KS1-2 2021 - Teachers Pack. YOUNG LONDON PRINT PRIZE 2021 - Woolwich Contemporary ...
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YOUNG LONDON PRINT PRIZE 2021: TEACHERS PACK 1 YOUNG LONDON PRINT PRIZE Mission & Ethos 4 - 5 YLPP 2021: Climate Art / Overview 6 How to Enter: Criteria and Key Dates 7 - 8 Materials Pack 9 Visiting Woolwich Contemporary Print Fair 10 2 AN INTRODUCTION TO PRINTMAKING How to Use This Pack 11 A Brief History of Print 12 - 15 Different Types of Printmaking in Art 16 - 19 Looking at Art: Abstraction / Representation 20 - 22 5 Minute Classroom Challenges 23 3 LESSON PLAN PICK & MIX How to Use This Pick & Mix 24 Different Types of Printmaking in Schools 25 - 33 Polystyrene Printing 25 Lino Printing 26 Paper Monoprinting 27 Paint Monoprinting 28 Cardboard Monoprinting 29 Collagraph Printing 30 Stencil Printing 31 Marble Printing 32 Digital Printing 33 Influences: Contemporary Artists 34 - 37 Artists from Woolwich & Thamesmead 38 Pushing it Further: Experimentation 39 4 READY-TO-GO PROJECTS Relief Printing with Jave Yoshimoto 40 - 42 Monoprinting with Lisa Sanditz 43 - 45 Relief Printing with Abel Rodriguez 46 - 47 Relief Printing with Chris Jordan 48 - 50 Monoprinting with El Anatsui 51 - 53 Digital Printing with Benjamin Von Wong 54 - 55 Stencil Printing with Tau Lewis 56 - 58 Monoprinting with Heather Day 59 - 60 YOUNG LONDON PRINT PRIZE 2021 2
1 YOUNG LONDON PRINT PRIZE Young people are the art history of tomorrow. MISSION & ETHOS Image from Woolwich Contemporary Print Fair Schools Workshops 2018. Photo by Boldface YOUNG LONDON PRINT PRIZE 2021 3
1 YOUNG LONDON PRINT PRIZE Young people are the art history of tomorrow. MISSION & ETHOS Young London Print Prize is a competition driven by the idea that all young people are artists in their own right. Our goal is to contribute directly to the lives, minds and creativity of young people, first in Woolwich and Thamesmead, and then across the whole of London. We support pupils and teachers to learn about printmaking and submit original art to be judged by young adults and exhibited at Woolwich Contemporary Print Fair — one of the UK’s biggest contemporary art fairs. Equality and inclusivity are central to the way we think and work. The prize is accessible to pupils from all backgrounds, as well as SEND pupils, and pupils with additional needs. There are no costs for schools or students to enter the prize. Our core mission is to bridge the gap between compulsory education and the contemporary art world by championing young people to engage in their own artistic and curatorial practices. The two fundamental principles behind YLPP are first, that all young people are artists in their own right, and second, young people are the art history of tomorrow. At YLPP we believe that all young people are artists in their own right and have the capacity for greatness. We believe that young people create work that can be just as powerful as the work of adult artists. YLPP aims to introduce young people to the notion of an independent artistic practice: the long-term personal production of art and its relationship to processes, ideas and influences. Through this, we aim to inspire young people to see themselves as artists, developing confidence, independence and creative expression, and, perhaps, the next generation of art world superstars! YOUNG LONDON PRINT PRIZE 2021 4
We think that art history needs to be re-written from the grassroots. As it stands, the mainstream story of art and the contemporary art world does not reflect the breadth of race, religion, class, gender and educational needs, of London’s schoolchildren. Over the past decade, there has been a palpable shift in the art world to readdress this imbalance. Art institutions have been a leading force in this re-writing of art history. Organisations such as Tate, Barbican and Baltic, have developed ambitious education programmes and radical shifts in curatorial perspectives to include a far greater breadth of voices. The 2019 Lee Krasner retrospective at the Barbican, for example, has consciously re- written the male-dominated history of Abstract Expressionism; the Tate Modern’s 2017 exhibition Soul of A Nation: Art in the Age of Black Power, shines an essential spotlight on the civil rights movement and contemporary race relations; while Steve McQueen’s 2019 project, Year 3, commissioned by Tate, placed photographs of London’s schoolchildren and teaching staff as billboard posters across the tube, as well as being exhibited in the main hall of Tate Britain. While the art world is slowly diversifying, this change has to be embraced at every level in order to make meaningful change and bridge the gap between the incredible work that teachers do on a daily basis and the contemporary art world. Every art institution, organisation and event should engage their local community at a grass-roots level — and that’s exactly what the Young London Print Prize delivers. This project is run by Woolwich Contemporary Print Fair and Boldface, with fantastic support from Peabody, Anthesis and Palatine, and delivered in partnership with ACAVA and Creative Schools. YOUNG LONDON PRINT PRIZE 2021 5
YOUNG LONDON PRINT PRIZE 2021 CLIMATE ART | OVERVIEW Climate Art As the UK prepares to host COP26, the United Nations climate change conference, Young London Print Prize 2021 explores the theme of Climate Art: an umbrella term that refers to art dealing with a broad spectrum of issues associated with environmentalism, sustainability and climate change. Through the prize we hope to give some foundational insight on the topic, inspire conversation in schools, and — most importantly — platform the voices of young people. It is their futures affected by the environmental failures of humankind, and also their kindness, strength and ambition that offers a future of positive change and hope. Overview Young London Print Prize 2021 is open to all Years 5 & 6 pupils from participating London schools. In October, we will run in-school workshops to get teachers and pupils started on their entry. 1st, 2nd and 3rd prize, plus a Curators Pick from each participating school will all be selected by a panel of Young Judges made up of Year 12 pupils from local Sixth Forms and colleges. Along with the prizewinners, all of the entries will be complied into a virtual book which will be published on Woolwich Contemporary Print Fair website. What will the judges will be looking for? Beauty is in the eye of the beholder, and ultimately, the judging of any artwork is always subjective. Nonetheless, the Young Judges will consider certain aspects within each work of art: originality, creativity, ideas, technique, colour palette and composition. All entries will be judged anonymously. YOUNG LONDON PRINT PRIZE 2021 6
HOW TO ENTER: ENTRY CRITERIA • YLPP is open to all Year 5 & 6 pupils of schools enrolled in the prize. • All submissions must be made though schools. • Each young artist can submit one print. • Collaborative works will be accepted to the prize. But the collaborators cannot enter another artwork. • The work of art must have been created using printmaking techniques. These can be used as creatively as the artist would like, but paintings, drawings, or any other art medium will not be accepted. • Works must be 2D. • Works can be any shape, as long as they are A3 or smaller. • The YLPP Entry Label must be stuck on the back of every submission in the top left corner, filled out in clear, readable handing writing. • Schools must organise all labelled submissions in neat piles of each class. YOUNG LONDON PRINT PRIZE 2021 7
HOW TO ENTER: IMPORTANT DATES & INFORMATION • Please order our Materials Pack detailing the amount of participating students from your school by Friday 30th July via email to matt@woolwichprintfair.com. South East London Schools: • In-school workshops Monday 4th - Friday 8th October. Please liaise with Matt to organise specific dates and times. West & East London Schools: • In-school workshops Wednesday 29th September - Friday 8th October. Please liaise with ACAVA (West London schools) and Matt (East London schools) to organise specific dates and times • All entries to the prize must be completed by Tuesday 19th October, ready for collection on Wednesday 20th October. • The awards ceremony will be held on Thursday 11 November (pm) at Woolwich Contemporary Print Fair on the Royal Arsenal. There we will announce the prizewinners of YLPP 2021: 1st, 2nd, 3rd place across all participating schools, plus 18 Curator's Pick — one from each participating school. Please save the date! Any questions or queries feel free to contact Matt via e-mail on matt@woolwichprintfair.com. Please note: By entering YLPP, permission is automatically granted for names of the artists’, and the artwork they submit, to be photographed and published in the online YLPP book, and for unlimited use on WCPF, YLPP and Boldface social platforms. YOUNG LONDON PRINT PRIZE 2021 8
MATERIALS PACK Prior to the in-school workshops, YLPP will send a Materials Pack directly to the school. Some of these materials will be used for the in-schools workshops, the rest will be for the school to keep. The Materials Pack will include: • Paper • Printing Ink • Lino sheets • Rollers • Ink/Roller Trays YOUNG LONDON PRINT PRIZE 2021 9
WOOLWICH CONTEMPORARY PRINT FAIR Woolwich Contemporary Print Fair is the largest event of its kind in the world. It creates a welcoming interactive space for people to enjoy and engage with the best of contemporary print, supporting independent artists alongside specialist galleries, famous names, and London’s latest art prize for young people. This unique hybrid model provides opportunities for emerging and unrepresented artists to be seen by leading gallerists and collectors; and for exhibiting galleries to be part of a rapidly growing platform with a pioneering approach to print. An international open call and interactive programme produces a rich mix of work and a visitor experience that attracts thousands of people to engage in person and tens of thousands more online around the globe. This is the antithesis of a traditional art fair: an accessible, aspirational, hands-on platform at the cutting edge of art curation that speaks to people of all ages and backgrounds. Our ambition is to challenge preconceptions of print, provide exhibition and sales opportunities for some of the world’s best living artists, and help democratise fine art by inspiring the next generation of printmakers. In 2021, the Print Fair will be live from Thursday 11 - Sunday 14 November in the new creative quarter on the Royal Arsenal in Woolwich with an online edition running from 11 - 28 November. For more information: woolwichprintfair.com VISITING THE FAIR Alongside YLPP, which takes place prior to the fair, workshops for school groups are available at the live event. All workshops are free for schools and pupils, funded by Peabody, Anthesis and Palatine Private Equity. Visiting the Fair and experiencing the artwork displayed is an opportunity for teachers and pupils to access and learn more about the different forms of printmaking. Please contact matt@woolwichprintfair.com to arrange a suitable time for a group visit or to request a Schools Risk Assessment. Designated workshop facilitators for the fair all have recent DBS checks. During Covid-19 all workshops will have comprehensive measures in place to ensure pupils and staff are safe and hygienic. All workshops will be delivered inline with government guidelines for Covid-19 safety. YOUNG LONDON PRINT PRIZE 2021 10
2 AN INTRODUCTION TO PRINTMAKING HOW TO USE THIS PACK We know that teachers know their classrooms better than anyone else. For that reason, the following information, tips and activities are flexibly designed so that teachers can pick and choose, adapt and extract, in whatever way works best for them and their pupils. The aim of the pack is to provide information and practical activities for teachers to encourage young people to engage in their own independent art practices and, along the way, create one print that they can enter to YLPP. The pack can be adapted for Early Years, Key Stages 1 & 2, as well as for SEND pupils, groups or schools. In this Teachers Pack you will find: AN INTRODUCTION TO PRINTMAKING (p.12 - 23) Information and tools about printmaking and looking at art. LESSON PLAN PICK & MIX (p.24 - 39) Printmaking techniques and contemporary artists that can be put together by teachers to create a class project. READY-TO-GO PROJECTS (p.40 - 60) 8 prepared printmaking projects. We hope that there are some useful suggestions to get our young people making great works of art! YOUNG LONDON PRINT PRIZE 2021 11
AN INTRODUCTION TO PRINTMAKING A BRIEF HISTORY OF PRINT FROM THE BIRTH OF PRINT, TO THE BIRTH OF THE INTERNET Printmaking as we know it today has a long history of influences from all over the world that have developed simultaneously, and influenced each other in many different ways. Some of the earliest documented forms of printmaking were developed in China and Japan including techniques such as Suminagashi, from 12th century Japan, which printed colourful patterns onto paper using ink and water. Ancient example of Suminagashi, Unknown artist, approx.12th century. Nowadays, living in the UK, and most parts of the urbanised world, you will see more images in a day than the average medieval European would see in their life. This visual saturation has its genesis in the birth of printmaking technology. Prior to the fifteenth century, images were sparse and limited to the walls of the wealthy. The turn of the fifteenth century saw the advent of print: these new technologies made the reproduction of a single YOUNG LONDON PRINT PRIZE 2021 12
image thousands of times feasible. From a single matrix of carved wood or metal, an image could be infinitely reproduced and dispersed across Europe and the world. When this invention was followed in the mid-fifteenth century by the introduction of movable type, the first printed books could be produced. This meant that the possibilities for the spread of knowledge and ideas expanded in an unprecedented manner. Woodcuts, engravings, and etchings also publicised the inventions of painters and spread knowledge of new styles. While many of the techniques necessary to produce prints were known before the fifteenth century, it was the widespread availability of paper that made printmaking feasible. The first paper mills in Germany and Italy had opened by the 1390s, around the same time that the first woodcuts were produced. Prints provided a means of mass- production, planting the seed of social mobility within European society and shaping the modern world we inhabit. In many ways, the birth of printmaking is very similar to the birth of the internet: a revolution in the way that information can be disseminated, making it readily accessible to the majority of society. YOUNG LONDON PRINT PRIZE 2021 13
Page 13: Hendrik Goltzius, Print of Mars, Netherlands, c.1588. Chiaroscuro woodcut on paper, 24x17 cm. British Museum, London. Page 14: Francisco de Goya, The Sleep of Reason, Produces Nightmares, Spain, 1799. Etching, aquatint, drypoint, and burin on paper, 29.5x21 cm. Experimentation with printmaking had a decisive impact on the history of art. The Renaissance revival of classical antiquity was fuelled by prints that spread knowledge of ancient Roman buildings and sculpture throughout Europe. Prints not only provided a new outlet for artists to explore their own interests, whether in classical antiquity, tales of magic and witchcraft, landscape, everyday life, or fantastic visions; they also allowed the newly evolved middle classes to own works of art themselves. This granted cultural gravity outside of the elite sphere and began the development of art markets throughout the Enlightenment. From Holbein’s biting satire, to Rembrandt’s harrowing portraits of Europe’s destitute, prints enabled the masses of Europe to engage critically with art. YOUNG LONDON PRINT PRIZE 2021 14
Katsushika Hokusai, The Great Wave, Japan, c.1830-32. Polychrome woodblock print on paper, 25.7x37.9 cm. The Metropolitan Museum of Art, New York Japanese printing techniques continued to have an important impact on the history of art. In the 19th century, a woodblock printing technique called Ukiyo-e, had such a huge influence on European artists — in particular the Impressionist painters — that Europeans made a special name for the phenomenon of Japanese influence in European art: Japonisme. The synthesis of art and cultural dichotomies brought about by the print continued to develop and evolve as European global wealth expanded up until the modern day. We hope that, with this Teachers Pack, teachers and pupils will be able to explore, experiment and enjoy the culmination of the historic genre of printmaking. YOUNG LONDON PRINT PRIZE 2021 15
DIFFERENT TYPES OF PRINTMAKING IN ART WHAT IS A PRINT? A print is the impression of an object or an image left on a surface. There are lots of different types of printmaking. Below are short explanations of some of the most common forms: INTAGLIO PRINTING Intaglio printing is when the image that is being printed is scratched, carved or engraved into a surface. Ink is then placed into the grooves that make up the design, and is then printed onto a second surface, usually paper. YOUNG LONDON PRINT PRIZE 2021 16
RELIEF PRINTING Relief printing is the opposite of intaglio printing: the areas around the image — not the image itself — are cut away, leaving the image on a block. The raised areas are then inked and transferred onto a second surface, usually paper. MONOPRINTING In ancient Greek, ‘mono’ means ‘one’. So monoprinting literally means a print that can only be done once. This is usually because it is done by hand, using different shapes of metal, stone, woodblock or cardboard dipped in ink or paint and placed directly onto a surface by the artist. YOUNG LONDON PRINT PRIZE 2021 17
DIGITAL PRINTING Digital printing is just an umbrella name for all types of printing that are generated via a computer. SCREEN PRINTING Ink is pushed through a mesh to print a particular design on a surface, for example a sheet of paper, a t-shirt, or a bag. Below the mesh is a cutout of the design that the ink cannot get through. Because of this, the liquid only transfers to the areas where the screen permits, which creates the image. Only one colour can be applied at a time, so a different screens must be made for each colour YOUNG LONDON PRINT PRIZE 2021 18
LITHOGRAPHY Lithography is a printing process based on the fact that grease and water don’t mix. Grease is applied to certain sections of the design which makes them water-resistant. Then the surface is placed into a printing press, which squashes the printing design against a second surface, usually paper. Because the ink is repelled by the water- resistant sections of the design, it is only printed onto leftover sections, which creates the printed image. Lots of exciting materials and acids are used in Lithography, which, sadly we can’t always use at home or in school. YOUNG LONDON PRINT PRIZE 2021 19
LOOKING AT ART: ABSTRACT / REPRESENTATION Art is difficult to define — that’s the beauty of it! While there are movements, trends, and time periods which have shared styles, art continuously morphs and changes. A great tool for identifying different types of art, while maintaining a non-dogmatic approach to how we label it, is an Abstract / Representation scale. By thinking of abstraction and representation as points on a fluid spectrum, rather a specific concrete set of characteristics, it gives young people a framework to understand different types of art — making the undefinable nature of art, a little bit easier to name: Abstraction Representation Pure shapes and Art that looks like colours where you something you have cannot see anything seen before: a chair, a you might recognise. rainforest, a person, a highway, or a piece of fruit. The purest visual form of representation would be a photograph of something you recognise. YOUNG LONDON PRINT PRIZE 2021 20
Exercise: Look at the 3 images below and place them where you think they should go on the scale: Images from left to right: Atta Kwami, Vane, 2006, relief print on paper, 35.6x24.9cm. Collection of the artist. Yayoi Kusama, Pumpkin, 1999, acrylic on canvas, 22×27.3cm. Yodo Gallery, Osaka. Steve McQueen, Year 3 Class Photographs, 2019, photographic print, Tate Britain, London. YOUNG LONDON PRINT PRIZE 2021 21
Abstraction Representation Pure shapes and Art that looks like colours where you something you have cannot see anything seen before: a chair, a you might recognise. rainforest, a person, a highway, or a piece of fruit. The purest visual form of representation would be a photograph of something you recognise. YOUNG LONDON PRINT PRIZE 2021 22
5 MINUTE CLASSROOM CHALLENGES These challenges could be implemented on a weekly or daily basis in registration time, or as a warm up exercise to a lesson. DRAWING CHALLENGE Show the class a word or an image. Give them 5 minutes to respond to what they saw in a drawing. PORTRAITS CHALLENGE In pairs, look at each others faces. Now draw each other without looking down at the page. Now try it with your eyes shut! MUSIC CHALLENGE Play the class a song. While they listen, they must draw something that in response to how the song makes them feel. Now try it with your eyes shut, or without taking your pen off the paper. STORY CHALLENGE Show a work of contemporary art to the class. Time 5 minutes to write a short story inspired by the image. Go! YOUNG LONDON PRINT PRIZE 2021 23
3 LESSON PLAN PICK & MIX HOW TO USE Lessons can be organised however you see fit: either as part of a whole class group together in a session, or with smaller groups as a special activity throughout the day. 1. PICK A PRINTMAKING TECHNIQUE from pages 25 - 33. 2. PICK AN ARTIST from pages 34 - 38. 3. MAKE A WORK OF ART inspired by your chosen artist, and created using your chosen printed technique. 4. EXPERIMENT with tips from page 39. YOUNG LONDON PRINT PRIZE 2021 24
DIFFERENT TYPES OF PRINTMAKING IN SCHOOLS POLYSTERENE PRINTING TYPE OF PRINTMAKING: Relief Printing EQUIPMENT & MATERIALS: Pencil, Paper, Polystyrene sheets, Ink/ Paint, Tray, Roller METHOD: 1. Using a pencil, draw your design on a polystyrene sheet, pressing very lightly. 2. When you are happy with your design, go over your drawing pressing a bit harder with your pencil so that it makes a groove in the polystyrene sheet. 3. Squeeze ink/paint into the tray and spread using the roller. 4. Roll a thin layer of ink/paint over your polystyrene sheet with your design on it. 5. Place the polystyrene sheet face down on the paper, making sure to not move it around, as this will smudge your image. 6. Carefully lift the polystyrene sheet from the paper, and there on the paper you will have your print! 7. If you are careful with your polystyrene you can reuse it to multiple prints. YOUNG LONDON PRINT PRIZE 2021 25
LINO PRINTING TYPE OF PRINTMAKING: Relief Printing EQUIPMENT & MATERIALS: Pencil , Paper, Lino, Lino cutting tool/ Scissors, Tray, Ink/Paper, Roller METHOD: 1. Sketch out your print design roughly on a piece of paper. 2. Carve out your design into the lino using a cutting tool or an open pair of scissors. Be careful to keep your ngers away from the direction of the cutting tool. 3. Once your design is carved, squeeze some ink into the tray and spread using the roller. 4. Roller a thin layer of ink onto your carved lino sheet. 5. Place a sheet of paper over the lino sheet being careful not to move it around, this will smudge your design. 6. Press down firmly in circular motions allowing the ink to take to the paper. 7. Carefully peel the paper off of the lino and there you have your lino print! Don’t forget the same lino can be washed each time and kept forever to create multiple prints! YOUNG LONDON PRINT PRIZE 2021 26 fi
PAPER MONOPRINTING TYPE OF PRINTMAKING: Monoprinting EQUIPMENT & MATERIALS: Pencil, 2 pieces of Paper, Ink/Paint, Roller Tray, Newspaper METHOD: 1. Draw a design onto one piece of paper. Drawings must be outlines, not coloured or shaded in. 2. Squeeze paint/ink into the tray and spread using the roller. 3. Using the ink/paint from the tray and the roller, spread a thin layer of paint/ ink onto a sheet of newspaper. 4. Gently place the clean piece of paper on top of the painted/inked section. 5. Directly on top of the clean piece of paper, gently place your drawing facing upwards. 6. Use a pencil to draw over all of your initial drawing, pressing very hard with the pencil. 7. Lift up, and there you have your print! YOUNG LONDON PRINT PRIZE 2021 27
PAINT MONOPRINTING TYPE OF PRINTMAKING: Monoprinting EQUIPMENT & MATERIALS: Paper, Paint, Paint brush/Sponge/Roller METHOD: 1. Paint a design onto a piece of paper. 2. Place another piece of paper over the top and press down firmly across the whole piece of paper with a flat hand. 3. Peel the piece of paper away from each other, and there you have your print! YOUNG LONDON PRINT PRIZE 2021 28
CARDBOARD MONOPRINTING TYPE OF PRINTMAKING: Monoprinting EQUIPMENT & MATERIALS: Pencil, Cardboard, Scissors, Tape, Ink/ Paint, Paper METHOD: 1. Draw your design onto cardboard. 2. Cut out the shapes from the cardboard. 3. Cut a cardboard rectangle for each shape you have drawn. 4. Firmly attach the cardboard rectangles to the back of your shapes using tape, this should create a handle. 5. Holding the handle, dip you cardboard shapes into ink/paint. Then press them down onto the paper. 6. You can then repeat the process as many times as you like, creating layers, and different compositions. YOUNG LONDON PRINT PRIZE 2021 29
COLLAGRAPH PRINTING TYPE OF PRINTMAKING: Relief Printing EQUIPMENT & MATERIALS: Pencil, Paper, Cardboard, Scissors, PVA Glue, Ink/paint, Tray, Roller METHOD: 1. Cut a large piece of cardboard, this will become your printing ‘plate.’ 2. With a pencil draw shapes on another piece of cardboard and cut them out. Consider the size of your shapes and what kind of cardboard you use: corrugated cardboard for example creates an interesting linear texture. 3. Glue the cardboard shapes down onto your printing plate, allow it to dry. 4. Squeeze ink/paint into the tray and spread using the roller. 5. Roller a thin layer of ink/paint onto your cardboard printing plate. 6. Place the cardboard printing plate face down on a piece of paper making sure not to move it around, this will smudge your design. 7. Carefully lift the cardboard printing plate from the paper, and there on the paper you will have your collagraph print! YOUNG LONDON PRINT PRIZE 2021 30
STENCIL PRINTING TYPE OF PRINTMAKING: Screen-printing EQUIPMENT & MATERIALS: Pencil, Paper, Scissors, Rubber Ink/Paint, Tray, Roller METHOD: 1. Draw a design onto paper. 2. Cut out the shapes from the inside. You will be left with a hole where you design is. This is your stencil. 3. Place your stencil on top of another piece of paper. 4. Squeeze ink/paint into the tray and spread using the roller. 5. Take the roller with ink/paint on it, and roll across the hole in your stencil. 6. Lift up your stencil, and underneath you will be left with your print! 7. You can repeat the same process using different colours and shapes to create layers and new compositions. YOUNG LONDON PRINT PRIZE 2021 31
MARBLE PRINTING TYPE OF PRINTMAKING: Monoprinting EQUIPMENT & MATERIALS: Paper, Ink, Paintbrush, Large tray filled with shallow water METHOD: 1. Drop 2 or 3 different colours of ink into the water in the large tray. 2. If you want to, you can use the back of a paintbrush to make swirls with the ink in the water. 3. Place a piece of paper flat into the water. Leave it for a short moment, and then gently take it out again. Here you have you print! YOUNG LONDON PRINT PRIZE 2021 32
DIGITAL PRINTING TYPE OF PRINTMAKING: Digital Print EQUIPMENT & MATERIALS: Paper, Computer, Printer METHOD: 1. Select 2 or 3 images or words from the internet or take your own original photographs. 2. Place them into 3 separate documents. 3. Print the first image using the printer. 4. Put the pice of paper back into the printer and print the second image. 5. Repeat the above process for third image. Then you have your digital print! YOUNG LONDON PRINT PRIZE 2021 33
INSPIRATION: CONTEMPORARY ARTISTS Below is a list of suggested contemporary artists to use for lesson plans and print-projects, as well as to suggest to students for inspiration. ‘Contemporary’ refers to the artists of today, which usually spans from the second half of the 20th century to now. The list is organised against an Abstract / Representation scale as explained in pages 20 - 22. ABSTRACT Bridget Riley Alma Thomas Stencil Printing Katharina Grosse Cardboard Monoprinting Polyester Printing Paint Monoprinting Stencil Printing Cardboard Monoprinting Marble Printing Julie Mehretu Stencil Printing Cardboard Monoprinting Atta Kwami Liliane Tomask Stencil Printing Cardboard Monoprinting Paint Monoprinting Paint Monoprinting Giorgio Griff Isabel Nola Stencil Printing Simryn Gil Cardboard Monoprinting Cardboard Monoprinting Polyester Printing Paint Monoprinting Paint Monoprinting Marble Printing YOUNG LONDON PRINT PRIZE 2021 34 l n a o
Kim Yong-I Stencil Printing Virginia Jaramill Paper Monoprinting Paper Monoprinting Lygia Pap Cardboard Monoprinting Polyester Printing Cardboard Monoprinting Judy Chicag El Anatsu Sue William Stencil Printing Cardboard Monoprinting Stencil Printing Cardboard Monoprinting Paint Monoprinting Cardboard Monoprinting Howardena Pindel Nja Mahdaou Rachid Koraïch Stencil Printing Polyester Printin Polystyrene Printin Cardboard Monoprinting Paper Monoprinting Paint Monoprinting Stencil Printing Owusu-Ankoma Mohamed Omer Bushar Lara Balad Polystyrene Printin Polystyrene Printing Cardboard Monoprinting Stencil Printing Paper Monoprinting Paint Mono Printin YOUNG LONDON PRINT PRIZE 2021 35 i e i k s o i g i h o g g g l a
Ibrahim El Salah Zaha Hadi Yayoi Kusam Polyester Printing Polyester Printing Polystyrene Printin Stencil Printing Stencil Printing Stencil Printing Paint Monoprinting Miao Yin Chris O l Malangatana Valente Ngweny Digital Print Polyester Printin Polyester Printing Stencil Printin Stencil Printing Njideka Akunyili Crosb Mel Bochne Simphiwe Ndzub Polyester Printing Stencil Printin Polyester Printing Stencil Printing Paint Monoprinting Paper Monoprinting Cardboard Monoprinting Sophia Al-Mari Ibrahim El Salahi Jak Katarikaw Digital Prin Stencil Printing Polyester Printing Cardboard Monoprinting Stencil Printing Paper Monoprinting YOUNG LONDON PRINT PRIZE 2021 36 fi g i d t r g g a e a g i e g y a
Flo Brooks Jane Alexande David Koloan Stencil Printing Polyester Printing Polyester Printing Cardboard Monoprinting Stencil Printing Paper Monoprinting Cardboard Monoprinting Thenjiwe Niki Nkos Ayqa Kha Kara Walke Polyester Printing Polyester Printing Stencil Printing Stencil Printing Stencil Printing Martine Gutierre Kent Monkma Teal Sha Polyester Printing Polyester Printing Polyester Printing Cardboard Monoprinting Paper Monoprinting Stencil Printing Hannah Quinlan Anderson & Rosie Hasting Polyester Printing Samuel Foss Lydia Blakele Polyester Printing Paper Monoprinting Polyester Printing REPRESNTATION Paper Monoprinting Paper Monoprinting YOUNG LONDON PRINT PRIZE 2021 37 h n r o y e n s r z i
ARTISTS FROM WOOLWICH & THAMESMEAD Emily Crookshank Rosey Prince Paige Denham Keith Hau Luke Merryweather Euan Stewart YOUNG LONDON PRINT PRIZE 2021 38
PUSHING IT FURTHER: EXPERIMENTATION THINGS YOU CAN TRY: • Printing onto different types of paper. For example: newspaper, magazine pages, graph paper. • Do one printing technique, let it dry, then do another one on the top. • Sometimes less is more, try doing one single shape in the middle of the page. • A print doesn’t have to be a square or a rectangle, try cutting a different shape from the paper. YOUNG LONDON PRINT PRIZE 2021 39
READY-TO-GO PROJECTS RELIEF PRINTING with JAVE YOSHIMOTO TECHNIQUE: POLYSTYRENE PRINTING Jave Yoshimoto is inspired by the places he travels to, incorporating recognisable digital emblems like location pins into vast natural landscapes of modern disasters. Yoshimoto is recognised for fusing traditional Japanese print with detailed gouache paintings. The linear style of Yoshimoto’s work is often seen in the traditional Japanese craft of woodblock printing with techniques like Ukiyo- e. Visually there is a clear link between Yoshimoto’s style and the iconic work The Great Wave (1831) by Hokusai. Use repetitive lines to create a print that represents how you see the relationship between nature and the digital world. YOUNG LONDON PRINT PRIZE 2021 40
Above: Incandescent Metatonia (2016) Below: Katsushika Hokusai, The Great Wave off Kanagawa (c. 1831) YOUNG LONDON PRINT PRIZE 2021 41
ACTIVITY 3: MONOPRINTING with LISA SANDITZ YOUNG LONDON PRINT PRIZE 2021 42 Vultures Of Fragments Past (2012)
MONOPRINTING with LISA SANDITZ TECHNIQUE: PAINT MONOPRINTING Lisa Sanditz paints energetic and textural paintings which reflect the connection between humans and the natural landscape. Sanditz uses bright colours painted in an expressive manner. What kind of marks can you achieve using paintbrushes? Experiment with other mark making tools like sticks, bottle tops and palette knives to achieve texture within your print. Once you have your print, why not try some layering techniques? You could use marker pens, crayons or oil pastels to add another layer onto of your print. You could even add another print technique such as polystyrene printing over the top. YOUNG LONDON PRINT PRIZE 2021 43
YOUNG LONDON PRINT PRIZE 2021 44 Mud Season (2020)
Joshua Tree (2015) YOUNG LONDON PRINT PRIZE 2021 45
RELIEF PRINTING with ABEL RODRIGUEZ TECHNIQUE: LINO / POLYSTYRENE PRINTING Abel Rodriguez creates visual journeys through detailed painting and drawings. A self-taught artist, all of his illustrative paintings are drawn from memory. Rodriguez walks through his home in the Amazon rainforest and looks at the trees and plants. Could you walk around your local area and then draw it from memory? You could try interesting drawing techniques such as continuous line drawing or drawing with the opposite hand. YOUNG LONDON PRINT PRIZE 2021 46
Above: Monte Firme (2019) Below: Erraza Alta II (2018) YOUNG LONDON PRINT PRIZE 2021 47
RELIEF PRINTING with CHRIS JORDAN TECHNIQUE: POLYSTYRENE PRINTING Chris Jordan is an artist, photographer and film producer who creates work around the themes of mass consumption and plastic pollution. In more recent work Jordan has been raising awareness around birds mistaking plastic for food. It's expected that by 2050 99% of all seabird species will be ingesting plastic. The inside of the bird's carcass represents how human habits cause damage to the environment. Create your own animal print which raises awareness about plastic pollution. YOUNG LONDON PRINT PRIZE 2021 48
Midway, CF000313 (2009) YOUNG LONDON PRINT PRIZE 2021 49
Midway, CF000668 (2009) YOUNG LONDON PRINT PRIZE 2021 50
MONOPRINTING with EL ANATSUI TECHNIQUE: MONOPRINTING El Anatsui is a sculptor who uses everyday items like bottle caps, driftwood and iron nails to create monumental but wondrously supple large-scale installations. Anatsui creates his works from found materials which he manipulates and sews together. Collect some materials that you would otherwise throw away and layer them on top of each other to create an abstract print. YOUNG LONDON PRINT PRIZE 2021 51
Kindred Viewpoints (2015) YOUNG LONDON PRINT PRIZE 2021 52
Gravity and Grace (2010) YOUNG LONDON PRINT PRIZE 2021 53
DIGITAL PRINTING with BENJAMIN VON WONG TECHNIQUE: DIGITAL PRINTING Benjamin Von Wong is a photographer-come-activist who aims to create a positive impact on the environment by raising awareness. He creates his elaborate photography sets using recycled and donated materials such as discarded electricals, plastic bottles and clothing. Could you collect images from the internet, or take your own photographs of objects that we throw away too quickly. See what they look like when you put them together in a digital print! YOUNG LONDON PRINT PRIZE 2021 54
This Ocean Is Made Of 10,000 Plastic Bottles (2016) YOUNG LONDON PRINT PRIZE 2021 55
STENCIL PRINTING with TAU LEWIS TECHNIQUE: STENCIL PRINTING Tau Lewis creates sculptural portraits of herself and ancestors using recycled and hand-dyed materials such as leather, cotton, seashells and plastic. Lewis believes in the act of repurposing and upcycling to create work that helps heal personal and collective trauma. Create your own self-portrait or invent your very own imagined character with the same bold shapes as Lewis. YOUNG LONDON PRINT PRIZE 2021 56
Left: Sword of War (2020) Right: The Leg of The Hen (2020) YOUNG LONDON PRINT PRIZE 2021 57
Opus (The Ovule) (2020) YOUNG LONDON PRINT PRIZE 2021 58
MONOPRINTING with HEATHER DAY TECHNIQUE: PAINT MONOPRINTING ARTIST: HEATHER DAY Heather Day translates movement and energy found in nature into warm and poetic abstract paintings, with its subtle repetitions and mathematical-yet-organic patterns. In her work, Day abstracts how nature makes her feel. Create a print that documents how nature makes you feel. Try layering line drawings on top of your print to create juxtaposing textures in your work. YOUNG LONDON PRINT PRIZE 2021 59
Top left: Curtain #2 (2019) Top right: Towards #2 (2017) Below: It’s A Requirement To Disappear (2018) YOUNG LONDON PRINT PRIZE 2021 60
Young London Print Prize is a collaboration between Woolwich Contemporary Print Fair and Boldface. With enormous gratitude to our generous sponsors Peabody, Anthesis and Palatine, and to our two fantastic delivery partners ACAVA and Creative Schools. YOUNG LONDON PRINT PRIZE 2021 61
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