INFOCUS! FEBRUARY2019 - CAMERA CLUB OF HENDERSONVILLE
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In Focus! February 2019
Steering Committee Table of Contents
Ginny Bedell Education Director education.ccoh@gmail.com
Bob Coffey Program Director bobcoffey@aol.com
Chairs Message / Monthly Schedule 3
Marge Pearson Secretary/Treasurer margep133@mac.com General Interest / Kudos 4
Bonnie Mangold Newsletter Editor ccohnews@gmail.com
Ken Weaver Chairperson kennethweaver@kenzlenz.com Previous Meeting 5-8
Links to other leadership Click here
Upcoming Meeting 9
Before & After/Side-by-Side 10-11
Monthly Calendar The Learning Corner 12-13
Inspirational Photographer 14
Ice Storm Photos 15-21
Blood Moon 22
Sunrises from my Deck 23-26
Before and After - Hands Across
the Sea Competition 27-34
Upcoming Exhibits and Workshops 35
End Notes 36
Cover Photo - Photo of the Month
Photo taken by Ken Weaver - “Frozen cattle fence” - This shot was taken between the
ice covered bars of a cattle gate on the property across the street from our house. Fog
enveloped the ice covered trees in the background.
Newsletter editor: Bonnie Mangold - submissions to CCOHnews@gmail.com by 20th
of the month
February 2019 www.CameraClubofHendersonville.com 2
CHAIR’S MESSAGE by KEN WEAVER
Club Members,
At many of the previous meetings I have encouraged the attending Members to
take advantage of one of the benefits of Membership that being having your own
photo gallery on the website. These Galleries do not need to be static. Each
Member can either replace an image once a month or add images as they are
created.
I am also encouraging participating Members to add a bio picture and a bio
statement. For more information please take a look at the submission process for
creating a gallery.
Some Members may already have their own website. Even if you do we would still
like to see your Gallery of select photos on our site. In addition, we have another
page listing Members personal websites and we will add your link.
2019 Monthly Meeting 2019 Monthly Meeting Topics Gimme Your Best Shot Themes
Themes For Photo Submissions and Presenter for website submission
March: After Photos (Before and After / February 26th Book on Photos of New February: Night Lights
Side by Side) York City by Chuck West
March: Forms in Nature
April: Abstracts - Critique March 26th Before and After - Side by
Side May: Fences
June: Prints - Competition
April 23rd” Abstracts Critiqued by June: Curves
July: Depth - Critique Susanna Euston
August: Handles
October: Shadows - Critique May 28th The Common Found
September: Leaves
Uncommon by Rob Travis
November: Black and White
June 25th Annual Print Competition
July 23rd Depth Critiques by Walter
Arnold
February 2019 www.CameraClubofHendersonville.com 3
General Interest KUDOs
A collection of the Best Photographs in 2018 from
around the web.
http://www.johnpaulcaponigro.com/blog/20492/best-
best-photographs-2018-collected/
Do people other than photographers care about
blurry backgrounds?
https://www.thephoblographer.com/2019/01/02/why-
nobody-really-gives-a-crap-about-bokeh-and-blurry-
backgrounds-apart-from-ourselves/
Thanks to Werner Bonitz for these submissions
Ward Sequin’s “Time to Groom” was a finalist in WNC
Magazine’s photography content: (above)
Kim Maxwell’s “Cute for Food” was a honorable mention
(below left)
https://www.wncmagazine.com/feature/images_western_north_
carolina_2018#expanded
Congratulations to our members!
Submitted by Ginny Bedell
February 2019 www.CameraClubofHendersonville.com 4
Previous Meeting: Critique on subject “Delicate” by JEFF MILLER
Summary by Bob Coffey
At our first Photo Critique session of the year a total of 65 images
were submitted by 24 participants. The first 48 images, Rounds 1
and 2, were critiqued. Round 3 images (17) were not critiqued
due to lack of time, but they were shown. This procedure worked
well and will most likely be followed in the future whenever the
number of submitted entries is such that there is not enough time
to properly critique all of them. Be sure to sequence each of your
three submissions in the file name in the order in which you want
them shown; i.e., 1, 2, or 3.
Before starting his critique, Jeff Miller asked for a show of hands
of all the members who had braved the cold to photograph the red
moon eclipse on Sunday night and most everyone had done so.
He also asked if anyone else had trouble setting up their
equipment since the moon was straight overhead, a very difficult
position for most tripods. He reminded us that it was very
important to prepare in advance by knowing your equipment,
checking it out and making all the adjustments prior to the shoot.
The assigned subject was “Delicate,” which was rather
challenging, and the entries displayed a wide variety of interesting
interpretations.
Jeff pointed out the strong points of each entry and then
suggested and explained the improvements that could be made.
The most common issues, in approximate order of frequency,
regarded lighting, composition, depth of field, backgrounds, post
processing, and the need for “Border Patrol.” One suggestion
dealt with a weak choice of subject.
Under the category of lighting, some of the images (flowers) were
Lily by Ken Weaver
back lit or side lit such that the front or center was in shadow.
February 2019 www.CameraClubofHendersonville.com 5
Previous Meeting: Critique on subject “Delicate” by JEFF MILLER cont This could have been avoided by shifting the camera position, by selecting a better subject or by waiting until the lighting improved. Exposure. In one instance the highlights were blown out beyond what could be recovered in processing and that can be avoided by checking the histogram. Concerning composition, some images contained elements that could support multiple sub-compositions. In one of those, just cropping the mid-section as a vertical would present a much stronger image. An old adage states “If an image is not interesting, you are not close enough” and a number of images could have been improved by simply moving in closer. However, one image was a bit too close and could be improved by not cropping it so tightly. Several of the close up shots suffered from lack of depth of field such that parts of the subject were out of focus. Jeff explained that by selecting a smaller aperture, such as f/16 or even smaller, the depth of field can be increased such that more or all of the subject will be in focus. Some images included distracting backgrounds due to busy detail or bright areas. Our eyes are automatically drawn from the darkest to the brightest areas and from areas that are out of focus to those that are in focus. In one instance, half of the background was black that made the well-lit flower really stand out, but the other half consisted of bright foliage that interfered with the subject. Simply shifting the camera position such that the black background was behind all of the flower or by darkening the bright side of the background in post processing would have prevented that and it would have made the entire subject stand out in high contrast. Star Gazer by Bob Coffey February 2019 www.CameraClubofHendersonville.com 6
Previous Meeting: Critique on subject “Delicate” by JEFF MILLER cont
Post processing. Several images had edges with a slight halo
effect and that is due to over sharpening in post processing. In a
few instances, the colors were oversaturated. We need to learn
when to back off and not use the post processing tools in excess.
“Border Patrol”, a term that Suzanna Euston often uses, calls for
policing or cleaning up elements around the periphery of the image,
such a branches, rocks, foliage, out of focus flowers and other
things. Whenever elements don’t add anything to an image they
usually distract from it. One of the best examples of that was a
beautiful monochrome portrait of a baby girl that could have been
made even better by simply by cloning out the bow in her hair.
In summary, the commentary emphasized the good points and
used the suggested improvements as valuable teaching
points…and that is why we have critiques.
As always, Jeff was very complimentary of the overall quality of the
images submitted. Since joining the club in 2004, he has frequently
served as a critiquer, a presenter and a print competition judge.
When I presented his honorarium after the program, he graciously
returned it along with previous checks as a donation to the club.
This was just another way that he has given back to the CCoH and
we greatly appreciate all of his support.
Cosco Roses - above by Susi Luard
Pretty Pairy - left by Sandy Jones
February 2019 www.CameraClubofHendersonville.com 7
Previous Meeting: Critique on subject “Delicate” by JEFF MILLER cont
Flowers dominated the theme - shown below a few non-flower interpretations of “Delicate”
Splat - Upper left by
Kim Maxwell
Wonderment- Upper
Right by Sean Eikman
Angel - lower left by
Dennis Guffey
Peacock - lower right by
Greg Lambert
February 2019 www.CameraClubofHendersonville.com 8
Upcoming Meeting:……………………………..Chuck West - Book of New York City Photographs CHUCK WEST is based in Asheville, North Carolina. Being the peripatetic wanderer that he is, he has called many places home—from his birthplace of Charleston, South Carolina to Wiesbaden, Germany, New York City, San Francisco, the Texas Hill Country, Santa Fe, New Mexico and several other stops along the way. If you had to hang a label on him, you could call him an environmental portrait photographer. But that by no means tells the whole story. His career has included architectural, corporate, annual report, advertising and editorial assignments for major national and international clients. These assignments have taken him all over the USA and around the world. His personal work is inspired by his passionate interest in the working cowboy life, motorcycling, and the profound beauty of color and light in our world. He is currently developing book projects on these themes. He has recently published a book, My New York (1976-1987): Photographs by Charles Henry West. Also he and his wife Fabian are planning a very personal project about their experience with her breast cancer, the goal being to increase awareness and to give hope to others in treatment. From his bio on the web photographs from his website February 2019 www.CameraClubofHendersonville.com 9
March Meeting:…………………………………………………………….Before & After / Side by Side
2018 Before: Rob McKelvy 2018 After: Gary Lightner
CCoH’s leadership team has been busy selecting six interesting images for our annual Before & After Side by Side program
scheduled for March 26th. The images will be made available for download on February 17th . You will have until March 17th to process
and submit your personal interpretation. So, now would be a great time to brush off your post-processing skills in anticipation of this fun
event!
Below is a brief timeline and explanation about the process!
February 17th:
Six (6) RAW unprocessed images are available (as RAW and JPEG files) via a simple-to-use Web page at
http://CCoH.Bedells.net
Each member can select up to 3 images.
The Member will then process* the image(s) so as to reflect his/her personal vision of the original image(s).
February 2019 www.CameraClubofHendersonville.com 10March Meeting: cont……………………………………………………….Before & After / Side by Side
*Any post processing package available to the member can be used. Processing
could be very basic or more complex based on the interest of the member.
March 17th: (1 week earlier than usual)
Member sends image(s), no later than midnight, to Peter Jones using the
following format.**
�� Resolution – 1400 x 1050
�� First Name, Last Name and sequence number - (e.g.,
Bill_Smith_1.jpg)
�� No caption or title is needed
** NOTE: This is a departure from the format generally used for
PhotoCritique and Gimme Your Best Shot
March 26thth Meeting:
�� The RAW or Before image(s) are projected onto one screen using one
projector and screen.
�� The After or processed image(s) are simultaneously projected onto the
second screen.
�� Each member shares their creative vision for the image and how they
processed their chosen image(s).
2018 Before: Upper Left by Greg Lambert
2018 After: Lower Left by Bonnie Mangold
February 2019 www.CameraClubofHendersonville.com 11The Learning Corner………………………..GINNY BEDELL, Education Director Photographic Element … Form in Nature By Ginny Bedell, Education Director Our upcoming March Gimme Your Best Shot theme is photographing Forms in Nature. Form is one of the essential photographic elements of design created by shadows and highlights on an object in the photograph. Form is like shape, but instead of being concerned only with outline it is also concerned with the subtle shading that makes an object appear three dimensional. So, your challenge is to find and photograph something in nature that demonstrates Form. Here are some interesting links to help inspire creativity. Photos from links #2 and #4 https://www.apogeephoto.com/discovering-form-in-photography/ https://expertphotography.com/line-shape-and-form-photography-composition/ http://www.naturephotographysimplified.com/tips-and-tutorials/photography-composition-techniques- elements-of-design-shape-form/ https://www.pinterest.com/dougharrington/fractal-forms-in-nature/ February 2019 www.CameraClubofHendersonville.com 12
Additions to the CCoH Lending Library………………………..GINNY BEDELL, Education Director
Our thanks to Rich DeSimone for purchasing and donating the following books. An updated list of resources can be found on the
club’s web site.
�� Adams, Ansel. Camera and Lens: The Creative Approach (1973)
�� Adams, Kevin. North Carolina Waterfalls: A Hiking and Photography Guide. (2005)
�� Adams, Kevin. Waterfalls of the Blue Ridge: A Hiking Guide to the Cascades of the Blue Ridge Mountains (2003)
�� Burian & Caputo. National Geographic Photography Field Guide (1999)
�� Busch, David D. Mastering Digital Photography, Second Edition (2006)
�� Freeman, Michael. Image: Designing Effective Pictures (1988)
�� Kelby, Scott. The Digital Photography Book (2006)
�� Manning, Erin. Portrait and Candid Photography: Photo Workbook (2007)
�� McGrath, Norman. Photographing Buildings Inside and Out, Revised and Expanded 2nd Edition (1993)
�� National Geographic. The Ultimate Filed Guide to Photography (undated)
�� Shaw, John. Landscape Photography (1994)
�� Shaw, John. Closeups in Nature (1987)
LA Armstrong
February 2019 www.CameraClubofHendersonville.com 13Inspirational Photographer……….……………………………………………………..…..Ansel Adams
His bio is at
http://anseladams.com/ansel-adams-
bio/
“Ansel Easton Adams (February 20,
1902 – April 22, 1984) was an
American landscape photographer
and environmentalist known for his
black-and-white images of the
American West.
Adams helped found the anti-
pictorialist Group f/64, an association
of photographers advocating "pure"
photography that favored sharp focus and
the use of the full tonal range of a
Some of his less well-known photograph.
photographs from the site:
http://anseladams.com/ With Fred Archer, Adams developed an
exacting system of image-making called
the Zone System, which described a
method of achieving a desired final print
through a deeply technical understanding
of how tonal range is recorded and
developed in exposure, negative
development, and printing”. (Text above
from wikipedia)
February 2019 www.CameraClubofHendersonville.com 14Ice Storm Jan 13th Western North Carolina
June Chambliss - Just a weed - left
Steve Simpson - right
February 2019 www.CameraClubofHendersonville.com 15Ice Storm Jan 13th Western North Carolina cont Ken Weaver: Frozen lichen - above left; Frozen branch - above right February 2019 www.CameraClubofHendersonville.com 16
Ice Storm Jan 13th Western North Carolina cont
Rick Latta
February 2019 www.CameraClubofHendersonville.com 17Ice Storm Jan 13th Western North Carolina cont
Bonnie Mangold
February 2019 www.CameraClubofHendersonville.com 18Ice Storm Jan 13th Western North Carolina cont Alfred Lockwood February 2019 www.CameraClubofHendersonville.com 19
Ice Storm Jan 13th Western North Carolina cont
Valerie Klevan
February 2019 www.CameraClubofHendersonville.com 20Ice Storm Jan 13th Western North Carolina cont
Becky Cook
February 2019 www.CameraClubofHendersonville.com 21Blood Moon Jan 20th 2019 Western North Carolina Many of our members took the opportunity to photograph the blood moon. Below was shared with the Newsletter by Kim Maxwell See her blog for a before shot and more information: https://kimberlyhmaxwell.wordpress.com/2019/01/21/and-then-i-saw-the-moon- turn-red/ Am meteor hit the moon during the eclipse: https://www.youtube.com/watch?v=BVPBeZt50Sk and images from space: https://www.youtube.com/watch?v=k7dtYsoUlnc February 2019 www.CameraClubofHendersonville.com 22
Sunrises from my deck…………………..…………………………………………...BONNIE MANGOLD
One of our goals when choosing a house in Western North Our view is northeast and the largest peak visible is Sugarloaf.
Carolina, was to have a view. After moving here full-time at the From the photo below, you’ll see notations of where the sun rises
end of March 2017, I started noticing the beautiful sunrises and in the middle of the summer vs the middle of the winter. It was
how different they could be. I then started on a project to surprising at how far it moved over the course of a year.
photograph them daily for a year. I took them with my iphone6
(June 15, 2017 to end of Dec 2017) and my iphoneX (Jan to June
14, 2018) and then uploaded them directly to facebook.
Examples of how the sunrise changed over the course of
a year are shown over the next few pages.
Jan 3, 2018
left
Jan 9th, 2018
right -
“Serengeti-like”
Both were with
iphoneX at
6 mm ISO 160
f 2.4
Left 1/9 sec
Right 1/13 sec
February 2019 www.CameraClubofHendersonville.com 23Sunrises from my deck…………………..…………………………………………...BONNIE MANGOLD Above, Feb 1st - example with clouds Above; April 2nd, 2018 Below, March 26th - more of “brooding” type this month Below; May 12th 2018 with fog and sun visible February 2019 www.CameraClubofHendersonville.com 24
Sunrises from my deck…………………..…………………………………………...BONNIE MANGOLD Above: June 20th, 2017 Above: Aug 31st, 2017 Below: July 18, 2017 Below: Sept 13th 2017 February 2019 www.CameraClubofHendersonville.com 25
Sunrises from my deck…………………..…………………………………………...BONNIE MANGOLD Above, Oct 11th, 2017 Above, Dec 12th, 2017 Below Nov 1st 2017 - with Vivd HDR App - Lively Below Dec 19th 2017 - with Vivd HDR App - Lively February 2019 www.CameraClubofHendersonville.com 26
DRAMATIC LIGHT Winner: WARREN WISE - London - “Safe Return”
”Safe Return”
It was taken with my Nikon D750 and 24-105 lens. The
image was taken at a Timeline Event held at East Kirkby
Airfield in Lincolnshire in 2016.
I normally do limited post-processing of my Raw files first in
Lightroom, usually adjusting the white balance, exposure
and sharpness. Then in Photoshop I crop and clean out any
lens spots and tidy up the image. I don’t do layers and
anything fancy or add in any additional details as I like to
show the image as seen by my eye through the lens.
Before Photo: above
After Photo: right
February 2019 www.CameraClubofHendersonville.com 27DRAMATIC LIGHT Runner Up: MARGE PEARSON CCoH
This is part of a series of photos taken in Chicago during a
tube light painting workshop. The emphasis was not on
creating quality photos but, rather, on learning how to create
various effects with the tubes while hiding behind the model.
The tube in this photo had oscillating lights. We did not spend
time on camera settings so the resulting photos did require a
bit more post processing.
For this particular shot, I used a neutral profile, added some
contrast and dramatically reduced highlights and whites. A bit
of clarity and vibrance were added as well as sharpening and
noise reduction. The buildings were also straightened. This
technique opens up limitless creative possibilities and was
easily the most fun workshop I have attended.
Before is above and After to the right
February 2019 www.CameraClubofHendersonville.com 28MOTION Winner - STEVE DUNCOMBE - London “Commuter Racer”
Commuter Racer
Nikon D750 70-200mm lens at 155mm ISO 200 f/5.0 1/25 sec
This shot was taken from the opposite side of the road, looking
across to one of London's main cycle lanes. I chose the spot
because of the background colours and lines, which I thought
would work well for a panning shot. There are also traffic lights
which hold the traffic periodically, giving a clear view across the
road, which enabled me to use a zoom lens for a good panning
motion. For panning shots I use continuous focus and turn off the
lens stabilisation.
I used Lightroom to process the RAW file by adding contrast,
reducing shadows and blacks and increasing vibrance and
saturation.
Before Above and After to right
February 2019 www.CameraClubofHendersonville.com 29MOTION Runner- Up KEITH CAVANAGH - London
I generally always shoot in RAW as it gives much more versatility
when post processing.
The image was taken walking around Lisbon, and I found a spot
where trams were coming around the corner and I thought I'd give
panning a go.
I would have liked the front of the tram to have been more in focus
rather than the door but overall I was very happy with the image.
The camera was hand held and set at 1/4 sec, f6.3 and ISO400
using a 20mm prime lens.
The RAW image was imported into Lightroom where
I initially cropped out the distracting reflection on the
left and the person on the right.
There wasn't much other processing carried out
apart from reducing the Highlights and Blacks,
increasing the Shadows and Whites and adding a
fair bit of clarity to enhance the night shot.
A small amount of Vignette was also added to draw
the eye into the center of the image.
Before: above
After: right
February 2019 www.CameraClubofHendersonville.com 30URBAN LIFE Winner - SUSI LUARD - London - “My Place or Yours?”
I was waiting for a bus one evening next to this lovely lady after a photo
walkabout around Greenwich in South East London. I used the HDR mode
manually on my iPhone X with the sound off to shoot the scene to include what
was going on in the street.
I used Lightroom CC Classic to do all the post-processing. My processing
workflow starts with lifting the mid tones which I've previously saved as a preset
to pop out the image (i.e. reduce highlights, increase shadows, reduce white and
black points, increase clarity and exposure, increase vibrance and saturation just
a touch). The cloning and removal tool cleaned up the top left corner. The radial
filter was used to make very local adjustments to lift the dark areas a touch,
remove noise and
illuminate the bag
and part of the face
that was in the
shadow. I prefer to
use the adjustment
gradient to lighten the
blacks and pull back
the whites. To pop
out the overall image
further, the white
point was increased
while holding down
the option key (on a
mac) - this enables
one to stop before
Before image above and After image to the right blowing out the
whites. The tone S
curve could also be
used to pop out the
image further if
necessary. The
verticals of the image
were adjusted.
February 2019 www.CameraClubofHendersonville.com 31URBAN LIFE Runner-Up - NATALIE ROBINSON - London “Summer Respite”
Summer Respite
It's the last of 10 shots taken after lunch in The Palm Tree - a pub
on Regents Canal, Hackney. It was a very [for London] hot day and
3 of us had retreated into the pub for a break from shooting along
the Canal. We found these 2 women - and Betsy [the dog] chatting;
they obviously knew each other and while one was taking a break
after work, Betsy and her owner were waiting for a lift from the
landlord’s wife. We asked if we could take some pictures and they
agreed, at first posing for the camera and then relaxing and
forgetting we were there.
The digital image was taken with an a 50mm equivalent
lens at f/2.8; the ISO was 80 and the exposure was
1/15sec -some of the earlier shots in the sequence are
movement blurred so this was a lucky capture of a moment
of stillness. I usually shoot raw but for some reason -which
I don’t remember- this is a jpeg.
The initial processing -cropping, black and white points etc-
was in Lightroom but to simplify the image and to help
emphasise the people -and dog- I switched to black and
white and continued in Silver Efex Pro where I used one of
the presets -probably Fine Art Process.
Before above and After right
February 2019 www.CameraClubofHendersonville.com 32WEATHER Winner (tied) - STEVE DUNCOMBE - London “Smash”
Smash
Nikon D750 80-400mm lens at 320mm ISO 1250 f/7.1 1/2500
sec
This shot shows a lifeboat manned by volunteers from a UK
charity - the Royal National Lifeboat Institution. Lowestoft is the
UK's most easterly town and when I first went there, I realised
the long harbour wall would provide a great vantage point for a
photo if a storm was blowing in from the east and the tide was
right. When I noticed the right conditions developing many
months later, I contacted the lifeboat Coxswain to see if they
were planning to launch for a training exercise that weekend
(because they are volunteers they have to train in their free
time). This shot is the result!
It was a very dull and windy day, so I had to ramp up the
ISO and use a fast shutter speed both to freeze the action
and to combat the high winds which were making it a
challenge to hold the zoom lens steady. I've also learned
from experience that it is better to underexpose boat shots
because otherwise the whiteness of the sea spray can be
burnt out.
I processed the RAW file in Lightroom, initially just
increasing the exposure and adding contrast. I then used
the radial filter tool to bring out the detail in the spray -
reducing highlights, shadows and black, increasing whites,
contrast and clarity. Finally, I used the spot removal tool on
a couple of distracting seagulls!
Before above and After left
February 2019 www.CameraClubofHendersonville.com 33WEATHER Winner (tied) - HERK SCHMIDT - CCoH “German Waterfall”
It took three images to make up my German Waterfall entry in the “Hands Across
the Sea” Competition. The waterfall and the building were actually taken standing
in the same place. The problem was that the scene was so wide that I had to shoot
it as two separate images. Some time later I decided to make a composite out of
the images. To increase the impact and make it more dramatic I added the
awesome sky. The sky was taken on a fourth of July. I was on the observation
deck of the Denny's Corporate Headquarters in Spartanburg, SC to shoot fourth of
July fireworks. At the time I found the sky more interesting than the other things the
opportunity provided. Needless to say, I have some awesome stock skies. The
lightning and other modifications were done in Photoshop.
Below is the final image and the three smaller images are the starting images for
the final composite. The sky image has been flipped in the composite.
February 2019 www.CameraClubofHendersonville.com 34Upcoming Exhibits and Workshops
Wendy Brooks online album of her pictures from Bhutan
Mountainlens Workshops New since Last
newsletter https://wendybrookes.smugmug.com/Bhutan-2018
Ultimate Nature Lover’s Workshop - Brian Peterson -
April 11-14, 2019
Dig Deeper Photo Workshop - Jamie Konarski
Davidson - May 15-19, 2019
Textures & More - Donna Eaton - June 20–23, 2019
Textures & More - Donna Eaton - Oct 10-13, 2019
GREAT SMOKY MOUNTAIN
PHOTOFEST
Montreat Conference Center, near
Asheville, NC
September 11 – 14, 2019
200 participants
$195
Registration
Program
February 2019 www.CameraClubofHendersonville.com 35End Notes and New Member Galleries
Your Input is Requested
The newsletter requests your input. We are
looking for:
● Inspirational photographers outside our
area to be profiled in future newsletters
● Tips or tricks
● Interesting apps for smart phones
● Before and after post editing shots with
a brief overview of what was done
● Upcoming photography contests or
exhibits
● Favorite Locations near or far
● Favorite Subject matter
● Anything you think would be of interest
to your fellow photographers!
Submit material to CCOHnews@gmail.com
by the 20th of the month to be included in
the following month’s newsletter.
Submission guidelines
Legal Stuff
Contents of this newsletter are copyrighted 2018 by the Camera Club of Hendersonville, NC or it’s members except where noted. All image copyrights are held by
the photographer. You may not copy, distribute for hire, or use for commercial gain any contents of this newsletter without the explicit written permission of the
copyright holder. Any links to external websites provided in this newsletter are provided as a courtesy. They should not be construed as an endorsement by the
Camera Club of Hendersonville of the content or views of the linked materials. The information contained is for general information purposes only. The
information is provided by the Camera Club of Hendersonville, a not-for-profit organization, and while we endeavor to keep the information up to date and correct,
we make no representations or warranties of any kind.
February 2019 www.CameraClubofHendersonville.com 36You can also read
