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OUTSIDE FRONT COVER PLACEHOLDER
WARNING: PHOTOSENSITIVITY/EPILEPSY/SEIZURES
A very small percentage of individuals may experience epileptic seizures or blackouts when exposed
to certain light patterns or flashing lights. Exposure to certain patterns or backgrounds on a television
screen or when playing video games may trigger epileptic seizures or blackouts in these individuals.
These conditions may trigger previously undetected epileptic symptoms or seizures in persons who
have no history of prior seizures or epilepsy. If you, or anyone in your family, has an epileptic condition
or has had seizures of any kind, consult your physician before playing. IMMEDIATELY DISCONTINUE
use and consult your physician before resuming gameplay if you or your child experience any of the
following health problems or symptoms:
• dizziness • eye or muscle twitches • disorientation • any involuntary movement
• altered vision • loss of awareness • seizures or convulsion.
RESUME GAMEPLAY ONLY ON APPROVAL OF YOUR PHYSICIAN.
_____________________________________________________________________________
Use and handling of video games to reduce the likelihood of a seizure
CONTENTS
• Use in a well-lit area and keep as far away as possible from the television screen.
.....2
• Avoid large screen televisions. Use the smallest television screen available.
S TA R T ED .........
GETTIN G
• Avoid prolonged use of the PLAYSTATION®3 system. Take a 15-minute break during each hour of play. .......4
• Avoid playing when you are tired or need sleep. D U C T IO N .........
_____________________________________________________________________________ INTRO
........6
Stop using the system immediately if you experience any of the following symptoms: lightheadedness, R O LS . . . .........
CONT
nausea, or a sensation similar to motion sickness; discomfort or pain in the eyes, ears, hands, arms, or ........7
any other part of the body. If the condition persists, consult a doctor. IN G IN T O THE GAME
GETT 7
.........
NOTICE: M EN U . .........
MAIN 8
Use caution when using the SIXAXIS™ wireless controller motion sensor function. When using the .........
SIXAXIS™ wireless controller motion sensor function, be cautious of the following points. If the F IN G N O T ES . . . . . .
BRIE
. . . . . . . . 1O
CTIVES . .
controller hits a person or object, this may cause accidental injury or damage. Before using, check
S IO N O B JE . . . . . . . . 10
.........
that there is plenty of space around you. When using the controller, grip it firmly to make sure it MIS
. . . . . . . .
ORIAL . .
cannot slip out of your hand. If using a controller that is connected to the PS3™ system with a USB 11
ROOKIE TUT .........
cable, make sure there is enough space for the cable so that the cable will not hit a person or object.
. . . . . . . . .........
Also, take care to avoid pulling the cable out of the PS3™ system while using the controller. N .... .........
12
GAME SCREE . . .........
WARNING TO OWNERS OF PROJECTION TELEVISIONS: . . . . . .
....... .........
. 19
Do not connect your PLAYSTATION®3 system to a projection TV without first consulting the user manual COMBAT . . . .........
for your projection TV, unless it is of the LCD type. Otherwise, it may permanently damage your TV screen. . . . . . . .
U.... .........
. 19
HANDLING YOUR PLAYSTATION®3 FORMAT DISC: PAUSE MEN . .........
. . . . . . .
.... . . 20
OBJECTIVES .........
• Do not bend it, crush it or submerge it in liquids. • Do not leave it in direct sunlight or near a radiator
or other source of heat. • Be sure to take an occasional rest break during extended play. • Keep this
. . . . . . . . .........
ENU . . . . 21
OPTIONS M .........
disc clean. Always hold the disc by the edges and keep it in its protective case when not in use. Clean
the disc with a lint-free, soft, dry cloth, wiping in straight lines from center to outer edge. Never use
. . . . . . . . .........
....
CREDITS .
solvents or abrasive cleaners.GETTING STARTED GETTING STARTED
PLAYSTATION®3 system front Using the SIXAXIS™ wireless controller (for PLAYSTATION®3)
Slot cover Port indicators USB connector
CF*1 slot
L2 button R2 button
Eject button L1 button R1 button
SD*2 Memory
Card slot button
Memory Directional button
Stick™ slot buttons button
CF SD/miniSD
button
Insert the disc with the
*1 CompactFlash®
label side facing up.
*2 Secure Digital Left stick/ Right stick/
L3 button* R3 button*
SELECT button START button
Disc slot PS button
Power button
* The L3 and R3 buttons function when the sticks are pressed.
Vent
Eject button
WLAN access indicator
Note: To use the controller, you must first register or “pair” the controller with the
PLAYSTATION®3 system and assign a number to the controller. For details, refer to the
HDD access indicator instructions supplied with the system.
USB connectors
Note: Some models of the PLAYSTATION®3 system do not include media slots. For specific
features included, refer to the instructions for use of your model of the PLAYSTATION®3 system. Saved data for PLAYSTATION®3 format software
Saved data for PLAYSTATION®3 format software is saved on the system’s hard disk.
Starting a game: Before use, carefully read the instructions supplied with the PLAYSTATION®3 The data is displayed under “Saved Game Utility” in the Game menu.
computer entertainment system. The documentation contains information on setting up and
using your system as well as important safety information.
Check that the MAIN POWER switch (located on the system rear) is turned on. Insert the
Shellshock 2: Blood Trails disc with the label facing up into the disc slot. Select the icon for the
software title under [Game] in the PLAYSTATION®3 system’s home menu, and then press
the S button. Refer to this manual for information on using the software.
Quitting a game: During gameplay, press and hold down the PS button on the wireless
controller for at least 2 seconds. Then select “Quit Game” from the screen that is displayed.
Hint To remove a disc, touch the eject button after quitting the game. 3Now i
t ’s i n
INTRODUCTION
in con YO U R
trol o hands
the h f Nate : She
unt f Walke llshoc
o r r. Yo u k 2 p
US plane of “W Ca l a uts y
f o r w a r - t o r n Vietnam, a hitek nd tr
y to s
must
ta k e
ou
On course o code-named game. night
” i o l v e u p
p-secret carg Set i n this i the m
carrying a to he jungles of the V n the
dark,
ntens
e “su
yster
y
e k n i g h t ” is lost over t ietna
m n i g h r v i v al hor
“W h i t is sent in to chanc W a r, t h t m a r
A S p e c i al Ops squad e to e is is ish ju
ngles
ror”
Ca m b o d i a . l y d i s a p p e a r. b r u ta xperi your durin
i t , b u t t h e y all mysterious l jung
le com
ence
inten g
retrieve team, Sergea
nt by sw
aths bat m se,
e r, o n e o f t h e of un atche
One month lat the jungle — b u t he is tempo bridle d
l e b W a l k e r , walks out of e ,
horro
r. d high
Ca en him insan
thing has driv
changed; some f the darknes
s.
n g t h a t f o l l o wed him out o
somethi
Th e h o rr o r …
ckly brought
r b r o t h e r N a te is then qui
C a l ’s y o u n g e night”
about “Whitek
t o t r y t o g e t information e p t in
in is being k
r a n g e d s i b l i n g . Ca l
from h i s d e he is ca ying
r r
e b y t h e m i l i ta r y b e c a u s e
quaranti n estructive
ta g i o u s a n d horrifically d
a highly con en all hell
t h e r s m e e t b riefly, but th
vi r u s . Th e b r o Fo r c e s a t ta c k
l o o s e : V i e t cong Special
break s in the chaos
o t e j u n g l e t own base, and
the rem and escapes.
al breaks out
that follows C
4 5T O T H E G A M E
CONTROLS GETTING I N
GAME CONTROLS GAME ACTION • Once the game loads, press the [ button.
left stick / directional buttons Menu highlight • You will be asked to Create New Save Game.
S button Menu select • After the save game has been created, you proceed to the Main
A button Menu back Menu screen.
GAME CONTROLS GAME ACTION
MAIN MENU
Q button Run
W button Press and hold for Iron Sight
directional buttons Z/X Change weapon
directional buttons C/V Switch to flare or grenade The Main Menu screen is the starting point for all areas of the game.
left stick Move character Here you can choose: New Game to start a new game; Continue Game
B button Stance toggle to resume from the last checkpoint; Level Select to replay an unlocked
right stick Camera level; Options to adjust game and controller options; or Change Profile
to modify your profile.
S button Flashlight on/off
A button Melee attack If this is the first time you are playing Shellshock 2: Blood Trails:
F button Reload weapon • Select New Game.
D button Use / Interact / Pickup • Select Easy, Medium or Hard difficulty.
E button Throw grenade • Press the [ button when the level has loaded.
R button Fire weapon / Punch
[ button Pause Menu / Objectives / Melee
6 7BRIEFING NOTES
You play Nate Walker. Get to know him well and use these character Sergeant Caleb (Cal) Walker
notes to try to understand the special bond he has with his older
brother Cal.
When the brothers were young, Cal always
Private Nathanial (Nate) Walker looked after Nate, especially when they were
taunted by other kids about their father’s
Nate’s father was dishonorably discharged reputation for cowardice.
from the US Army in World War Two
for cowardice, after suffering shellshock. In the Army, Cal was always the first
to volunteer for the most dangerous
Nate’s older brother Cal always resented assignments. This “first into the fight”
his father. As soon as the US was sucked mentality generated furious loyalty
into the Vietnam conflict, Cal from the soldiers he fought with.
volunteered to fight, to prove
that he was not a coward like his father. Cal worked his way up to Squad Leader
of a Special Ops squad, the squad that was
It was not long before he was decorated sent in to track down “Whiteknight.”
for bravery at the siege of Khe Sanh.
His father was overjoyed at the news
of the medal and Nate found himself
under increasing pressure to volunteer.
But before Nate could decide what
to do, he was drafted.
8 9C T I V E S
MISS I O N O B J E GAME SCREEN
Shellshock 2: Blood Trails has a large number of intense levels. Each level The game screen is deliberately left clear and uncluttered, enabling you
has a number of mission objectives that you must complete before you can to see and hear exactly what Nate Walker is experiencing. This conveys
progress to the next level. the atmosphere of being there, deep in the jungle, surrounded by hostiles,
New objectives are added to the list as you progress. When added, they are the VC after your blood and a terrifyingly contagious virus primed
shown briefly on-screen and then listed in the Objectives Menu. and ready to infect you.
Completed objectives are checked off. Some HUD items and text messages will appear on-screen briefly, then fade
away to clear the screen for action. The screen also graphically reflects
Nate’s state of health, shock, stamina, etc.
O K I E T U T O R I A L
RO
When the game begins, you have to hit the ground running.
Initially, you won’t know what’s going on. You will be briefed by Master
Sergeant Griffin, a fiercely patriotic psychotic who would willingly die
for his country.
You are in the frontier town where Cal is quarantined. Griffin takes you
to meet your incoherent brother. Cal’s first moment of clarity occurs when
he recognizes you. There is a connection—but then an explosion blasts
through the cell, showering debris into the room. When you come to, you
spot Cal escaping with Griffin racing after him.
There’s very little time for basic training. You must chase them and learn
the basic game controls FAST—your life and the life of your brother now
depend on it!
10 11COMBAT
Weapons Contextual Button
Your current weapon in hand is shown on-screen, but be warned that you There are many objects, items, and structures in the game that you can use,
will have to find additional weapons to survive. You will find a number pick up, or interact with in some specific way. When you are near
of different US and VC weapons; those that can be picked up are the object, an on-screen contextual button prompt will appear.
clearly indicated. • Press the contextual button shown on-screen to use, pick up, interact,
• Once you possess more than one weapon, you can scroll through them and so on.
(put them into your hands) with the directional buttons Z/X.
Stance Icon
Crosshair You have two stance positions in the game: standing and
Each pistol, rifle or automatic weapon you are currently holding crouching. Standing gives you more mobility but makes you
has an on-screen crosshair sight icon that allows you to aim more vulnerable. Crouching makes you slower across the ground
and fire at a specific target. but puts you in a better defensive position. An icon appears
The crosshair is permanently on by default, but you can choose to switch it briefly on-screen to show the changed stance.
off via the Options Menu. It will then appear on-screen only when you • Press the B button to switch between standing and crouching.
begin to fire.
Ammo and Reloading
Iron Sight Ammo is at a premium in the game. There’s not much of it around,
Each pistol, rifle or automatic weapon also has the option of an Iron Sight. so try not to waste it on indiscriminate fire.
This raises the weapon’s sight up to your eye line, and allows you to fire When your weapon is low on ammo, the weapon icon flashes up
an accurate, finely controlled shot. on the HUD. When your weapon is out of ammo, the weapon icon
• Press and hold the W button to use the Iron Sight. appears with a red cross through it.
• You cannot use the Iron Sight while running, and you will not see • Press the F button to reload the equipped weapon.
the crosshair.
12 13Melee Attack Throwing Grenades
If an enemy jumps out at you too You can pick up and throw various different objects, such as grenades
close for you to aim your weapon, and flares, but in combat the explosive grenades are by far the most
you can use a melee attack to smash important.
the enemy in the face with whatever • Select the grenade (scroll through your items with the directional
is in your hands. buttons C/V).
• Press the A button when close to • Turn and look in the direction you want to throw.
an enemy to melee attack.
• Press the E button to throw the grenade.
If you are not carrying a weapon,
you will use your fist to smash The grenade is thrown in an arc in the direction you are facing:
the enemy’s face. • If you are looking forward, level with the ground, the grenade will travel
in a low trajectory arc.
Grapple Attack • If you are looking up, you’ll get a longer distance on the throw by
If a deranged enemy suddenly gets right pressing, holding and then releasing the E button. Increase the effort
in your face, that foe will lock you into you put into throwing the grenade to increase the thrown distance.
a hand-to-hand grapple. A grenade is fitted with a detonation timer that initiates as soon as you
• To successfully grapple attack the enemy, press the on-screen button release the E button. This means that a grenade thrown a great distance
prompts in sequence. with a large trajectory arc can explode in the air above an enemy, making
• Once you manage to beat down the enemy, press the W or R him vulnerable even when he is in good cover.
button to perform the finishing move of your choice.
14 15Heavy Machine Guns Stamina
At certain times, you may have to fire Maintaining stamina is very important; it affects everything you do. Prolonged
a mounted high-caliber weapon such as sprinting, the effects of shellshock, and taking damage all reduce your stamina
a heavy machine gun. These weapons can level. Reduced stamina affects your combat efficiency, reducing your reload
do a lot of damage in a short space time and the accuracy of your aim. You can preserve (or top up) stamina by
of time, and can be very useful against walking slowly, remaining still or crouching for a period of time.
a strong, determined attack. While there is no specific indicator on the HUD to show your stamina level,
• Approach the mounted gun by facing you can get a good idea via realistic audio feedback and on-screen effects.
the handles, and press the D button.
You will grab hold of the gun. Breathing
• Aim with the left stick. The heavier and more frequent your breathing, the lower your stamina.
When your stamina is at its lowest point, your breathing will change
• Fire with the R button.
to an unhealthy wheeze and you will only be able to move very slowly
• Press the D button to release across the ground.
the mounted gun.
Walking and Running Flashlight
You are carrying a useful flashlight that will help light your way through
Walking is the default character movement in Shellshock 2: Blood Trails.
pitch black tunnels and dark sections of the game. Remember: using
You can also sprint by pressing and holding the Q button.
a flashlight will also make you visible to an enemy, so turn it off when it’s
• Be aware that running tires you out and uses up stamina. not essential to your progress.
• Press the S button to turn the flashlight on/off.
16 17PAUSE MENU
Health You can access the Pause Menu at any time to freeze the game and take
You are able to see your current state of health without affecting your field a break from the intense action. The Pause Menu also allows you to:
of view: as health decreases, the edges of the screen turn red and begin • Restart the level.
to close in. If you continue to take damage and die, your view will go • Return to the last checkpoint.
completely dark. As you regain health from injuries, your field of vision is
• Access the game options.
gradually returned to normal.
• View your current objectives.
OBJECTIVES
Injury
A number of full-screen effects
show the effects of injury,
impaired vision, drug use You can access the Objectives screen at any time. Next objectives will be
or shellshock. If Nate is badly shown briefly on-screen and then listed on the Objectives screen.
affected by gas or smoke, you If an objective has been completed, it will be checked off.
will hear him cough and gasp
• Press the [ button to view your current objectives.
and the screen will flash.
18 19OPTIONS MENU CREDITS
You can access the Options Menu from the Main Menu or from the Pause REBELLION
Menu. It allows you to adjust various control- and game-related options
Developed by Code Lead Artist Animation
and manually save the game. REBELLION Catalin Arsenescu Daryl Clewlow John Barnard
Steve Barnett Sarah Deas
Rebellion James Bulman Art Des Forde
Management CEO Damian Furlong Leavon Archer Gary Ronaldson
Control Options Game Options Jason Kingsley Martin Harris Peter Asberg Duncan Skertchly
Mike Healey Pete Barnard
• Invert Controls on/off (default: off) • Crosshair yes/no (yes = always on) CTO Steve Keen To m B e e s l e y Asura Engine Code
Chris Kingsley Andrew McDonald Adrian Denne Catalin Arsenescu
• Aim Sensitivity (graduated bar) • Motion Sensor Actions yes/no Andrew Finch Steve Barnett
Head of Production Mark Parry
• Aim Assist on/off Morgan Parry James Fraser Nick Brett
Mike Burnham
• Aim Assist Sensitivity (graduated bar) Save Options Richard Rice Jamie Gibson
Jason Hardman
James Bulman
Paul Cardy
Head of Programming Guy Symonds
Nick Hinton Nick Davis
• Control Style • Save Game K e v i n F l o y e r- L e a J o h n Tr e e c e - B i r c h
B e n We s t o n John Lilley K e v i n F l o y e r- L e a
• Left Handed on/off (default: off) • Auto Save on/off Head of Design C a n We t h e r l i t Doug McPherson Anthony Gregson
Ti m J o n e s N e i l Yo u n g Claire Muncey Martin Harris
T h o m a s Yo u n g Chris Narchi Mike Healey
Graphics Options View Credits ShellShock 2: Blood Jerry Oldreive Steve Keen
Trails Game Team Lead Designer Andrew Pattinson Steven Lovesey
• Brightness (graduated bar) Available from the Main Menu Options Keith Ledger Sean Power Richard May
Menu only. Senior Producer Vi d a r R a p p Andrew McDonald
Sean Griffiths Designers Lee Ray Stuart Middleton
Audio Options Producer
Wa y n e A d a m s
Jonathan Barrett
David Reading Craig Mitchell
Graham Rice Mark Parry
• Music Volume (graduated bar) J o h n Wa l s h Oli Clarke-Smith Scott Robinson Morgan Parry
Ade Esan J o Ta y l o r Wi l l i a m P l a n o
• Sound Volume (graduated bar) Assistant Producers Paul Field
Lee Heir P a u l Tr e h a n - Yo u n g Kim Randell
Ben Gouldstone Rick Underhill Richard Rice
• Speech Volume (graduated bar) Richard McClaughry Ian Hannigan
Eric Miller Richard Whitelock Andy Southgate
• Subtitles on/off (default: off) Jamie Morton M a t t Wi l m o t A n d y Ta t e
Lead Coder Kevin Nolan N e i l Yo u n g
Stuart Middleton Darren Price Additional Art T h o m a s Yo u n g
Andy Sandham Kornelius Dahl
D a v i d Wa r d Martin Ocheng Head of Audio
Paul Sparkes Martin Oliver
N a t h a n Ta n g
Andrew Stewart Audio Lead
Stuart Duffield
20 21REBELLION (continued) EIDOS, INC. (continued)
Audio Voice Talent Game Music Special Thanks ACCOUNTS PAYABLE FACILITIES ASSISTANT SPECIAL THANKS
Nick Brewer Nick Brewer Martin Iveson Paul French SPECIALIST Claire Laik JVST
Ti m H a y w o o d Peter Brooke Ben McCullough Andy Gibson Arsenia Delacueva Robert Dang
Michelle Leonard Roger Clark Iain Hancock IT DIRECTOR Connie Cheung
Jordan Pedder Ti m D a v e n p o r t IT Support Duncan Hopkins
CREDIT MANAGER B r i a n Ve n t u r i Matt Dahlgren
Ed Duerr Brian O’Leary John Lerma
Video Technician
Darren Daly
Robb Howell
Sam Kinch IT SUPPORT Kelly Xu
Emily Denniston John O'Brien RECEPTIONIST Barnaby Go Rich Campbell
Ian Smith Son Do Andy Liggett Steve Pritchard Elizabeth Adelman Patrick Laciste Rudy Geronimo
Stuart Duffield Dan Thomas David Reed Andre Rodriguez G r e g Wu
QA Manager Des Forde To m S c u t t SENIOR FACILITIES Robert Hernandez Oonagh Morgan
I a n Tu t t l e Ti m H a y w o o d Additional Thanks Olive Sentance COORDINATOR Tr a v i s R o g e r s Cale Byrom
Ben McCullough Audio Motion C l a i r e Ti m p a n y Ti l o O r t e g a Ry a n Wo r r e l l
QA Elaine McCullough Film Finance Inc. J a k e Tu r n e r
Simon Brewer
Hayos Fatumnbi Hung Nygen Friends, Families
Kerry Shale and the better halves
Pawel Goleniewski
Owen Keys Robert G. Slade of all of the staff MUSIC
Kevin Marshall To m S c u t t during the development
Alejandro Millican E b e n Yo u n g process “Free Bird” Guitars – Guthrie “All the Smoke” “L’edge en Dame”
Performed by G o v a n , Vo c a l s – R o l a n d Wr i t t e n b y L e a v o n Wr i t t e n b y A n d r e w
Oliver Scott Ly n y r d S k y n y r d Jones, Drums – Richard A r c h e r, A n d r e w Barnabas and Paul
Wr i t t e n b y Adlam, Keyboards Barnabas & Arnold
( Va n S a n t / C o l l i n s ) by Hal Ritson Paul Arnold. Performed by the
EIDOS, INC. Courtesy of MCA
Records Inc “Me Ya Ya” Ly r i c s b y L e a v o n A r c h e r
Vo c a l s & G u i t a r –
City of Prague
Philharmonic Orchestra.
Wr i t t e n b y A n d r e w
EXECUTIVE SENIOR MANAGER SALES SUPPORT U.S. MANUAL Under licence from
Barnabas, Paul Arnold
L e a v o n A r c h e r, Guitar – Louis Thorne
VICE PRESIDENT OF PRODUCT SUPERVISOR Hanshaw Ink & Image Universal Music
& Li Jiang.
Drums & percussion – Orchestrated and
OF SALES MANAGEMENT Lena Sparks-Anderson Operations
Ly r i c s b y L i J i a n g
Alex Reeves, conducted by Nic Raine
& MARKETING Mai Kawaguchi WEB SYSTEMS Published by Duchess
Vo c a l s b y A m y L i ,
B a s s – C h r i s Ta y l o r, Recorded at Barrandov
Robert Lindsey LEGAL & BUSINESS MANAGER Music Corp/Longitude
backing vocals
Organ – Paul Arnold. Scoring Stage, Smecky
CREATIVE SERVICES AFFAIRS MANAGER John Glass Music Co/Universal/
by Li Jiang.
Recorded at Blue Bank Studios, Prague.
SENIOR DIRECTOR MANAGER C l i n t o n Wa a s t e d MCA Music Ltd Studios, Engineered and mixed
HUMAN RESOURCES Mike Cala WEB ADMINISTRATOR Drums & percussion – Cambridgeshire. by Jan Holzner
Lisa Dennis CHANNEL MARKETING Ve r o n i c a R u e d a “A Horse Alex Reeves, Engineered & edited Produced by James
CREATIVE SERVICES SPECIALIST With No Name” Guitars – Louis Thorne, b y C h r i s Ta y l o r Fitpatrick
MARKETING PROJECT MANAGER Rafal Dudziec SENIOR KEY ACCOUNT Cover version produced B a s s – C h r i s Ta y l o r, Music produced by Bob
DIRECTOR Julie Moretti MANAGER by Hal Ritson and Tr u m p e t – P a u l A r n o l d & Barn, Side UK.
Karl Stewart OPERATIONS ANALYST K e v i n Wi t t e Richard Adlam Recorded at Blue Bank
REGIONAL SALES Lisa Sakurai Wr i t t e n b y D e w e y Studios,
MARKETING MANAGER SENIOR ACCOUNTANT Bunnell Cambridgeshire.
COORDINATOR Holly Robinson U.S. MASTERING Chen Jieping © 1 9 7 2 WA R N E R Engineered & edited
Joveth Gonzalez & SUBMISSIONS B R O S M U S I C LT D b y C h r i s Ta y l o r
SALES & MARKETING SUPERVISOR SENIOR PAYROLL (PRS). LICENSED Music produced by Bob
PR SPECIALIST SERVICES MANAGER Jordon Romaidis & BENEFITS C O U RT S E Y O F & Barn, Side UK.
Stanley Phan Ilana Budanitsky ADMINISTRATOR WA R N E R / C H A P P E L L
Dee Edwards M U S I C ( U K ) LT D .
22 23Register Online at WARRANTY CLAIMS & PRODUCT SUPPORT
For warranty claims and product support, please In the event the Recording Medium or Manual is
www.eidosregistration.com contact us at support.eidosinteractive.com (or
www.eidosinteractive.com) or (650) 421-7670. Our
confirmed to be defective and replacement is subject to
the foregoing limited warranty, you will need to return,
Customer Services Department personnel are available postage prepaid, the Recording Medium/Manual (along
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The medium (i.e., disc/cartridge) on which an Eidos game This limited warranty is in lieu of all other warranties, To initiate a warranty return, you will need an RMA# you are experiencing, the applicable RMA# you have been
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have no obligation to provide such remedy (i.e., free permitted by law, damages for personal injury, even
Game Disc replacement) with respect to (i) any recording when Eidos has been advised of the possibility of such
medium damaged by abuse, mistreatment or neglect (e.g., damages. Some jurisdictions do not allow limitation as to
cracks, scratches, damage from application of chemicals), how long an implied warranty lasts and/or exclusions or
(ii) any defect arising after ninety (90) days from the limitation of incidental or consequential damages so the
original date of purchase of the corresponding product or above limitation and/or exclusion of liability may not
(iii) in instances where the original purchaser cannot apply to you. In such jurisdictions, Eidos’ liability shall be
produce a copy of the original sales receipt dated no limited to the fullest extent permitted by law.
earlier than 90 days preceding the date of return.
Shellshock 2: Blood Trails © Eidos Interactive Limited, 2009. Co-published by Eidos, Inc. and Warner Bros. Interactive
Entertainment, a division of Warner Bros. Home Entertainment Inc. Developed by Rebellion Developments Ltd. Shellshock,
Shellshock 2: Blood Trails, Eidos, Eidos Interactive and the Eidos logo are trademarks of Eidos Interactive Ltd. Rebellion
and the Rebellion logo are trademarks of Rebellion Developments Ltd. Uses Bink Video. Copyright © 1991-2008 by RAD
Game Tools, Inc. “PLAYSTATION” is a registered trademark and “PS3” is a trademark of Sony Computer Entertainment Inc.
The ratings icon is a trademark of the Entertainment Software Association. SIXAXIS is a trademark of Sony Computer
Entertainment Inc. © 2008 Sony Computer Entertainment Inc. All other trademarks are the property of their respective
owners. All rights reserved.
WBIE LOGO, WB SHIELD: ™ & © Warner Bros. Entertainment Inc.
(s09)
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