Ninth annual - January 1-4, 2019 Waimea, Mauna Kea Resort + Fairmont Orchid, Hawai'i - Waimea Ocean Film Festival
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
ninth annual January 1-4, 2019 Waimea, Mauna Kea Resort + Fairmont Orchid, Hawai‘i January 5-9, 2019 Four Seasons Resort Hualālai
Sponsors Contents + About Our Area Contents inner circle sponsors 4 About the Festival 5 Letter from the Director 8 Host Venues and Map 10 Films 32 Waimea Schedule 36 Waimea Breakfast Talks 40 Four Seasons Schedule 42 Four Seasons Breakfast Talks 44 Guest Speakers and Presentations 74 Artists and Exhibits media and local sponsors The Glow. Artwork by Christian Enns 90 Thank You to Our Contributors BIG ISLAND About Our Area T R AV E L E R The Island of Hawai‘i, known as The the world, inhabit these reefs, along Big Island to avoid confusion with the with Hawaiian Hawksbill turtles, state, was formed by five volcanoes to octopus, eel and smaller reef sharks. became one land mass. The still active Spinner dolphins come to rest in Kīlauea sits at the heart of Hawai‘i shallow bays during the day, before Volcanoes National Park, while Mauna returning to deeper water to hunt at Kea, Mauna Loa and Hualālai rise about night. Humpback whales can be seen the Kohala and Kona coastline, where along the coast during winter, when stark lava fields meet turquoise waters the ocean fills with the sound of their and multihued sand beaches. The beautiful song. gentle slopes of the Kohala Mountains, The town of Waimea, also known as now volcanically extinct, provide the Kamuela, sits in the saddle between backdrop to the town of Waimea and to the dry and green sides of the island, food and beverage sponsors northern Hawi and Kapa‘au. nestled into the Kohala Mountains. The Kohala Coast is one of the driest The pastoral community is known as regions in all of the Hawaiian Islands. much for the paniolo culture the town It is an area rich in both Hawaiian was built around, as for the rainbows history and sea life. Tropical fish, many that reflect the ever-shifting weather of which are found nowhere else in patterns between rain, mist and sun. Cover artwork ©Sophie Twigg-Smith Teururai 2 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 3
About the Festival About the Festival H O U R S OF OPERAT ION AT FO U R Letter U S ING T H E PROGRAM All film screenings, presentations and S EA S ON S BALLROOM FO Y ER Saturday, Jan 5: 11 am–9 pm from the Director special events are listed by day and Sunday, Jan 6: 9 am–9 pm Monday, Jan 7: 9 am–9 pm Welcome to the 2019 Waimea Ocean Film Festival. This year’s venue in the festival schedule. Each Tuesday, Jan 8: 9 am –9 pm festival offers a dynamic lineup of award-winning films, Breakfast Talk location is presented, Wednesday, Jan 9: 9 am –9 pm dynamic guest speakers, special exhibits, important topics and along with its description, in the inspiring stories. Breakfast Talk section of the program. T H EAT RE EN TRY In many ways, the festival began through the realization of what the dual-impacts Films are grouped with other films Remember to wear your passes. of climate change and ocean acidification would mean for our children. As in 2017, and/or speakers into film blocks, as Festival volunteers will open doors through 2018, we’ve continued to see the start of what half of that equation—climate shown in the schedule. When for seating 15 minutes prior to each change—might mean. filmmakers will be present for show. The theater will be cleared What you would expect to see in a warming climate would be more unpredictable discussion after the film; this is noted between screenings. and unusual weather patterns; more intensive and destructive storms; more and by “Q&A.” stronger hurricanes; more extremes in conditions; more unusual conditions; more FE S T IVAL H O S PI TALI T Y DE S K T BA S ( TO BE ANNO U NCED ) periods of flooding; more periods of drought; more periods of extreme heat; more The Festival Hospitality Desk is located A certain number of films will be periods of extreme cold; more fires; more wind. Ultimately, this would mean more in the lobby of the Kahilu Theatre screened as TBAs. The most popular difficulty in sustaining agricultural production and uncertainty around water cycles, during the Waimea portion of the event. films from the festival will be shown along with all things that would come with disruptions in food and fresh water supply. This year, the Hospitality Desk will be in at this time, along with a few films The perfect, steady amount of carbon dioxide (CO2) in the atmosphere over either foyer of the Ballroom when the pending at publication. TBA schedules the past 10,000 years allowed for the development of agriculture and civilization, festival moves to Four Seasons Resort and special screenings will be posted at and the resulting human population growth—from a few million individuals then, Hualālai or nearby at outdoor Hoku the Festival Hospitality Desk starting on prompting the first migrations outward, to seven billion now. This perfect amount of Amphitheatre. Passes and programs Wednesday, Jan 2. TBA schedules will CO2 maintained a stable climate, with a degree of storm events and variation that was are available for pickup at the Festival also be posted simultaneously on-line largely manageable, around which we could plan, and rely on agriculture as a basis for Hospitality Desk at Kahilu Theatre and on Facebook. Please let our theatre our subsistence, our economy and our way of life. starting 9 am-5 pm Dec 29. Passes may volunteers know if you have a TBA By disrupting this stable climate system, we are changing the predictable patterns of be purchased at the desk, along with request! rainfall and climate we have relied on to grow food, for reliable sources of fresh water other items. The Festival Hospitality and for a sense of security in the places we live. The implications for the economy, let T H E PA S S S Y S T EM Desk is available to answer questions alone our lives, are profound. The pass system enables the festival and provide additional To understand global warming—and resulting climate change—it is important to to organize a dynamic event that information as the festival progresses. understand that approximately one-third of the CO2 we release through combustion includes films, speakers, presentations, enters the atmosphere; approximately one-third is absorbed by the ocean; and FE S T IVAL H O S PI TALI T Y DE S K Breakfast Talks and other activities, approximately one-third is taken up by trees. Every molecule of CO2, or other H O U R S OF OPERAT ION AT K A H IL U plus allows for rich and complex greenhouse gas we add to the atmosphere, re-radiates heat back to earth that would T H EAT RE content, with one aspect woven otherwise escape into space. You might envision each molecule of CO2 as a ping-pong Saturday, Dec 29: 9 am–5 pm together with the next. paddle. With more CO2 in the atmosphere re-radiating or bouncing heat back, both Sunday, Dec 30: 9 am–5 pm While passes are the ideal way to earth and ocean temperatures are warming, and the climate is changing. Monday, Dec 31: 9 am–3 pm enjoy the festival, remaining seats At the same time, the excess CO2 being absorbed by the ocean is causing the acidity Tuesday, Jan 1: 9 am–10 pm for films and presentations will be of the ocean to change at a rapid rate. Because increasing acidity dissolves the skeletal Wednesday, Jan 2: 9 am–10 pm opened for individual ticket purchase 15 structures of organisms at the bottom of the food chain, this second threat—now Thursday, Jan 3: 9 am–10 pm minutes prior to each show. For more known as ocean acidification—could potentially have a devastating impact on the Friday, Jan 4: 9 am–6 pm information on passes, please speak entire ocean ecosystem; just as we start to have trouble growing food on land. with the Hospitality Desk, visit the Unfortunately, at a time when we most need to be working together towards a website at www.waimeaoceanfilm.org, common goal—addressing a common threat—we stand divided, polarized and or contact the festival office at 808-854- manipulated from without and within. In the absence of political leadership on this 6095. 4 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 5
Letter from the Director Letter from the Director issue—with great minds in both parties working together to find balanced solutions— machinery and trucks—as part of an overall system and including in-house fleets— perhaps it will be left to those at the helm of the business world, and to states, to forge form an important part of the overall equation. the way ahead. Our founding fathers understood the importance of education at the core of a Through the years, we’ve shown films that have given homage to the brave men and successful democracy. It is critical all Americans have access to a good education, women who gave or risked their lives in defense of the nation. These are individuals including a solid foundation in history, science and literature. In this age of emerging who chose, and continue to choose, to step into the line of fire on our behalf. tech, the importance of understanding history, like the lessons of Versailles, are more Fortunately, none of what we need do to combat climate change requires that we important now than perhaps ever in the past. Determining how to provide a solid make a similar choice. Everything we could do to combat climate change is positive— education, in all corners of the nation, is another great task of our time. positive for our economy, positive for our country, positive in terms of job creation and Our founding fathers also understood the foundational role of a free press in a positive in terms of what it would mean for our daily lives. democracy. Until 1979, broadcast news was regulated as a service to the American To tackle the problem quickly, it is helpful to understand that nearly one-half of people. It could be that we need to bring this system back, so that broadcast news the energy we consume is actually consumed by buildings. The energy requirements again becomes a not-for-profit arm of the networks, set up solely as a service to the of a building can be reduced 70 to 80 percent simply through good design. Day-lit, nation. Understanding the channels that can be established through social media— well-designed buildings are more pleasant and productive places to live and work, in how they can be manipulated and used, and what this might mean for the country— addition to resulting in lower energy bills. It is estimated that most buildings in the will be important for us moving forward as well. nation will need to be re-built to some degree within the next 30 years, providing Regardless of differences in political beliefs, it is crucial that we come together to opportunity for retrofit, while new buildings could be built to LEED standards. address the issues we face, both as they impact the ocean and as we experience them Solar and wind production present an enormous opportunity on a global scale in on land. The issues we face are daunting, if we admit them. The opportunities in them meeting the remaining electricity demand, perhaps using pumped water systems as are exciting, boundless and without limit. To find our way through, we must both storage. Big box and other roof top space could be utilized as primary solar energy recognize the peril and work together towards solutions, while we can. production sites, rather than open space, perhaps leased by utilities or municipalities Thank you to everyone who makes the festival possible. The films, speakers, talks to maintain the traditional grid. This could be done at a substantially lower cost than and exhibits throughout the festival are not-to-be-missed. Many touch on important development of new generation plants, not to mention the efficiency inherent in this topics, while others bring inspiration and fun. Start early, to see as much as you can. energy source; yielding cost reductions for both rate and tax payer. We hope you enjoy. In terms of job creation, windmill manufacturing plants could be built in coal-mining towns, offering good, above-ground jobs for these communities; or solar arrays built in Mahalo, depressed or denuded areas. Energy companies are perhaps best positioned overall to jump into the solar race early, to maximize gains. Transportation accounts for roughly 29 percent of energy consumed, over half Tania Howard of which is in the shipment of goods and materials. Solving transportation issues— Founder and Director developing good transportation options and reducing transportation costs—requires a shift to systems thinking. A multi-modal transportation system based around rail is the most efficient—and hence ultimately least expensive—transportation system to build and maintain. People love to walk, ride their bicycles and take the train, when nice facilities exist; communities with good transportation systems tend to be highly desirable and pleasant places to live, work and do business, as walking becomes integrated into the day to day. While it is challenging to retrofit an urban landscape—and better to plan and build with a systems approach to start—doing so at any time saves money in the end. The same number of people can be moved in a single rail line as in eight lanes of traffic. The implications of this are important to understand—from land use and open space, to reduction in the carbon footprint incurred by the roadway system, to tax payer savings given the burden of maintaining ever-expanding roadways. Electric cars, buses, 6 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 7
H o s t Ve n u e s H o s t Ve n u e s Host Venues WAIMEA fine millinery. Anna Ranch will host Kahilu Theatre morning Breakfast Talks 8:15-9:15 am A historic, 490-seat theatre in the Jan 2-4, with coffee and light fare center of Waimea town, Kahilu Theatre provided. will host the Festival’s Hospitality Desk and film screenings. Inquire at KOHALA COAST the Festival Hospitality Desk at Kahilu Mauna Kea Beach Hotel Theatre with questions. Breakfast Talks are scheduled at the Mauna Kea Beach Hotel 8:15-9:15 Hawai‘i Preparatory Academy (HPA) – am Jan 2-4 in the Garden Room, with Gates Performing Arts Center coffee and light fare provided. A sunrise The Gates Performing Arts Center is a yoga class is available to festival pass 360-seat theatre, located in the heart holders 7-8 am Jan 2-4 on the lawn of the upper Hawai‘i Preparatory by the lu‘au grounds during this same Academy (HPA) campus, about two period. Festival artist Christian Enns miles west of town. HPA Gates will host will paint en plein air at the beach 8-11 film screenings and presentations. am Jan 2-4 and 6-8:30 pm Jan 3-4 in the lobby, where attendees can observe as Parker School Theatre Enns works on a large-scale oil painting. The Fairmont Orchid, Hawai‘i Turn right onto Mauna Lani Drive. Originally built in 1920 on Parker Ranch hosts film showings and presentations Proceed past the Guard House to the as an entertainment center for ranch in its own Lehua Theater, as well traffic circle and take the first right to residents and workers, Parker Theatre as exhibits and presentations in the the Fairmont Orchid on North Kaniku has been renovated over the decades Anna Ranch adjoining downstairs ballrooms. Drive. and seats 280. Still maintaining its Stay on North Kaniku Drive until original charm, Parker Theatre is within Directions to the Fairmont Orchid, you reach the main entrance to the walking distance of Kahilu Theatre. It Hawai‘i from Waimea: Fairmont Orchid at the end of the is suggested attendees walk between Drive approximately 11 miles down drive, less than a mile. Valet and self- the two. Parker Theatre will host film Kawaihae Road (Highway 19), until parking available. screenings. you reach the T-intersection on your left, where the road heads to Kona. FOUR SEASONS Anna Ranch Heritage Center Turn left to continue on Highway 19. Four Seasons Resort Hualālai Listed on both the National and State You are now traveling south, parallel will host the Festival’s Hospitality Desk, Registers of Historic Places, the ranch to the ocean on your right. film screenings and presentations Jan was purchased in 1848 by Englishman 5-9. Breakfast Talks are scheduled James Fay and his Hawaiian wife Continue approximately seven miles, upstairs at ‘Ulu Restaurant 8:45- Ka‘ipukai, and was in the same ranching past the Mauna Kea Beach Hotel 9:45 am Jan 6-9, with coffee and family for five generations. Visitors may entrance, until you see the Mauna pastries provided. Contact the Festival tour the spectacular and expansive Lani Resort sign on your right before a Hospitality Desk with questions. gardens as well as the 14-room, historic tall coconut grove entry road. ranch house with a treasure trove of Hawaiian koa furnishings, artifacts and 8 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 9
The Films White Rhino Initially started as a project to share the stories behind surf photographer Brian Bielmann’s most memorable photos, White Rhino evolved into a broader story following the unfolding of a dual quest: that of the big wave surfers seeking to ride some of the largest swells yet seen in the South Pacific, including a mythical “white rhino” wave, and the photographers who position themselves to capture the Nathan Fletcher at Teahupo‘o. Photo ©Brian Bielmann action. Brian Bielmann’s images have appeared on more than 150 magazine Originally, this film was plotted to be a covers and were featured in over 30 short, revealing the stories behind Brian books. His work has been published in Bielmann’s most memorable photos. a wide array of magazines, including After completing the interview process, Rolling Stone, Men’s Journal, National we realized there was a much bigger Geographic and Sports Illustrated. story to be told. As the film developed, Bielmann’s work captures the surf we received more and more content lifestyle and continues to push the through the generosity of some of boundaries of photography both above the finest surf cinematographers and and below the water. photographers in the industry, allowing The idea for the film was born us to tell the stories behind these when director Brent Storm met Brian memorable days in surfing.” Bielmann at the HIC Pro in Hale‘iwa, Surfers featured in the film include Hawai‘i on the North Short of O‘ahu. Kalani Chapman, Dave Wassel, Nathan Director Brent Storm notes: “What Fletcher, Bruce Irons, Mark Healey, Kohl began as a passion project has lead to Christensen and Herbie Fletcher. Other much bigger things. This film would photographers whose work-in-action not have been possible if it wasn’t for is featured include Peter ‘Joli’ Wilson, the support of the surf community. Ryan Foley and Erik Aeder. Koa Rothman at Teahopo‘o, Tahiti. Photo ©Brian Bielmann The line up at Cloudbreak, Fiji. Photo ©Brian Bielmann 10 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 11
The Films The Films A lbatross T he C am i n o V oyage Chris Jordan (US, 97 min) Dónal O’Céilleachair (Ireland, 98 min) Initially a photography project—documenting the Hawai‘i Premiere impact of plastic on albatross—the film brings to life For nearly a thousand years, people sailed from the story of albatross on Midway Atoll, including the Ireland to Northern Spain; to walk the Camino issue of ocean plastic. With stunning cinematography de Santiago. When a writer, two musicians, an throughout, Albatross presents a poetic and visual artist and a stonemason decide to attempt the narrative on these birds: beautiful, enthralling, pilgrimage again, they build a traditional boat, poignant and, at times, not easy-to-watch. or “Naomhóg,” by hand and make their way on Parental guidance suggested. the dangerous, 1,500-mile journey, in stages, sharing music, poetry and stories along the way. With subtitles. A pollo 1 3 : T he I n s i de S tory C has i n g C oral Tom Whitter (UK, 50 min) Jeff Orlowski (USA, 89 min) Hawai‘i Premiere 2018 Audience Choice Winner When an explosion tore through the skin of Apollo 13, Coral reefs are the ocean’s nursery. As 200,000 miles from earth, NASA mounted a dramatic carbon emissions warm the planet and ocean inter-space rescue, relaying meticulous instructions temperatures rise, a phenomenon called “coral from mission control in Houston to the astronauts on bleaching”—a sign of mass coral death—has board. For the first time, the astronauts themselves, been accelerating around the world. The along with the people on the ground, share their bleaching has implications for the entire ocean experience in this story of ingenuity, level-headed ecosystem and landscape. A team of divers, thinking and problem-solving under pressure. photographers, technicians and scientists set out to document the process. Atte n boro u gh : B eh i n d the L e n s C has i n g Ice Anne Sommerfield (UK, 50 min) Jeff Orlowski (USA, 76 min) Hawai‘i Premiere In person: James Balog In person: Anthony Geffen 2013 Audience Choice Winner In his early 80s, David Attenborough embarked on After a 2005 National Geographic assignment one of the most ambitious chapters of his career, on the Earth’s changing climate, photographer collaborating on 11 pioneering and fascinating film James Balog returned to the Arctic to capture projects—pushing the boundaries of both knowledge a multi-year record of the world’s changing and film—all while maintaining his busy schedule as glaciers using time-lapse cameras. The images sought-after presenter and narrator. Using behind- compress years into seconds, capturing ancient the-scenes footage, the film shares a rare glimpse mountains of ice in motion as they disappear at into both the projects, and the man. an alarming rate. 12 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 13
The Films The Films C has i n g N i agara C o n q u est of the S k i es – Rush Sturges (USA, 77 min) T he F i rst to F ly In person: Rush Sturges David Lee (UK, 50 min) A story within a story, Chasing Niagara provides Hawai‘i Premiere a fascinating history of the running of Niagara In person: Anthony Geffen Falls, in some form or another, now illegal, along With astonishing detail, David Attenborough with an extraordinary look at the kayaking skills seeks to unravel the fascinating 300-million- of some of the world’s top professional white year story of the evolution of flight. He water kayakers—Rush Sturges, Evan Garcia, Tyler begins at the beginning; with the insects. Bradt and Rafa Ortiz—and their running of large Stunning images help provide new insight, as waterfalls, from Mexico to the Pacific Northwest. Attenborough looks at the evolution of these Parental guidance suggested. early fliers. C old Water W ets u i t R evol u t i o n C o n q u est of the S k i es – R i vals Matt Crocker, James Dean (UK, 4 min) David Lee (UK, 50 min) USA Premiere Hawai‘i Premiere Since the dawn of surfing on British shores, to In person: Anthony Geffen quote the wit and words of the filmmakers, “the David Attenborough continues to chart the British natives have faced one obstacle above origins of flying animals and birds, turning to the all—the bloody cold. To really rule the icy waves, flight of larger creatures: extinct reptiles that they would need to get creative, industrious if you flew on wings of skin; dinosaurs that evolved will.” Hence the story of Dennis Cross, a waterman feathers to become the ancestors of birds; and with a roll of neoprene, a love of surfing and a the gliding mammals that became bats. determination to find a way. C o n q u er i n g the D rago n C o n q u est of the S k i es – T r i u mph Rich Heap (UK, 37 min) David Lee (UK, 50 min) USA Premiere Hawai‘i Premiere Conquering the Dragon shares the story of five In person: Anthony Geffen participants in the Berghaus Dragon’s Back Race®. David Attenborough concludes his history of The foot race follows the mountainous, spiny flight with a detailed look at the highly skilled backbone of Wales from north to south—on a and versatile birds and bats we see today. He demanding, five-day course spanning 196 miles— examines the exceptionally diverse array of birds, over 50,000 feet of elevation change and wild with their keen sense of sight—from peregrine terrain. The film tracks the race as it unfolds, falcons to hummingbirds—to the sonar-guided revealing the runners’ inspiring spirit and the precision of bats, traveling to Gomantong cave in stunning Welsh landscape. Borneo to witness one million bats take flight at once. 14 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 15
The Films The Films T he C oro n at i o n E mocea n Harvey Lilley (UK, 59 min) Tony Harrington (Australia, 63 min) Hawai‘i Premiere Big Island Premiere In person: Anthony Geffen In person: Tony Harrington Released while filmmaker Anthony Geffen attended Emocean shares stories from people who have built the festival in 2018, Geffen returns to share this their lives around the sea; each relate their own rare production of the coronation of the Queen unique tale and sense of connection to the ocean, of England on June 2, 1953 at Westminster Abbey, from adventure and inspiration to challenging in which—for the first time—the queen recounts loss. From Hawai‘i to Tahiti, and from California to her memories of that day. Interviews with others remote spots in northwest Australia, the film quietly involved bring to life the story behind-the-scenes, imparts the power and mystery of the ocean, and along with that of the coronation regalia. the effect it has on those who spend their lives around it. D olph i n R eef Fam i ly of the Wa ‘ a Keith Scholey (USA, 77 min) Alyssa Fedele (USA, 81 min) In person: Paul Baribault 2012 Audience Choice Winner Disneynature dives under the sea in Dolphin Reef Shown in honor of the upcoming voyage of to frolic with some of the planet’s most engaging Makali‘i through the Northwestern Hawaiian animals—dolphins. Echo is a young, bottlenose Islands, Family of the Wa‘a recounts the dolphin who just wants to play. Dolphin society is commitment Kimokeo Kapahulehua made to complex and Echo must learn to do his part. But his uncle to paddle all 1,750 miles through the with humpback whales, orcas, sea turtles and Northwestern Hawaiian Islands by outrigger cuddlefish as a distraction, Echo has a tough time paddling canoe, and the extraordinary team of resisting all the ocean has to offer. people who assembled to paddle with him. E cl i pse F ollow T hro u gh Anthony Bonello (Canada, 31 min) Adam Clark, Isaiah Branch-Boyle In person: Bjarne Salén (USA, 22 min) 2017 Winner Best Film - Adventure Since the age of 16, Caroline Gleich has been To realize photographer Reuben Krabbe’s vision of driven by the challenge laid out in The Chuting capturing a single unique image—one of skiers in Gallery, which describes a set of 90 difficult action during and in front of a solar eclipse—the and dangerous ski mountaineering lines in Salomon Freeski TV team set out on an expedition Utah’s Wasatch Range that few have managed to the Arctic. They positioned themselves to be in to complete. In setting out, however, Gleich the right place at the right time on March, 20, 2015, must not only overcome her own self-doubts, not knowing until that moment whether conditions but also the negative input of random people in would open for the shot. this social media world. 16 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 17
The Films The Films T he G ame : T he S tory of H u rl i n g – G o i n g S olo E p i sode O n e Ant Hoard (South Africa, 5 min) Gerry Nelson (Ireland, 52 min) Hawai‘i Premiere USA Premiere In this beautiful, short film, Andrew Kellett The Game explores the Irish sport of hurling, which shares the special connection he’s always felt evolved in its own unique way in Ireland, and yet with the Witte River, above Cape Town, and the shares the common human experience of a stick and treasured sense of solitude he’s found kayaking ball game, developed in various shapes and forms there. He notes the added danger and reality across cultures. Through extensive research, the inherent in kayaking solo, relating his own first episode lays the groundwork on how hurling was experience, along with that of bringing his son founded, through a difficult time, bringing hurling’s back to kayak with him, years later. story to life. T he G ame : T he S tory of H u rl i n g – H esb u rgh E p i sode T wo Patrick Creadon (USA, 106 min) Gerry Nelson (Ireland, 50 min) Hawai‘i Premiere USA Premiere Hesburgh offers a thought provoking look at The Game continues to explore the origins of hurling more than 50 years of American history, seen from the realm of legend through its growth over through the life and achievements of the long- the last century into one of the world’s fastest field time president of the University of Notre Dame, sports today. As hurling developed into a national the late Father Theodore Hesburgh. Advisor and sport, and travel became more accessible, people friend to national and world leaders, Hesburgh traveled across country to see legendary players. was asked to help with the most challenging Emerging radio, and then television broadcasts, issues of the day. Parental guidance suggested. brought the game into every home as well. T he G ame : T he S tory of H u rl i n g – H ome of T ra i ls E p i sode T hree Stu Thomson (UK, 6 min) Gerry Nelson (Ireland, 55 min) Danny MacAskill goes to beautiful Graubünden, USA Premiere Switzerland and takes the Graubünden motto, For the true fan of sport, and of the Irish, Episode “everything is ridable,” to a whole new level. Three continues to delve further into the game, No summit is too high, no trail too steep, no exploring the chase for perfection in modern hurling boat too small, no table off limits. Joined and the elevation in tactics, fitness and training. by fellow mountain bike pro, Swiss Claudio Modern hurling brings the early stick and ball game Caluori, the two bring another stunning and fun to a new, colorful level all its own; developed and mountain bike sequence to the big screen. perfected on this unique island, set amidst the cold, grey of the Atlantic. 18 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 19
The Films The Films H ow to R u n 1 0 0 M i les I n sta n t S u rf Brendan Leonard (USA, 28 min) Adam Bell (UK, 5 min) Hawai‘i Premiere USA Premiere In person: Jayson Sime Matt Smith has been shooting Polaroid and Inspirational speaker Jayson Sime grew up in instant photographs for over a decade, poverty. He was bullied in school because of his capturing the surf and beach scenes that dyslexia, started to fist-fight back, learned to inspire him. Smith breathes new life into this wrestle formally instead, lost every match for near-forgotten form of photography, using two years, before finally winning his first. Sime expired film and an armory of vintage cameras went on to work his way, one step at a time, to he has collected and repaired over the years. a successful career as a political organizer. And, then, he ran his first ultramarathon. T he H u ma n E leme n t Irela n d ’ s D eep Atla n t i c – L ev i atha n Mathew Testa (USA, 78 min) Ken O’Sullivan (Ireland, 52 min) Hawai‘i Premiere Hawai‘i Premiere In person: James Balog In person: Chad Wiggins Photographer James Balog, whose work in Ken O’Sullivan hopes to find that both blue and establishing the Extreme Ice Survey was sperm whales may once again be found off the coast documented in the film Chasing Ice, seeks ways of Ireland. In collaboration with researchers and to use his camera to convey the impact climate scientists from around the North Atlantic, along change and air quality issues are having on the with ocean acoustics expert Dr. Joanne O’Brien, lives of Americans. Balog looks at sea level rise, O’Sullivan embarks to document these animals as wildfires, asthma and hurricanes, along with recent part of an effort to confirm migration routes—an investment in solar by coal mining executives. important step in their conservation. I n s i de the I n d u s Irela n d ’ s D eep Atla n t i c – Ciarán Heurteau (France, 27 min) T he O pe n O cea n Hawai‘i Premiere Ken O’Sullivan (Ireland, 52 min) In November 2016, fresh from winning the extreme Hawai‘i Premiere kayaking world title, Spaniard Aniol Serrasolses, In person: Chad Wiggins New Zealander Mike Dawson and Irish filmmaker Underwater cameraman Ken O’Sullivan sets out on a Ciarán Heurteau went to Pakistan to attempt a series of voyages into the North Atlantic. O’Sullivan descent of the fabled Rondu Gorge, on the Indus encounters large aggregations of sharks, films whales River. The film shares beautiful scenery, epic underwater for the first-time off Irish shores and whitewater and the support and assistance the discovers deep-water coral reefs supporting eco- kayakers receive from Pakistanis along the way. systems of tens of thousands of species of animals and plants, along with spawning fish stocks and upwellings of plankton. 20 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 21
The Films The Films J u d i D e n ch : M y Pass i o n for T rees L ost L a n d of the V olca n o – Harvey Lilley (UK, 58 min) E p i sode O n e Hawai‘i Premiere Jonny Keeling (UK, 60 min) Judi Dench joins tree scientists and historians In person: Chad Wiggins to unlock the remarkable secret lives of trees, Lost Land of the Volcano follows a scientific the mechanisms behind how they work and the expedition to the island of New Guinea. The stories they might share. With the latest scientific expedition team, which includes specialist techniques, and through the four seasons, she zoologists, explorers and the BBC Natural History learns how they communicate, hears how they Unit crew, travels to the extinct volcano of Mount intake water and discovers how they fight off Bosavi in central Papua New Guinea to document invading armies and extreme weather. the biodiversity of this little-visited area, discovering over 40 new species. K a H a n a K apa L ost L a n d of the V olca n o – Joy Chong-Stannard (USA, 57 min) E p i sode T wo In person: Victoria Kneubuhl, Roen Hufford Jonny Keeling (UK, 60 min) Ka Hana Kapa documents the history of kapa In person: Chad Wiggins in Hawai‘i and follows the complex process of The team of scientists and filmmakers continue Hawaiian kapa making from start to finish. In to explore the jungle wilderness of New Hawai‘i, kapa, or bark cloth made from the wauke Guinea. Adventurer and natural historian Steve plant, was used for everything from clothing to Backshall leads an expedition into a cave; while important ceremonies, making it an integral part of wildlife cameraman Gordon Buchanan traces everyday life. In the late 1960s and 1970s, a small birds-of-paradise through their calls, filming group of women revived this lost art. their courtship behaviors. The enthusiasm of the team in discovering new species is catching. L i v i n g i n the F u t u re ’ s Past L ost L a n d of the V olca n o – Susan Kucera (USA, 84 min) E p i sode T hree Hawai‘i Premiere Jonny Keeling (UK, 60 min) Living in the Future’s Past provides a fascinating In person: Chad Wiggins and spell-binding discussion, through a series of Former Oxford University biologist Dr. George compelling interviews and eye-opening imagery, McGavin ventures towards Turvuvar, an active into human behavior patterns and their unintended volcano, where he uncovers life in surprising consequences for the future. The film delves into places. Steve Backshall, Gordon Buchanan and the hold peer pressure has on the individual and biologist Kris Helgen descend into the crater of suggests a positive future outcome were we to a giant, extinct volcano in Papua New Guinea, reexamine our beliefs around what is possible. where they find a new silky cuscus, a tree kangaroo, a wallaby and a very cute, large rat. 22 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 23
The Films The Films M ade i n Irela n d Nat u ral H i story M u se u m A l i ve Mikey Corker (Ireland, 28 min) Mike Davis (UK, 64 min) Hawai‘i Premiere Hawai‘i Premiere On the western edge of Europe—its raw and rural In a special collaboration with experts and coastline battered by giant storms, frigid water and curators from the museum, and using ground- huge waves—Ireland is a unique surfing spot. The breaking technology, David Attenborough harsh environment has shaped its own distinctive explores the Natural History Museum in London, surf culture, which includes a group of determined after dark, when the exhibitions magically come surfers pushing the limits of big wave surfing—in the to life. As night falls, Attenborough meets the cold, dark water—drawing in even those from more extinct creatures that fascinate him the most: idyllic locations. dinosaurs, Ice Age beasts and giant reptiles. M i dway: E dge of Tomorrow North of N i ghtfall Ian Shive (USA, 40 min) Jeremy Grant (USA, 66 min) Hawai‘i Premiere Freeride mountain bikers Darren Berrecloth, In person: Alice Garrett Carson Storch, Cam Zink and Tom van Midway: Edge of Tomorrow recounts both the Steenbergen embark on an expedition to the natural and human history of Midway Atoll, including Arctic’s uninhabited Axel Heiberg Island. With the pivotal WWII battle with which it is identified. guidance from scientists based on the island Overseen by the U.S. Fish & Wildlife Service, the to study glacial retreat, the bikers discover film shares historical footage of the battle, along a rapidly changing environment, along with with portraits of the atoll’s wildlife, including challenging first descents topping 2,500 feet. spinner dolphins, Laysan albatross and green sea turtles. Parental guidance suggested. T he M i r n avator R a i l R oad Sarah Menzies (USA, 11 min) Gustavo Imigrante (Portugal, 23 min) Hawai‘i Premiere USA Premiere Ultra-runners face obstacles every step of the Rail Road follows professional surfer Nic Von way, from finding time to train to dealing with Rupp on a surf trip, but this time traveling via the challenges of the sport itself: physical fatigue, rail rather than plane. As Von Rupp notes, “We injuries, conditions, weather, altitude and self- live in an age where there is a sense of limited doubt. While competing in her first 50K trail race time. For this trip, we opted to take the long of the season, Mirna Valerio finds—in our social road, and found out the longest is actually the media world—that she must also overcome negative oldest…The train is a path of history, full of comments from random people. people, but most of all…full of time!” 24 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 25
The Films The Films T h i s a n d Noth i n g E lse : R ed B u ll Wa ‘ a S e n se of W o n der Justin Mitchell, Marc Levy, Marc Solomon Mathieu Le Lay (France, 3 min) (USA, 30 min) USA Premiere In person: Red Bull Wa‘a Set in the Dolomites, in the early hours of the Once a mode of transportation between islands, morning, Sense of Wonder evokes the feeling paddling an outrigger canoe is now Hawai‘i’s official of early morning stillness, of mist rising in the team sport. The season builds towards the grueling mountains, of the first light of dawn breaking race from Moloka‘i to O‘ahu; the Moloka‘i Hoe. pink and orange through the clouds, of wonder While over 1,000 paddlers compete from around the at the beauty all around. “This undefinable world, Team Red Bull Wa‘a, newly formed on the Big beauty,” the filmmaker writes, “pointing so Island—with a hardworking, local crew at the core— clearly to something immeasurably greater has its eyes set on the big prize. than ourselves.” T he R i dge S ere n get i R u les Stu Thomson (UK, 7 min) Nicolas Brown (UK, USA, 84 min) Danny MacAskill returns home to the Isle of Skye, Big Island Premiere in his native Scotland, to attempt his lifelong In the 1960s, a small group of scientists, dream of riding the Cuillin Ridge. A technically working in various parts of the world, challenging route for even an accomplished independently come to understand that mountaineer to hike, MacAskill imagines riding some species, or “keystones,” maintain the the trail on his mountain bike. Featuring jaw- conditions and environment necessary to dropping imagery, mind-boggling mountain biking support the whole web of life around them; sequences and Danny MacAskill himself. this holds for any ecosystem, in any location. When keystones are removed, other species and, at times, whole ecosystems, disappear. S ator i S hredd i n g M o n sters - M aver i cks Rick Wall (South Africa, 54 min) Pedro Temboury, JT Taylor (Spain, 53 min) Hawai‘i Premiere Hawai‘i Premiere A beautiful and cinematic surf film, Satori follows Shredding Monsters: Mavericks follows big a group of surfers whose lives were shaped by the wave surfer Garrett McNamara as he returns waves near Cape Town, at Dungeons and Sunset Reef. to Mavericks for the first time since an epic The film notes, “To have the confidence to overcome wipeout there two years prior. McNamara is your fears, and unlock your potential, you need joined by surfers Jamie Mitchell, Aaron Gold, to be completely present. The feeling of opening Alessandro Marciano, Emily Erickson and 16-year- yourself up to the ocean is one of both beauty and old Luca Padua as they face this challenging fear. In that moment ‘satori’ is reached.” and notoriously menacing wave, and McNamara paddles in again. Parental guidance suggested. 26 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 27
The Films The Films S n owma n T i me to C hoose Mike Douglas (Canada, 82 min) Charles Ferguson (USA, 97 min) Growing up, Mike Douglas and Kevin Fogolin loved Time to Choose explores the comprehensive skiing, spending every weekend in the mountains scope of climate change along with an array they could. Snowman follows their split paths of solutions available to us to change course, as Douglas moves to the mountains, becomes a should we implement them in time, taking professional skier—part of the New Canadian Air an unwavering look at this moment in human Force—is featured on magazine covers and helps history. Through interviews with world- set the course in freeskiing. Fogolin’s path back renowned entrepreneurs, innovators and to the snow, takes a little longer. people on the front line, Time to Choose shares both the challenge and the opportunity. S u rf S i ber i a Vag u e à l’ Â me Konstantin Kokorev (Russia, 79 min) Vincent Kardasik (France, 52 min) USA Premiere Big Island Premiere Beautifully filmed, Surf Siberia shares a glimpse On December 11, 2014, Benjamin Sanchis into the history of surfing, and surf culture, in was towed into one of the biggest waves ever Russia. The film follows surfers Kostya Kokorev, ridden at Nazaré. He fell, was filmed through Sergei Rasshivaev, Anton Morozov, Irina Kosobukina, the ensuing dramatic wipeout, and earned the Dmitry Pitiya and David Dzhalagoni in a two-year- WSL “Wipeout of the Year” Award. Determined long quest as they search for waves—and walk to win a different kind of big wave award, and camp in the snow—from St. Petersburg to Sanchis sets out to find and ride the biggest Vladivostok, to the Arctic. With subtitles. waves, working with other surfers on the way. With subtitles. Tales by L i ght – D yla n R i ver T he W e i ght of Water Abraham Joffe (Australia, 46 min) Michael Brown (USA, 80 min) Hawai‘i Premiere Hawai‘i Premiere Dylan River is an award-winning Aboriginal filmmaker In person: Harlan Taney and photographer. Largely self-taught, River comes In 2001, Erik Weihenmayer became one of a from a family of storytellers and filmmakers; small group of people to have climbed all Seven his grandmother, Freda Glynn, was one of the Summits, including Everest, and is the first blind founders of the Central Australian Aboriginal Media person to have done so. The Weight of Water Association (CAAMA). Inspired by his grandmother’s follows Weihenmayer as he now attempts to kayak work, Dylan’s mission is to find examples of living through Grand Canyon. Joined by fellow blind Aboriginal culture. kayaker Lonnie Bedwell, Weihenmayer again sets out to acheive what only few can imagine. 28 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 29
The Films The Films W h i te R h i n o Y o u n g S ea Brent Storm (USA, Canada, 67 min) Mattias A. Klum (Sweden, 55 min) Big Island Premiere USA Premiere What started as a project to share the stories behind National Geographic photographer Mattias A. surf photographer Brian Bielmann’s most memorable Klum follows the cycle of seasons around the photos, evolved into a broader story following the beautiful, yet also threatened, inland Baltic unfolding of a dual quest: that of the big wave Sea. In this quiet film, The Young Sea shows surfers seeking to ride some of the largest swells the hidden life of the extraordinary species yet seen in the South Pacific, including a mythical that live in the Baltic Sea; a unique place that, “white rhino,” and the photographers who position as the filmmaker notes, “is worth fighting to themselves to capture the action. save, to pass to future generations as a vibrant, living place.” W olf S p i r i t Julia Huffman (USA, 9 min) Surfing in the Russian arctic, from the film Surf Siberia. Photo ©Tania Elisarieva World Premiere Most who are unfamiliar with wild wolves, don’t realize filming a wolf up close, as done by National Geographic photographer Jim Brandenburg, is extremely rare. Wolves are elusive and avoid contact with humans, generally remaining out of sight. Brandenburg describes a deeper understanding of wolves, along with a sadness in their decline, as they continue to be hunted. W orld ’ s H i ghest M aratho n Bjarne Salén (USA, 7 min) Hawai‘i Premiere In person: Bjarne Salén The Tenzing Hillary Everest Marathon is held each year from Everest Base Camp on May 29, with the course, and runners, crisscrossing the high sherpa trails of Khumbu Valley. The event commemorates the historic ascent of Mount Everest by the late Tenzing Norgay Sherpa and Sir Edmund Hillary on May 29, 1953. Christopher Mohn, a Lyme disease survivor, takes up the challenge. 30 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 31
Wa i m e a S c h e d u l e tuesday, jaN 1 wednesday, jaN 2 32 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 33
Wa i m e a S c h e d u l e thursday, jaN 3 friday, jaN 4 34 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 35
B r e a k f a s t Ta l k s thu Jan 3 fri Jan 4 Anna Ranch Heritage Center Anna Ranch Heritage Center Harlan Taney Jayson Sime Based out of Flagstaff, Arizona, Harlan Jayson Sime is a motivational speaker, Taney is the founder of 4 Corner Film coach, ultrarunner and yoga teacher. Logistics, a company specializing in Sime is the founder of Right to Shine outdoor and adventure film production. LLC, which provides training and With clients including National coaching to individuals and teams. He Geographic, BBC, Discovery Channel recently wrote and published his first and others, 4 Corner Film Logistics book, Self-Care Hacks: 50 Tips and provides innovative filming solutions Tricks to Maximize Your Performance, and logistics for film production in Well-Being and Happiness. Join Jayson challenging, remote and difficult- Sime as he shares words of wisdom and to-access regions, and harsh climate thoughts on how to run 100 miles. conditions. Join Harlan Taney as he shares stories behind-the-scenes from Mauna Kea Beach Hotel filming in remote and challenging Jules Kortenhorst environments. Jules Kortenhorst is the chief executive Kauna‘oa Bay from Mauna Kea Beach Hotel. Photo credit: Josh Fletcher officer (CEO) of Rocky Mountain Mauna Kea Beach Hotel Institute. Prior to RMI, Kortenhorst Paul Baribault was the founding CEO of the European Breakfast Talks Paul Baribault is a vice president at Walt Disney Studios Motion Pictures. He Climate Foundation (ECF); served as a member of the Dutch parliament; and leads Studio Marketing Operations and worked for 20 years as a corporate Start your day with light fare, coffee Mauna Kea Beach Hotel Strategy for Pixar Animation Studios executive, both as CEO for International and compelling conversation. Breakfast Anthony Geffen and Disney Animation Studios films. Operations of ClientLogic Corporation talks are from 8:15-9:15 am. Breakfast Anthony Geffen has garnered over Baribault also leads the Disneynature and as managing director of Shell talk locations are the Garden Room at 50 international awards, including film label as the Brand, Creative, Bulgaria. Join Kortenhorst as he the Mauna Kea Beach Hotel and at Anna multiple British Academy Film Awards Marketing and Production Lead. discusses the market transition to a Ranch Heritage Center in Waimea. (BAFTAs), multiple Emmy Awards and Baribault has overseen a range of clean and prosperous low carbon energy the Sir Charles Wheatstone Award for films in this role, including Incredibles future and the importance of the role outstanding contribution to film and 2, Finding Dory, Frozen, Coco, Moana, buildings play in this transition. wed Jan 2 television. His work encompasses 11 Inside Out, Zootopia, Monsters, projects with David Attenborough, University, The Muppets, Earth, Anna Ranch Heritage Center Oceans, African Cats, Chimpanzees, including the award-winning Conquest Attendee Talk Story Bears, Monkey Kingdom and Born in of the Skies series. Join Anthony Geffen Bring your mug, your Festival Program, China. Join Paul Baribault as he shares as he shares behind-the-scenes stories grab a cup of coffee and hear the buzz behind-the-scenes stories from recent from recent productions and his work from other attendees as you plan your productions. with both David Attenborough and the day. late Stephen Hawking. Artwork by Sophie Twigg-Smith Teururai 36 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 37
Morning Activities Morning Activities Morning Activities wed Jan 2 – Fri Jan 4 Mauna Kea Beach Hotel Yoga on the Beach 7-8 am Join fellow festival attendees 7-8 am Jan 2-4 for sunrise yoga with instructor Chelsea Morriss. Classes meet at the upper lawn by the lu‘au grounds, and if conditions permit, will move to the beach. Come enjoy first light on the ocean and an invigorating start to the day. Bring your own mat or towel, and a water bottle. Photo credit: Josh Fletcher Photo credit: Josh Fletcher Artwork by Sophie Twigg-Smith Teururai wed Jan 2 – Fri Jan 4 Kawaihae Canoe Club Kawaihae Canoe Club Paddle an Outrigger Canoe in Kawaihae Harbor 6:15-7:45 am The Kawaihae Canoe Club was formed Waimea Ocean Film Festival attendees in 1972 by a group of athletic and civic- are invited to join Kawaihae Canoe Club minded individuals from Waimea and in Kawaihae Harbor to learn how to has been instrumental to the revival paddle an outrigger canoe. of the ancient Hawaiian tradition of Participants must sign up in advance, outrigger canoe racing on the Big Island. know how to swim and sign a waiver, The club’s dedication to promoting recognizing they understand there is and perpetuating outrigger canoe some risk to any ocean-based activity. paddling brings participants ranging Participation is limited. Please sign in age from 10 to 80. Hawai‘i’s official up at the Festival Hospitality Desk at team sport challenges kids by giving Kahilu Theatre by 5 pm the evening them a sense of direction and discipline. prior, or contact the Festival Office at 808-854-6095. Participants should arrive 15 minutes early. 38 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 39
Four Seasons Schedule four seasons schedule January 5–9, 2019 sat JAN 5 sun jan 6 mon jan 7 tue jan 8 wed jan 9 Ballroom Hoku ballroom ballroom Ballroom Hoku ballroom Artwork by Sophie Twigg-Smith Teururai 40 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 41
F o u r S e a s o n s B r e a k f a s t Ta l k s Artwork by Sophie Twigg-Smith Teururai Four Seasons Breakfast Talks Start your day with coffee, pastries and compelling conversation. Breakfast Talks are 8:45-9:45 am in Moana Terrace above ‛Ulu Ocean Grill. sun Jan 6 mon Jan 7 Anthony Geffen Alice Garrett Anthony Geffen has garnered over Alice Garrett currently serves as a 50 international awards, including special assistant for the Pacific Region multiple British Academy Film Awards (Region One) Refuges Program of U.S. (BAFTAs), multiple Emmy Awards and Fish and Wildlife Service. The Pacific the Sir Charles Wheatstone Award for Region contains 67 National Wildlife outstanding contribution to film and Refuges located in Hawai‘i and other television. His work encompasses 11 Pacific Islands, Idaho, Oregon and projects with David Attenborough, Washington, including Midway Atoll including the award-winning Conquest National Wildlife Refuge, which sits of the Skies series. Join Anthony Geffen within Papahānaumokuākea Marine Artwork by Sophie Twigg-Smith Teururai as he shares behind-the-scenes stories National Monument. Join her as she from recent productions and his work talks about Papahānaumokuākea Marine with David Attenborough and the late National Monument and recent and Stephen Hawking. future film productions about these tue Jan 8 wed Jan 9 areas. Harlan Taney Jayson Sime Artwork by Sophie Twigg-Smith Teururai Harlan Taney is the founder of 4 Corner Jayson Sime is a motivational speaker, Film Logistics, a company specializing in coach, ultrarunner and yoga teacher. outdoor and adventure film production. Sime is the founder of Right to Shine During production of The Weight of LLC, which provides training and Water, Taney wore multiple hats. He coaching to individuals and teams. He was co-producer; he was a cameraman; recently wrote and published his first he coordinated all logistics for the trip book, Self-Care Hacks: 50 Tips and itself, including river support, the film Tricks to Maximize Your Performance, crew and acquisition and set up of any Well-Being and Happiness. Join Jayson specialized camera equipment required; Sime as he shares words of wisdom and and he was guide and safety for kayaker thoughts on how to run 100 miles. Erik Weihenmayer. Join Harlan Taney as he shares behind-the-scenes stories from this production and discusses current and future projects. 42 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 43
G u e s t S p e a k e r s a n d Pr e s e n t a t i o n s Anthony Geffen Considered a pioneer in multi-platform storytelling, Geffen is well known for In the December 2018 edition, which features Geffen’s his work on multiple digital platforms, recent work with the late Stephen Hawking, Wired Anthony Geffen, founder and CEO of Atlantic Productions, worked 10 including projects in 3D, interactive Magazine called Atlantic Productions “the pioneering years for the British Broadcasting apps and now immersive experiences. company behind some of the most exciting advancements Corporation (BBC) before establishing Under its umbrella, Atlantic Productions Atlantic Productions in 1992. Geffen incorporates a group of companies in VR (virtual reality), 3D and AR (augmented reality) has garnered over 50 international including Zoo (computer graphics) and storytelling outside of Hollywood.” awards for his work, including three Colossus (3D). British Academy Film Awards (BAFTAs), Geffen was also responsible for eight Emmy Awards and the Sir Charles setting up Alchemy VR. In the December Wheatstone Award— one of the highest 2018 edition, which features Geffen’s honors in filmmaking—for outstanding recent work with the late Stephen contribution to film and television. Hawking, Wired Magazine called Screened worldwide, Geffen’s Atlantic Productions “the pioneering films comprise a fascinating mix of company behind some of the most documentaries, theatrical films and exciting advancements in VR (virtual IMAX productions. His work encompasses reality), 3D and AR (augmented reality) 11 projects with David Attenborough, storytelling outside of Hollywood.” including the award-winning Great In 2017 Geffen received the first Barrier Reef Series, Conquest of the BAFTA awarded for VR storytelling. Skies and Natural History Museum He speaks regularly at key media and Alive. Geffen also produced the technology forums, including TEDX and highly regarded BBC series Inside the Google Zeitgeist. Geffen is a Fellow of Commons, the landmark BBC/Discovery St Cross College, Oxford. series The Promised Land and the award-winning, theatrical film Wildest Dream: Conquest of Everest. Join Anthony Geffen for a special Recent and current productions presentation as Geffen shares a include Judi Dench: My Passion for behind-the-scenes look at immersive storytelling and his future productions Trees, The Coronation—a very special 1 pm Wednesday, Jan 2 in the Fairmont production filmed with the Queen Join Anthony Geffen for discussion Join Anthony Geffen for discussion Orchid – Festival Presentation Room. of England and released during the The Festival Presentation Room is following the showing of the film David following the showing of the film Judi festival period last year, a film about located across the hall from film Attenborough’s Conquest of the Skies Dench: My Passion for Trees 3:15 pm the Titanic, a Nova special about the screenings. – Rivals 9:30 am Wednesday, Jan 2 at Saturday, Jan 5 at Four Seasons; for 2018 eruption of Kīlauea volcano, and Kahilu Theatre; and 11 am Sunday, Jan discussion following the showing of the Deep Planet—a five-part series for 6 at Four Seasons. Join Anthony Geffen film Natural History Museum Alive 9:30 for discussion following the showing of am Sunday, Jan 6 at Four Seasons; for the Discovery Channel which involves Join Anthony Geffen for a Breakfast the film Attenborough: Behind the Lens discussion following the showing of the dives to the deepest points of every Talk Wednesday, Jan 2 at Mauna Kea 11:15 am Wednesday, Jan 2 at Fairmont film David Attenborough’s Conquest of ocean. Geffen was also involved in an Orchid; and 1:30 pm Saturday, Jan 5 at the Skies – First to Fly noon Saturday, and Sunday, Jan 6 at Four Seasons. immersive project about Black Holes; Four Seasons. Also join Anthony Geffen Jan 5 at Four Seasons; and David creating a virtual tour of the universe for an introduction to the film The Attenborough’s Conquest of the Skies with Hawking as the guide. Coronation 6:15 pm Thursday, Jan 3 at – Triumph 12:30 pm Sunday, Jan 6 at Atlantic Productions is one of the Fairmont Orchid; and 6 pm Saturday, Four Seasons. most highly regarded, high-end, factual Jan 5 at Four Seasons. production companies in the world. 44 w a i m e a o c e a n f i l m f e s t i va l experience. environment. culture. www.waimeaoceanfilm.org F e s t i va l P r o g r a m 2 0 1 9 45
You can also read