot – Fiction
LA BELLE ÉPOQUE
FK Les Films du Kiosque €460 000 2018
by Nicolas Bedos – Fiction
TENDRE ET SAIGNANT
Les Films du Cap €340 000 2018
by Christopher Thompson – Fiction
NOTRE DAME
Rectangle Productions €356 000 2018
by Valérie Donzelli – Fiction
PORTRAIT DE LA JEUNE FILLE EN FEU
Lilies Films €380 000 2018
by Céline Sciamma – Fiction
L’INSPIRATRICE
Les Films Velvet €320 000 2018
by Grégroy Magne – Fiction
DERNIER ROUND A ISTANBUL
Maybe Movies €160 000 2018
by Serge Avedikian – Fiction
UN VRAI BONHOMME
Delante Productions €280 000 2018
by Benjamin Parent – Fiction
TOI
FK Les Films du Kiosque €280 000 2018
by Laetitia Masson – Fiction
LES MISÉRABLES
SRAB Films €280 000 2018
by Ladj Ly – Fiction
GRÂCE A DIEU
Mandarin Production €360 000 2018
by François Ozon – Fiction
LA PREMIÈRE SÉANCE
Les Films Pelleas €360 000 2018
by Justine Triet – Fiction
THE SILENCE OF THE MOON
Moana Films €562 000 2018
by Hervé Hadmar – Fiction
FAHIM
Waiting for Cinema €425 000 2018
by Pierre-François Martin Laval – Fiction
UN HOMME FIDÈLE
Why Not Productions €156 000 2018
by Louis Garrel – Fiction
DISCO BOY
Bathysphere Productions €280 000 2018
by Giacomo Abbruzzese – Fiction
LE COUP DE CHAPEAU
Curiosa Films €360 000 2018
by Fabien Onteniente – Fiction
JE VOUDRAIS QUE QUELQU’UN
M’ATTENDE QUELQUE PART Easy Tiger €360 000 2018
by Arnaud Viard – Fiction
LA LUTTE DES CLASSES
Kare Productions €300 000 2018
by Michel Leclerc – Fiction
REBELLES
Ailbertine Productions €330 000 2018
by Allan Mauduit – Fiction
VIF-ARGENT
Zadig Productions €300 000 2018
by Stéphane Batut – Fiction
MIGNONNES
Bien ou Bien Productions €274 000 2018
by Maimouna Doucouré – Fiction
LES PETITES VOLEUSES
Recifilms €300 000 2018
by Pietro Caracciolo et Sacha Sterling – Fiction
UNE JEUNESSE DORÉE
Macassar Productions €280 000 2018
by Eva Ionesco – Fiction
MON FRÈRE
Ex Nihilo €315 000 2018
by Julien Abraham – Fiction
14| PRESS PACK | PA R IS R E G IO N AT T HE 72 N D C A N N E S F I L M F E STI VA LREGIONAL
FILM SUPPORTED PRODUCTION COMPANY YEAR
SUBSIDY
ÉNORME
Avenueb Productions €360 000 2018
by Sophie Letourneur – Fiction
CELLE QUE VOUS CROYEZ
Diaphana €445 000 2018
by Safy Nebou – Fiction
MAIS VOUS ÊTES FOUS
Rectangle Productions €395 000 2018
by Audrey Diwan – Fiction – 1st feature length film
DANS LA GUEULE DU REQUIN
by Emmanuel Hamon – Fiction – Epithete Films €235 000 2018
1st feature length film
LA FAMEUSE INVASION DES OURS EN SICILE
Prima Linea Productions €375 000 2018
by Lorenzo Mattot – Animation
Documentaries supported
REGIONAL
DOCUMENTARY SUPPORTED PRODUCTION COMPANY YEAR
SUBSIDY
LES HORIZONS PERDUS
Tbc Productions €70 000 2019
by Thomas Balmes
LES FOUS SONT DANS LA VILLE
Les Films Du Bal €53 000 2019
by Ilan Kilpper
DIEU EST UNE FEMME
Industrie Films €48 000 2019
by Andres Peyrot
LES INDES GALANTES
Les Films Pelleas €70 000 2019
by Philippe Beziat
LES EXILÉS DE LA TERRE PROMISE
Ex Nihilo €87 000 2019
by Michale Boganim
LA CORDILLÈRE DES SONGES
Atacama €87 000 2018
by Patricio Guzman
DU PLUS LOIN DE LA NUIT,
ENQUÊTE SUR UNE FEMME SINGULIÈRE
Ks Visions €57 000 2018
ET SOLITAIRE
by Jean-Pierre Krief
140 KM À L’OUEST DU PARADIS
Les Films D’ici €49 000 2018
by Céline Rouzet
DEVANT – CONTRECHAMP DE LA RÉTENTION
Iskra €32 000 2018
d’Annick Redolfi
UN ENFANT A SOI
Cg Cinema €87 000 2018
by Amandine Gay
LE TEMPS QUI VIENT
Aeternam Films €33 000 2018
by Bartolomeo Pampaloni
365 JOURS SOUS LES GLACES
Terra Incognita €60 000 2018
by Djamel Tahi
UN VENDREDI AUX BAINS-DOUCHES
Af Apaches Films €15 000 2018
by Julie Conte
SEEKERS
Jonas Films €22 000 2018
by Aurore Vullierme
INNA DE YARD
Borsalino Productions €95 000 2018
by Peter Webber
PSYCHOMAGIE
Satori Films €78 000 2018
by Alejandro Jodorowsky
NOS PREMIERS PAS
Pylaprod €20 000 2018
by Anne-Claire Dolivet
PA R I S R E G I O N AT TH E 72 N D C A N N E S F I L M F E STI VA L | PRESS PACK | 15>> List of films benefitting from regional support and selected
for the César and Cannes awards
César 2019: 12 films • PREMIÈRE ANNÉE
by Thomas Lilti
supported by the Region (Grant Fund: €405 000)
totalling 35 nominations 1 nomination
• DE CHAQUE INSTANT
• LA DOULEUR by Nicolas Philibert
by Emmanuel Finkiel (Grant Fund: €90 000)
(Grant Fund: €409 000) 1 nomination
8 nominations
• PUPILLE
by Jeanne Herry
(Grant Fund: €358 500)
7 nominations
Cannes 2018: 5 films
selected, supported
• MADEMOISELLE DE JONCQUIÈRES
by Emmanuel Mouret
by the Région
(Grant Fund: €320 000)
6 nominations Official Selection
• UN AMOUR IMPOSSIBLE
by Catherine Corsini • LES ÂMES MORTES – (DEAD SOULS)
(Grant Fund: €326 000) by Wang Bing
4 nominations (Post-Production: €43 000)
• UN PEUPLE ET SON ROI
by Pierre Schoeller Directors’ Fortnight Selection
(Grant Fund: €405 000)
2 nominations
• AMIN
• L’EMPEREUR DE PARIS by Philippe Faucon
by Jean‑François Richet (Grant Fund: €240 000)
(Grant Fund: €630 000)
2 nominations • JOUEURS
by Marie Monge
• ASTÉRIX – LE SECRET (Grant Fund: €298 000)
DE LA POTION MAGIQUE
by Alexandre Astier and Louis Clichy • LA ROUTE DES SAMOUNI
(Grant Fund: €620 000) by Stefano Savona
1 nomination (Post-Production: €43 000)
• DILILI À PARIS • LES SILENCES
by Michel Ocelot by Beatriz Seigner
(Grant Fund: €448 000) (Post-Production: €45 000)
1 nomination
• LE GRAND BAL
by Laetitia Carton
(Post-Production: €37 000)
1 nomination
• L’HOMME FIDÈLE
by Louis Garrel
(Grant Fund: €156 000)
1 nomination
16| PRESS PACK | PA R I S R E G I O N AT T HE 72 N D CA N N E S F I L M F E STI VA LFILMING IN PARIS REGION
AND FUNDING YOUR FILM:
PROCEDURE
I Cinema and Audiovisual Eligibility criteria, schedule
and application form:
Grant Fund www.iledefrance.fr/aides-cinema
The Region’s Cinema and Audiovisual Contact for industry professionals:
Grant Fund provides selective and reimbur- elsa.cohen@iledefrance.fr
sable grants to productions and is designed +33 (0)1 53 85 62 87
to encourage diversity in creations and
generate wider economic impacts for the
film and audiovisual sector in Paris Region.
III Screenplay Writers’ Grants
Eligibility criteria, schedule The purpose of Screenplay Writers’ Grants
and application form: is to help an author with his/her screenplay
writing project and to set up a workshop in
www.iledefrance.fr/aides-cinema
an upper secondary school or relevant
Contacts for industry professionals: facility located in Paris Region.
>> Cinema: myriam.gast@iledefrance.fr
Eligibility criteria, schedule
+33 (0)1 53 85 72 78
and application form:
>> Audiovisual: melaine.thomann-fox@ilede-
www.iledefrance.fr/aides-cinema
france.fr
+33 (0)1 53 85 72 20 Contact for industry professionals:
marine.coatalem@iledefrance.fr
+33 (0)1 53 85 56 71
II Post-Production Grants
The Region’s Post-Production Grants aim
to help financially struggling projects that
have managed to film but whose produc-
tion remains unfinished. The aim of the
Region’s Grants is to help get films shown
in theatres.
Contact
for
professio sector
nals
D
epartme
Cinema a nt of Cult
ure,
nd Audio
>> Head visual Un
of service it
sebastien : Sébastie
.colin@ile n Colin
+33 (0)1 5 defrance
3 85 71 42 .fr
PA R I S R E G I O N AT TH E 72 N D C A N N E S F I L M F E STI VA L | PRESS PACK | 17IV Facility for productions notable wealth of heritage available,
ensuring that Paris Region continues to
in Paris Region enjoy its enviable international renown.
The Paris Region Film Commission has tea-
med up with Paris Region Entreprises, the Master Your Production
agency in charge of making the Region With FILM PARIS REGION
internationally appealing, with three goals
set out: Film Paris Region is the Film Commission of
>> Contribute to growth in the Image industry. the Paris Region, supporting producers
>> Assist production companies wanting to with their projects in one of the world pre-
develop their projects. mier cinematographic and audiovisual
>> Promote the Paris Region ecosystem media destinations
among international production compa- We bring our industry expertise and extensive
nies under the brand “Film Paris Region, la network to provide a privileged access to:
Commission du film d’Île-de-France”. >> Lucrative Financing Solutions
This body helps with establishing a >> Services Production Companies
consistent policy for facilitating film shoots >> Exclusive and Inspiring Locations
in the Region. It identifies potential sets in >> Experienced Service Providers
each département and promotes them >> Multilingual Crews and Talents
among production companies and tech- >> International VFX and Post Production
Companies
nicians. It assists them in their location
scouting work and advises on authorisa- Contact us to take advantage of our free
tions needed for filming in public spaces. and confidential services!
It therefore promotes the unique and Production@FilmParisRegion.com
18| PRESS PACK | PA R IS R E G IO N AT T HE 72 N D CA N N E S F I L M F E STI VA LYou can also read
